Monthly Archives: January 2010

Wine review — Yering Station, Pewsey Vale and Hewitson

Yering Station Yarra Valley Pinot Noir 2008 $28

De Bortoli Yarra Valley

  • Estate Grown Pinot Noir 2008 $38
  • Reserve Pinot Noir 2007 $50

The Rathbone and De Bortoli families make some of the best pinots in Australasia from mature Yarra Valley vines. The Rathbone wine, from Yering Station – first planted to vines by the Ryrie family in 1838 (after they’d been to Braidwood and Michelago) – is pure, silky and harmonious. It’s stunningly good for $28 and built to last in the cellar.  The two  De Bortoli wines show similar purity and harmony, though in a somewhat more savoury mould – especially the very complex reserve wine. They, too, should age well. Winemaker is Steve Webber, husband of Leanne De Bortoli.

Pewsey Vale Vineyard Eden Valley

  • Gewurztraminer 2009 $21–$25
  • Pinot Gris 2009 $21–$25

A little bit of gewurztraminer’s intensely musky, lychee-like flavour goes a long way. It’s the sort of wine to drink on its own once or twice a year. But if you think they’re all sweet and bland, you’ll be gobsmacked by this one – it’s dust dry, but with a lusciously viscous texture and a gripping, slightly firm finish. Fascinating indeed, but one glass may be enough. I suspect the Eden Valley might not be quite cool enough for pinot gris, a variety that struggles for flavour even in an ideal, cool climate. This one’s round and soft and pretty dry, but not overburdened with flavour.
Hewitson

  • Eden Valley Gun Metal Riesling 2009 $22
  • Adelaide Hills Lu Lu Sauvignon Blanc $22

Barossa-based Dean Hewitson makes lovely lean, taut, bone-dry whites from the Eden Valley (the hills to the east of the Barossa) and the Adelaide Hills, a notably cooler part of the same range, just south of Eden.  The riesling is in the classic Eden style – moderate in alcohol with an intensely, citrusy/varietal flavour and austere, delicious dry finish. The sauvignon blanc is distinctly different from the in-your-face Marlborough style. It’s lower in alcohol, less fleshy and more herbal, savoury and light with a pleasantly tart finish. Like Dean’s beautiful Barossa reds these are meticulously well made regional specialties. See www.hewitson.com.au

Copyright © Chris Shanahan 2010

Brats mellow to greats

In the mid eighties Penfolds released the first edition of The Rewards of Patience, containing reviews of Grange Hermitage (as Grange was then called), and the rest of the Penfolds red family, back to the earliest vintages, including the experimental Grange of 1951.

Grange was moving into a purple patch at the time, gaining international recognition ahead of a great flourishing — marked in particular by the release of the sensational 1990 vintage in 1995. Its price shot up. And despite increasing competition, it continued (still continues) to hold number one position in Australian wine auctions.

Its success continues despite last year’s attack by Winewise magazine, accusing Grange of being old fashioned; and a more generic urging by some writers here and in the UK for Australia to move to more elegant, lower alcohol wines. We’d heard all this before in the 1970s. And it’s just as wrong now as it was then.

Consumers roundly rejected the thin, lacking wines made from unripe grapes in the name of elegance — just as they will no doubt do should anyone be silly enough to go down that path again. But out of that error of judgement by our winemakers grew, gradually, a greater confidence in the qualities of our opulent warm climate reds, particularly shiraz.

And it turned out that elegance, in its true sense, was indeed a character of many wines from our emerging, cooler growing areas, like Mornington, Tasmania, Yarra Valley, Canberra, Margaret River and Coonawarra. Over time these grew in number and quality and joined our ever-improving warm climate styles.

And what the critics of the Penfolds style (Grange in particular) often lack is the perspective of long-term aging. For these were, and continue to be, wines that need decades of cellaring. They start as opaque, purple-rimmed wines brimming with fruit, oak and tannin. Even though these are harmonious enough, the total flavour volume and tannic grip can be overwhelming for many years.

Like a lot of others immersed in the trade, I see comparatively few wines of this style among the thousands of reds tasted each year. The market teems with lively, soft, easy to drink reds, quite often made specifically for very early drinking.

And, of course, the elegant, supple shirazes now made so beautifully in Canberra and other cool areas slip down easily in youth, even though some appear to have long-term cellaring ability. But we don’t yet have a thirty or forty year old Clonakilla Shiraz Viognier to confirm that, as we do with Grange.

What we may not see in a young Grange, unless we’ve also tasted very old vintages, is that great periods of time in the cellar render it less opaque, less tannic, less oaky, more complex and increasingly fine – and, yes, even elegant. I was reminded of this over the Christmas break when we opened two old Penfolds reds from our cellar – prompted to do so by the refreshingly cool weather. The wines were Penfolds Grange Hermitage 1982 and Penfolds Bin 80A Coonawarra Cabernet Kalimna Shiraz 1980 (inspired by Max Schubert’s legendary Bin 60A 1962).

These were like children in a way — wines that I’d come to know intimately throughout their lives, beginning when they were bold, purple, tannic oaky brats back in the eighties; and now after a couple of year’s absence moving int0 full, but not declining maturity.

I see that the Rewards of Patience is now in its sixth edition — and all but the first edition of 1986 track the progress of these two wines.

The second edition, 1990, notes Bin 80A 1980 as ‘a wine of great power and breeding with a long life in front of it — a classic in the making’. This was an opinion I shared sufficiently at the time to buy a case of it.

The same edition was equally unequivocal on the progress of Grange 1982 — “Generous, lifted ‘fleshy’ fruit is typical of the ’82 vintage. A distinctive and great Grange”. The tasters recommended a drinking window from the early 1990s and as far out as 2002.

By the third edition in 1994, the tasting panel was seeing Bin 80a 1980 as intense, concentrated, herbaceous, cedary, elegant, of remarkable structure and showing “strong Coonawarra district character”. They recommended drinking it out to 2010.

By this edition 1982 Grange was no longer one of the greats but, rather, “reflects the super-fleshy fruit characters of this vintage”. The tasters suggested regular monitoring (I think this means drinking) within a drinking window of “now to 2005”.

The tasting panel for the fourth edition in 2000 adopted more floral, less meaningful tasting notes for the Bin 80A, demoted it from the ranks of the ‘greats’ and wound back the drink window to 2007 and commented “best drunk soon”.

But the same group held a slightly higher view of the 1982 Grange, pushing the drinking window to 2008 and once again commenting on the distinctive “sweet, ripe fruit”. They thought it “might hold for many years” but not improve.

Just four years later in the 2004 fifth edition, Bin 80A was once again one of the ‘greats’ and its drinking window was now out to 2020. This once powerful red was now “a soft, well-balanced wine”.

This edition adopted a more kindly view of the now 22-year-old 1982 Grange. The tasters recommended drinking out to 2010. They described it as “a supple, refined wine with sweet cassis/cedary flavours”.

In the sixth edition in 2008, Bin 80A, now 28-years-old held its ‘great’ status and its drinking window was pushed out further to 2025. Though it had been described as a “soft, well-balanced wine” four years earlier, it was now “a well-concentrated, solid wine with attractive mature fruit and strong tannin structure”.

The reviews once again commented on Grange 1982’s rich, fleshy fruit, describing it as “idiosyncratic” and recommended drinking it by 2010.

Almost two years after the assessments made in the sixth edition, the Chateau Shanahan team noted the sweet fruitiness of the 1982 Grange. It’s been part of the wine since it was born and I recall that very early on we sometimes wondered if it would live as long as other Granges. Well at just on 28 years it’s soft, juicy, oh-so-complex and wonderfully vibrant, yet ethereal and aged. What a joy it was to drink and share with the family. It has many years to go.

The Bin 80A, too, opened wonderfully. In aroma, flavour and structure it’s still clearly led by cabernet sauvignon (two thirds of the blend) and very much a Coonawarra style — despite the Kalimna (Barossa) shiraz in the blend. This one has mellowed — having moved from power to elegance and grace in its thirty years. It, too, will age for many more years.

These are great wines. And great wine takes time.

Copyright © Chris Shanahan 2010

Beer an cider review — Warsteiner and Henry Westons

Warsteiner Premium Verum 330ml $4.90
This is a very attractive, easy-drinking pilsner style from Warstein, near Dortmund, Germany. Its bright, pale-lemon colour, abundant head and herbal hoppy aroma invite a big swig; then one mouthful invites another. This is delicious stuff: zingy, fresh and bracingly, bitterly dry – perfect for a hot Australian summer.

Henry Westons Special Reserve Vintage 2008 Cider 500ml $7.50
This vintage, oak-matured cider comes from Herefordshire, England. It’s a medium golden colour and heroically alcoholic at 8.2 per cent. It’s full flavoured and fresh, not in the tangy granny smith style – but more along the lines of fully ripe apples just  before they slip into decay.

Copyright © Chris Shanahan 2010

Beer’s parallel universe

Growth of the premium beer market, a corresponding explosion of contract brewing of international brands in Australia and a strong Australian dollar, set the scene for the unprecedented volumes of parallel importing we’re now enjoying.

This is the practice where large retailers and independent wholesalers bypass the official importers, or contract brewers, and import popular brands direct. They then sell the genuine article that they’ve imported alongside the locally brewed facsimile. It’s a kind of arbitrage, exploiting international variations in wholesale prices.

It’d be a highly profitable venture if only one party did it. But as it’s on for young and old, parallel importing tends to drag down prices for everyone in the distribution chain. Drinkers will never complain about the practice. But you can be sure there’s much tut-tutting at Lion Nathan and Foster’s as their locally brewed Becks and Stella Artois battle it out with the genuine articles imported by third parties.

While drinkers benefit from greater choice and lower prices, there is a trade-off between authenticity and freshness. This is because many parallel imports travel the world for some time before arriving in Australia. And with beer, freshness is crucial. A travel-weary Becks from Germany, for example, may be no match for its fresh facsimile brewed in Sydney.

Copyright © Chris Shanahan 2010

Wine review — Mr Riggs, Pewsey Vale and Hewitson

Mr Riggs Adelaide Hills Yacca Vineyard Tempranillo 2007 and 2008 $22–$25
I can’t think of a better Aussie expression of this Spanish variety than Mr Riggs 2007. It offers plush, blueberry-like varietal flavour and assertive but soft tannins that give it structure and a satisfyingly dry finish. It’s made by Ben Riggs from grapes grown on the Scott Hicks and Kerry Hysen-Hicks Yacca Paddock vineyard at Kuitpo.  Kuitpo (pronounced kypo) sits at the southern end of the Adelaide Hills near its boundary with the McLaren Vale wine region.  While good, the 2008 lacks the power and harmony of the outstanding 2007. See www.mrriggs.com.au

Pewsey Vale Vineyard Eden Valley

  • Riesling 2009 $13.49–$23
  • Prima’ Riesling 2009 $19–$25
  • The Contours’ Riesling 2004 $25–$28

This trio, made by Louisa Rose, comes from the Hill-Smith family’s 50-hectare Pewsey Vale vineyard. The dry riesling ranks among the best I’ve seen from the vintage – an extraordinarily delicious drop being given away for as little as $13.49. ‘Prima’, harvested weeks earlier when less ripe, retains a moderate level of natural grape sugar (22.6 grams per litre) with the higher acidity to match. At just 9.5 per cent alcohol it’s a delightful warm weather pick-me-up and will probably age and drink well for decades. And the brilliant lime-green colour of ‘Contours’ sets the scene for an intense, delicate, maturing, world-class dry riesling.

Hewitson Barossa Valley Baby

  • Bush Mourvedre 2008 $28
  • Ned & Henrys Shiraz 2008 $25

Early flowering, above average spring temperatures and a two-week burst of 35-degree-plus heat in March 2008 (following a mild February), brought the Barossa vintage on three weeks earlier than normal. The conditions produced exceptional grape sugar levels, terrifying winemakers. But in the end we’re seeing some excellent wines from the vintage, including this vibrant, rich-but-subtle pair from Dean Hewitson. Baby Bush is made from a young mourvedre vineyard propagated from vines planted in 1853 – it’s a gentle but rich, spicy red cut with persistent, soft tannins. The shiraz (containing nine per cent mourvedre) is another gentle, rich drop featuring, full, earthy Barossa shiraz flavours, tempered by mourvedre spiciness and finesse.

Copyright © Chris Shanahan 2010

Andrew Seppelt’s sensational Barossa wines

Murray Street Vineyards’ new-release reds are sensational — generous, juicy, seamless wines, made by Andrew Seppelt and sourced from low yielding vines sprinkled along the Western rim of the Barossa Valley.

They stand comparison with the best shiraz and blends from any part of the globe. And yet they’re just a small part of a wider movement towards sub-regional and individual vineyard labelling in the Barossa — a movement led by an amazing pool of talent exploiting the wealth of great vineyards, some dating almost to the beginning of European settlement in 1842.

But from a distance the Barossa might seem like one, big, homogenous region, churning out rich, warm, soft shiraz. While there’s a grain of truth in the generalisation, in reality it’s a complex valley of varying landscapes, producing a diversity of styles within that generally big, ripe, soft mould.

And if shiraz is the Valley’s signature variety, it’s commonly blended with the other Rhone varieties, grenache and mourvedre (known locally as mataro) — varieties that also stand on their own, sometimes with distinction.

Were we to tour the Barossa by helicopter, we’d start in the south at the separate Lyndoch Valley with its slopes, flats and feeder valleys; then north over the ridge into the southern Barossa proper with its rolling landscape, eroded by the North Para River; over the Gomersal plateau with black, cracking soils, inhospitable to vines, and its magic, sandy western ridge; through to the rising and flatter central and northern valley to the Kalimna sand dunes; east to the rim of the recently (geologically speaking) uplifted ranges of the Eden Valley and across to the lower,  more eroded western rim, including the Marananga and Seppeltsfield bowls. Doing the tour by Google Earth isn’t a bad approximation.

And were we to walk this roughly 30-kilometre by 12-kilometre landscape with geologist David Farmer we’d see about fifteen distinct land surfaces, including the southern angular-rock type soils, the cobbled soils of Roland Flat, the Kalimna dunes and the Gomersal Ridge sands.

Throughout this infinitely varied landscape, scores of winemakers like Andrew Seppelt are now defining the sub-regions by the wines they make — and currently debating formal boundaries and names (existing parish boundaries, for example, offer convenience but don’t gel, necessarily, with wine styles or natural land surface delineations).

But whatever names or boundaries the sub-regions ultimately adopt, the reality is that the division of wine styles in the Barossa is no longer restricted to north, south, east, west and the Eden Valley (part of the Barossa ‘zone’ but already an approved and separate ‘region’).

Andrew Seppelt’s patch of the Barossa stretches from Gomersal in the south, then north to Greenock and Kalimna — all on the valley’s western rim, an area pioneered by his great-great-great grandfather, Joseph Ernst Seppelt in 1851 and carried on from 1868 by his eldest son, Oscar Benno Seppelt.

The Seppelt family ultimately lost control of the Seppelt brand and the historic Seppeltsfield property. But Andrew’s Murray Street Vineyards, owned jointly with his wife, Vanessa, and Bill and Pattie Jahnke, lies just to the south of the old family property at Greenock.

Andrew writes, “Murray Street Vineyards is the result of a 10 year dream of my wife, Vanessa, and I. Believing that the Barossa is the best place in the world to grow shiraz, mataro, grenache, viognier and Marsanne, we set about sourcing fruit from the most extraordinary soil types in the Barossa Valley. Additional planting were made on the ancient, weathered slate slopes of Gomersal to complement the sandy clay loams of Kalimna’s lower reaches and the ironstone of the upper Kalimna hills”.

From a palette of shy-yielding vines (2.5 to 5 tonnes to the hectare), aged from five to about 90 years, Andrew produces an excellent, full-flavoured viognier marsanne blend (2009 vintage, $35) as well as the five sensational reds mentioned in the introduction.

The Barossa’ 2007 ($35), a blend predominantly of shiraz, with mataro and grenache, shows the lifted, alluring fragrance of grenache. It’s generous and soft, the tone set by grenache but enriched by earthy shiraz and spicy, tannic mataro. It’s a joy to drink now but has the depth to age well in the medium term.

Greenock Shiraz 2007 and Gomersal Shiraz 2007 (both $55) express variations on the shiraz theme from vineyards just a few kilometres apart. They’re both rich, full and soft, but the Greenock wine has a savoury edge and slight firmer tannins; and the Gomersal wine is more fragrant with a scrumptious, juicy palate.

Sophia Shiraz 2006 ($75), named for Andrew’s great-great grandmother, is a truly great shiraz blended from the best fruit from the Gomersal and Greenock vineyards – vibrant, deeply fruity, tender and solid.

Sophie’s fellow flagship, Benno Shiraz Mataro 2006 ($75), offers yet another variation on the theme. Like Sophia, it’s built on the best shiraz from Gomersal and Greenock but contains, as well, mataro from Gomersal. The influence of the mataro is profound – boosting the aroma, making the palate more buoyant, adding spicy flavours and firm, fine tannins.

This is a must-try Barossa variety. Older readers might recall Penfolds Bin 2 Mataro, a wonderful drop. And in recent times I’ve tasted extraordinary all-mataro wines from Dean Hewitson (two wines, one from southern Barossa vines planted in 1853) and Rolf Binder, from vines just behind his Veritas winery to the west of Tanunda.

For more information about Murray Street Vineyards see www.murraystreet.com.au

Copyright © Chris Shanahan 2010

Beer review — Brunehaut and Orkney

Brunehaut Blanche Biere Biologique 330ml $9.50
There’s an appealing light, lemony freshness to Brunehaut bottle-fermented organic Belgian wheat ale – a style based on delicacy, subtle flavour (including a light dusting of spice) and refreshing acidity rather than hops bitterness. Its lightness belies its full five per cent alcohol content. This is a beautifully balanced, complex brew.

Orkney Raven Ale 500ml $9.50
From Orkney, Scotland, Raven is a full flavoured, pale-amber coloured ale weighing in at a modest 3.8 per cent alcohol. The aroma reveals rich malt, seasoned with pungent hops – a combination that carries through on the creamy-textured, complex palate. The finish is dry, with a lingering, harmonious hops bitterness.

Copyright © Chris Shanahan 2010

Identity risk for Coopers

At its annual general meeting late last year, Adelaide-based Coopers claimed to have 3.4 per cent of the Australian beer market – after growing its total volumes by one per cent and interstate sales by 6.3 per cent in the previous year.

At the meeting, Coopers also announced plans to release a new product in the ‘dry beer low carb segment’ in January 2010. It said that this was partly to offset the loss of distribution rights for Budweiser to Lion Nathan, which had previously attempted, unsuccessfully, to buy Coopers.

Coopers had reportedly invested six million dollars in anticipation of producing Budweiser at its Regency Park brewery. But the acquisition of Anheuser Busch, owner of Budweiser, by InBev (now A-B InBev) in November 2008 led to the change of Australasian distribution from December 2009.

While the rapid growth of Australia’s highly-fragment premium beer market creates opportunities for Coopers – something it’s exploited profitably to date – it also presents a marketing challenge.

With a reputation so solidly rooted in the wholesome, wholemeal goodness of its bottle-fermented ales, could the development of relatively bland beers (like its 62 Pilsner, released last year, and entry into the inherently insipid low-carb market this week)  targeted at different drinkers, alienate the established customer base?

Extending old brands is inherently risky, especially when the brand extensions seem to offer values totally at odds with the old.

Copyright © Chris Shanahan 2010

A wine vignette of Tasmania’s Derwent Valley

A visit to Tasmania highlighted the huge contrasts in Australia’s wine industry. Just two weeks before Foster’s set a price of $150 tonne for Riverland chardonnay, Tasmanian growers were boasting prices of up $5,000 a tonne for theirs.

Assuming production of 70 dozen bottles a tonne, that’s a per-bottle grape cost of 18 cents for Riverland chardonnay versus $5.95 for top-end table and sparkling wines – the sort that after winemaking costs, producer and retailer mark-ups and tax fetch $50-plus a bottle retail.

That’s not the stuff, generally, of broad-acre farming. But it gives the flavour of Tasmania’s wine industry – craft based, with comparatively high production costs and correspondingly high bottle prices, though in the main more in the $20–$35 a bottle range than $50-plus.

While pinot noir and chardonnay constitute more than two thirds of the state’s grape plantings, that’s not the only game. Indeed, every winery tells a different story, offering more than the two main varieties and suggesting a far more varied future for Tasmania.

But beneath the outward confidence and high quality on display, profit margins are so tight, says vine consultant Fred Peacock, that even a small shock could prompt many growers to walk away from their vines.

The fragility that Fred sees, however, isn’t apparent at cellar doors we visit around Hobart – in the Derwent, Coal River and Huon Valleys and over on the east coast.

Along the Derwent, for example, we visit just three wineries and find three utterly different operations.

At Moorilla Estate, Hobart’s oldest vineyard, founded by Claudio Alcorso in 1958 and now owned by David Walsh and partners, recently reduced production by three quarters to boost quality. It’s a well-capitalised operation focusing more on fine art than wine.

The new winemaker, Connor van der Reest, oversees construction of a new winery geared to small batch production from Moorilla’s Derwent vineyards (now pressed by suburban Hobart) and extensive plantings in the Tamar Valley to the north. The Tamar vineyards vary by 200 metres in altitude and include pinot noir, chardonnay, cabernet sauvignon, cabernet franc, merlot, riesling, gewürztraminer, pinot gris and even shiraz – with the reds planted on the lower, warmer slopes.

Conor emphasises the main game for the site – David Walsh’s extraordinary museum of modern and ancient art (MONA), due to be opened in 2011. Everything revolves around the art collection – the beautiful Ether building, housing the art collection, Source restaurant, cellar door and Moo Brew Brewery, with the new winery in its lee; and eight magnificent accommodation pavilions – four dedicated to artists Arthur Boyd, Brett Whiteley, Charles Blackman and Sidney Nola (their art on display in each) and four to architects Roy Grounds, Robin Boyd, Esmond Dorney and Walter Burley Griffin.

Conor’s new to Moorilla and charged with turning wine quality around. You can see it already in the whites and in the reds now maturing in barrel. It’s a bit early to get too excited, but it’s probably safe to predict Moorilla becoming one of Tasmania’s best producers very quickly, given its resources and will to excel.

It’s a must visit already and will only get better. Food at Source Restaurant is outstanding, up there with Hobart’s best.

At Stefano Lubiana Wines, Steve and Monique Lubiana make stunning, well-marketed table and sparkling wines from their 19-hectare estate. They moved here from Mildura in 1990.

Here the effort’s in fine-tuning already exemplary quality apparent in riesling, bottle-fermented sparkling wines, pinot grigio, sauvignon blanc, chardonnay, pinot noir and merlot. The two pinot noirs, in particular, are beautiful wines: the fine and fruity 2008 Primavera ($27) and the sensational, taut and savoury 2007 Estate at $45. And Steve’s opulent, fine-boned 2005 Tasmania Chardonnay, at $39, is in the same league.

And at nearby Derwent Estate, Pat Hanigan established vines in 1993 on a sheep and cattle farm that’s been in her family since 1913. Pat produces superb chardonnay grapes, good enough for Penfolds $130 flagship, Yattarna. She praises the help she’s had from Foster’s (owner of Penfolds) in developing her own wines, available at cellar door.

Fred Peacock, one of Tasmania’s leading vine experts rates the Derwent Estate chardonnay vineyard as one of the best sites in the state. He helped Pat choose the site and attributes the outstanding fruit quality in large measure to the underlying limestone.

Now Fred has a theory about high calcium soil and chardonnay quality – something that grew from his earlier years managing apple orchards and the superior keeping quality of fruit from trees growing in calcareous soils. But we’ll return to Fred’s theory in a later article.

Let’s end, instead, with a question. If Tasmanian vineyards now underpin two of Australia’s greatest chardonnays – Hardys Eileen Hardy and Penfolds Yattarna, both multi-region blends – what value is there for Tasmania, or in the longer run Australian wine, in persisting with the blends?

We’re moving to regional marketing. It’s the international language of fine wine. So why don’t Foster’s (owner of Penfolds) and Constellation (owner of Eileen Hardy) commit their very best Tasmanian chardonnay to their Tasmanian brands — Heemskerk and Bay of Fires respectively. Why dilute their Tasmanian offerings by bolstering multi-region blends that few international consumers are likely to understand?

Copyright © Chris Shanahan 2010

Beer review — Great Divide and James Squire

Great Divide Hercules Double IPA 355ml $11.90
“It is not for the faint of heart. It is, however, fit for the gods”, reads the label. And there’s a heavenly side to Hercules. It’s luxuriously malty, hoppy and silk smooth in an over-the-top, alcoholic, one-is-enough way. Hercules comes from the Great Divide Brewing Co, Denver, Colorado, USA.

James Squire Original Pilsener 345ml 6pack $16
The original lagers of Bohemia offer rich, pure malt flavour balanced by the striking aromatics and assertive bitterness of Saaz hops.  It’s a style emulated around the world. But few match James Squire’s interpretation, using Saaz hops from New Zealand and the Czech Republic. It’s made by Lion Nathan’s Malt Shovel Brewery, Sydney.

Copyright © Chris Shanahan 2010