Monthly Archives: February 2010

Wine review — Collector, Chandon, Freeman and Morambro Creek

Collector Canberra District Reserve Shiraz 2008 $46
Alex McKay’s Collector Reserve 2008 won four trophies at the recent Sydney Royal Wine Show, topping Aussie greats like Vasse Felix Cabernet and Best’s Bin O Shiraz. Alex sourced the shiraz from the Kyeema Murrumbatemen Vineyard – and added a few buckets of the white variety, viognier, from Kyeema and Wayne and Jenny Fischer’s vineyard. Since its release late last year the wine has largely absorbed the telltale sappy/herbal notes derived from whole-bunch fermentation, leaving just a leafy hint. This seasons the flavour and adds savouriness and grip to the deep, supple, very fine palate. This is a glorious wine and a world away from our traditional styles. See www.collectorwines.com.au

Chandon Pinot Gris 2009 $25–$28
Freeman Hilltops Fortuna 2008 $22–$25

At a recent tasting this contrasting pair, based on the white variety, pinot gris, divided the audience. The all-pinot gris Chandon 2009 – from Victoria’s King and Yarra Valleys – appealed for its combination of brightness and fine, smooth, silky texture, probably the result of partial barrel fermentation. Brian Freeman’s wine, from the nearby Hilltops region, appealed to those with a taste for more savoury, slightly grippy dry whites. Brian blends it from pinot gris with smaller amounts of sauvignon blanc, chardonnay, riesling and aleatico – source, says Brian, of those savoury, pleasantly tart tannins.

Morambro Creek Padthaway

  • Shiraz 2007 $19–$22
  • Cabernet Sauvignon 2007 $19–$22

Since the sad decline of the Lindemans brand we hear little of the Padthaway region, on South Australia’s Limestone Coast, an hour’s drive north of Coonawarra. The success of Lindemans Padthaway Chardonnay during the eighties and nineties, and for a little while this century, drew this very large producing region to the attention of wine drinkers. Alas, much of its produce disappears into anonymous multi-regional blends. But occasionally we see elegant, tasty wines like this pair from Morambro Creek carrying the regional flag. These tasty, easy-drinking wines give us a glimpse of what this region can deliver in abundance. See www.morambrocreek.com.au

Copyright © Chris Shanahan 2010

Trophy Collector — how a Canberra shiraz stole the Sydney show

There was no phone call, no email, no press release. Indeed, if it hadn’t been for a tip-off from one of the judges, Alex McKay’s success at Sydney’s 2010 Royal Wine Show might’ve escaped our notice. His Collector Reserve Shiraz 2008 won a gold medal and four trophies, including the Dr Gilbert Phillips Memorial Trophy for best red wine of the show.

It’s a significant win for Alex and Canberra shiraz, especially as Collector Reserve pipped one of Australia’s shiraz blue bloods, Best’s Great Western Bin O, for the top honour.

Alex reckons “it’s an achievement for the show to pick a wine like that. The judges are better and the classes are more sympathetic to this style”. But he’s not viewing the success of this elegant, cool climate shiraz as the end of big, traditional styles from warm areas. He says these regions have suffered a couple of very hot vintages, resulting in “a lot of over-ripe wines from South Australia, and they’ve not been doing well because of it”.

The Collector wine comes principally from the Kyeema vineyard, Murrumbateman, containing some of Canberra’s oldest shiraz vines, planted by Ron McKenzie in 1983. (Part of the small viognier component in the blend comes from Wayne and Jenny Fischer’s Murrumbateman). It’s been source of Kyeema Estate Shiraz (now part of Capital Wines) but the vineyard also provided fruit to Hardy’s during their period in Canberra. As Hardy’s winemaker, Alex appreciated the superior quality of Kyeema fruit and consequently maintained the relationship when he set up on his own after Hardy’s departure from Canberra.

Without this fruit, we wouldn’t have a Sydney trophy winner. But it demonstrates Canberra’s potential for shiraz – good sites with properly managed mature vines can make great wines.

Alex made the trophy winner in the old Madew winery at Lake George (now part of Lake George Winery). He fermented numerous batches of the Kyeema fruit, ranging from half a tonne to four tonnes. They were all natural – that is, spontaneous, without the addition of cultured yeasts. Controversially, he used whole grape bunches in about 40 per cent of the ferments.

Whole grape bunches include stalks — and these add distinctive stalky and herbal aromas and flavours, as well as bolstering the tannins and, hence, texture of the wine. But generally a little bit goes a long way.

At the time, Alex thought he might’ve gone “a bit too far – I was a bit scared”. He says that this herbal, stalky, slightly hard edge was most apparent in the young wine and admits, “a lot of people could be turned off by it”. However, he sees the character becoming better integrated into the wine with every month that passes and the fleshiness seems to increase.

I’ve tasted the wine only once, at a Senso dinner hosted by Clonakilla’s Tim Kirk last October. I noted the whole-bunch stalky character. It was certainly right up front. But the wine was delicious – silky, smooth and elegant with the stalky character adding complexity. “Superb” was the final comment.

I’ve not tried the wine since last October. But Jeremy Stockman, a judge the Sydney Show, tells me his main impressions were the wine’s purity and brightness – a wine of sufficient depth to bear comparison with Best’s legendary Bin O Shiraz.

Collector Reserve Canberra District Shiraz 2008 is available at around $46 from fine wine outlets and www.collectorwines.com.au. Alex expects to sell out within one month as he made only 1,000 six packs. He also offers the outstanding Collector Marked Tree Shiraz 2008 at $26 and has in the pipeline an $18 Canberra shiraz – a joint venture with fellow winemaker Nick O’Leary

HOW COLLECTOR STOLE THE SHOW

Collector Reserve Shiraz 2008’s four trophy winning streak at the Sydney Royal Wine Show began modestly. A gold medal won alongside Wolf Blass Gold Label Adelaide Hills Shiraz Viognier 2008 – its only competitor in class 52 (premium shiraz viognier blends) – put Collector in the running for the John Swann Memorial Trophy.

It was tasted off against gold medallists from the other eligible classes – Lillydale Yarra Valley Pinot Noir 2008, St Hallett Barossa Valley Gamekeepers Reserve Shiraz Grenache 2008, Yellowtail The Reserve Shiraz 2008 and Brookland Valley Margaret River Cabernet Sauvignon 2008.

In this first ballot, “purity and brightness got it through”, recalls judge Jeremy Stockman – saying that of the other shirazes in the taste-off “one was too oaky and the other fruity but simple”. Collector then, by default, seized the Leslie Kemeny Memorial Trophy as none of the gold medallists from other eligible classes was from the 2008 vintage.

The real test of Collector’s mettle, though, came in the taste off for the Dr Gilbert Phillips Memorial Trophy for best red wine of the show. It faced a ballot against the other red trophy winners – Blue Pyrenees Cabernet Sauvignon 2008, Yalumba Hand Picked Barossa Shiraz Viognier 2008, Vasse Felix Margaret River Cabernet Sauvignon 2007, Hardys Thomas Hardy Cabernet Sauvignon 2004, Wolf Blass Gold Label Pinot Noir 2008, Best’s Great Western Bin O Shiraz 2008 and Xanadu Next of Kin Cabernet Sauvignon 2009.

Stockman recalls “one seriously good cabernet in this class, but I voted one and two for the shirazes”. And Collector won the tally and the trophy. Winemaker Alex McKay, an associate judge at the show (associate scores don’t count), says he thought he recognised his own wine in the first taste-off but remained sceptical of its prospects – and then felt “surreal” as it stepped up to become red of the show.

It’s not clear from the catalogue of results (www.sydneyroyalshows.com.au) which wines Collector faced in the taste-off of for the Busby Trophy (best wine or brandy from New South Wales). But in theory it might have been lined up against whites, reds, bubblies fortifieds and brandies.

Collector Reserve Canberra District Shiraz 2008 — Trophies won at the 2010 Sydney Royal Wine Show

  • John Swann Memorial Trophy
    Best dry red wine two years and older in premium classes
  • Leslie Kemeny Memorial Trophy
    Best 2008 vintage red wine from premium classes
  • Dr Gilbert Phillips Memorial Trophy
    Best red wine of the show
  • James Busby Annual Prize
    Best wine or brandy from New South Wales

Copyright © Chris Shanahan 2010

Wine review — De Bortoli and Best’s Great Western

De Bortoli Deen Series whites $9–$13

  • Vat 2 Sauvignon Blanc 2009
  • Vat 7 Chardonnay 2008
  • Vat 6 Verdelho 2009

The De Bortoli Deen Series wines combine fruit from both warm and cool regions. This achieves generosity of flavour with a zesty, light freshness. And because the warm regions produce fruit more cheaply than cooler areas, the quality to price ratio is very high. The sauvignon blanc is zesty, light and fresh with flavours towards the passionfruit-like warmer end of the varietal spectrum. The chardonnay is a million miles from the heavy styles we used to see, with pure stone fruit varietal flavour, silky texture and great freshness. The verdelho, a variety well suited to warm regions, shows a typical tangy sappiness.

De Bortoli Deen Series reds $9–$13

  • Vat 8 Shiraz 2007
  • Vat 9 Cabernet Sauvignon 2008
  • Vat 1 Durif 2008

The Deen reds, too, offer unusually rich flavours at the price. The shiraz, from the low-cropping 2007 vintage is full and soft with distinctive, spicy varietal flavour with a savoury edge and quite assertive, dry tannic finish. The cabernet sauvignon shows high-toned varietal berry aromas, tinged with leafiness; and the palate is juicy and smooth, though with the firm tannic backbone of the variety. Durif (the result of a chance pollination of peloursin flowers by shiraz) is inky deep in colour with a very ripe, sweet, plummy aroma and palate, tinged with spice and wrapped in firm, dry tannins.

Best’s Great Western

  • Bin O Shiraz 2006 $60
  • Thomson Family Shiraz 2006 $150

These fabulous reds are part of Australia’s largely unknown regional wine story – belying the myth of one big, homogenous country. Henry Best founded the vineyard in 1866. The Thomson family bought it in 1920 and fourth and fifth generation Viv and Ben Thomson are still there today. Bin 0 Shiraz comes from four low yielding blocks planted, using cuttings from older vines, between 1966 and 1994. Thomson Reserve comes from a block planted by Henry Best in 1868. Best’s is a distinctive shiraz style – ripe but savoury, intense but elegant; unlike, say, juicy, soft Barossa shiraz or the spicy, berry-flavoured Canberra style.

Copyright © Chris Shanahan 2010

Wine among the Jenolan stalactites

Last weekend I visited the most stunning natural cellar – certainly the most extraordinary in Australia and, for natural beauty, even more striking than the famous chalk drives of France’s Champagne region.

In Champagne wine matures in hundreds of kilometres of tunnels carved in the soft chalk underlying the whole region (and baring its bright, white face at Dover, on the English side of the channel).

The temperature sits steadily at around 10 degrees Celsius in dark, humid, physically stable tunnels – some, as at Pommery, run from the bottom level of chalk quarries carved during the Roman Empire. Most, of course, have been carved over the last few centuries.

These are ideal cellaring conditions for a delicate wine like Champagne. I’ve tasted some pretty old vintages in beautiful condition – some brought to Australia by visiting heads of Champagne houses (invariably smiling like they can’t believe their own good luck – we’re such a good market for them); others on visits to the region.

But over there you don’t have to be a wealthy Champagne house to make a decent cellar. I once visited an ordinary suburban home with its garage cut partly into a hill on one side. The owner, winemaker for the tiny producer Salon-le-Mesnil, took to the chalk wall with a mattock and shovel, shaping a spiral, downward sloping tunnel about ten metres long. It was perfect – and it’d be the envy of anyone who’s ever struggled through a metre or two of Canberra’s iron-hard soils.

Natural cellars in warm Australia can’t achieve 10-degree temperatures. But the fourteen degrees, say, of the beautiful underground drives at Seppelt in Great Western, Victoria, is nevertheless ideal for most wine styles. It’s turned out some pretty fine old sparkling and still whites and reds over the last century.

If we accept that constant cool temperatures are best for long-term wine cellaring, the question is how do we achieve this at home and what happens if our cellars are a little warmer.

Over the last three decades I’ve tasted hundreds of wines from semi-undergound Canberra cellars – ranging from a bit of hole dug under the house to extensive areas snugged in under one or two stories and set back in a hillside. I estimate that, on average, these range from a minimum of around 10 degrees to a maximum of 20 degrees over the year, with only small day-to-day temperature movement.

From these cellars, including my own, I’ve tasted plenty of pretty good old reds and whites (lots of disasters, too, but usually attributable to failed corks or poor wine selection in the first place). But I’ve also tasted many of the same wines from temperature controlled corporate cellars (around 14 degrees constant). Almost invariably, these wines are noticeably better – fresher and more vibrant, but still with attractive aged flavours.

The message is clear: the better and more expensive the wines you cellar, the more important the cellaring conditions become. These days the very high cost of moving dirt, rules out completely underground cellars for most of us. Hence the growing popularity of climate controlled wine fridges and even complete cool rooms capable of holding thousands of bottles.

The adoption of screw caps makes cellaring, in general, more reliable. And I assume that humidity becomes less important now that we don’t need to keep corks moist and elastic. However, it’s still essential to maintain a steady temperature – at the very least eliminating big daily swings.

If it’s hard to maintain good cellaring conditions at home, it’s out of the question for most restaurants – attributable to lack of demand, lack of proper storage (and the expensive of providing it) or the cost of holding stock for long periods of time. Some, however, source small quantities of mature wine from auction or direct from private collectors or wine producers.

That’s why it was a surprise last weekend to find an embryonic cellar associated with Caves House, the fabulous old accommodation and dining establishment at the Jenolan Caves.

The house is under the control of the Jenolan Caves Reserve Trust, and therefore an arm of the New South Wales Government – hardly a body associated with fine wining and dining.

I suspect it’s hard slog for the current manager, James Brady, but he’s having a go. One initiative is his little cellar in the caves. It’s hundreds of metres from Caves House. But if you’re a house guest and prepared to select a bottle from the cellar (a very limited selection at present), James will escort you to the cellar.

The bonus is a personal tour of several hundred metres of the spectacular Imperial Cave to find the cellar (a single rack at present) buried deep below the surface at a brisk year-round 15 degrees.

It’s a terrific idea. And if James gets support from his masters, he’d have no trouble expanding the range of wines available and would surely find wine producers happy to sell already mature bottles for the racks.

What could be lovelier than dining on fresh local produce in one of Australia’s grand old buildings sipping a fine old Aussie red?

Copyright © Chris Shanahan 2010

Beer review — Emerson’s and Floris

Emerson’s Old 95 Ale 500ml $10.90
The label subtitle reads “Strong, rich, malty, hoppy ale – traditional English Old Ale”. It’s certainly strong (seven per cent alcohol), rich, malty and hoppy. The latter drives its wonderfully aromatic fruitiness. And like all good bottle-fermented ales, it’s particularly lively, with a persistent, abundant, creamy head.

Floris Passion Wheat Ale 330ml $6.50
If a beer’s to include passionfruit, better that it’s based on wheat as it in this refreshing Belgian brew. Passionfruit juice constitutes 30 per cent of the blend, providing the pure, juicy aroma and flavour. And even though it’s sweet, the tart acidity proves a perfect foil ¬– within the smooth, malty body.

Copyright © Chris Shanahan 2010

Wine review — Observatory Hill, Perrier Jouet and Thorn Clarke

Observatory Hill Tasmania Pinot Noir 2008 $29
We discovered this gem at the excellent Piccalilly Restaurant, Battery Point, Hobart, late last year. It’s a fine, elegant style of some depth and complexity, sourced from Glenn Richardson’s Observatory Hill vineyard at Mount Rumney – just 10 kilometres from Hobart at the entrance to the Coal River Valley. Glenn harvests the grapes then hands them over to French winemaker Alain Rousseau at Frogmore Creek Winery, just up the road in the Coal River Valley. The wine is available direct from Observatory Hill, phone 03 6248 5380 or email info@observatoryhill.com.au

Perrier Jouet Blason de France Rose Champagne NV $105
It’s as delicate and sweet as a first kiss and bound to impress (and work) as a Valentine’s treat. This is no wussy, watery rose, but a blend of high quality chardonnay (45 per cent), pinot noir (45 per cent) and pinot meuniere — the three classic Champagne varieties, sourced from some of the region’s great vineyards. It’s made as a white wine and derives its delicate pink colour through the addition of red wine (made from pinot) as part of the liqueur d’ expedition added after removal of the yeast sediment from the bottle. It’s subtle, superb and best served at around 10 degrees.

Thorn Clarke

  • Shotfire Barossa Valley Quartage 2008 $23
  • Shotfire Barossa Valley Shiraz 2008
  • Sandpiper Barossa Shiraz 2008 $17
  • Sandpiper Eden Valley Riesling 2009 $17

The Clarke family owns about 270 hectares of vines spread around the Barossa – a remarkable estate that grew from Cheryl Clarke’s (nee Thorn) very old family holdings. The wines offer plenty of flavour for their modest asking prices. At a recent tasting top votes were divided over the two Shotfire wines – the fine but firm berry flavours of Quartage (a blend of cabernet, petit verdot, merlot and malbec); and the earthy, round, juicy softness of the shiraz. The cheaper Sandpiper Shiraz 2008 is a bigger, firmer drop – less polished, but still a mouthful of flavour. And the riesling is on the austere, aperitif style, typical of the Eden Valley.

Copyright © Chris Shanahan 2010

Exotics grape varieties galore — but will any go mainstream?

The Winemakers’ Federation of Australia’s official vintage report for 2009 has little to say about the much talked about ‘alternative’ grape varieties now being explored enthusiastically by Australia’s winemakers.

The report reveals, for example, that our vignerons harvested 117 tonnes of the Italian red, barbera, and 449 tonnes of the CSIRO-bred tarrango. But it offers no insights on perhaps the most talked about red, the Spanish tempranillo. Presumably it’s lumped in with the 15,124 tonnes of ‘other’ red varieties – and this out of a total o 888,312 tonnes.

I notice among the whites, too, the report still records the harvest of 222 tonnes of palomino and pedro ximenez (leftovers from last century’s fortified wine production) but not of savagnin (the correct name for what we thought was albarino), nor the apparently fast-expanding, drought resistant vermentino; and that it still calls ‘gewürztraminer’ ‘traminer’, as if the two were synonymous.

But as our battered wine industry reforms itself over the next few years (reportedly 40 thousand hectares of vines need to be removed), we’ll definitely see and hear a lot more about emerging alternative varieties.

What the WFA figures reveal, though, is the enormity of the task should any of these newcomers make serious inroads into established varieties. The volumes that need to be replaced should any niche variety go mainstream are massive – making it difficult to visualise our future industry. But change it must with a surplus of 100 million dozen bottles and growing.

In 2009 we harvested 1.7 million tonnes of wine grapes – 888.3 thousand tonnes of red and 817.7 of whites. Shiraz, cabernet and merlot contributed 779.3 thousand tonnes, or 88 per cent of the red total. Chardonnay alone, at 398.6 thousand tonnes, accounted for almost half the white total.

By all accounts the surplus of chardonnay is huge. Sauvignon blanc overtook it as our preferred white tipple in 2009 – mainly at the hands of imports from Marlborough, driven by New Zealand’s overproduction, our strong dollar and, of course, our love of the flavour.

As we reduce our area under vine, and cut back on some varieties like chardonnay, how will the emerging varieties perform? Perhaps there’s a hint in past performance of niche varieties.

The white variety, marsanne became a big seller for Victoria’s Tahbilk decades ago, and it’s been adopted by many other wineries,  but few with significant success. We harvested only 1,678 tonnes of it in 2009.

Likewise, the white verdelho, so suited to our warm areas and present in Australian vineyards for about 150 years, remains a perennial niche player at 15,051 tonnes. And last decade’s darling, viognier, seems stuck at about 13 thousand tonnes a year (with a good deal of that going into red blends).

Some of the ‘emerging’ red varieties, have been with us for decades. Of these, barbera and sangiovese appear in the WFA vintage report at 117 tonnes and 3,921 tonnes respectively – confirming that currently they are minor players indeed.

Two niche red varieties deserve separate mention. Grenache (15,170 tonnes in 2009) and mourvedre (6,165 tonnes) have been with us for about two centuries, surviving swings in wine fashion (fortified to table wine) and are becoming increasingly important, notably in the Barossa, in blends with shiraz. In such regions, shiraz is certain to remain the star player but grenache and mourvedre will remain key support players.

I reckon the biggest change we’ll see in volume will be a retreat in the area of chardonnay under vine. It’s already lost its place as number one quaffing white, supplanted by sauvignon blanc. But it won’t disappear – rather it’ll retreat to cooler areas and continue to make complex, full bodied wine, the best of which will continue to be our most prized and expensive white wines.

This won’t be replaced by today’s champ, sauvignon blanc, as most of Australia simply doesn’t grow the variety well. New Zealand will continue to dominate this part of the market, but cool Australian areas, too, will carve a niche. Sauvignon blanc volume stood at a significant 63,253 tonnes.

As our winemakers search for drought and disease resistant varieties, especially along our ever-drier river lands, they’ll be looking for more than vine adaptability. It’s one thing to grow healthy vines that require little irrigation, but another to make from them wines that people enjoy drinking.

It’s worth the search. And it’d be a fair bet to say that the palette of wine flavours and textures we enjoy should continue to expand. Bring on the saperavi, nebbiolo, graciano, albarino, fiano, tempranillo, montepulciano, sagrantino, nero d’Avola, verdicchio and so on. But expect that most will remain as niche players.

Will any of them, though, become mainstream, to stand beside shiraz, cabernet, pinot noir, chardonnay and sauvignon blanc? It’s quite likely. Don’t forget that Italy has hundreds of indigenous varieties and some, like montepulciano and sangiovese are very widely grown – in fact, satisfied most local demand until the classic French varieties gained a foothold in recent decades.

And in Spain, tempranillo reigns, often in tandem, with grenache. Plenty of commentators, myself included, see tempranillo as a potentially great success in Australia. It grows well and makes juicy lovable dry reds.

While some larger companies see great potential for the white vermentino (it apparently grows well here), we know little yet about how Australian drinkers like it. And a white that many makers see with the potential is another Spanish variety, albarino. It’s much loved in Spain and successfully exported.

Though our early efforts with it have been marred by the discovery that our albarino was, in fact, the almost identical variety savagnin, it remains on vignerons’ radar. But it’ll be some time before we have volumes of the real thing.

It’ll take a few years for the bargains and carnage being wrought by the current oversupply to settle. But we’re already enjoying, and will see increasingly, a parade of exotic varieties among all the familiar ones.

Copyright © Chris Shanahan 2010

Popular premium beers bland

Is it perception or fact that our popular ‘premium’ beers are blander now, especially in the hops department than they once were? There’s some evidence that it’s fact. Chuck Hahn once told me that modern Hahn Premium is considerably less bitter and hoppy than the original he brewed some twenty years ago.

Armed only with memories, a fresh palate and two much-loved, complex lagers as benchmarks (Warsteiner Premium Verum and De Bortoli’s Red Angus), I recently put four popular tipples, purchased from a local liquor store, to the taste test – Carlton Crown Lager, Hahn Premium Lager, James Boag’s Premium Lager and Cascade Premium Lager.

On the positive side they were all fresh, lively and clean variations on the lager theme. But what they lacked, as a group, was the positive, satisfying, complex flavours seen ever so subtly, and moreishly, in Warsteiner and more robustly in Red Angus.

Bland’ was my main descriptor, though the Hahn and Cascade showed a vestige of hoppy bitterness and Crown some tart delicacy. But the apparently fatter, heavier Boag’s simply failed to impress.

I get the impression they’ve been focus grouped and ‘de-brewed’ to meet popular taste – basically offending as few palates as possible. Thankfully there’s a vibrant counter culture ensuring that we can still enjoy beers that tastes like beer.

Copyright © Chris Shanahan 2010

Beer review –- Unibroue and Holgate

Unibroue Blanche de Chambly 355ml $5.80
No, not French, but French Canadian – a fine-but-cloudy bottle fermented wheat ale. Its delicately fruity aroma leads to a zesty, flavoursome and evenly balanced palate with wheat ale’s distinctive fresh acidity counterbalancing an almost imperceptible sweetness. See www.unibroue.com for more info about this Quebec brewery.

Holgate Extra Special Bitter 330ml $4.50
This one’s brewed by Paul Holgate and Ian Morgan at Keatings Hotel, Woodend, Macedon, about an hour’s drive out of Melbourne. You can taste the beers on site or enjoy the bottled versions here in Canberra. This one’s a deep-amber English style bitter – big on fruity malt flavours offset by assertive, tasty, lingeringly bitter hops.

Copyright © Chris Shanahan 2010

Wine review — Chalmers, d’Arenberg and Pikes

Chalmers Murray Darling Nero d’Avola 2009 $24–$30
As irrigators rip out traditional grape varieties along the Murray Darling, there’s a counter movement afoot as plantings of drought-hardy varieties – like fiano, sagrantino, lagrein, vermentino and nero d’Avola – increase. Bill Mason, proprietor of Z4 Wines, Canberra, offers a range of these made by the Chalmers family of Mildura. Indeed, a bottle of Chalmer’s first nero d’Avola, a red variety from Sicily, went down well with a group of determined white drinkers at a recent tasting. Because of its alluring, soft, earthy fruitiness, Australian now has a couple of new red converts. It’s due for release in early February, says Bill Mason.

d’Arenberg McLaren Vale “The Censosilicaphobic Cat” Sagrantino Cinsault 2007 $25–$29
It’s been almost twenty years since I’ve had the pleasure, but I can still remember the palate-wrenching, tannic grip of Sagrantino di Montefalco – a sturdy, impenetrably inky-black drop from Umbria, Italy. Thankfully, d’Arenberg’s first shot at the variety tempers the legendary sagrantino tannin with the softer, southern French variety cinsault, sourced from vines planted back in 1958. It’s a vibrant, herby, full-of-character red with a bit of push-pull going on between the firm tannins and delicious fruit. I can’t recall every trying a wine with this sort of tart, but pleasing tannin structure. It’s definitely worth a try.

Pikes Clare Valley

  • Traditionele” Riesling 2009 $17–$23
  • The Merle” Riesling 2009 $33–$38

Traditionele” and “The Merle” present slightly different, but dry, faces of Clare riesling. “Traditionele” is the softer of the two, being less acidic but still vibrantly fresh with pure, citrusy varietal flavours. It’s slightly rounder and fuller flavoured than “The Merle” but still, clearly, its sibling. “The Merle”, shows the more acidic, dry austerity of Clare’s Polish Hill sub-region. And hand-in-hand with that goes an extraordinarily intense-but-delicate lime-like varietal flavour – setting it apart from ordinary rieslings. Both have the capacity to change in pleasing ways with cellaring. But “The Merle”, I suspect, will still make us smile thirty years from now.

Copyright © Chris Shanahan 2010