Archive for the ‘Uncategorized’ Category

Sunday, December 13th, 2009

Bream Creek Tasmania

  • Riesling 2007 $22
  • Chardonnay 2007 $23
  • Pinot Noir 2008 $30

Visit a few Tasmanian wineries and you’ll soon hear the name Fred Peacock, owner of the beautiful Bream Creek Vineyard at Marion Bay, just to the east of Hobart, and one of the state’s most widely consulted vine experts. Fred grows his grapes for flavour then works closely with winemaker Julian Alcorso. On a recent visit we were deeply impressed by Fred’s wines. We loved the tasty, bracing, fresh riesling; the vibrant, intense, finely structured chardonnay; and the pristine, fleshy, mouth wateringly delicious pinot noir. These are classy wines from a vineyard planted back in 1973. See www.breamcreekvineyard.com.au

Pierre Gimonnet & Fils Cuis 1er Cru Champagne Brut $40–$50
Joseph Perrier Cuvée Royale NV Brut Champagne  $45.90–$50
Taittinger Prelude Grand Crus Champagne $130

With a starting price of around $50 real Champagne ought to be good. But, alas, much of it’s rubbish at this cheaper end. Two that offer real value are Coles and Woolworths direct imports. Pierre Gimonnet, available at 1st Choice and Vintage Cellars, is a delicate, all-chardonnay blend from the highly rated village of Cuis. The slightly fuller Joseph Perrier, shows the attractive brioche-like flavour and round, soft texture of pinot meunier. And he non-vintage Prelude blend brings the extra flavour dimension from some of the most highly rated pinot noir and chardonnay vineyards of the Montagne de Reims and Cotes des Blancs sub regions respectively.

Copyright © Chris Shanahan 2009

Brilliant regional wines emerging from Oz wine wreck

Friday, December 11th, 2009

Australian winemaking 2009 – it’s a tale of two industries: mature, vibrant, small and medium producers with their strong regional identities; and the headline-grabbing wreckage of the ‘brand Australia’ juggernaut.

A recent Winemakers’ Federation of Australia (WFA) report, Wine industry must confront the reality of oversupply, detailed the horror behind the chilling headlines.

The report concluded “at least 20% of bearing vines in Australia are surplus to requirement, with few long-term prospects. On cost of production alone, at least 17% of vineyard capacity is uneconomic. The problems are national – although some regions are more adversely affected – and are not restricted to specific varieties or price points”.

The quiet panic behind a decline in exports and domestic sales of Australian wine manifested itself most obviously in the sell off of vineyards and wineries by two of our largest wine producers, Constellation Wines Australia (formerly BRL Hardy) and Foster’s.

Constellation simply continued the dumping of assets that began with their departure from Canberra, announced late in 2006. But the asset dumping increased in scale towards the end of 2008 as they put three wineries up for sale – Goundrey, in Western Australia, the historic Leasingham Winery in Clare and the Stonehaven Winery at Padthaway. Only the Goundrey winery sold. The other two were mothballed in the absence of buyers.

Earlier this year, borrowing a well-worn political phrase, Foster’s said it would sell 36 ‘non-core’ vineyards and close three wineries. This came on top off widespread value destruction following their acquisition of Southcorp Wines for $2.5 billion in 2005.

While many of the problems facing Foster’s may have been self-inflicted, the larger backdrop of the global financial crisis and a rising Australian dollar exaggerated the effects of incipient oversupply – and sucked the industry along with it.

Australian exports peaked in October 2007, says the WFA, and have since declined by eight million cases and 21 per cent in value. This coincided with a decline in domestic sales of Australian wine and an even larger rise in the volume of imports, spurred by the rising dollar.

The combination of rising supply and falling demand leaves Australia with a surplus of more than 100 million cases. And this is set to double over the next two years because we’re producing 20–40 million cases a year more than we sell.

This, of course, explains the amazing range of wine bargains being thrown at us from all directions – the big, direct-importing retailers; wine club operators, including the Wine Society, Cellarmasters and Wine Selectors; the more aggressive independent retailers, including cleanskin specialists; and even the auction houses, notably GraysOnline.com

While Coles and Woolworths continue to dominate liquor retailing, the wine surplus encourages to the growth of alternative channels as the wine clubs and clean skin specialist boost sales of labels totally under their control.

Indeed, this aspect of wine selling (and it includes the big retailers with their direct imports and private domestic wine labels) concerns winemakers deeply. WFA points the finger at supermarkets, declaring “excess supplies have allowed supermarkets to move from customers to competitors by launching their own low-price products, without the need to invest in capital infrastructure or long-term health of the industry. This clutters the market place and eats into margins”.

But if the retailers exploit the surplus (and we all benefit from lower prices while it lasts) they didn’t create it.

Unquestionably, the strong Australian dollar makes many producers internationally uncompetitive through no fault of their own. But the WFA says that producers in many regions bear production costs that are simply too high for the quality of fruit they produce.

While this means bargains galore as producers seek to offload surplus wine, ultimately it isn’t unsustainable, meaning that many enterprises will go bust. Thankfully, the WFA calls on the industry to sort out its own problems. It doesn’t seek government subsidies other than exit packages for small growers and wineries along the lines of those for small block irrigators – in other words, one-off help to get out of the industry, not a subsidy to perpetuate oversupply.

While the low margins forced by massive oversupply affects the profitability of most makers, there’s a multi-faceted, energetic and mature industry that’s not oversupplied and has a pretty clear vision of where it’s headed.

We have only to drive up the Barton or Federal Highways to see this regionally based industry on our doorstep. It’s been hard yakka, sustained over decades, but producers like Brindabella Hills, Jeir Creek, Helm, Shaw Vineyard Estate, Clonakilla, Lark Hill and Lerida Estate have successfully built brands and customer bases – some in overseas markets.

The same story unfolds across Australia from east to west, and from the high country in Queensland in the north to the coolest reaches of Tasmania. Down there a few weeks back, Steve and Monique Lubiana told me they continued to export successfully despite the rising dollar – a benefit of selling a strongly branding, high quality luxury product. Of course, not all makers can be up there.

But if we sniff around, we see not just regional specialties, but minute subdivision of these regions. A good example is the small army of small, mostly young makers criss-crossing the Barossa Valley making tiny quantities of beautiful shiraz, grenache and mourvedre from ancient vines whose fruit no longer goes to the anonymous blending vats of large companies.

Ironically, given the pain they’ve felt, both Foster’s and Constellation continue to make cutting edge wines like Penfolds Yattarna Chardonnay and the magnificent Tasmanian based House of Arras bubblies made by Constellation’s Ed Carr.

As overproduction winds back, it’s possible to see for Australia a new industry based on what various regions do best. That may mean our exit, domestically and internationally, from very low price points and that much of our cheaper quaffing wine could come from better-watered countries – a future where we drink Chilean cask wine but bottles of Cowra chardonnay, Yarra Valley Pinot and Barossa shiraz.

Copyright © Chris Shanahan 2009

Wine review — Brindabella Hills, Capital Wines and Kyeema

Sunday, December 6th, 2009

Brindabella Hills Canberra District

  • Sauvignon Blanc 2009 $18
  • Riesling 2009 $25
  • Shiraz 2007 $25

These are beautiful, reasonably priced new releases from Roger and Faye Harris at Brindabella Hills, Hall. The riesling is intensely aromatic, with lime and lemon-like varietal character; an intense, lime-like palate backs up the first impressions, finishing long and bone dry – a classy riesling, with good cellaring potential. The sauvy’s light and tangy, tending to herbal, and ready to drink. The shiraz, always one of Canberra’s best, comes in this vintage from Wayne and Jenny Fischer’s Nanima Vineyard, backed by a little viognier from Brindabella. It’s a dark, aromatic, more savoury than usual wine, with the characteristic firm tannins of the season. It’s atypical of the Brindabella Hills vineyard stye but outstanding in its own savoury way.

Capital Wines  Canberra District

  • The Frontbencher Shiraz 2008 $25
  • Kyeema Vineyard Reserve Shiraz 2008 $52

Andrew McEwin’s reds have a distinctive, firm structure and generally need a good airing, or a few years’ cellaring to show their class. Both wines will pass muster in 2008. The $25 Frontbencher is reassuringly deep and crimson rimmed with a good depth of sweet, spicy, red-berry varietal flavour and savoury, firm-but-fine tannins – a solid but fine-boned red to enjoy over the next four or five years. The reserve wine, from Andrew’s Kyeema vineyard (one of Canberra’s oldest shiraz plantings) reveals extra power and weight, backed by high-class savoury oak. The extra power and flavour concentration suggest long-term cellaring potential.

Capital Wines Canberra District

The Ambassador Tempranillo 2008 $27

Kyeema Vineyard Reserve Merlot 2008 $46

Judging by this and Frank van der Loo’s Mount Majura wine, Canberra suits Spain’s red tempranillo grape. The Ambassador has an appealing, juicy, spicy depth of fruit flavour and a unique, firm, verging on cabernet-like, tannin structure. Tempranillo could easily become a mainstream variety in Australia because, unlike so many other alternative varieties, it seems comparatively easy to grow, make and drink. Merlot, on the other hand, continues to polarise drinkers into lovers or haters. Merlot-loving ranks might grow if more were like Kyeema, a perennial award winner. This is serious, rich, earthy merlot with a solid, tannin bite but elegant structure.

Copyright © Chris Shanahan 2009

Last edited by Chris Shanahan on 6 December 2009 at 8:08 am

Excerpt

Brown Bros caters for Australia’s sweet tooth

Wednesday, May 6th, 2009

Ross and Judy Brown visited Canberra in March to launch the new vintage Brown Brothers ‘Patricia’ range – the company’s flagships. They’re wonderful wines and good value. But the visit highlighted the sheer depth of the Brown Brothers’ offering. Much of it’s driven, beneath the radar of wine columns, by a range of high-volume sweet whites and reds.

The company’s innovative approach is probably best seen from the cellar door, visited by about 90 thousand people each year. Here Browns offer an ever-changing menu of new wines, gauging drinkers’ reaction, before moving to larger production of successful products. The diversity offered at the cellar door can be glimpsed from the comfort of your computer screen on the cellar price list, available at www.brownbrothers.com.au

Current list of non-traditional styles includes prosecco, zibbibo, pinot grigio, albarino (temporarily withdrawn, and potentially to be renamed, following CSIRO DNA testing of Australia’s stocks of this variety), viognier, chenin blanc, vermentino, moscato, crouchen-riesling blend, tarrango, dolcetto-syrah blend, cienna, sangiovese, nero d’Avola, barbera, tempranillo, tempranillo-graciano blend and nebbiolo – representing thirty years of innovation.

As reported here a few weeks back, Ross attributes part of Brown’s success across the generations to high-quality sweet and fruity wines, both red and white. These seldom rate in wine columns but two of Brown’s sweeties – the red Dolcetto & Syrah and white Moscato – ranked ninth and fourth respectively in an AC Nielsen listing of Australia’s top selling wines (by value) in the year to 22 March 2009.

Now, you might wonder what link there is between the small-volume $57 top-end Patricia wines and the modestly priced, big-volume sweeties. The simple answer is that Browns take all of the styles they make deadly seriously.
And who drinks the sweeties? Ross says there’s no simple profile. The wines appeal right across the population, across ages, sexes and social status. And if there’s generally a trend for people to discover sweet, fruity wines, then progress to dry versions, it’s not universal. Many people stick to sweet wines for life.

Here, then, is a glimpse of Brown Brothers’ current popular sweeties and reviews of two exciting, dry pinot grigios and the flagship Patricia range

Brown Brothers Victoria Crouchen Riesling 2008 (10.5% alcohol) $13.40
This is like a slightly fat riesling – plumped out by the crouchen, a variety once known in Australia as Clare riesling but originally from the Landes region, southwestern France. It’s a crisp, easy drinking style but not made for cellaring. Note he modest alcohol content.

South Eastern Australia Moscato 2008 (5.5%alcohol) $15.40
This is one of the early Australian takes on the spritzy styles made originally in Asti, Piedmont. In both countries it’s made from Muscat of Alexandria grape, perhaps the most ancient of all cultivated varieties. The wine’s pale, spritzy and intensely musky/grapey – sweet but beautifully invigorating.

Zibbibo (6.5% alcohol) $15.40
In this sparkling version of moscato Brown Brothers use the southern Italian name for the muscat grape, Zibbibo. The bubbles make it even brisker than the still version but mutes the fruity, musk aroma and flavour.

Victoria Dolcetto & Syrah 2008 (11% alcohol) $15.40
Syrah equals shiraz and therefore needs no introduction.  But dolcetto – meaning little sweet one – is less well-known in Australia. Competing theories place it as a native of Dogliani, a Piedmontese village, or of France, having arrived in Monferrato, Piedmont, in the eleventh century.

Whichever is true, dolcetto’s by now a thoroughly Piedmontese grape making stunningly purple, fruity and generally soft, dry early-drinking wines – a real contrast to the mouth puckering wines made from nebbiolo, Piedmont’s most acclaimed red variety.

Brown’s blend is a vibrant crimson colour, spritzy and with pleasant mulberry-like fruit flavour, a grapey sweetness and lick of tannin in the finish.

Victoria Cienna 2008 (5% alcohol) $13.90
The CSIRO bred cienna from cabernet sauvignon and the Spanish sumoll variety in 1972, but it wasn’t bred until 2000. Brown’s version is brilliantly coloured and light and fresh on the palate, the fruit flavour having traces of cabernet’s leafiness.

Brown Brothers Victoria Pinot Grigio 2008 $18.99
Browns produce two classy dry pinot grigios – the standard blend, available at $18.99, and a limited release version, from a single block on the cold, 800m-high Whitlands vineyard. The standard blend (sourced from Whitlands and the 450m Banksdale vineyard) is a rich, soft dry white with crystal clear varietal flavour – it’s the real thing. The limited release wine, due for release next year, offers more intense flavours and a tighter structure with a lovely core of delicious fruit.

Brown Brothers ‘Patricia’ Cabernet Sauvignon 2004 $56
Brown Brothers ‘Patricia’ Shiraz 2005 $56

These are modestly priced for ‘flagship’ wines of the calibre. The shiraz, a blend from Avoca, Heathcote and King Valley shows cool-climate peppery/spicy varietal aromas and flavours and a solid, deep palate with quite an impact from the American oak – the one area that might be fine-tuned in future vintages. The cabernet comes from Western Victoria, the Dookie Hills and King Valley. It’s strongly varietal with deep fruitiness and leafy hints on the nose and a powerful but finely structured and assertively tannic palate – it’s a classic cellaring style and ought to drink well between 10 and 20 years’ age.

Brown Brothers Patricia Pinot Noir Chardonnay Pinot Meunier 2004 $39.90
Brown Brothers Patricia Noble Riesling 2006 375ml $35
These easily rank with best Australian examples of the styles. The bubbly comes from the cold Whitlands vineyard on a plateau above the southern end of Victoria’s King Valley. It’s cold enough to produce the intense but delicate flavours essential for top-end bubbly. This is juicy and fresh but very delicate, with a special textural richness and roundness probably attributable to the pinot meunier in the blend. The amazing, luscious ‘Noble’ offers the zesty, varietal ‘lime’ character of riesling and the exotic ‘marmalade’ notes of botrytis and a little bottle age. It’s from a single block of vines first noted for botrytis in the 1930s.

Copyright © Chris Shanahan 2009

Beer review — Peroni and Murray’s

Wednesday, April 22nd, 2009

Peroni Leggera 330ml $2.99
This is the latest starter in the lo-carb race. It’s watery pale and, like most of the genre, is a bit skinny. But it’s also got the pleasantly tart, well-balanced finish seen in the full-bore Peroni beers. Trust the Italians to show a little class in this generally unrewarding style.

Murray’s Craft Brewing Co Pilsner 330ml 4-pack $14.99
Hops can add a lot to beer’s aroma, flavour and bitterness. But there’s a tendency, at times, for hops to sweep all before it, rather as oak did in Australia’s early chardonnays.  Hops seems to totally dominate this beer, starting pleasantly enough but building to a resiny hardness with a few sips.

Copyright © Chris Shanahan 2009

I’ll take the original Steinlager please

Wednesday, March 25th, 2009

If the new Steinlager Pure “encapsulates the purity of New Zealand in a bottle” does that make it more pure than the original Steinlager – which uses “only pure, natural New Zealand ingredients”?

Why can’t the spin-doctors simply cut to the chase and tell us what’s different about the new product? It’s not the purity. Both versions claim that. And it’s not the amount of alcohol, carbohydrates or energy in each 100ml. According to the website they’re identical in Steinlager and Steinlager Pure.

The press releases says that Steinlager Pure uses Pacific Jade and Nelson Sauvin hops, while the website attributes the original Steinlager’s distinctive flavour, in part, to Green Bullet hops.

Hops are important, of course, because they affect the aroma, flavour and bitterness of beer. So, if we sip the two side by side, yes, there’s a flavour difference.

Now the press release says that Steinlager Pure “satisfies the thirst of a modern drinker”.  My interpretation of this, after tasting both beers, is that the modern drinker doesn’t like hops aroma, flavour or bitterness. I couldn’t help viewing the new release as a dumbed-down version of the old.

Copyright © Chris Shanahan 2009

Beers that yell

Wednesday, February 11th, 2009

In his biography ‘A Life Uncorked’, the great UK writer, Hugh Johnson, made a comment that applies as well to beer as it does to wine, “It depends on whether you see wine primarily as a drink or as a recreational substance. In a drink you look for something refreshing and satisfying without too loud a voice, not too intrusive on your food or your thoughts each time you take a sip…”.

In the ever-growing world of specialty beers there are brews that have more than a loud voice – they yell, demanding your attention. In-your-face exotica like chocolate porter, lambic gueze, chilli beer, smoked beer, triple bock and over-the-top hoppy creations like American pale ale, are just a few examples.

In small quantities they can be terrific, especially regional specialties, like Bamberg’s smoked beer (Rauchbier), consumed on location with the local food. But these loud-voice style are never ‘just a drink’.

Not surprisingly, the big-volume beers, like VB slip down easily without intruding on our thoughts. That’s what they’re designed for and that’s what they do well.

But there are complex, specialty beers that slip down unobtrusively but also have complexity and individuality if you happen to be paying attention. The Sunner Kölsch reviewed on this site is a stunning example.

Copyright © Chris Shanahan 2009

Pinot noir — small volume, big talk

Wednesday, January 28th, 2009

Pinot noir attracts a lot of talk for a variety that makes up only five per cent of Australia’s annual red grape output. In 2008 it contributed just 47 thousand of the 964 thousand tonnes crushed by our vignerons – a crush dominated by shiraz and cabernet sauvignon at 436 thousand and 254 thousand tonnes respectively.

Pinot’s comparatively small presence in Australia is explained partly by history and largely by climate: historically we grew grapes in warmer areas and came to love the resulting robust reds, led by shiraz. When we sought more elegant red wine styles, including pinot noir, our vignerons had to move to cooler southern or elevated fringes of our warm continent.

Pinot noir, in particular requires a cool to cold climate to deliver the perfume, flavour and supple texture that distinguish it from other varieties. We only have to cross the Tasman to see what a difference a few degrees of latitude makes to its success.

Pinot noir accounts for almost two-thirds of New Zealand’s red wine production, with merlot as its nearest competitor (about one third the volume of pinot) while cabernet and shiraz, restrained largely by climate, are only just on the radar.

In Australia our best pinots tend to come from the southern eastern tip of the mainland at between 37 and 38 degrees south (Macedon, Mornington Peninsula, Geelong,  Bellarine Peninsula, Yarra Valley, Gippsland), occasionally from higher altitude sites further north (for example, the Adelaide Hills) and increasingly from Tasmania, between about 41 and 43 degrees south.

New Zealand’s important pinot plantings start at around 41 degrees south at Martinborough (near Wellington, on the North Island), and continue across the Cook Straight at Marlborough (the country’s biggest grape growing area and biggest pinot noir producer) and to the west of Marlborough at Nelson.
Plantings are expanding, too, further south at Canterbury/Waipara (43 degrees). But perhaps the most significant in quality, if not the biggest in volume, are in the Central Otago district, in the vicinity of Queenstown, at 45 degrees south.

As in Australia, a good deal of New Zealand’s pinot production, particularly in Marlborough, goes to sparkling wine production. But that’s not the pinot that’s grabbing the attention of wine drinkers.

The increasing attention on pinot, from consumers and the industry, builds on the very high quality reds now being delivered by the best Australian and kiwi makers. There’s an inimitable magic in drinking top pinot. But it’s elusive. And though the failures and mediocrities perhaps still outnumber the successes, the odds have increased in favour of the drinker.

Today’s successes build on forty years of pioneering work by small makers. But unlike the case with, say, shiraz or cabernet, where big producers equal boutique makers in quality, top pinot remains largely the domain of the boutiques, both in Australia and New Zealand.

As well, we’re not seeing big volumes of high-quality, low-priced pinot that might bring the variety’s magic to a wider audience. We see the odd, convincingly good pinot at around $20 (for example Curly Flat’s Williams Crossing from Macedon). And Montana – New Zealand’s largest producer, owned by France’s Pernod Ricard – is getting close to the mark with its popular Montana and Stoneleigh Marlborough pinot noirs.

But we’re unlikely ever to see $10 to $15 pinot noir as good as equivalently priced shiraz or cabernet. And that’s because it’s inherently more expensive to make – a function largely of intense viticultural management and lower grape yields.

But increasing numbers of producers are getting their premium pinots right. Here are just a few really top notch styles that I’ve enjoyed in the last few months: Bass Phillip Premium 2004 (Gippsland); various Ten Minutes by Tractor wines priced from $23 to $60, Main Ridge, Stonier’s, Kooyong and Port Phillip Estate (all from Mornington); Curly Flat and Williams Crossing (Macedon); Phi and De Bortoli (Yarra Valley); Felton Road and Carrick (Central Otago, NZ); Ashton Hills (Adelaide Hills); Neudorf (Nelson, NZ) and Ata Rangi (Martinborough, NZ).

All the talk about pinot includes two large-scale events – one in Wellington, New Zealand, this week, the other in Mornington Peninsula in the first week of February. The keynote speaker for each is well-known English commentator, Jancis Robinson. But there’ll be an opportunity to taste top pinot from around the world.

I’ll bring back a shopping list from the Mornington event.

Copyright © Chris Shanahan 2009

Wine review — Seppelt, Tim Adams, Knappstein, Shaw Vineyard Estate & Crittenden Estate

Sunday, December 28th, 2008

Seppelt Drumborg Riesling 2008 $29–32
Seppelt’s Drumborg Vineyard, located in the very cool Henty Region, near Portland in southwestern Victoria, was planted by Karl Seppelt way back in 1964. It was a prescient, if bold, move at the time, and one we can be grateful for now, almost half a century later. This rates amongst the finest of the 2008 rieslings. It has an exquisitely delicate flavour and fine structure more akin in its intensity to Champagne than mere table wine. It’s delicate enough to be enjoyable now. But the spine of bracing acid that helps fix the flavour also suggests good long-term cellaring.

Tim Adams Clare Valley Riesling 2008 $22
Knappstein Clare Valley Hand Picked Riesling 2008 $22
Shaw Vineyard Estate Murrumbateman Premium Riesling 2008 $22

Many of the 2008 vintage rieslings offer terrific, drink-now fruit flavour and seem more advanced than usual in their ageing. These are three good, subtly different examples of that style – two from the Clare Valley and one from Canberra. Tim Adams’ wine is surprisingly soft and full-bodied for such a low-alcohol wine (11.5%), but it’s fresh, crisp and a pleasure to drink now. Knappstein is classically floral with a juicy, deliciously fresh palate. And Graeme Shaw’s wine pips the other two with its deep, super vibrant flavour.

Crittenden Estate Los Hermanos King Valley Albarino 2008 $28–30
Following the feast of Italian varieties of recent years we’re seeing a trickle of Australian produced wines from Spanish varieties – the red tempranillo and graciano and white albarino. And who better to go Spanish than the Crittenden family, one of the earliest and greatest Australian champions of Italian varieties. Second generation Zoe and Rollo Crittenden sourced this lovely drop from the King Valley. It’s a modest 12.5% alcohol but has a richly textured palate and, crunchy, pear-fresh flavour and pleasantly tart, dry finish. It’s a terrific summer drink. See www.crittendwines.com.au for details.

Copyright © Chris Shanahan 2008

Wine review — Pikes, Moppity Vineyards & Richmond Grove

Monday, September 8th, 2008

Pikes Clare Valley

  • ‘The Red Mullet’ 2006 $13–16
  • ‘Luccio’ 2006 $15–18
  • ‘Eastside’ Shiraz 2006 $22–27

These three reds from Pikes in the Clare Valley offer a wide spectrum of flavours. The lighter-bodied, fine, savoury and taut ‘Luccio’, a blend of sangiovese, merlot and cabernet, is the one to enjoy with roast meets and savoury dishes. The combination of bright fruit and fine tannic bite is delicious. ‘The Red Mullet’ (shiraz, grenache, mourvedre and tempranillo) is medium bodied, fruity and fleshy. It’s an all-rounder but surprisingly good with spicy food, thanks to the sweet fruit. And ‘Eastside’ 2006 is a full-blooded, ripe, soft, Clare shiraz. The sweet fruit and earthy shiraz flavours work well with traditional winter stews.

Moppity Vineyards Hilltops Reserve Shiraz 2006 $35
Moppity Vineyards of Young has a long connection with Canberra. It was established in 1973 and across the years sold fruit to several Canberra wineries, including Lark Hill. In 2004, Jason Brown (son of John and Robin Brown, owners of the Cand Amber liquor retail chain) bought it. He still sells grape (it’s one of the biggest vineyards in the Hilltops region at 68 hectares) but turned his focus to wine production, too. The standard wines – Merlot, Riesling, Chardonnay and Rosé – sell at $15. I’ve not tried these. But the flagship shiraz is an impressive, deep, fragrant, spicy and supple drop. See www.moppity.com.au

Richmond Grove

  • Mount Lofty Sangiovese 2007 $19–22,
  • Adelaide Hills Chardonnay 2007 $21–24
  • Adelaide Hills Pinot Noir 2007 $21–24

Along with Jacob’s Creek, Richmond Grove belongs to Pernod Ricard Pacific, a division of France’s Pernod Ricard. Its thorough understanding of regional wine specialties shows in these realistically priced newcomers from various parts of South Australia’s Mount Lofty Ranges. The strongest, perhaps is the barrel-fermented chardonnay, a delicious, fine-boned expression of the variety. Big companies have trouble with pinot, but this one is on-track. It’s on the lighter side but it offers grip and texture as well as varietal flavour. And what a terrific sangiovese it is, with bright fruit flavour and the tight, grippy tannins of the variety.

Copyright © Chris Shanahan 2008