Yearly Archives: 2008

Wine review — Petaluma, Brands of Coonawarra & Moss Wood

Petaluma Coonawarra 2005 $65 (cork sealed)
The warm season produced a comparatively big, ripe Petaluma, albeit in the elegant Coonawarra mould. It’s a blend of 60 per cent cabernet sauvignon and 30 per cent Merlot with, for the first time, five per cent each of petit verdot and malbec – all from the Evans and Sharefarmers vineyards, northern Coonawarra. It’s a wine of considerable substance – one that reveals layers of flavour and texture. Twenty-two months in new French oak seems to have given the wine lift, life, mellow tannins and flavours that harmonise completely with the fruit. With a pedigree going back to 1979 and two top vineyards behind it this is a reliable buy.

Brands of Coonawarra Patron’s Reserve Cabernet Sauvignon 2004 $76 (screw cap sealed)
Don’t confuse this with the old ‘Patron’s Blend’ as that’s now called ‘Eric’s Blend’. The new Patron’s is a straight cabernet sauvignon  (the old one combined four varieties) and it’s extraordinary. It’s a beautifully fragrant combination of cedary oak and perfectly ripe cabernet sauvignon. In its fragrance, fleshiness and ripeness it reminds me of Chateau Margaux, although not in its exact aromas and flavours. The palate’s luxurious and vibrant but still pure cabernet in its expression, including the firm but silk-coated tannins.  I wouldn’t quibble about the price. This is a sensational wine with long-term cellaring potential. You wouldn’t find a Bordeaux to match this quality anywhere near price.

Moss Wood Margaret River
Moss Wood Vineyard Cabernet Sauvignon 2005 $85.50 (screw cap)

This is another Australian blue chip and it’s in glorious form. Like the Coonawarra wines above, it’s a perfectly ripe expression of cabernet without any of the leafy green notes that sometimes take the edge off otherwise top wines. But it’s more than cabernet. The combination of great fruit, skilled winemaking and maturation in high-quality oak produced a wine that’s vibrant and fruity at the core but with another flavour and aroma dimension as well. It’s less fleshy and fragrant than the Brand’s wine and less solid than the Petaluma. It has a teasing core of pure cabernet in a beautifully elegant structure.

Copyright © Chris Shanahan 2008

Wine review — Dominique Portet, Brown Brothers, Campbells & Shingleback

Dominique Portet Yarra Valley Sauvignon Blanc 2007 $24
& Heathcote Cabernet Sauvignon 2005 $42

Dominique Portet’s red and white could be from two different planets. The sauv blanc is pure, light, fruity, tangy and varietal but without the razzle dazzle, show-stopping flavour explosion of the Marlborough versions. They’re lovely, of course, but Portet’s wine offers a delicious, toned-down alternative. On the other hand, there’s nothing demure about his Heathcote cab sauv. It’s an extraordinary mouthful of a thing – big, ripe, buoyant and opulent with layers of porty, plush, juicy fruit flavours and surprisingly soft tannins for cabernet. I don’t think I’ve ever tasted a cabernet like this. But it was pretty tempting to go back again and again for just one more sip.

Brown Brothers King Valley Shiraz Mondeuse & Cabernet 2004 $39.90
Campbells of Rutherglen Bobbie Burns Shiraz 2006 $22.49

Here we have two contrasting full-bodied reds from northeastern Victoria – a monumental blockbuster built to last until doomsday and a slippery, svelte fruit bomb with seductive, siren song, have-me-now appeal. The Brown Brothers wine is a salute to a style first made by the late John Brown in 1954. We’re all familiar with shiraz and cabernet. But the obscure mondeuse gives the wine an obsidian darkness and adamantine tannin structure, mollified by the other varieties and lengthy oak maturation. It’s a superb, idiosyncratic wine for the long haul. The aromatic, smooth, Bobbie Burns Shiraz is made to put a smile on our faces right now.

Shingleback McLaren Vale Shiraz 2005 $24.95, Cabernet Sauvignon 2005 $24.95
and D Block Reserve Cabernet Sauvignon 2005 $59.95

Shingleback owners John and Kate Davey passed through Canberra recently showing off their wares, including the Jimmy Watson Trophy winning Reserve Cabernet Sauvignon. These are classy, realistically priced reds with the true warm, savoury richness of McLaren Vale. They’re big, solid, beautifully balanced wines with satisfying mid palate richness and clear varietal definition. The shiraz is ripe, earthy, savoury and soft and now at a red-wine flavour stage beyond just fruitiness. The cabernets, of course, are firmer, but still generous, the Reserve offering more fragrant highnotes and a more elegant structure than the slightly chunkier standard version. See www.shingleback.com.au

Copyright © Chris Shanahan 2008

Wine review — Mulyan, Millamolong, Bay of Fires & Tapanappa

Mulyan Block 7 Cowra Chardonnay 2006 $25; Block 9 Cowra Chardonnay 2005 $25; Cowra Chardonnay 2006 $20; Cowra Viognier 2006 $20
Cowra’s wine reputation was built on chardonnay. A young Brian Croser sourced his first Petaluma from here in 1977, Then in the 1980s Cowra’s ability to efficiently produce big volumes of rich, peachy chardonnay saved Rothbury Estate’s bacon. Now as Peter and Jenni Fagan show with these terrific Mulyan wines,  there’s a seriously good side to Cowra chardonnay – more akin to the 1997 Petaluma and than the mass produced Rothbury wines of the eighties and nineties. These are generous and peachy wines, but young and fresh with the complexities of barrel fermentation and maturation. The oak fermented viognier’s on the mark, too. See www.mulyanwines.com.au

Millamolong of Orange: 24 Goals Riesling $20; 56 Miles Shiraz 2007; Isabelle’s Ghost Merlot 2007 $20; Cumulus Wines Climbing Merlot 2006 $20
These are all from the high, cool Orange area. Millamolong’s star to me is the juicy, ripe, finely sculpted shiraz. It’s close to grape juice than wine at this early stage, but should be absolutely delicious with just a few months bottle age. Their riesling is ok, but other regions do this variety better. The merlot, like the shiraz, is simply too young. And because it has harder tannins, it’s not a drink-now proposition, and there’s no certainty that they’ll be tamed by time. Climbing, too, has merlot’s assertive tannins, but they fit with lovely fruit and form part of the elegant framework of the wine – a delightful drop indeed.

Bay of Fires Tasmania Chardonnay 2006 $36–$38
Tapanappa ‘Tiers’ Vineyard Piccadilly Valley Chardonnay 2007 $75

These are contrasting top-end chardonnays from Bay of Fires (owned by US based Constellation Brands) and Tapanappa, owned by the Croser, Cazes and Bollinger families. The Tassie wine leads with what some winemakers call a ‘struck match’ character – a winemaking artefact derived from barrel fermentation. This hovers over the aroma and flavour and, to my taste becomes a distraction, albeit minor, in an otherwise, intense, taut and wonderful wine. Croser’s wine, from the Tiers Vineyard (planted 1979) is an altogether more subtle wine – luxurious but with finesse and a seamless integration of the fruit and barrel ferment and maturation elements. It just needs time in bottle.

Copyright © Chris Shanahan 2008

Wine review — Domain Day, Angoves & Tim Adams

Domain Day Mount Crawford – One Serious Riesling 2007 $20; Garganega 2007 $20; Viognier 2007 $20; One Serious Merlot 2005 $27
These are new releases from Robin Day’s vineyard at Mount Crawford, at the elevated, cool southeastern edge of the Barossa. The riesling is bone dry and strongly varietal in the ripe citrus end of the ripeness spectrum; viognier is pure, apricot-like and viscous varietal – fresh and not too heavy; garganega (the main variety in Verona’s Soave) is exotic, sappy, dust dry and pleasantly tart – a must-try and truly different from our usual fare; the merlot is elegant, delicious and deeply fruity with seductive aroma and ripe soft tannins to match the lovely fruit. See www.domaindaywines.com.au
Angoves South Australia Tempranillo Shiraz 2007 $14

Tim Adams Clare Valley Reserve Tempranillo 2006 $35
Not surprisingly Spain’s tempranillo adapts well to Australia’s hot, dry conditions, as these two very different versions of it demonstrate. The Angoves blend has aromas, flavours and even a little tartness reminiscent of red berries, especially raspberries. But it’s savoury, too, with fine, drying tannins – a medium bodied casual dining drink. The Tim Adams wine has greater depth and complexity, as you’d hope at $35. There’s an underlying bright red-berry flavour. But there’s a deep, sweet savoury depth to it and a lovely, taut, elegant structure. Unusual for a Clare red it’s a modest 13 per cent alcohol, attributable to the variety’s ripening at low sugar levels.

Tim Adams Clare Valley Reserve Riesling 2007 $35
Tim Adams Clare Valley The Fergus Grenache 2006 $25

This is an unusual riesling, made from very early picked grapes, judged by Tim Adams to be ripe, despite a very low sugar level. The resulting 11 per cent alcohol wine is light, delicate, dry as a plank and alive with mouth puckering, grapefruit-like flavours and acidity. It just makes it over the ripeness line and ought to suit foods that you’d ordinarily enjoy with similarly rapier-sharp wines like Chablis or Sancerre. In contrast, Tim’s ripe, plush, soft and velvety grenache comes drenched in the variety’s floral, musk and spicy aromas and flavours. See www.timadamswines.com.au

Copyright © Chris Shanahan 2008

Wine review — Deakin Estate, Shaw and Smith, Grumblebone, Chrismont & Margan

Deakin Estate Chardonnay 2007 $10
Deakin Estate Merlot 2006 $10

These are big-value everyday quaffers from Deakin Estate, part of the Wingara Wine Group, whose holdings include Katnook Estate, Coonawarra. The Deakin wines come predominantly from the Mildura region and offer bright, generous, pure fruit flavours. The chardonnay is in the rich warm-climate peachy style but without the fatness we used to see from this region. It’s fresh and zesty and should be enjoyed now because it will fatten up with age. The merlot offers plummy, earthy chocolaty fruit flavours. Again, it’s bright and fresh and soft, but it’s not too plump in the middle and it has the savoury, dry tannins that give reds such a pleasant finish.

Shaw and Smith Adelaide Hills Shiraz 2006 $36–$38
Grumblebone Estate Vineyard Southern Highlands Shiraz 2006 $25

Here we have two contrasting cool-climate shiraz styles. The first, from cousins Martin Shaw and Michael Hill Smith in the Adelaide Hills, is floral, opulent and juicy rich in a fine-boned way. To me it’s the best and slurpiest in the wine’s short but well-charted history. Stylistically I’d put this at warm end of the cool-climate spectrum. On the other hand, Paul Sibraa’s Southern Highland shiraz has an attractive, exotic white pepper aroma characteristic of very cool growing conditions. White pepper often means green, unripe fruit. But in Grumblebone it’s pleasant seasoning in a fine and bright but taut style.

Chrismont La Zona King Valley Barbera 2004 $22
Margan Hunter Valley Barbera 2004 $25

Northern Italy’s barbera produces reds with stunning purple colour, high acidity, exotic fruit flavour and firm, savoury tannins. In these two Australian expressions of the variety, bottle age has taken the stunning edge off the colour and primary fruit flavours while adding more savoury, mature-wine character. Arnie Pizzini’s La Zona is medium bodied with tart-edged black cherry and mature-wine flavours wrapped in soft, persistent tannins. Andrew Margan’s wine from Broke in the Hunter Valley shows earthy, spicy, ripe cherry aromas that carry through onto a brisk, savoury, taut and dry palate with a teasing lick of fruit under the tannins and acid.

Copyright © Chris Shanahan 2008

Wine review — Secret Stone, Pirie, Lark Hill & Tapanappa

Secret Stone Marlborough Pinot Noir 2007 $18–$21
Pirie ‘South’ Tasmania Pinot Noir 2007 $25

The pinot minefield exists wherever the variety grows – from Burgundy to Oregon to New Zealand to Australia. Because it’s difficult and expensive to grow and make, its starting price is higher and the failures, near misses and almost-made-its can blow your budget. Today’s pinot offering, a random tasting of available samples, is representative. At the ‘budget’ end the Foster’s owned Secret Stone gives fair value. It’s a drink-now wine with bright, pale, colour; clean, fresh aroma and mid-weight, brisk varietal pinot palate. In the bigger Pirie ‘South’ you get riper fruit depth and a more solid structure without losing pinot character.

Pirie ‘Estate’ Tasmania Pinot Noir 2006 $38.90
Bay of Fires Tasmania Pinot Noir 2007 $38–$40

Pinot carries a big tannin load that’s not always apparent on first sip, because it’s generally so soft. But sometimes the tannin hits first, as it does in Andrew Pirie’s wine. Then the fruit makes its impression – before the tannins bite again, throwing this fairly big pinot slightly off balance (to my taste) – a small blemish that may disappear over time. Fran Austin’s Bay of Fires has what might euphemistically be called a ‘funky’ character. This could, in fact, be a trace of a sulphide compound or just an earthy pinot flavour – only the lab can tell for sure. That quibble aside, it’s a deep, silky, complex and enjoyable pinot. She’ll perfect this style before long, I suspect.

Lark Hill Canberra District Pinot Noir 2006 $35
Tapanappa Foggy Hill Vineyard Fleurieu Peninsula Pinot Noir 2007 $50

After a couple of tough years up on the Lake George escarpment, Lark Hill pinot makes a strong comeback with the 2006 vintage, the first under full biodynamic management. It’s very bright, fresh wine – subtly perfumed, with a palate that builds with each sip, the fruit framed by savoury tannins and carried on an acidic spine. It’s to be released in late winter says winemaker Chris Carpenter. It’s a leap of faith from there to Brian Croser’s first wine from a vineyard planted in 2003 on a cold, foggy 350-metre peak of the Fleurieu Peninsula. This is promising pinot from one of Australia’s most significant wine figures. But Brian, could we please have another few months in barrel next vintage?

Copyright © Chris Shanahan 2008

Wynns Coonawarra — great winemaking but the marketing sucks

They say that if it ain’t broke, don’t fix it. Wynns Coonawarra Estate was never broken. In fact, for all but a short period in the seventies, it produced reliable, long-cellaring reds.

But by the late nineties, with winemakers restless to do better, small-scale vineyard restoration began. “From 2000 on”, says winemaker Sue Hodder, “we knew that much work was required. And after the difficult 2002 vintage we realised that the pace was not fast enough”.

Under viticulturist Allen Jenkins, the large-scale work began. It was a massive and still not complete undertaking that included retrellising, chain-saw pruning, developing of a heritage nursery (based on cuttings from time-proven vines), grubbing out tired or diseased vines, replanting, converting from sprinkler to drip irrigation, changing canopy management and introducing new pruning techniques.

This vastly oversimplifies the task, of course. But by the time Allen and his team had passed the half way mark in Wynns massive estate, fruit quality had improved impressively. Tighter management of small vineyard plots gave Sue Hodder and the winemaking team a broader palette of fruit characters to work with. Most importantly it meant generally brighter, more evenly ripened fruit with the soft, velvety tannins that winemakers seek but don’t always find.

Modified winemaking, particularly a gentler hand on oak maturation, in combination with higher quality fruit produced notably better wines across the Wynns range in recent years. The changes were most notable in the re-introduced, revamped flagships, Michael Shiraz and John Riddoch Cabernet Sauvignon.

Despite the quality lift there remained a gap between what the vineyards could deliver and the ability of the winery to capitalise on it. That gap was closed this year with the commissioning of a new small-batch cellar at the western end of the winery.

It’s a self-contained unit with twenty-four ten-tonne, temperature controlled, open fermenters and separate crushing and pressing equipment – designed to process small batches of more-evenly ripened fruit.

The old winery had been geared to process fairly large batches of grapes. And its few smaller fermenters were “always in heavy rotation”, according to Sue’s fellow winemaker, Greg Tilbrook.

Tilbrook says that even though the winemakers and grape growers knew that different sections of a vineyard ripened at different times, there simply weren’t enough small fermenters to partition the crop to the level that they wanted.

The arrival of the new winery meant that in 2008 grapes from a larger block, producing, say, forty to sixty tonnes, might be processed in five or six batches instead of two or three.

The impact that this has on quality lies partly in the batch size and partly in better fruit quality. Sue Hodder says small, small, open fermenters, being more aerobic, give winemakers better control over ‘reduction’ (smelly hydrogen sulphide tends to develop in a closed, or reductive, environment). And harvesting small batches at perfect ripeness, rather than large batches with a range of ripeness, gives “brighter fruit with more evenly ripe, supple tannins’, says Sue.

Processing in multiple, small batches gives the winemakers more components and greater variation than they had in the past. And though it means more work, says Tilbrook, it brings home all the work done in the vineyards over the last decade and will affect the quality of all Wynns wines.

From the components the winemakers and viticulturists can learn which wine styles come from various blocks and clones. They can see where quality lies and also identify where things could be better. This quality and style assessment feeds back into vineyard management, which in turn feeds back into wine quality. Indeed, says Sue, Allen Jenkins knows intimately the wine styles from each of his vineyard plots.
And what are the quality factors in Coonawarra red? How important is the terra rossa soil, vine age and clonal selection?

It’s a complex picture. Sue says that while the best wines do tend to come from the terra rossa (well drained soils derived primarily from decomposition of the underlying limestone), vines from the transitional soils just off the terra rossa and some from the black soils further out have produced good quality during the run of dry seasons.

It seems the moisture holding capacity of these deeper soils, a curse in wet seasons, has been a virtue during prolonged hot, dry spells. Some of the traditionally great, unirrigated vines, on shallow terra rossa have suffered.
Even within one vineyard, says Greg Tilbrook, ripening can vary noticeably because of varying soil depth. During the dry spell, vines in shallow soil tend to ripen early, while those in deeper, moister soil ripen later – hence the need for separate harvesting and winemaking.

Having the right clones is important, too. Sue cites examples of poor genetic material overcoming the benefits of a great site and of clones that work in the Barossa not working in Coonawarra.

Like other winemakers around the world, Wynns used material from time-proven vineyards to propagate new plantings – principally from the ‘Johnsons’ block, planted in the 1920s, and the ‘Redman’ block.

While a lot is made these days of century-old vines, Sue says that the average age of vines used in making the famous Wynns Black Label Cabernet Sauvignon is about twenty-eight years. The flagship John Riddoch vines might be slightly older. The vines were planted mainly in the sixties, seventies and eighties. And there are no centenarians in the mix.

Unquestionably in my mind the wines are good and getting better. I’ve tried them all, back to the early fifties. They’re up there with the best in the world. And it gets back to location (including climate) and all the work of generations of grape growers and winemakers.

It’s a pity that the Foster’s marketers (Foster’s owns Wynns) seem so out of touch that they have to lie about these great wines. It’s silly enough that their current press ads call Wynns Coonawarra Estate ‘far more blessed’ than Vatican City. But it’s simply false when they say ‘It’s the combination of rich, red soil and hundred year old vines that makes Wynns Coonawarra Estate Cabernet Sauvignon and Shiraz arguably the best in the country’.

I wonder who signed-off on the ‘hundred year old vines’ lie? Wynns drinkers deserve better than this.

Copyright © Chris Shanahan 2008

Parlour room beer list — ok, but could do better

The chic new Parlour Wine Room in the Acton Pavilion offers plenty for wine and cocktail drinkers. But it’s somewhat more limited in its beer offerings.

The list of fifteen beers and one cider is certainly well selected, if limited, and even the fussiest beer palate need not go dry.  But no matter how careful the selection, it’s one of convenience – by far the majority of brews, including the cider, come from just one company, Lion Nathan.

While that says a lot for the terrific style diversity Lion offers (James Squire, Kirin, Beck’s, Knappstein, Little Creatures, Pip Squeak and James Boag), it leaves big gaps both in style and diversity within styles.

It’s early days for Parlour room. But the beer list could become a lot more interesting with the addition of a few more classic world styles and perhaps a revolving range of boutique Aussie brews.

It’d be good, for example, to see on the list Bavarian and Belgian wheat beer, American pale ale, English pale ale, a Czech Pilzen and a stout or porter, to represent the dark side of the beer family. And the list of worthy Aussie boutique brewers that might be represented grows longer by the day.

Copyright © Chris Shanahan 2008

Wine review — Mistletoe & Blackjack

Mistletoe Hunter Valley – Reserve Semillon 2007 $22, Chardonnay 2007 $20, Reserve Chardonnay 2007 $25
When I asked Mistletoe proprietor Ken Sloan for a bottle picture, he said that since he sold wine only direct (cellar door and www.mistletoewines.com) Canberra Times readers mentioning this review could have free delivery to Canberra of 6-packs or dozens. The wines are superb, a particular favourite being the 2007 Reserve Semillon. This is classic Pokolbin semillon, low in alcohol (ten per cent), delicate, lemon zesty and a touch austere at this stage, but already terrific as a bone-dry aperitif. It’ll age for many years. The chardonnay are rich but finely structured, showing barrel-ferment influence, particularly so in the complex, intense reserve version.

Mistletoe Hunter Valley – Shiraz 2006 $20, Reserve Shiraz 2006 $28, Hunter-Hilltops Shiraz Cabernet 2006 $22
With so many $50 plus reds coming onto the market, it’s refreshing to see absolutely top-notch, regional specialties realistically priced. Mistletoe’s Shiraz 2006 (from four Pokolbin vineyard) is ripe and plummy with the Hunter’s earthy edge and very soft tannins – a juicy, restrained red that’s a joy to drink now. It’s Reserve cellar mate comes from a single vineyard is a denser, more powerful drop, but in the same soft, restrained Hunter mould and with the added spicy complexity of new French oak. The Hunter-Hilltops wine is an imaginative blend that works in a surprising way – it seems to be the cabernet rather than the shiraz that fills out the velvet smooth palate.

Black Jack Bendigo – chortle’s edge Shiraz 2006 $18, Bendigo Block 6 Shiraz 2006 $35, Bendigo Shiraz 2006 $35, Bendigo Cabernet Merlot 2006 $25
Ken Pollock and Ian McKenzie offer three variants on the Bendigo shiraz theme, all made in their winery in the Harcourt Valley, just outside Bendigo: the brisk, spicy, drink-now chortle’s edge, sourced from Turner’s Crossing Vineyard, Bridgewater, and Fielding Family Vineyard, North Harcourt; the big, ripe, burly and bold, chunky Bendigo Block 6 Shiraz from a single block on the estate; and my favourite in this vintage, the estate-grown, ripe, plummy, fragrant Bendigo Shiraz. It’s supple, soft and velvety and read to savour now.  The cabernet merlot blend is an attractive, smooth drop, too, but overshadowed by the shirazes.

Copyright © Chris Shanahan 2008

Bowen Estate — pull out half the vineyard, start again

This story came out of a bottle – Bowen Estate Coonawarra Shiraz 2006 – a fragrant, silky, delicious drop, sufficiently better than recent vintages to prompt a call to the Bowens. This was more than vintage variation, so what was going on?

It started in 2004”, says Emma Bowen. “We decided on big changes”. For a few years she’d been working alongside her dad, Doug, as assistant winemaker and 2004 was their thirtieth vintage. “We looked hard at what we were doing and asked what are we trying to do now and what do we want to do for the next thirty years”.

They had a general feeling that they could make even better wine than they had been from their 33-hectares of vineyards – running about five hundred metres from north to south, towards the southern end of Coonawarra’s terra rossa strip.

Doug had come to know the vineyard well over thirty years, says Emma. He had always picked the various blocks separately and kept the wines apart during maturation. On the tasting bench over all those years, the quality difference from block to block remained consistent. ‘Every year there was a clear difference from best to worst and it was always exactly the same’, say Emma, ‘and we picked the blocks in the same order each season’.

They wanted all of their wine to be like ‘The Ampelon’ 1998, a one-off release from their oldest shiraz block, a block that year-in, year-out was the first to ripen and always produced wines with the best flavour and texture.

They’d seen what others, including Kay Bros in McLaren Vale, had achieved in propagating new vines from those that had historically produced the best wines – and headed down the same path.

The Bowens ripped out two blocks of vines, one of diseased cabernet and another of shiraz that had been grafted onto merlot. At the same time they’d been marking the healthiest vines in the 2.5-hectare Ampelon vineyard.

Over the following two years they took cuttings from these to replant the two blocks that’d been ripped out. Doug doubled the vine density from four per panel to eight, with two canes per vine instead of four, but the same number of fruiting buds. Earlier trials had shown that this led to earlier ripening (important in the cool, southern end of Coonawarra) as well as being easier and cheaper to prune.

The denser planting gives similar grape yields per hectare but each vine produces only half the fruit of those replaced – twenty to thirty bunches each instead of forty to sixty, says Emma.

Emma and Doug expect to see the first fruit from these new plantings in 2009. Meanwhile a savage frost in spring 2006 wiped out what would’ve been the 2007 harvest on an adjoining 5.4-hectare block that the Bowens had bought in 1996.

The thirty-year-old vines were in poor health and the Bowens intended to pull them out eventually. But after the 2006 frost and ground-softening rain, Doug ripped the whole vineyard out. He replanted it with cuttings in November last year.

While the vineyard rejuvenation started with shiraz, the Bowens also identified their best cabernet sauvignon clone, based on wine quality, and have used this in the replanting program.

Emma says that their Ampelon shiraz clone and favoured cabernet clone, as well as producing high quality, give good yields and ripen early, important in beating the autumn cold.

As well as replanting parts of the vineyard, Doug converted the southernmost block of vines from spur-pruned to arched-cane pruning. As a result, Emma told me, the block weathered this year’s March heat wave and the vines looked in lovely balance – a good indicator of fruit quality, she reckons.

Emma says that all of this underlines what a very long-term venture grape growing is. “It takes a long time to get the understanding of your vineyard and, after thirty years, when you ask what you need to do, to decide to pull out half of it and start again”, she comments.

But all the vineyard changes that are about to yield better fruit, don’t explain why the 2006 shiraz, made in the middle of the rejuvenation, should be so much better than we’d seen for a while.

Emma attributes this to ‘being smarter in the winery, with more attention to detail’. With two palates at work on the tasting bench (Emma’s and Doug’s), there’s a more objective approach to each component and a more critical selection of what goes into each blend.

There’s a couple of winemaking tricks, too, admits Emma, including a bit of juice run off, to concentrate the wines. But, ultimately, she says, all of this richness and texture ought to come from the vineyard – and she expects it to.  ‘Texture and depth of flavour will go to another level in shiraz’, she believes, ‘and I hope for the same in cabernet sauvignon’.

Copyright © Chris Shanahan 2008