Category Archives: Wine review

Wine review — Penley Estate, Wynns & Ladbroke Grove

Penley Estate Coonawarra Phoenix Cabernet Sauvignon 2004 $19.99
At last week’s Limestone Coast Show, Singapore based writer, Ch’ng Poh Tiong awarded Phoenix the International Judge’s Trophy as his favoured wine of the show. Together with James Halliday, we’d ranked it at the top of the small 2004 Cabernet Sauvignon class, noting its vibrant, sweet, fruity aroma and juicy, fleshy, drink-now palate. Waxing metaphorical at the trophy presentation, Poh Tiong praised its ‘smouldering-ember smoky’character – fitting for a wine named Phoenix, I suppose. With or without metaphors, it’s simply delicious and made specifically for early drinking. It’s to be released in early December and will be available at cellar door (08 8736 3211) and fine wine retail outlets.

Wynns Coonawarra Estate Johnson’s Block Shiraz Cabernet 2003 $35
Johnson’s block is a distinguished Coonawarra vineyard with vines dating from 1925. Recent rejuvenation work – principally restructuring dense, woody, vine canopies – seems to have paid off in Johnson’s blend with its beautifully even, ripe berry fruit flavours and supple tannins. It also displays Sue Hodder’s well thought out change in winemaking philosophy inspired by the elegance and longevity of Wynns reds of the 1950s. The limpid colour, bright berry flavours, supple tannins and supportive oak provide a substantial, potentially long live modern interpretation of a traditional style well removed from the darker, more alcoholic, more tannic, more oaky reds that’ve prevailed in recent decades. Johnson’s hits the mark as it focuses on Coonawarra’s unique, bright berry flavours without compromising depth or complexity of flavour.

Ladbroke Grove Coonawarra Riesling 2005 $17.99
This is a little producer to watch. Ladbroke’s Killian Cabernet 2001 won three trophies in the 2003 Limestone Coast Show. This year it was the riesling’s turn. After topping a strong 2005 vintage riesling class it went on to win the Karl Seppelt Trophy. Fruit comes from a northern Coonawarra vineyard, contracted to Ladbroke Grove and made in the Di Giorgio Winery by former Wynns winemaker, Peter Douglas. The wine springs out of the glass with its floral and lemon varietal aroma then lights up the palate with vibrant, very fine lemony flavours. Refreshing, delicate, minerally acids give the wine structure and length – and probably longevity, too.

Copyright © Chris Shanahan 2005 & 2007

Rosé — a bland, surplus-driven boom

Rose’s long predicted moment in the sun may, at last, have arrived – in a very small but dynamic way.

According to A.C. Nielsen, Australian retail sales of bottled rose grew 108.3 per cent by volume and 79.5 per cent by value in the year to November 2004.

By the end of December, says Orlando-Wyndham’s Paul Turale, dollar growth had accelerated to 86 per cent. And Woolworth’s John Allen reports that sales of bottled rose in its BWS outlets increased 366 per cent by value in the year to February 27, 2005.

However, for all its talking up over the last thirty years, rose still represents less than two per cent of the Australian wine market and remains a country mile behind mainstream reds and whites – or even of other niche players like riesling.

The Nielsen moving annual totals to November, 2004, put Australia’s rose sales at about one million litres – small change when compared to riesling’s 4.4 million, chardonnay’s 26 million, sauvignon blanc’s 3.6 million, shiraz/shiraz blends’ 16.8 million, cabernet/cabernet merlot’s 14.3 million or merlot’s 6.4 million litres.

But what excites winemakers is rose’s rate of growth and the fact that it can move from vineyard to consumer in a matter of weeks, providing cash flow and profitability in a glutted and difficult market.

Indeed, the glut of red varieties pouring from new vineyards is one of the driving forces behind rose’s mini boom. Just a few years back, winemakers unable to meet demand for full-bodied reds, would never have dreamed of making rose from these varieties.

Today it’s not only possible but also a profitable adjunct to red-wine making. By bleeding juice from vats of shiraz, cabernet or any other red variety, following a short period of skin contact (the colour is all in the skin), the winemaker has a lovely pink component for making rose. And what’s left in the vat enjoys a higher skin to juice ratio – meaning more colour and substance for the resulting red wine.

This bleeding process, generally known under its French name, ‘saignee’, probably lies behind most of the hundreds of bland roses now seeking our attention.

A proponent of the saignee method — one of Australia’s most successful rose producers — Geoff Merrill, made his first rose in 1976. But to Geoff, the first and most critical step towards good rose lies in the vineyard.

You have to get the fruit right to establish varietally correct flavour”, says Geoff. For his benchmark Geoff Merrill Grenache Rose – a regular medal winner in shows — that means harvesting fruit of quite high potential alcohol from 85-year-old McLaren Vale vines.

Because Geoff seeks the same fruit flavours in his grenache-based table wine, the saignee method works well. After 24 hours soaking on skins the now pink juice – about 45 per cent of the total – heads off for cool, protective fermentation as if it were a white wine. (The portion destined for red-wine production undergoes a warmer fermentation on skins).

The rose component retains a delicious natural fruitiness and achieves a high alcohol content as it ferments to dryness – its opulence eliminating any need for the residual grape sugar that props up less fruity roses.

The result is one of the most lovely, fruity, dry roses with the distinctive musk and pepper notes of grenache.

In the Barossa Valley, Charlie Melton, too, chooses grenache as the base for the superb Rose of Virginia but seasons it with a little cabernet sauvignon and pinot meunier “to stop the confection character that grenache sometimes shows”.

Charlies sources his fruit from 15 different vineyard plots, purpose managed to produce rose. So, for Charlies, there’s no ‘saignee’. All of the juice makes rose.

The various components reach the winery over a six-week period and undergo skin contact of varying duration – from eight hours to three days, depending on the structure of the fruit and the components made to date – prior to cool, protective fermentation.

Like Merrill’s McLaren Vale wine, Rose of Virginia is a benchmark of the rose style. And Charlie tells me he doubled production in 2004 and sold all of it – but he’ll be sitting pat for a while now.

Rose’s recent explosive growth, albeit from a low base, has drawn in the big players as well as hundreds of small makers to join accomplished makers like Merrill and Melton.

While Hardy’s Banrock Station White Shiraz slugs it out with Orlando’s Jacobs Creek Shiraz Rose for number one spot, countless new labels continue to appear from all over Australia and made from every red variety.

Many are just crap. Take the sugar and alcohol out and there’s nothing left. But there are some lovely gems for those prepared to sift through the dust — or is that bulldust.

Geoff Merrill McLaren Vale Grenache Rose 2004, $13.49 to $18.99
Geoff Merrill has been making rose successfully from McLaren Vale grenache since 1976 – turning what was once an undervalued variety into delicious, fruity, crisp and slightly sweet pink wine. Over the years the style has become almost completely dry as the opulent, musky/peppery fruit quality became more pronounced and mouth filling. The latest one is simply scrumptious when you want a full-flavoured, fruity and crisp dry wine. It’s at its best served slightly chilled in warmer weather, especially outdoors where the brilliant purple-tinged pink colour often becomes the centre of attention.

Tigress Tasmania Rose 2004, $23-$25
This 100 per cent pinot noir rose provides an absolute contrast to the fleshy, fruity, opulent Geoff Merrill, warm-climate style. Winemaker Fran Austin says she draws juice from particularly ripe batches of pinot noir destined for the red wine vats.  The drawn off juice, because of its brief skin contact and the inherent paleness of pinot, has just a wash of pink through it. But it offers what Fran calls an ‘essence of pinot’ character: there’s a subtle, raspberry-like fragrance and flavour on a dry and delicate palate with pleasing backbone and a racy acidity that refreshes beautifully. What the Merrill and Tigress roses share is a purity of regional and varietal expression. That, to me, is good rose.

Copyright © Chris Shanahan 2005 & 2007

Wine review — Miramar & Gibson

Miramar Mudgee Chardonnay 2000, $15 at cellar door
The trophy-winning Miramar Chardonnay 1984 was the most memorable wine of the 2003 Mudgee Regional Wine Show. For a nineteen year old it showed extraordinary vibrance and varietal flavour in combination with mellow, aged character. It was just one of a continuing line of age-worthy estate-grown-chardonnays made by Ian McRae at Miramar. Indeed, Ian releases all of his chardonnays with considerable bottle age. The current release, from the small 2000 vintage, shows bright melon-like varietal character and tremendous freshness plus all the textural and flavour complexities that come from fermentation and maturation in new American oak barrels and prolonged bottle ageing. This is an irresistibly delicious drop and a sensational bargain at $15. Cellar door, phone 02 6373 3874

Gibson Barossa Vale Shiraz 2002, about $33.50
Rob Gibson earned a big reputation in the wine industry during twenty years with Penfolds, working at what he calls ‘the interface between winery and vineyards’. With wife Anne, Rob founded Gibson Barossa Vale Wines in 1996 with vineyards in Stockwell and Light Pass in the Northern Barossa.  This beautiful red, sourced mainly from the Stockwell vineyard, expresses the power, juicy richness and soft, almost tender, tannins of northern Barossa shiraz. Good oak is an integral part of the wine, lifting the fruit and adding its own flavour and structural complexities. This is a way-above-average newcomer to the market and worth its price. Winery phone number is 08 8562 3193.

Copyright © Chris Shanahan 2005 & 2007

Wine review — Wynns Coonawarra John Riddoch Cabernet Sauvignon 1982–1999

Tasting notes of Wynns Coonawarra Estate
John Riddoch Cabernet Sauvignon magnums 1982–1999
Redfingers Restaurant, Coonawarra
November 15th, 2004

These are my notes made on the eve of a fifty-years-of-Wynns cabernet tasting. Wynns booklet, ‘Reflections’ covers the full sequence of wines from 1954–2004 tasted the following day.

1982
Deep colour, youthful for its age, with some signs of browning at the rim; wonderful aroma and palate, showing cedary oak and mellow aged notes over a core of elegant, sweet, varietal fruit. A superb, complex ageing red in complete harmony and with many years left in it. Developed well for several hours after opening. 19.5/20

1984
Medium to deep still youthful colour; lifted and attractive berry-like aroma but simple and one dimensional in comparison to the 1982; the palate reflects the aroma with its pleasant, soft and varietal berry flavours. An attractive, easy drinking John Riddoch at its peak. 17/20

1985
Medium to deep colour showing distinct brown hues at the meniscus; the aroma reveals leathery, aged character over rich, underlying fruit; the palate is solid and chewy with a surprising depth and layers of rich, varietal fruit and firm tannins as well as the bottle-aged leathery characters. 18/20

1986
Medium to deep colour with only the slightest hint of ageing; lifted varietal aroma with a hint of leafiness; powerful, intense and lifted palate reflecting the aroma – a wine showing great freshness, lift and vitality for its age. Has years to go. 18.75/20

1987
Medium to deep colour and quite youthful; spicy oak and leathery, aged character dominate the aroma; this carries to the palate which also delivers leafy, varietal cabernet flavour, although these appear to be drying out. 16/20.

1988
Medium to deep colour, still a youthful red at the meniscus; strong and bright ripe-berry cabernet character shows on nose and plate. This is a youthful, balanced and appealing John Riddoch still on the way up. 18/20.

1990
Always has been and still is a powerhouse – atypical of Coonawarra yet the essence of Coonawarra at the same time; the colour is very deep and youthful; the aroma and palate are brooding and deep but, clearly, this is varietal cabernet with the mid palate richness of Coonawarra – almost a syrup in its richness. Needs more time. 19/20.

1991
After the blockbuster 1990, this is perfumed, elegant refined – classic Coonawarra, combining elegance and strength; lovely ripe-berry varietal flavour seamed with cedary oak and held together by supple, persistent tannins. Looking young. 18.5/20.

1992
Medium to deep and still youthful colour; berry cabernet aromas with a leafy edge; the palate shows the same leaf-edged berry flavour in an elegant and tight structure. Looking young but without depth or complexity after the 1990 and 1991. 17/20.

1993
Medium to deep, still with youthful crimson hues at the rim; slightly vegetal aroma, followed by a big and tannic palate layered with fruit and oak. In its own right, an appealing, maturing wine, but flanked by the 90, 91 and the 96, looks a little clumsy. 16/20.

1994
Deep colour with youthful crimson rim; cedary, oaky nose and quite powerful palate on which oak, at this stage, tends to overshadow the fruit. 17/20

1996
Deep colour with vibrant crimson rim; subdued nose but lifted and powerful palate with layers of superb fruit, cedary oak and firm but elegant structure. A wine of great intensity, complexity and harmony with the power and elegance of great cabernet. Needs time. 18.75/20

1997
Deep colour with crimson rim; green-bean character hovers over the berry cabernet and although the wine shows Riddoch-like power, this underlying greenness detracts. 17.5/20

1998
Dense, crimson-rimmed colour; the aroma is dominated by oak, although there’s ample, dense fruit underlying it; the palate, too, is huge in the oak, fruit and tannin departments, with oak a little dominant at present. These elements will probably all marry with time, but this John Riddoch is not ready to enjoy yet. 17.5/20.

1999
Deep, crimson-rimmed colour; elegant and sweetly-perfumed ripe-berry aroma with cedary oak complexity; intense palate with deep, sweet berry flavours cocooned in cedary oak and supple, velvety tannins. This is classic Coonawarra cabernet needing time to reveal all of its complexity. 18.5/2

Copyright © Chris Shanahan 2004 & 2007

Tyrrell’s goes screw cap

Bruce Tyrrell rolled through town last week presenting new-release Tyrrell’s private bin wines to local collectors. Later, he hosted a terrific retrospective tasting of Hunter Vat 1 semillon, Vat 47 chardonnay and Vat 9 shiraz at Tasso Rououlis’s Benchmark Wine Bar.

The wines, from Dennis O’Connor’s cellar, revealed the idiosyncrasies of the lower Hunter Valley; the vagaries of weather conditions back to 1991; and, of course, the Tyrrell mastery of these lovely regional styles – a subject touched upon in last week’s column.

During the tasting we learned, too, of an impending switch from cork to screw caps on all of the Tyrrell top-end wines from the 2004 vintage. Tyrrell says he’s had enough of cork failure, a particularly big problem for a company that encourages extended ageing of its wines and regularly re-releases back vintages.

It’s not cork taint so much”, said Bruce, “but random oxidation that’s the biggest problem”. In a recent inspection of 4000 dozen bottles of white wine from the 1986 to 1996 vintages, Bruce and his team tipped 600 dozen down the drain – not through any inherent wine problem, but because some of the corks had simply failed to provide a barrier against air. That’s random oxidation.

But the problem is not limited to white wine. It’s just that in whites it’s more obviously manifested in a too deep colour, dull, flat aroma and flat, drying-out palate. Reds suffer, too. But often unless the drinker is familiar with a wine and knows what it should taste like – or happens to have two bottles open, one good, one bad – the problem is less apparent.

Bruce and his winemaker, Andrew Spinaze, commenced trialing alternative closures in the mid eighties, initially testing a range of synthetic plugs on the flagship Vat 1 semillon – chosen for its delicacy and capacity for long-term ageing.

Spinaze says that after three months in bottle all samples, including those under cork, smelled and tasted the same. But after 18 months all of the synthetics had failed while the cork delivered its usual variable quality – some wines perfect, some not bad, some oxidised and some cork tainted.

From1998 Spinaze began sealing a portion of Vat 1 semillon under screw cap. The performance of these wines against cork-sealed bottles precipitated the decision to change.

Says Spinaze, “We were always aware of cork’s shortcomings. But we had some reservations about how our top wines would age with the alternative. We knew they would be different. And they are. But the cork failure rate is too high”.

The decision followed two important tastings this year, one in Canberra, one in the Hunter.

In Canberra, Bruce and Andrew joined Lester Jesberg, Len Sorbello and Ray Wilson of Winewise, a highly respected independent wine periodical, in a tasting of Tyrrell’s Vat 1 and Futures semillons from the 1986 to 2002 vintages. Tyrrell and Spinaze brought along screw-cap sealed samples of the 1998 and 2000 vintages to compare with Winewise’s cork-sealed samples.

Jesberg recalls that for some vintages several cork-sealed bottles had to be opened to find a good one. In the end, though, it was the screw cap sealed 1998 that blew everyone away.

A few months later in the Hunter, Tyrrell and Spinaze presented eight masked bottles of the 1998 Vat 1 Semillon – four screw-cap sealed, four cork sealed — to judges at the local wine show.

Cork fared poorly: one bore the unpleasant musty notes of cork taint; one was badly oxidised; one was slightly oxidised but pleasant and one was spectacularly good.

All four screw-cap wines opened in perfect condition. But, says Spinaze, some tasters, himself included, favoured the style of the best cork-sealed wine by a tiny margin. Others disagreed. However, the concessus was that the screw cap sealed wines were not only outstanding and ageing well but utterly reliable and indistinguishable from bottle to bottle.

So, says Andrew, “the question had become why wouldn’t we put them in”. Hence, the screw-cap roll out to Tyrrell’s very best wines began recently with ‘Stevens’ Semillon 2004 (a wine released at five years’ age), moved on to the Vat 1 Semillon 2004 and embraced the legendary Vat 47 Chardonnay 2004 late last week. And, Bruce assured me at the Benchmark Wine Bar tasting, all of the 2004 Private Bin reds are getting screw caps, too.

Murray Flannigan, well known smiling face of Tyrrell’s Private Bin Club, reports strong, if not unanimous, support for the move amongst collectors in his own straw poll.

As more leading producers abandon cork, the question becomes is the screw cap perfect? The answer is no. But it’s the best alternative to date. And its acceptance opens the door for other innovative solutions. Where are they all?

Copyright © Chris Shanahan 2004
First published 3 October 2004 in the Canberra Times

Wine & beer review — Boag’s, Redbank & Annie’s Lane

Boag’s Honey Porter, about $10 to $12 for 4 375ml bottles
Luscious is the word for this wonderful new Tassie brew. It’s a tad paler than some Porters – a deep, appealing, mahogany rather than black. But it’s full-bodied and complex, combining malt and roast malt flavours with fragrant hops, a terrific, drying hops bitterness and a subtle, balancing sweetness derived from the use of Tasmanian leatherwood honey in the brew. Master brewer, John Hood, says he used three different types of dark, highly roasted barley malts, two Tassie grown hops, including the new Van Diemen variety, and a ton and a half of honey from the Stephens’ family apiary at Mole Creek. More info at boags.com.au.

Redbank ‘Sunday Morning’ King Valley Pinot Gris 2003, about $19.95
The superb 2002 vintage won a gold medal and trophy at the recent Cowra show. It’s now sold out. Thankfully, the 2003’s in the same league – an outstanding example of this interesting white relative of pinot noir. Like black pinot, it has a firm, acidic spine. But there the resemblance ends. The winemaker’s note talks of ‘lychee’ and ‘quince’ character, although what I smelled and tasted seemed more pear like. Whatever fruit you liken it to, however, it’s bloody delicious, zesty and dry and beginning to show some of the variety’s distinctive viscosity. It’s made by the Yalumba team using hand-harvested fruit from John and Helen Cavedon’s vineyard at 400 metres in Victoria’s King Valley.

Annie’s Lane Clare Valley Riesling 2003, $14 to $18
This is just one of many absolutely delicious, early-release 2003 rieslings beginning to hit the market. As a major, widely distributed product (it’s part of the Beringer Blass group), Annie’s Lane is frequently discount fodder. Hence, the wide gap between ‘normal’ retail and ‘special’ pricing. I saw this in a line up of 12 other 2003’s and liked its rich musky/floral aroma and similarly generous, very fresh and zesty dry palate. The screw-cap seal guarantees pristine, fruity freshness now and should protect the wine for many years if you prefer the rich, honeyed flavours that come with age.

Copyright © Chris Shanahan 2003 & 2007

Wine review — Petaluma, d’Arenberg & Tim Adams

Petaluma Coonawarra 2000, about $50 to $70
Coonawarra’s warm and very small 2000 vintage produced cabernets somewhat plumper and rounder than normal for this region. The crystal-clear, blackcurrant varietal character is still there, but in the mouth the wines seem softer, the riper tannins delivering less of the variety’s astringency. Petaluma’s 2002 fits this vintage mould. But the high proportion of merlot in the blend (fifty per cent) gives a delicious, chocolaty complexity to the generous fruit flavour and probably is behind its slightly firmer structure in comparison to straight cabernets from the vintage. It’s very complex, very fine and built to develop for many years.

d’Arenberg ‘Galvo Garage’ McLaren Vale Adelaide Hills Cabernet Sauvignon Merlot Cabernet Franc 2001, $31.50 at cellar door
d’Arenberg’s opulent, deeply layered, sometimes-burly McLaren Vale reds are amongst the very best being made in the region. This one (the name inspired by Bordeaux’s tiny ‘garagiste’ winemakers and the 1927 iron shed housing much of d’Arenberg’s winemaking equipment), is a sensation. It avoids the greenness of so many Aussie blends containing merlot and cabernet franc and, while ripe, rich and complex, has an elegant structure – a rare wine that builds in interest with every glass. Sourced mainly from McLaren Vale, with part of the cabernet sauvignon and all of the merlot from the cool Adelaide Hills. Should age well for  a decade.

Tim Adams Clare Valley Riesling 2003, $15 to $18
UK writer Matthew Jukes writes, “The overall feel was one of a stroll through a lemon grove” – a colourful description for this delicious, zesty, pure riesling. Typical of the 2003 Clare rieslings tasted to date it offers heaps of up front, lemony varietal aroma and flavour with a bracing, tingly, spine of acidity. The full flavour and freshness means terrific current drinking. But, as long history shows, these are wines that develop wonderful new dimensions with extended bottle ageing.

Copyright © Chris Shanahan 2003 & 2007

Wine review — Helm, Thistle Hill & Taylors

Helm Canberra District Classic Dry Riesling 2002, $20 at cellar door
From what I’ve seen to date, Canberra’s 2002 vintage was a cracker for riesling, producing intense flavours and a high natural acidity that gives backbone, freshness and promise of good long term cellaring.  Ken Helm’s wine, released at cellar door today, delivers the flavour intensity and fresh acidity of the vintage but with a richer, slightly ‘grippy’ texture, thanks to the use of an acid-reducing malolactic fermentation on a small, particularly acidic component of the blend. It’s an unconventional technique for riesling because the flavour input can be intrusive. However, Ken sidestepped conventional wisdom to produce a riesling of very high quality indeed.

Thistle Hill Mudgee Chardonnay 2000, $17 at cellar door
This is an absolutely delightful wine, estate-grown and made by one of Mudgee’s very small, high-quality producers. Thistle Hill’s 3.2 hectares of chardonnay yielded just 5 tonnes (equivalent to about 350 dozen bottles) in 2000. Barrel fermentation and maturation contribute texture and richness without burdening the delicious, bright melon-like fruit flavour that persists from first sip to last. You’ll always want a second bottle of this one. To order at cellar door or for details of stockists call 02 6373 3546

Taylors Clare Valley Shiraz 2001, $11 to $16
Taylors was one of the best in a recent masked tasting of 18 commercial shiraz and shiraz dominant blends. It has the Clare’s unique, lifted, sweet aroma and bold, bright fruit flavours.  It also has depth and structure. What it lacks, however, is the extra six months or so bottle age needed to complete the journey from fermented grape juice to wine. That’s a common problem now. And no matter what winemakers do to soften tannins for current appeal, nothing works better than time in the bottle, albeit only 6 month to a year.

Copyright © Chris Shanahan 2002 & 2007

Wine review — Grant Burge & Redbank

Grant Burge Barossa Valley ‘Hilcott’ Merlot 1999, about $18
Most of Australia’s merlot vines are very, very young. And many of the wines being made from it are very, very oaky and very, very light on definitive merlot flavour. This one is made from mature vines on Grant Burge’s ‘Hilcott’ vineyard. It’s beefed up with a compatible splash of cabernet (ten per cent). And it’s very, very good. It’s quite rich, without being heavy. It has good, plummy merlot aroma and flavour, nicely integrated with unobtrusive oak, a delightfully fleshy, plush mid palate and just enough ripe tannins to give true red-wine purchase in the finish.

Redbank ‘Sunday Morning’ King Valley Pinot Gris 2000, about $20
The French call it ‘pinot gris’, the Italians ‘pinot grigio’.  Australian winemakers use either, loosely applying ‘pinot gris’ to the slightly more viscous, approximately Alsacian styles; and pinot grigio to the steely, austere Italianate versions. In this delicious drop from the Cavedon family’s King Valley vineyard, winemaker Neill Robb uses the French name for a wine that sits about half way between the two styles. Whatever you call it though, it’s absolutely delicious, offering lovely honeyed/minerally nose and scrumptious, full but very-finely textured, round, soft palate. The Chateau Shanahan tasting team rated it a perfect match with chicken and pepper sauce at Ginseng, Manuka.

Copyright © Chris Shanahan 2001 & 2007

Wine review — Moondah Brook

Moondah Brook Chenin Blanc 2000, $11 to $15
Next burst of hot weather, chill a Moondah Chenin, pull the cork and revel in its bright and tangy tropical-fruit aromas and flavours. It’s delicious and offers quite a departure from chardonnay, sauvignon blanc, semillon or riesling. Over a sip at BRL Hardys Reynella cellars last week (BRL Hardy owns Houghton and Moondah Brook in Western Australia), Chief Winemaker, Peter Dawson said the wine is based on vines planted at Gingin in 1968. These mature vines produce distinctive wine that best shows the variety’s tropical and passionfruit character in youth.

Copyright © Chris Shanahan 2001 & 2007