Monthly Archives: June 2013

Wine review — Coolangatta Estate and Williams Crossing by Curly Flat

Coolangatta Estate Shoalhaven Coast Savagnin 2012 $25
Coolangatta Estate, located near Nowra, produces wonderful white wines despite constant battles with fungal diseases. Their semillons, in particular, age well and perform consistently well in wine shows. Savagnin, originally misidentified as the Spanish variety albarino in Australia, seems to be another outstanding performer at the site. The Bishop family sends its fruit to Tyrrell’s in the Hunter, and it comes back as this vigorous dry white. Brisk acidity accentuates the wine’s sappy, tropical-fruit palate. And a modest alcohol content (12.7 per cent) means the fruit flavour lingers without any alcoholic heat.

Williams Crossing by Curly Flat Macedon Chardonnay 2011 $25–$28
Curly Flat makes some of Australia’s most exciting, complex chardonnays. The second label, Williams Crossing, comprises material declassified from the Curly Flat label. But even these “offcuts” have been completely barrel fermented and matured, with all the hands-on winemaking attention of its more expensive cellar mate. That means one of the best value chardonnays on the market. In the cool 2011 vintage it’s perhaps a little leaner and tighter than usual with attractive grapefruit and melon varietal flavours woven through the rich barrel-derived texture. At two years’ age it’s brilliantly young and fresh, suggesting further evolution in bottle.

Williams Crossing by Curly Flat Macedon Pinot Noir 2011 $24–$28
A recent masked tasting organised by Jeir Creek’s Kay Howell featured the 2007, 2008 and 2009 vintage Curly Flat Pinot Noirs. The 2007 appealed most of all as it showed the secondary characters outstanding pinot develops with bottle age. Curly Flat’s second label, Williams Crossing, tasted shortly after Howell’s tasting showed another, lower priced expression of the house style. It’s lighter bodied and paler coloured than the wines at Howell’s tasting. But that was to be expected in such a cold vintage. Despite its comparative lightness, the 2011 delivers concentrated, definitive pinot flavour with a backbone of firm, fine tannins.

Copyright © Chris Shanahan 2013
First published 23 June  2013 in the Canberra Times

Wine review — Seppelt, Henschke, Freeman, Maxwell and Ravensworth

Seppelt Jaluka Chardonnay 2011 $23.75–$27
Drumborg vineyard, Henty, Victoria

The Drumborg vineyard, planted by Karl Seppelt in1964, lies a little to the north of Portland on Victoria’s southwest coast. The cool, maritime climate presented huge viticultural challenges in the early days. But over the decades its managers coaxed ever better fruit from the site, culminating in elegant, charming wines like Jaluka chardonnay. In the very cold 2011 vintage Jaluka shows a particularly delicate face of barrel fermented and matured chardonnay. But that’s delicate in the best sense of the word – a fine-boned, silky, flavoursome chardonnay with considerably cellaring potential.

Henschke Tappa Pass Shiraz 2009 $60–$90
Tappa Pass and Light Pass, Barossa Valley, South Australia

At an Ainslie Cellars Henschke tasting towards the end of May, Tappa Pass shiraz seemed the crowd favourite. An irresistible example of Barossa shiraz, it delivers the region’s lush, ripe flavours and tender tannins. Words that came to mind included: round, juicy, vibrant, sumptuous, soft and gluggable. Pretty yummy stuff, but also a wine with depth, layers of fruit and tannin and a medium to long future if well cellared. It’s sealed with Vino-Lok, a glass plug with a synthetic O-ring forming the barrier between wine and air.  The seal was developed last decade in Germany by aluminium giant Alcoa, and manufactured in Worms.

Henschke Peggy’s Hill Riesling 2012 $17–$20
Eden Valley, South Australia

Henschke makes two Eden Valley rieslings – the slow evolving, steel-edged Julius and the drink-now Peggy’s Hill, sourced from growers in the Eden Valley region. Peggy’s Hill presents the dazzling fresh, citrus-like varietal flavour of the vintage on a pleasingly delicate yet intense palate. Peggy’s 2012 provides huge drinking pleasure at a modest price. And given the depth of fruit flavour, it’ll probably drink well for another four or five years.

Freeman Secco Rondinella Corvina 2009
$35
Freeman vineyard, Hilltops, NSW
Rondinella and corvina are the red grapes of Valpolicella, near Verona, Italy. Brian Freeman grows the varieties near Young and emulates Valpolicella’s Amarone style of winemaking – drying a portion of each variety for 10 days before co-fermenting with freshly handpicked grapes. Freeman writes, “Rondinella generously bears large bunches with lower acid. Its partner, corvina, produces smaller, tighter bunches that contribute weight, cherry fruit aromas, intense pigments and robust tannins”. What we get in the bottle after all that is a unique red of medium hue with an intense savouriness cutting through the underlying ripe-cherry fruit flavour. The savouriness comes hand in hand with assertive, mouth-drying tannins, giving a pleasantly tart finish to the wine.

Maxwell Silver Hammer Shiraz 2011$18
McLaren Vale, South Australia

In the cool 2011 vintage Maxwell’s budget shiraz seems more medium than full bodied. But the ripe fruit flavours, with savoury edge, fit the Vale’s mould pretty well. Maturation in seasoned American oak helped flesh out the soft and appealing middle palate. The wine was made by Alexia Roberts and its soft, fruity/savoury palate say, “Drink me now”.

Ravensworth Chardonnay 2012 $30–$33
Revee Estate, Tumbarumba, NSW
Uh oh, I thought. The cues on the label – Tumbarumba, cold vintage, 11.5 per cent alcohol – all pointed to tooth-achingly high acid, a wine judge’s scourge. But instead the wine drank deliciously. Grapefruit-like varietal flavour, rich texture and brisk, but not austere acidity added up to a fine, moreish, cool-climate chardonnay – a full flavoured wine at a refreshingly low alcohol level. Winemaker Bryan Martin says the grapes arrived full of acid and “a little skinny” on flavour. But 52 hours skin contact at six degrees Celsius, reduced the acidity from a searing 13 grams a litre to 9.5 grams. It’s an old German winemaking trick, he says, and completely natural. The skin contact also helped build texture – which was further enhanced by ageing in barrel on yeast lees.

Copyright © Chris Shanahan 2013
First published 19 June 2013 in the Canberra Times and goodfood.com.au

Beer review — Stone and Wood, Samuel Adams

Stone and Wood Limited Release Stone Beer 500ml $10
This annual brew goes a tad darker and fruitier this year, with the addition of chocolate wheat malt and Enigma hops to an already extensive ingredient list. It’s a luxurious, 7.2 per cent dark ale – spritely and fresh on the palate but seriously, smoothly, chocolate-like with a fruity lift and tangy finish.

Samuel Adams Noble Pils 355ml $6.65
“Noble” refers to the aristocratic hop strains used in the brew: Hallertau Mittelfrueh, Tettnang Tettnanger, Spalt Spalter, Saaz and Hersbrucker. Refreshingly for a hop-focused beer, gentle, herbal, fruity, spicy hops character subtly adorn the equally subtle honey character of the malt (Bohemian spring barley). It’s a lovely American take on the Czech Pilzen style.

Copyright © Chris Shanahan 2013
First published 19 June 2013 in the Canberra Times

Cooper’s our number one pale ale

While craft brewers attract ever more publicity, one of Australia’s oldest beer brands won this year’s trophy for best Australian pale ale style at the Australian International Beer Awards.

Coopers Sparkling Ale, first produced in the 1860s, took out the top gong. Chief brewer, Dr Tim Cooper, said it was produced originally by the company’s founder, Thomas Cooper, and remains one of the Cooper’s biggest sellers.

Indeed, Sparkling Ale spearheaded the company’s push, albeit as a niche product, into other states from its South Australian base some decades ago.

As its popularity grew, scaling up production of this bottle-fermented brew went hi-tech with the introduction of an Aber Meter. The device, developed at the University of Aberystwyth, precisely controls the number of living yeast cells transferred at high speed from fermentation tank to bottle.

Copyright © Chris Shanahan 2013
First published 19 June 2013 in the Canberra Times

Viognier — genetic and vinous buddy of shiraz

The Rhone Valley white variety, viognier, is and will remain a niche variety, representing around two per cent of total white plantings in Australia. Nevertheless, it remains an important variety, principally because of its close relationship to our national red hero, shiraz.

The relationship is both genetic and vinous. In Wine Grapes (Penguin Group, 2012), Jancis Robinson writes, “Through DNA parentage analysis, a parent-offspring relationship has been discovered between viognier and mondeuse blanche, which makes viognier either a half-sibling or a grandparent of syrah”.

The vinous connection comes because in its northern Rhone home, vignerons co-planted and co-fermented viognier with shiraz – notably in the aromatic silky reds of Cote-Rotie.

But largely because of its susceptibility to fungal disease, the variety almost disappeared from France. Plantings had shrunk to just 14 hectares in the northern Rhone by the late 1960s.

However, it staged a remarkable comeback to 4395 hectares in France by 2009. By that time, viognier, with its viscous texture and distinctive apricot-like aroma and flavour and spread around the world, including Australia.

James Halliday reports it as present in the CSIRO’s collection at Merbein, Victoria, under the care of the late Allan Antcliff. Halliday writes, “It was from Antcliff that Baillieu Myer of Elgee Park obtained the first vines for a single-vineyard planting on his Mornington Peninsula vineyard in 1972, around the same time as the late Dr Bailey Carrodus interplanted a small number of viognier vines with shiraz at Yarra Yering”.

Later in the seventies, Heathcote winery in central Victoria probably trialled the variety. And, in the Barossa, Yalumba acquired cuttings from Montpellier, France in 1979. Yalumba propagated these cuttings and planted 1.2 hectares on the Vaughan vineyard, Eden Valley, in 1980. They claimed this as the first commercial viognier planting in Australia. The distinctive and lovely whites subsequently made by Louisa Rose stimulated consumer and winemaker interest in the variety.

As the Yalumba viognier vines matured, Dr John Kirk planted the variety at Clonakilla, Murrumbateman in 1986. In the next decade his son Tim combined grapes from these with vines shiraz to create Australia’s most influential take on the classic Cote-Rotie shiraz-viognier style.

Yalumba’s success with white viognier and Clonakilla’s with the red blend stimulated interest in the variety and plantings took off early in the new century.

Viognier, first showed up in Australian Bureau of Statistics figures in 2003 at 541 hectares, including non-bearing vines. This had increased to 1401 hectares in 2008 (representing about two per cent of Australia’s 72 thousand hectares of white varieties).

However, Winemaker Federation of Australia surveys pre-date ABS data on viognier. The federation’s 1999 survey indicated a total viognier crush of 254 tonnes. The crush peaked at 13,338 tonnes in 2009, then declined slightly in 2010, 2011 and 2012. But the declines probably relates to vintage conditions rather than any decline in plantings.

If we assume a productive capacity of around 13 thousand tonnes, then Australia’s vignerons might produce a little under a million dozen bottles of viognier a year. However, much of the production goes to blends with shiraz (and sometimes other red varieties) and also with other whites, principally viognier’s Rhone relatives, marsanne and roussanne.

Just what goes where is anybody’s guess. But a search of “viognier” on the website of Australia’s largest wine retailer, Dan Murphy, brought up 73 wines – 48 shiraz viognier blends; 19 straight viogniers; one dessert-style viognier; one rose (a blend with grenache); and four white blends.

If this sample is representative, then much of Australia’s viognier goes to blends with shiraz – with one caveat, the blends usually contain only about five per cent viognier.

On its own, viognier’s exotic apricot and ginger flavours and viscous palate perhaps deliver too much flavour for regular drinking. As with other assertive whites – gewürztraminer, for example – a little goes a long way.

But these can be delightful drinks and indeed our winemakers, notably Yalumba and Clonakilla, now produced highly polished versions that retain varietal character without overwhelming the senses.

I review below five examples that recently came across the tasting bench, including three superb wines from Yalumba, true masters of the variety with 29 hectares of viognier on hand.

Yalumba South Australia Organic Viognier 2012 $18.95
Yalumba’s entry-level viognier – pure and apricot-like with smooth texture and fresh, dry finish

Yalumba Eden Valley Viognier 2012 $24.95
A more opulent expression of viognier, incorporating the creamy texture of barrel fermentation and maturation. This is exceptional at the price.

Yalumba The Virgilius Eden Valley Viognier 2010 $49.95
Yalumba’s barrel-fermented flagship introduces an exotic ginger note to the varietal apricot character. This is a sumptuous but restrained, distinctive and delightful wine to savour slowly. Classy.

Mount Avoca Pyrenees Viognier 2010 $24
When first opened, this revealed the distinctive “bacon rind” character of barrel fermentation, a character that overshadowed the fruit. Oaky flavours then cut through the palate, a flavour quite separate from the good fruit.

Quartz Hill Pyrenees Viognier 2011 $32
Shane Mead’s is another fine expression of viognier. While the oak influence is apparent it sits well with the fruit, if not as completely integrated as it is in Yalumba’s wines. The spritely, slightly leaner palate appeals very much.

Copyright © Chris Shanahan 2013
First published 19 June 2013 in the Canberra Times and goodfood.com.au

Wine review — Henri, Climbing and Brokenwood

Bourgogne Pinot Noir (Henri) 2010 $20–$25
The success of new world varietal labelling convinced some French producers to follow suit. They saw, for example, that “pinot noir” added to “Bourgogne” (Burgundy) enlightened those not up on French wine lore – essentially that regional names like Burgundy also convey varietal meaning for those in the know. Henri, imported by Coles for its 1st Choice and Vintage Cellars outlets, offers a bright, clean, modern expression of the world’s original pinot noir – sealed hygienically under screwcap. It’s medium bodied, with savoury character and fine, firm backbone of tannin separating it in style from the generally fruity, soft Australian styles.

Climbing Orange Pinot Gris 2012 $18–$24
The press release accompanying this new release reports on the phenomenal growth of pinot gris/grigio production in Australia – from 2000 tonnes in 2004 to 54 thousand tonnes in 2012. Those figures equate to about 140 thousand and 3.8 million dozen bottles respectively. A good deal of it’s pretty insipid. But this version, made in Orange’s suitably cool climate, captures the “gris” style pretty well. It’s fresh and crisp, with subtle, pear-like varietal flavour and plush, velvety texture. Winemaker Debbie Lauritz says she picks grapes at various levels of ripeness to capture fresh acidity, varietal character and full body.

Brokenwood Cricket Pitch Red 2011 $14.95–$20
Cricket Pitch’s mixed ancestry gives it the appeal of the family’s warm and friendly “bitza” dog – a well-travelled mixed breed at that. The winemakers threw everything into the vat: cabernet sauvignon, shiraz, merlot and petit verdot. And they sourced various bits and pieces from the Central Ranges and Hunter Valley, NSW, Beechworth, Victoria, and McLaren Vale, South Australia. So the wine doesn’t much resemble any single one of those varieties or regions. What you get though is a frisky, fruity red with the body of shiraz and the various spikes and bones of cabernet, merlot and petit verdot – a decent, warming red at a fair price.

Copyright © Chris Shanahan 2013
First published 16 June 2013 in the Canberra Times

Penfolds Grange, Henschke Hill of Grace – investing a tricky business

The recent release of Penfolds Grange and Henschke Hill of Grace at record prices raises the age-old question of what they’re really worth. The short answer is, they’re worth what people pay for them. And as Penfolds and Henschke sell out every year, the answer has to be that they’re not overpriced, notwithstanding substantial domestic discounting in the case of Grange.

The discounting reminds us that we don’t all pay the same price. Indeed the gap between recommended retail and price on special may run to $100 or more a bottle. But over time, both wines tend to appreciate in value, though not at an even or predictable rate. So whether or not a purchase stacks up as an investment, as many buyers hope, depends on paying the right price at the right time (and not drinking it while you wait). Achieving this is no easier than picking stock price movements.

A story published in the Canberra Times on 30 May provided a real-life glimpse of Grange as an investment. The story reported prices Jackie Chan is said to have paid on a buying spree at Jim Murphy’s Fyshwick store in 1999.

Chan’s purchases included four vintages of Grange – 1991, 1990 and 1989 at $390 a bottle each and 1983 at $300, according on an order form retained by a former Murphy employee. Based on the current retail prices of those wines in the same store, the report concluded, “at least some of his purchases may now be proving a savvy investment”.

Unfortunately for Chan, though, it doesn’t work like that. A private owner has little chance of selling at retail prices. Why? Because people wanting to buy old Grange don’t phone Jackie Chan. If they’re in a rush, they’ll visit a retail store. And if they’re not, they might go to auction and save a great deal of money.

Collectors wanting to sell wine, generally don’t have customers, so they go to auction or to an upmarket retailer. In other words, they sell into a wholesale market. And from my experience as one of those retailers, auction prices continue to provide the best guide to current wholesale value.

So if Chan took the Granges he bought in 1999 to auction today, the result could be sobering. In nominal terms, he’d be ahead on the 1990, 1991 and 1983 vintages and behind on the 1989 vintage. However, after inflation adjusting his 1999 dollars, he’d be seriously behind on all four vintages. The position would be even worse were we to calculate the opportunity cost of money tied up without return for 14 years. The table below shows the detailed estimates.

The same table shows the net price you’d pay as a buyer at auction after adding the auctioneer’s quaintly named “buyer’s premium” and GST. Comfortingly, these prices, with the exception of the 1983, sit well below the retail prices quoted in the Canberra Times report – underlining the value of auctions.

And to illustrate the importance of timing, those who bought Grange1983 at $50 in 1988 could pocket a tidy profit – nominally $377 a bottle, or $325 after adjustment for inflation.

The top of the table shows Langton’s auction prices for various vintages of Grange and Hill of Grace. The generally high prices confirm their desirability. But it also demonstrates an age-old pattern – you can generally buy beautiful mature old vintages for less than you’d pay for a current release.

For drinkers rather than investors, though, there’s comfort in buying and cellaring a wine on release. That way, as the decades tick by, you know exactly where the wine’s been and how it’s been cellared. I suspect this is where Jackie Chan’s coming from.

And Grange and Hill of Grace sit at the top of the auction pile because they will cellar reliably for decades. I reviewed the new-release 2008 Grange a few weeks back, and last week had the opportunity to taste the just-released Hill of Grace 2008.

Ainslie Cellars hosted a customer tasting of Henschke wines, including the two single-vineyard flagships, Mount Edelstone Shiraz 2009 ($115) and Hill of Grace 2008 ($650).

I’ll review the range over the coming weeks. For today, though, let’s consider just the majestic 2008 Hill of Grace, sourced from 150-year-old shiraz vines in the Eden Valley. It’s deeply coloured but limpid and just beginning to show a little age at the rim. The complex, multi-faceted aroma suggests a big, powerful wine, built on intense, ripe black-cherry-like fruit, laced with sympathetic oak. The palate surprises after the aroma as it’s ethereal and elegant in structure, though waves of intense fruit and tannins sweep across the palate. It’s a classy and idiosyncratic shiraz, as gnarled and stately as the ancient vines it springs from.

Penfolds and Henschke blue-chip reds – market prices
WineRRPMean hammer priceSeller getsBuyer pays
Grange 2008$785No saleNo saleNo sale
Grange 2007$425$383$537
Grange 2006$550$495$695
Grange 2005$445$400$562
Grange 1996$475$427$600
Grange 1990$555$500$702
Grange 1986$550$495$696
Grange 1983$475$427$600
Hill of Grace 2008$650No saleNo saleNo sale
Hill of Grace 2007No saleNo saleNo sale
Hill of Grace 2006$445$400$562
Hill of Grace 2005$400$360$506
Hill of Grace 1999$365$328$461
Hill of Grace 1990$480$432$607
Hill of Grace 1986$360$324$455
Hill of Grace 1983$220$198$278
The Jackie Chan GrangesWhat Jackie paid 1999*What he’d get nowWhat you’d pay now
Grange 1991$390/$575$450$632
Grange 1990$390/$575$500$702
Grange 1989$390/$575$320$449
Grange 1983$300/$443$427$600
Auction price sources: langtons.com.au
Seller’s price assumes 10% commission to Langton’s
Buyer’s price assumes 15% commission to Langton’s and GST
*Nominal price/inflation adjusted price in brackets
© Chris Shanahan 2013 June 2013

Copyright © Chris Shanahan 2013
First published 5 June 2013 in the Canberra Times and goodfood.com.au

Wine review — Ravensworth, Torbreck, Penfolds, Oakridge and Tar and Roses

Ravensworth Shiraz Viognier 2012 $30–$33
Ravensworth vineyard
Murrumbateman, Canberra District, NSW

Winemaker Bryan Martin writes, “A small crop survived the hail and biblical downpour of the 2012 vintage”. The surviving fruit, however, made a terrific wine. On first opening, heady floral aromas dominate and are reflected on the palate. But after a good splash, the aromas expand to include spices, pepper, ripe, red berries and a light stalky/stemmy character. These are all consistent with high quality, cool-grown shiraz co-fermented with viognier – and in contact with whole bunches (and hence stems). The flavours on the medium bodied palate reflect the aroma, while fine, persistent tannins add grip and length to the smooth, deeply textured palate. It’s a fragrant, elegant, fine-boned shiraz with good medium-term cellaring potential. See ravensworthwines.com.au for stockists.

Torbreck Woodcutters Shiraz 2012 $21.45–$23
Barossa Valley, South Australia
David Powell makes a number of Barossa shirazes and blends, including his flagship Run Rig ($275) and one-off The Laird 2006 ($700) from Malcolm Seppelt’s vineyard near Seppeltsfield. Powell’s more earthly, entry-level shiraz comes from younger vines grown across the Barossa’s diverse sub-regions: Marananga, Greenock, Ebenezer, Gomersal, Moppa, Lyndoch and Kalimna. It’s generous but round and beautifully balanced red, centred on ripe Barossa fruit flavours and the region’s typically soft tannins. We enjoyed ours with a rare sirloin and chips at Edgar’s, Ainslie – hearty food for a hearty wine. Price there was a reasonable $44 a bottle, but expect to pay half that retail.

Ravensworth “The Grainery” 2012 $27–$30
Ravensworth vineyard, Murrumbateman, Canberra District, NSW
In the rain-reduced 2012 vintage, Bryan Martin chucked all of his white varieties together – bar riesling. The Rhone Valley varieties – marsanne, roussanne and viognier – joined chardonnay in the blending vat, creating an idiosyncratic mix of great interest. It’s a full-flavoured, soft dry white with a rich, lightly viscous texture, and a subtle, pleasantly tart and savoury element – probably derived from tannins in the fruit. Pushing through these textural and savoury elements is a delicious little bubble of apricot-like flavour, presumably from the viognier component. It’s available online and through selected stockists – see ravensworthwines.com.au for details.

Penfolds Magill Estate Shiraz 2010 $130
Magill vineyard, Adelaide, South Australia
While the prices of Grange and Bin 707 confidently roar ahead internationally, Magill appears to be stalled. Certainly the auction price of past vintages suggests this year’s asking price to be way ahead of the market. The highly regarded 1996, for example, fetches $75–$95 under the Langton’s hammer; and the 2008 $50–$70. Price quibbles aside, the 2010 is as good a Magill as I’ve tasted since the inaugural 1983 vintage. Within the world of burly Penfolds’ reds, it’s medium bodied; and in 2010 with delicious ripe fruit seductively layered with fruit and oak tannins and attractive soy-like savouriness.

Oakridge “Over the Shoulder” Pinot Noir 2012 $17–$23
Yarra Valley, Victoria
The lowest priced of Oakridge’s pinots combines fruit from five Yarra sub-regions – Coldstream, Yarra Glen, Seville, Woori Yallock and Gembrook. Applying “traditional methods” to hand picked grapes from these vineyards, David Bicknell made one of the best pinots I’ve seen at this price. It combines the vibrant, aromatic and red-berry varietal character of pinot with savouriness, earthiness and, in particular, texture and fine tannic grip on the palate – vital pinot elements offing missing from less expensive attempts. It’s just a delight to drink and bound to convert yet more pinot doubters to the fold.

Tar and Roses Pinot Grigio 2012 $18
Central Victoria, Victoria
The light bronze tint of Tar and Roses points to the origin of pinot grigio (or pinot gris, literally “grey pinot”) – a mutant of Burgundy’s noble red variety, pinot noir. Like the red version, the white mutant grows best in cool climates. But the range of flavours (or lack of it) and styles varies so widely in Australia, it’s sometimes hard to believe they’re all made from the same variety. This one, however, captures much of the elusive pinot character, in this instance a full-bodied, crisp, richly textured, bone-dry white with a notably savoury, tannic bite.

Copyright © Chris Shanahan 2013
First published 12 June 2013 in the Canberra Times and goodfood.com.au

Wine review — Ravensworth, Paxton and Yellowtail

Ravensworth Canberra District “Le Querce” Sangiovese 2012 $23–$25
I don’t know why it’s called “the oak” as it’s not at all woody – in fact, quite the opposite, packed with the black-cherry wholesomeness of Italy’s ubiquitous red grape variety, sangiovese. The county’s 69,790 hectares (in 2000) produce an amazing diversity of wine styles, from profound to forgettable. Most are probably not as memorable as Bryan and Jocelyn Martin’s Murrumbateman version. To begin with, it’s clean and fresh and hygienically sealed with screw cap. And the vibrant cherry-like varietal flavour comes with attractive herbal, spicy, savoury notes. A combination of acid and fine, persistent tannins provide vibrance and structure to the medium body.

Paxton AAA McLaren Vale
Shiraz Grenache 2011 $18–$20

Paxton’s blend comprises 62 per cent shiraz and 38 per cent grenache from the family’s biodynamic certified vineyards in McLaren Vale. The maker fermented five shiraz components and three grenache components separately, using both closed and open fermenters. The different techniques resulted in a wine with both bright fruit more mellow winey character – a tasty combination in a red designed for early consumption. It’s a medium bodied dry red, combining the rich earthiness of shiraz and fragrant, spicy lift of grenache. The cool vintage means a less fleshy, tauter style than usual, but delicious nevertheless.

Yellowtail Shiraz 2012 $8–$10
Yellowtail’s huge success in America attracted bricks and bouquets in large volumes. Its fans say it opened American palates to fresh, fruity Australian wines. Detractors, on the other hand, say it created a cheap and cheerful stereotype that closes American minds to our better wines. But we should never lose sight of the great benefits the brand delivers to independent grape growers across southeastern Australia. The company’s 12 million-case production requires about 160 thousand tonnes of grapes annually, sourced from an estimated 10–11 thousand hectares of vines. The latest shiraz offers ripe, round plummy flavours on a soft, smooth palate.

Copyright © Chris Shanahan 2013
First published 9 June 2013 in the Canberra Times

Wine review — Penfolds, Combe Farm, Couryabyra, Paxton and Chrismont

Penfolds Bin 169 Cabernet Sauvignon 2010 $350
Coonawarra, South Australia
Late last year, Macquarie analyst Greg Dring estimated sales of Penfolds wines represented five per cent of the total for parent company Treasury Wine Estates – but comprised around 50 per cent of pre-tax profit. The international strength of the Penfolds brand, built over many decades, means its top wines now command prices far beyond their cost of production. Bin 169, a newcomer to the Penfolds range, provides a contrast to the similarly priced, powerful Bin 707 style. It presents perfectly ripe Coonawarra cabernet matured in new French oak, rather the more aggressive American oak used in Bin 707. It’s a wine of great beauty and harmony – revealing the unique power and elegance of top-notch cabernet. In this expression, the fruit’s particularly intense and aromatic, with floral notes, and layered with ripe, supporting tannins derived from the fruit and the oak. It should evolve well for decades.

Penfolds Bin 707 Cabernet Sauvignon 2010 $350
Barossa Valley, Padthaway, Coonawarra, Wrattonbully
and Adelaide Hills, South Australia

The deep, crimson-rimmed, red-black colour, assertive, cassis-like, ripe cabernet flavour, mixed with oak, and aggressive, desert-dry tannins set Bin 707 apart from the more fragrant, supple Bin 169. But despite the sheer dimension of the wine, the various flavour inputs harmonise well enough – although the mouth-drying affect of the tannin builds with every sip. This is all standard for a young 707. But I know from experience, extended bottle maturation transforms Bin 707, revealing its beautiful, complex fragrance, flavours and elegant structure. I rate this as an outstanding vintage and would expect it to be at its best between 15 and 30 years from vintage.

Combe Farm Chardonnay 2012 $32
Combe Farm vineyard, Yarra Valley, Victoria
In 2011 the Vestey family engaged Nicole Esdaile to make wine and oversee their 60-hectare Yarra Valley vineyard. They’d previously sold most of the fruit to other wine makers, while making small quantities for their Combe Farm label. Esdaile’s 2012 combined two clones of chardonnay from the property, all hand picked, whole-bunch pressed and barrel fermented. The barrel inputs add texture to a wine that’s alive with rich but delicate, melon-like varietal flavours. It’s a really delicious example of modern chardonnay making, where carefully judged winemaking tricks enhance excellent fruit.

Courabyra 157 Pinot Noir 2012 $31.50
Revee Estate and Courabyra vineyard, Tumbarumba, NSW
Courabyra is a collaboration between Stephen Morrison and his sister and brother in law, Cathy and Brian Gairn. The Gairns planted Courabyra vineyard in 1993. And Morrison owns the nearby Revee Estate, established in 1981 by Ian Cowell. Both properties enjoyed a long relationship with larger companies, providing fruit mainly for top-end sparkling wine. The relationship with Hardys led to the current arrangement where former Hardy winemaker, Alex McKay, makes wine for the Courabyra label. This is a delightful, fragrant, soft and fruity pinot noir that looks simple at first, but grows in interest as you work through the bottle – the slippery, silky texture being a particularly appealing feature.

Paxton Tempranillo 2011 $20–$25
Thomas Block and Landcross Farm vineyards, McLaren Vale, South Australia

Paxton’s certified biodynamic tempranillo survived the cold, wet 2011 vintage to produce an attractive dry red for current drinking. The aroma suggests summer berries and spice – pleasant characters that come through on the medium bodied palate. Tempranillo’s tannin, however, keeps the palate lean, tight and savoury, making it good company for protein-rich or savoury food.

Chrismont Pinot Gris 2012 $26
Cheshunt, King Valley, Victoria

There’s no formal definition of what makes pinot gris different in style from pinot grigio – they’re simply the French and Italian names respectively for a grey mutation of the pinot vine. But, in general, “grigio” denotes a leaner, tighter more savoury Italian style; and “gris” means richer, fatter, sometimes sweet wine, in France’s Alsacian style. Arnie Pizzini’s new “gris” style, complements his much-loved La Zona “grigio”, first made in 1999. The dry, savoury La Zona Grigio 2012 ($22) contrasts with the fuller bodied, richly textured new pinot gris – a plum, barrel-fermented style that makes me think of pork sausages and duck liver.

Copyright © Chris Shanahan 2013
First published 5 June 2013 in the Canberra Times and goodfood.com.au