Yearly Archives: 2010

Beer review — Wig & Pen and Kronenbourg

Wig and Pen Spiced Olde Ale with Truffle — half-pint $6
Between keg and glass this fruity, malty, lightly spicy ale seeps through a container of brandied cumquat, juniper berry, star anise, nutmeg, cinnamon and slices of fresh local truffle. The infusion transforms the beer – adding spicy flavours and a tease of cumquat bitterness, while boosting the malt opulence – probably an affect of the truffle.

Kronenbourg 1664 — 330ml 6-pack $18.99
The press release recommends drinking 1664 super chilled – a good idea for a beer so light on flavour and character. In our sample the head subsided too quickly and the beer simply lacked zing and freshness. Despite that, light malt and delicate hops make it a quaffable if not exciting brew. Brewed by Fosters in Australia.

Copyright © Chris Shanahan 2010

Canberra’s winter stouts

On 20 June, Zierholz Premium Beers, Fyshwick released an oat malt stout on tap at its Kembla Street Fyshwick outlet. Brewer Christoph Zierholz calls the new stout a German take on an old English-Irish beer style. These traditional styles use a proportion of unmalted oatmeal, added during the brewing process, to create a rich, creamy smoothness to the palate.

But as Zierholz brews to Germany’s purity laws (using only water, malted grain, yeast and hops), he used malted oats, not oatmeal, to create the same effect.

The oats – along with roasted, malted barley and English-grown Kent Goldings and Brambling Cross hops – produced a 4.8 per cent alcohol stout. Zierholz describes it as having rich, roasted coffee flavours and a smooth, rounded texture, courtesy of the oat malt. We’ll review it in Food and Wine next week.

Canberra’s other brewery, the Wig and Pen, will shortly release its gold medal winning The Judges Are Old Codgers Russian Imperial Stout. Brewer Richard Watkins says it’s been maturing in tank for nine months. This year’s version is down to 8.5 per cent alcohol, a significant drop on the ten per cent we’ve seen in recent years.

Copyright © Chris Shanahan 2010

Wine review — Dandelion Vineyards, Turkey Flat and Domain Day

Dandelion Vineyards Wonderland of the Eden Valley Riesling 2009 $23–$25
This is a stunning first release for Dandelion Vineyards, the brainchild of husband and wife Zar and Elena Brooks. Dandelion grows its own grapes and sources others from notable vineyards. In this instance, says Zar Brooks, the grapes come from a “centurion plus riesling vineyard of five acres or so tended by the 86 years young Mr Colin Kroehn, all in view of his beloved Church of St Petri”. There’s a fine, delicate magic to Dandelion dry riesling – a classic of the taut, intense Eden Valley style – made by Elena Brooks. See www.dandelionvineyards.homestead.com for more info.

Turkey Flat Vineyards Barossa Valley Shiraz 2008 $47
Turkey Flat, writes proprietor Peter Schulz, harvested most of its shiraz before the intense March 2008 heatwave that made vintage difficult for many growers. The resulting wine is an alluring, fragrant Barossa shiraz of the highest order. It’s ripe, but not over-ripe and clearly varietal in the warm climate spectrum – reminiscent of juicy black cherry with a touch of spice. The fruit’s laced with the Barossa’s soft, tender tannins; and there’s a subtle oak influence working sympathetically with the structure and flavour.  It’s an easy-to drink-red of great sophistication and with years of cellaring life ahead. It’s sourced principally from vines planted in 1847.

Domain Day Mt Crawford One Serious Merlot 2006 $28
Merlot struggles for an identity in Australia. It doesn’t help that much of our earlier plantings turned out to cabernet franc, an aromatic but often weedy variety, nor that much of our merlot came laced with sugar – giving the variety and undeserved reputation as sweet. Even at home in Bordeaux, though, merlot generally fills out cabernet blends, and only occasionally stands on its own. All of that’s a preamble to saying Robin Day’s version is bloody good. It’s medium coloured and attractively perfumed with a touch of ripe plum and earth. These come through, too, on an elegant laced with firm but fine tannins.

Copyright © Chris Shanahan 2010

Hilltops flies solo

The Hilltops wine region, centred on Young, an hour and a half’s drive north from here, emerged at about the same time as Canberra’s. In 1969, just two years before CSIRO Drs John Kirk and Edgar Riek planted vines, independently of one another, at Murrumbateman and Lake George, cherry farmer, the late Peter Robertson, established a vineyard on his property, Barwang at Young.

The quality of fruit from Robertson’s vines encouraged its eventual expansion to 100 hectares and, ultimately, its full acquisition by McWilliams in 1989 after a period of joint venture with the Robertson family.

For a time in the late eighties, under McWilliams ownership, Barwang was seen by some in the company as a source of rich flavours whose best use might be to rev up multi-regional blends.

However, there were dissenting voices in the ranks at McWilliams. Two voices in particular, those of Doug McWilliam and chief winemaker, Jim Brayne, argued the case for an estate-grown wine bearing the Barwang and, hence, Young, name (the Hilltops region, its ultimate appellation, didn’t yet exist).

The McWilliams boss at the time, Don McWilliam, a proponent, as I recall, of the blend-it-away point of view, with support from Doug and Jim invited Australia’s wine journalists to visit Barwang, inspect the vines, taste its wines and to argue for or against a regional brand.

Doug McWilliam and Brayne anticipated support from the writers and got it – a unanimous vote to build Barwang’s regional identity. Perhaps our support twenty years ago played a small part in McWilliams’ decision to continue making and marketing the now well-known Barwang wines.

For the many other winemakers in the area it was a significant decision – a case where the presence of a large company in an emerging region raised the area’s profile through its nationwide distribution. Barwang also helped legitimise Hilltops through the high quality, and significant wine show success, of its wines.

But even after McWilliams’ decision to keep the Barwang brand, other forces made Hilltops, for a time, source of multi-regional blending material. In the mid to late nineties, Australia’s export juggernaut was sucking the country dry of red wine.

To meet what appeared to be endless demand, large makers, notably Southcorp, encouraged broad acre planting along the western slopes of the Great Dividing Range – from Mudgee in the north to Gundagai in the south. On an extensive tour of these areas in the late nineties with Southcorp viticulturist, Bruce Brown, the Hilltops region featured as one of the key sources of high quality red grapes.

The area under vine in Hilltops increased during this period. However, this put pressure on grape growers as demand waned this decade. But it also created opportunities for small makers outside the area.

Canberra’s Clonakilla, for example, built on the success of its flagship shiraz viognier blend with a comparatively big volume Hilltops shiraz that sells for about one third the price. And last year Eden Road Winery, based in the old Kamberra building, won the Jimmy Watson Trophy with a 2008 Hilltops shiraz, sourced primarily from Jason and Alecia Brown’s Moppity Vineyards. Importantly, these small external makers acknowledge Hilltops on the label.

The wines are simply too good and distinctive to blend away. And these successes add to the sizzle being created by Young’s resident vignerons.

Though Barwang shiraz and cabernet sauvignon remain perhaps the most visible of the Hilltops resident producers, Grove Estate, Chalkers Crossing, Freeman and Moppity Vineyards all make impressive wines.

Freeman, established in 1999, focuses on Italian styles. Brian Freeman’s flagship, a blend of the Veneto red varieties rondinella and corvina, is a brilliant Australian take on Valpolicella’s “Amarone” style, made from dried grapes. But rather than go the whole hog like the Italians, Freeman uses mainly fresh grapes, adding a portion of dehydrated berries during fermentation. The result is a very full, ripe red with a distinctive ripe black-cherry flavour – with undertones of port and prune and a pleasantly tart, savoury edge.

He backs the red up with the delicious “Fortuna”, a savoury, Italian-style, white blend of pinot gris, riesling, chardonnay, sauvignon blanc and aleatico.

Another comparative newcomer, Ted Ambler, planted his first vines near Young in 1997, employing French winemaker Celine Rousseau to make the first Chalkers Crossing wines in 2000. Her graceful, elegant wines, shiraz in particular, have been some of the best to emerge from the region. Chalkers Crossing produces shiraz, cabernet sauvignon, riesling and semillon from Hilltops; and chardonnay, pinot noir and sauvignon blanc from nearby (and cooler) Tumbarumba.

Next we’ll look at the interesting history and wines from Moppity Vineyards, founded originally as Moppity Park in 1973 and bought by the Brown family in 2004 and Grove Estate, established by Brian Mullany and partners in 1989.

Copyright © Chris Shanahan 2010

Wine review — Cullens, Majella, Shaw Vineyard Estate, Turkey Flat, Grove Estate and Mount Horrocks

Cullens Kevin John Chardonnay 2008 $75
Margaret River, Western Australia

Our best winemakers invariably bring a wide frame of reference to their work. Vanya Cullen, for example, stages a tasting of the world’s best chardonnays every year in the family winery. It’s a benchmarking exercise that’s helped lift Cullens Chardonnay, named for Vanya’s late father, into Australia’s top tier. It’s a subtle, fine, beautiful wine that grows on you, building in intensity and interest with every sip. We savoured our bottle over a trout salad at Yellow Bistro, Potts Point.

Majella Shiraz 2008 $28
Coonawarra, South Australia

Excuse the disgusting slurping sounds. But you have to chew, even frolic, in a shiraz this voluptuous. It’s a surprising wine for Coonawarra – big on alcohol at 15% and big on fruit. But there’s no heat in the alcohol and no jammy, overripe flavours in the fruit – just pure, varietal berries. And typical of Majella there’s a well judged dollop of oak meshed with the fruit flavours. This is a seductive drop indeed; simply irresistible.

Shaw Vineyard Estate Premium Cabernet Merlot 2008 $25
Murrumbateman, Canberra District, New South Wales

Graeme Shaw and Bryan Currie make both a straight cabernet sauvignon and this blend with 15 per cent merlot – all sourced from Shaw’s Murrumbateman vineyard. They’re polished wines featuring pristine varietal fruit flavours. But the blend, to my taste, is the more complete wine of the two. There’s a little more plummy ripeness in the aroma and a tasty bulge of ripe fruit on the mid palate, presumably the merlot, filling out the famous cabernet hole.

Turkey Flat Mourvedre 2008 $35
Barossa Valley, South Australia

Turkey Flat vineyard dates from 1847. The Schulz family bought it in 1870. But the Turkey Flat label appeared only in 1990 when Peter and Christie Schulz took over. In recent years they’ve spared a portion of wine from their old mourvedre vines for special bottling. It’s a late ripening variety and Schulz reckons this, and a vigorous canopy, saved it from the Barossa’s savage March 2008 heatwave. The resulting tiny, black berries made a distinctive, delightfully fruity, savoury wine.

Grove Estate The Italian Sangiovese Barbera 2008 $20
Hilltops, New South Wales

What do you get when you cross two Italian varieties – taut, savoury, pale, tannic sangiovese with fruity, fleshy, crimson-rimmed, acidic barbera? Well, for Brian Mullany and the gang at Grove Estate you get a tasty medium-coloured, medium bodied Italian-style quaffer. There’s a nice core of fruit laced with the sort of savoury, drying tannins that go well with savoury food and char-grilled meats of all kinds. This is just the entry wine for this impressive vineyard. Watch for more.

Mount Horrocks Semillon 2009 $27
Clare Valley, South Australia

They say the word “semillon”, unaccompanied by “sauvignon blanc” on a label is the kiss of death. Perhaps “they” haven’t tried Stephanie Toole’s glorious Clare Valley version. It’s completely oak fermented and matured – a process that, sensitively executed, accentuates the pure, lemony varietal flavour while adding structure, texture and complexity, but not oakiness. It’s a mile away from the idiosyncratic, austere Hunter style of semillon; but not as full bodied as chardonnay. It’s a must try if you enjoy full-flavoured but fine-boned whites.

Copyright © Chris Shanahan 2010

Beer review — Stone & Wood

Stone and Wood Draught Ale 330ml 6-pack $19.99
This is a lovely beer, driven by distinctive resiny, citrus-like hops aroma. Brewer Brad Rogers says this is courtesy of “powerfully aromatic Galaxy hops”, some added at the end of fermentation. It’s a beautifully fresh, richly flavoured, cloudy beer and not pasteurised or filtered. It’s brewed and bottled in Byron Bay.

Copyright © Chris Shanahan 2010

Wine review — Cien Y Pico, Shaw Vineyard Estate and Scarborough

Cien Y Pico Manchuela Doble Pasta Tintorera 2007 $27–$30
Cien Y Pico Manchuela Knights-Errant Tintorera 2007 $50–$55

We’re seeing lots of Spanish wine in Australia – mainly reds made from tempranillo and garnacha (grenache), dry white albarino, various bubblies and sherry, particularly the lighter fino styles. Then there are these two powerful, distinctive reds, made by Australian winemaker Elena Brooks. Made from the garnacha tintorera grape (aka alicante), they’re as black as tarmac and ox strong – the product of very old bush vines grown in Spain’s baking hot, eastern highland Manchuela region. Doble Pasta focuses more on high-toned, in-your-face fruit, laced with soft tannins. Knights-Errant is even more powerful and savoury with distinct oaky notes.

Shaw Vineyard Estate Canberra District Cabernet Sauvignon 2008 $25
The Shaw family vineyard, one of Canberra’s largest, supplied grapes to Hardy’s before developing its own label. This is a common journey for Australian grape growers – and the wines generally pass through a ‘rustic’ phase as they move up the quality curve. For Graeme Shaw this was a very short journey indeed, aided by winemaker Bryan Currie and a solid effort in the Murrumbateman vineyard. The winemaking is now very polished – at the stage where quality improvements will come almost entirely from the vineyard. The 2008 cabernet is in the ripe-but-elegant mould: medium bodied, flavoursome and with the firm, slightly astringent tannins of the variety.

Scarborough Hunter Valley

  • Green Label Semillon 2009 $18
  • White Label Semillon 2009 $25

The Scarborough family winery sits atop a little hill at Pokolbin. Perhaps the jewel in their crown, though, is site of the former Sunshine vineyard, a source of the great Lindeman semillons of the sixties and seventies. The Scarboroughs replanted it and part of the material goes to their white label semillon.  The 2009 vintage of latter is a classic of the old Hunter style – bone dry, low in alcohol (10.5%), very finely textured and with intense lemongrass and lime varietal flavours. It’s a delight to drink and should age well. Green Label is a rounder, softer, drink-now version of the style.

Copyright © Chris Shanahan 2010

Time could be right for tetra pak wine

Is Australia ready for high quality regional varietal wines in tetra paks? We’ll know soon enough following this month’s launch of One Planet Adelaide Hills Sauvignon Blanc 2009 and McLaren Vale Shiraz 2008. They’re billed as “the green pour” and the marketing focuses on a zero carbon dioxide output across the product lifecycle. But the wine quality, and sheer convenience of the lightweight pack, means it won’t just be Bob Brown drinking OP.

One Planet Chief Executive, Sam Atkins, says one-litre tetra pak wines enjoy big sales in the USA, Canada and Argentina, with the French Rabbit brand now taking off in Europe and the UK. He says these are mostly cheaper wines, equivalent in quality to our wine casks. Convenience and economy, it seems are the key selling points – just as they are for our home-grown one-litre tetra pak offerings from Banrock Station and Long Flat.

Atkins believes One Planet tetra paks are the first in the world to offer premium regional varietal wines. Retailing at around $14.95 they’ll be pitched squarely against high-quality bottled products – a big ask in the current glutted, deeply discounted market. They certainly have the quality – both comfortably achieve Wine and Food’s three-star standard: the light, fresh sauvignon blanc shows the tropical fruit end of the varietal spectrum; and the shiraz is big, bold and fruity in the particularly robust style of McLaren Vale’s hot 2008 vintage.

The test will be on the shop floor. But Atkins remains confident and has the national support of Coles with its 1st Choice, Vintage Cellars and Liquorland outlets taking on the brand in advance of a wider rollout. In the warehouse-style 1st Choice stores, the wines will have their own purpose-built displays – for visual impact and to separate them from wine casks.

Atkins sees parallels with the successful re-launch of screw caps in the late nineties. Back then winemakers spread the message that screw caps delivered better wine than cork. The change was all about quality. Convenience was incidental. This time the key messages are wine quality and environmental friendliness. If people see the tetra pak only for its convenience, or as just another wine cask equivalent, they may not pay a premium for it.

So how good is the tetra pak as a wine container? And what does the wine come into contact with? Atkins says it’s six-layered product and the wine is in contact with an outer layer of polyethylene. It’s also used for long-life milk and fruit juice.

He believes the manufacturer’s suggested shelf life of two years is conservative, and could be as much as four years. Atkins says he’s tasted wine at two and half years and “felt comfortable with it”. Certainly the current wine is in excellent condition seven months after packaging.  This suggest tetra pak is a better medium-term container than another light-weight alternative, PET plastic bottles with their shelf life of around 12 months.

Atkins created the One Planet concept with Phil Reedman MW. Reedman had played a key role introducing screw caps to the UK as a buyer for Tesco supermarkets. This time they’ve spotted an opportunity to appeal to environmentally aware wine drinkers and for “specialised markets including boating, sporting and outdoor events… airline, rail, cruise ship and ferry industries”, reads the press release.

Atkins says the airlines are keen on a 200ml tetra pak now being developed. And restaurateurs are lining up to for the 750ml packs as pouring wines ¬– to be marketed as “green pours”. He says they like the wine quality and the advantages of handling and disposing of such a light package (10.5 kilograms a dozen versus 16–18 kilograms for glass bottles).

Atkins plans to export the wine and already has distribution contracts in the USA, Canada, Scandinavia and the UK. And he’ll be expanding the range of regional varietals in partnership with contract makers.

The Adelaide Hills sauvignon blanc was made by Sarah Fletcher and the McLaren Vale Shiraz by Tim Burvill. To these will be added a Yarra Valley Pinot Noir, in conjunction with Sticks, a Margaret River semillon sauvignon blanc with the Edwards family and there’s a Coonawarra cabernet sauvignon in the wings. And for the American market they’ll sourcing cabernet and chardonnay from California.

And if you thought Marlborough sauvignon blanc might be a no-brainer, think again. Atkins says it’s now so commoditised and discounted in Australia they opted for material from the Adelaide Hills, for its better image.

The catchy posters and point of sale material for One Planet’s launch push both the environmental and wine quality propositions. One, featuring a picture of Tim Burvill, maker of OP McLaren Vale Shiraz 2008 reads, “ The best of both worlds – for once you don’t have to make a sacrifice to help the planet”.

Philip Reedman MW, formerly of Tesco Supermarkets UK, appears in another with the message, “How heavy is your footprint? – Drink seriously good wine whilst considering the environment”.

And sauvignon blanc maker Sarah Fletcher appears in a third, reading, “Looking towards the future – better for the planet and in turn, the future of our kids”.

We’ve seen wine in tetra paks before. But not of this quality and not with such a groundswell of support from a major retailer, restaurateurs, airlines and overseas distributors. My hunch is they’ve sensed the time is right. Just as we embraced the screw cap a decade ago, we might now be ready for good wine that isn’t in glass.

Copyright © Chris Shanahan 2010

Wine review — Moss Wood, Chateau Les Maurins, Barwang, Ravensworth and Shelmerdine

Moss Wood ‘Moss Wood Vineyard’ Cabernet Sauvignon 2007 $90–$100
Margaret River, Western Australia

This is a class act from one of Margaret River’s original and great vineyards, founded by Bill and Sandra Pannell in 1969 and later taken over by Keith and Clare Mugford. It’s blend of cabernet sauvignon, cabernet franc and petit verdot – like a Medoc without merlot. Not that there’s anything missing from Moss Wood 2007 – it’s complete and elegant, featuring layers of ripe berry flavours in a matrix of firm but smooth tannins, seasoned with notes of cedary oak. This is a very good vintage of a wine with a reputation for long-term cellaring.

Chateau Les Maurins 2008 $9.99
Bordeaux, France

Alas, Bordeaux, the world’s cabernet capital bulges with overpriced, mediocre wines. Aldi, though, struck pay dirt with this Chateau Les Maurins. Handing me a glass of it, a friend asked, “What’s that”. “Claret”, I said and indeed it was – a rare example of a wine exactly matching the regional template: medium bodied, distinctly cabernet-like in Bordeaux’s own way and quite firm but not hard. It’s a decent drink-now steak wine at a fair price.

Barwang 842 Chardonnay 2007 $31–$35
Tumbarumba, New South Wales
In the early eighties, Tumbarumba’s pioneering vignerons set their sights on top-shelf bubbly, and succeeded. And the area’s cool climate also delivered superb, finely structured chardonnays. While these originally found their way into big-company flagship blends, including Penfolds Yattarna and Hardy’s Eileen Hardy, Tumbarumba ultimately triumphed in its own right. Many makers now offer beautiful, fine-boned expressions of this regional style. Barwang, made by Andrew Higgins, is a great example. At three years it’s young, fresh, intense and luxuriously textured.

Ravensworth Canberra District Marsanne 2009 $21
Murrumbateman, New South Wales

The Rhone Valley’s marsanne grape makes a variety of white styles, ranging from tough and rough to beautifully aromatic, rich and long lived. After only a few vintages Ravensworth enjoys a cult following as one of Australia’s best versions of the variety. It’s all wild-yeasted fermented in seasoned barrels, giving textural richness and a subtle patina of aroma and flavour over the bright, lemony varietal character. It’s miles removed from our usual white menu and simply delicious from first sip to last. Made Bryan Martin from fruit grown on the Martin and Kirk family vineyards.

Shelmerdine Pinot Noir 2009 $34
Yarra Valley, Victoria

This lovely wine comes from the Shelmerdine family’s biodynamic Lusatia Park vineyard – a high, cool site in the Yarra Valley. The wine captures the high toned, floral aromatics of ripe, cool-grown pinot, then delivers pleasurable depth of juicy, plush, luxurious fruit flavour – backed by serious, but soft, red wine tannins. Stephen Shelmerdine urges to us enjoy the wine in different ways according to the phases of Brian Keats’ Astro calendar. Our bottle gave equal pleasure over three nights.

Tamar Ridge Devil’s Corner Riesling 2008 $16–$22
Tamar Valley, Tasmania

A group of us recently tested Devil’s Corner with the spicy Thai food at Thirst Wine Bar and Eatery, Civic. In a word, delicious. The wine comes from the Kayena Vineyard, on the west banks of Tasmania’s Tamar River. The cool climate produces highly aromatic riesling with vibrant but delicate fruit flavour and comparatively high acidity. The acidity offsets the wine’s fruitiness and touch of sweetness, courtesy of nine grams per litre of unfermented grape sugar. What a great combination – a tease of chilli and a delicate, fruity, not quite dry white.

Copyright © Chris Shanahan 2010

Coke ups the ante in beer battle

What’s Coke got to do with beer? In Australia it’s made and distributed by Coca Cola Amatil (CCA), owner, as well, of the new 50-million litre capacity Blue Tongue Brewery due to open on the NSW central coast this week.

The brewery is vastly bigger than the original, located in the Hunter Valley. And it’s part of a larger joint venture with SAB Miller one of the world’s largest brewers. CCA already distributes the Blue Tongue beers and SAB Miller’s international brands, Peroni Nastro Azzuro, Peroni Leggera, Grolsch, Pilsner Urquell, Miller Genuine Draft and Miller Chill.

Industry sources say CCA already has ten per cent of the fast-growing premium beer market. And the new brewery gives it the capacity to expand production of the local brands and to brew the international brands under licence – just as its major competitors Lion Nathan and Fosters already do with brands like Beck’s and Stella Artois.

There’s already speculation that CCA, through SAB Miller, might bid for Carlton United next year when Foster’s splits its wine and beer divisions. But CCA boss, Terry Davis, who cut his business teeth in the wine industry at Cellarmaster Wines then Foster’s, says not at the current share price.

Copyright © Chris Shanahan 2010