Monthly Archives: March 2011

Wine review — Grosset, Bleasdale and Tower Estate

Grosset Adelaide Hills

  • Pinot Noir 2009 $66
  • Chardonnay 2009 $53

Jeffrey Grosset is best known as a producer of pristine Clare Valley rieslings – wines made protectively to display fruit, fruit and nothing but fruit. This mastery of riesling making shows, too, in the intensity and varietal purity of his pinot noir and chardonnay – barrel aged wines that we might expect to reveal significant winemaker inputs. Sip through the wines over a couple of days, and the winemaking textures and complexities emerge. But shimmering fruit remains always at the front. Both come from the cool Adelaide Hills (to the south of Clare on the same Mount Lofty Ranges).

Bleasdale Langhorne Creek Potts’ Catch Verdelho 2010 $16–$18
The Potts family say that verdelho was one of the first varieties planted in their vineyards back in nineteenth century. It thrives there. And while probably originally planted to make fortified wine (as it does in Madeira), verdelho retains good acidity in this warm region, endearing itself as a variety for dry white wines. The aroma’s of tropical fruit, with an appealing sappy undertone – characters that come through on a fresh and fruity drink-now palate. The vineyard, established by Frank Potts in 1850, is on the Bremer River flood plain near Lake Alexandrina, South Australia.

Tower Estate Adelaide Hills Pinot Gris $22–$25
Samantha Connew took over winemaking at the Hunter’s Tower Estate in 2010, following ten brilliant years at Wirra Wirra, McLaren Vale. Connew’s arrival coincided with Tower’s belated but welcome shift to screw cap seals – a tremendous boon for all of their wines, but especially for vibrant, fresh whites like this, their second pinot gris from young vines in the Adelaide Hills. The wine presents a zesty, citrusy freshness with subtle pear-like varietal flavour and just a trace of the rich texture (but not the oiliness or viscosity) often seen in some expressions of the variety.

Copyright © Chris Shanahan 2011

 

Wine review — Louee Wines, Yering Station, Jacob’s Creek, Paxton, Innocent Bystander and Terra a Terre

Louee Nullo Mountain Riesling 2010 $25
Rylstone, New South Wales

It’s just 50 kilometres from Mudgee (450 metres) but Nullo Mountain vineyard sits at 1,100 metres. At that altitude grapes develop varietal flavour at low sugar levels while retaining spine-tingling acidity that’d make a German vigneron smile. Over at Mudgee David Lowe helps these wonderful grapes become intense, delicate, low-alcohol wines. There’s the brisk, lemony, 10.5 per cent alcohol, bone-dry version made for the long haul but wonderful now, too. And there’s the sinfully pleasurable 12-per-cent alcohol late-picked version – lush and sweet, combining lemony varietal flavour with apricot-like tang of botrytis and drying, cleansing acidity.

Yering Station Shiraz Viognier 2008 $28
Yarra Valley, Victoria

Alcohol in red wine is a hot topic. But it’s surprising how little a wine’s alcohol content tells you about its aroma, flavour or structure. For example, this cool-climate shiraz is a world apart from the warm-grown Jacob’s Creek Barossa wine reviewed here today. Yet both weigh in at 14.5 per cent alcohol. For Yering Station, that’s partly the result of a hot vintage. But even so it’s a cool-climate shiraz to its boots – concentrated, for sure, but medium bodied, spicy and peppery with a supple and soft but still tannic palate.

Jacob’s Creek Centenary Hill Shiraz 2006 $60
Jacob’s Creek and Rowland Flat, Barossa Valley, South Australia

A decade ago, with an eye to evolving markets, Jacob’s Creek introduced a “reserve” range. About five years later they added to the brand several super premium wines that’d lived under other Orlando labels. Appropriately that included the flagship Centenary Hill shiraz sourced from three old shiraz blocks on Jacob’s Creek (yes, it really exists) and an old block at nearby Rowland Flat. The 2006 is a highly aromatic wine combining the immense power and chocolaty richness of Barossa shiraz with an attractive spicy overlay, probably resulting from cool breezes flowing down the creek.

Paxton Tempranillo 2009 $23
Thomas Block and Landcross Farm vineyards, McLaren Vale, South Australia

Yum. Very drinkable. And surprising for warm McLaren Vale, Paxton Tempranillo tastes ripe but weighs in at just 12 per cent alcohol – a rare feat in Australia.  Our makers generally sweat on flavour ripeness as sugar levels (and hence potential alcohol levels) climb ever higher. David Paxton says the wine underwent extended maceration on skins to build structure and flavour. Maturation in older barrels gave mellowness but not obvious oak flavour. The style is medium bodied and soft featuring sweet but savoury berry flavours.

Innocent Bystander Pinot Gris 2010 $19
Yarra Valley, Victoria

Innocent Bystander’s latest pinot gris offers fresh and pure, if subtle, pear-like varietal character, backed by a fine, silky textural richness. This textural richness comes from maturation on yeast lees both in tank and in older oak barrels – executed so well that there’s no overt oakiness. Without the texture there might be little to the wine. But the combination of subtle flavour and rich texture add up to a very enjoyable drink. The grapes come from the cool upper Yarra Valley.

Terra a Terre Sauvignon Blanc 2010 $25
Wrattonbully, South Australia

Ah, no, not another bloody sauv blanc. Bloody cat’s pee. Whoa, hold on. Oh, ahhh, mmmm. Wow. This is Lucy Croser’s and Xavier Bizot’s Australian take on a sauvignon blanc style made by leading small makers in Sancerre, France. It’s barrel fermented and matured in a way that builds texture and body and mutes varietal exuberance while retaining an exciting acid-driven vivacity. Terre a Terre may mean down to earth. But this is heavenly stuff (for sauv blanc) from a daughter of Brian Croser (founder of Petaluma and Tapanappa) and a scion of France’s Bollinger family. These two have wine in the veins.

Copyright © Chris Shanahan 2011

Is aerating wine just hot air

Does wine need air? Does it taste better if we shake it up in a glass, breathe the bottle, decant it or pour it through one of those new aerating pourers? The short answer is: do what works for you, because the experts disagree. And science now tells us that we’ll taste what we think we’re going to taste anyway.

In The Oxford Companion to Wine, Dr Richard Smart writes, “Another traditional but disputed reason for decanting is to promote aeration and therefore encourage the development of the wine’s bouquet. Authorities as scientifically respectable as Professor Emile Peynaud argue that this is oenologically indefensible: that the action of oxygen dissolved in a sound wine is usually detrimental and that the longer it is prolonged the more diffuse its aroma and the less marked its sensory attributes”.

So there. It’s settled. Let’s flog our decanters, aerating glasses and aerating pourers on eBay. Forget the mumbo jumbo. Open the bottle, pour and drink. Now. For Professor Peynaud it doesn’t get better than the first sip, direct from bottle to glass.

No, no, no counters one of the world’s biggest selling wine authors, Hugh Johnson. In Wine: A Life Uncorked, he pities poor Peynaud for what he missed. Johnson, a great wine romantic, routinely decants almost all the reds and whites he drinks. “People who leap to judgment on the first sniff are simply in too much of a hurry”, he concludes.

Johnson’s drinking mate, Michael Broadbent, Master of Wine, certainly isn’t in a hurry. Broadbent, writes Johnson, places a wristwatch beside his notebook – then times the rise and fall of a fine wine’s fragrance from the moment it’s decanted. Their shared belief that great wine needs air and time to reveal all couldn’t be further from Professor Peynaud’s position.

Wondering if there were any science to either position, I called the Australian Wine Research Institute. Communications manager, Rae Blair, said the institute had no material to offer.

However, sensory research manager, Leigh Frances, recalled an informal test conducted with a panel of wine experts. In a masked tasting they’d been served a range of wines, some decanted and some direct from the bottle.

With only one exception, the tasters couldn’t tell the difference between the decanted and non-decanted wines. The exception was a French wine, riddled with hydrogen sulphide (rotten egg gas). Aerating the wine dispersed the stench of this poorly made wine.

This takes us back to the original reason for decanting. When winemaking was a more hit or miss affair than it is today, wine often contained unpleasant volatile components, including hydrogen sulphide and sulphur dioxide. Decanting, or even leaving wine open for a time before serving, disperses these.

Hydrogen sulphide forms in a “reductive” environment – that is, in the absence of oxygen. It’s part and parcel of winemaking, especially in the dense cap of skins associated with red wine ferments. Winemakers introduce air during winemaking to disperse it.

The introduction of screw caps led winemakers to even greater vigilance against hydrogen sulphide. Because the screw cap creates a more reductive environment than cork, winemakers were forced to be even more attentive. As a result we enjoy cleaner wines.

However, tiny amounts can still appear in some wines, though whether or not we notice depends on our threshold for detecting it. Giving the wine a good splash, by whatever means, generally gets rid of it.

What other nasties might aeration remove? Almost all wines contain sulphur dioxide as a preservative. Again we all have different thresholds for detecting it, and a small minority of people are even allergic to it. Decanting won’t help allergic people. They simply have to seek preservative free wine.

Most people don’t detect the free sulphur dioxide in wine, mainly because our winemakers now measure the required dose fairly precisely. However, winemakers generally give white wines intended for long-term cellaring, notably top-shelf rieslings, more liberal doses. This slowly disperses from the bottle over time. But it can be an astringent element in very young wines. Again, a good splash into a decanter or jug or gurgle through an aerator generally solves the problem.

Decanting delivers one other clear benefit. But it has nothing to do with aeration. Very old red wines throw a harmless but bitter deposit. Decanting in this case simply separates clear wine from the sediment.

But what are the benefits of aeration and time seen by Hugh Johnson, Michael Broadbent and others. Are they all in the mind?

While no one can quantify the benefits, I’d say probably not. Aeration by whatever means probably reduces dissolved sulphur dioxide quickly – a source of irritation to those sensitive to it. It also disperses hydrogen sulphide, though this fault is now rare in Australian wine.

So that leaves the effect of exposure to air over time. This begins as soon as the bottle’s opened and continues as long as we’re drinking it, whether it’s decanted or run through an aerator or not.

For thirty years at Chateau Shanahan we’ve always tasted wines, sometimes decanted, sometimes not, over several days. We splash them into glasses; we refresh the glasses each day; we swirl the glasses; and the ratio of air to wine in the bottles increases daily. Air destroys some sooner than others.

We don’t time the rise and fall of bouquet. But we do see changes over time. The very best wines become more interesting, sometimes for several days. Big reds, in particular, seem to shed their tannic hardness and reveal more of their underlying fruit. Some initially appealing, fruity wines, on the other hand, collapse very quickly.

We’ve also noted in some delicate, aromatic wines that some lovely highnotes apparent on first opening disappear fairly quickly, even when the wine kicks on revealing other lovely flavours. So professor Peynaud has a point.

There’s nothing scientific in this approach. It’s simply enjoying the changing smells and flavours. And the better, longer lasting wines invariable give greater pleasure. We love decanters, too. What could be lovelier than red wine and candle light winking through cut crystal? The wine tastes good before it’s poured.

And if you’d like to see if  those fancy aerators make a difference, there’s a simple, objective triangular taste test you can do. You’ll need a collaborator.

You need to give your collaborator three identical glasses, labelled ‘1’, ‘2’ and ‘3’, and one bottle of wine. Disappear from the room.

Your buddy now opens the bottle and pours direct from the bottle into one or two glasses; then pours through the aerator into the remaining glass or glasses. It doesn’t matter whether there’s one aerated and two non-aerated — it works either way. The important thing is that you don’t know. Your friend should note which glasses contain which wines.

You now return to the room and three three identical glasses, each filled to exactly the same level. Smell and taste the wines. If one wine smells or tastes different from the other two, then aeration is making a detectable difference; if not, it isn’t. You might like to try the test on a range of different wine styles as it might produce different results.

Whether you like the difference is another thing altogether and entirely subjective.

Copyright © Chris Shanahan 2011

Cool summer dampens beer sales

On February 15 Foster’s Group reported declining profit on the back of falling beer sales. CEO Ian Johnston attributed this partly to “unseasonal weather in peak consumption months”. We might call this seasonally adjusted profit.

As a lapsed retailer I can vouch for this phenomenon. In research to understand the effect of advertising on beer sales, Liquorland marketing department once discovered that sales rose and fell with the thermometer. Advertising merely redistributed the brand mix.

The seasonal blip noted by Foster’s comes on top of a long-term decline revealed in recent Australian Bureau of Statistics figures. The bureau says we now drink about 107 litres a person, well down on our peak of 176 litres almost forty years ago.

Despite the overall decline, though, premium beers, including imports, and those bland low-carbohydrate beers enjoyed double-digit growth in recent years.

Copyright © Chris Shanahan 2011

Beer review — Pike’s Oakbank and Invercargill Brewery

Pike’s Oakbank Pilsener 330ml 6-pack $17.99
Henry Pike first brewed Oakbank beer in 1886. In 1996 Pike’s descendents, Neil and Andrew Pike of Pikes wines, Clare Valley, introduced a Coopers-brewed Oakbank Ale. A few years later the Pike’s replaced the ale with this pilsner style, featuring rich, smooth malt and wonderfully aromatic, mildly bitter hops.

Invercargill Brewery Boysen Beery 330ml $8.98
The label describes it as a traditional fruit beer with a Kiwi twist. A wheat ale, brewed with boysenberries, it’s a vibrant red-mahogany colour, luring us with a sweet, berry aroma. After an initial fruity hit, the palate turns pleasantly, tantalisingly sour. It’s an idiosyncratic beer, based on the Belgian fruit Lambic style.

Copyright © Chris Shanahan 2011