Yearly Archives: 2012

Coopers celebrates 150 years

In May, Coopers released a new ale, celebrating 150 years in brewing. It all began on 13 May 1862, when Thomas Cooper stepped up from brewing in the family bathtub to commercial production.

By the late twentieth century, Coopers had carved a niche for itself, selling bottle fermented ales, then home brew kits. Somehow, the company endured in family hands across decades of brewing industry consolidation, outlasting all the other independents. Then, despite its tiny market share, Coopers became our largest Australian-owned brewery last year, after SAB Miller swallowed Foster’s.

The 150th anniversary brew (selected by the late Thomas Cooper, says the label) is a bottle-fermented ale – but well removed in style from the other Coopers beers.

This is an opulent, fruity beer with a much stronger than usual (for Coopers) emphasis on hops – both in the citrusy aroma and assertive bitterness.

Coopers Thomas Cooper’s Selection Celebration Ale 355ml 6-pack $20
What a celebration – even long-dead granpa Cooper comes to the party. He’d be happy, though, as descendents Tim and Glenn Cooper brewed up a lovely ale for the firm’s 150th anniversary. It’s reddish coloured, fruity, with citrusy hops high notes, generously flavoured and finishing hoppy and lingeringly bitter.

Copyright © Chris Shanahan 2012
First published 13 June 2012 in The Canberra Times

Mudgee winemaker’s quest for good low-alcohol wine

Mudgee winemaker David Lowe

 

President of the NSW Wine Industry Association and vice president of the Winemakers Federation of Australia, David Lowe, sees a well-funded anti-alcohol lobby shifting its focus from beer and spirits to wine. The wine industry needs to respond, he believes. And one response should be to produce wines with less alcohol.

He says, “The push for low alcohol wine is consuming me at present”. And he’s covering the mission personally on two fronts: in a collaborative, so-called ‘Chablis’ project, working with other Mudgee producers on lower alcohol, leaner chardonnay styles; and in his Tinja red and white, which are also preservative-free.

Lowe’s contribution to the Chablis project is a chardonnay from his Nullo Mountain vineyard, located 1,100 metres above sea level at nearby Rylstone. The very cool conditions here favour the accumulation of flavour at comparatively low sugar (and hence alcohol) levels. Sold under Lowe’s Louee Nullo Mount label, the 2011 (a particularly cold year) pushes the concept to the limit – and perhaps beyond the threshold of many drinkers. The searing acidity of the 11 per cent alcohol wine accentuates the intense grapefruit varietal flavour – but also marks it as a wine for future drinking, most likely an outstanding one.

But in warmer regions like Mudgee, unripe flavours present perhaps an even bigger challenge to would-be makers of low alcohol wine. In warm areas ripeness tends to lag well behind sugar levels. And the winemaking challenges compound when, like Lowe’s, the wines are also preservative-free.

Lowe launched his first preservative-free wine, a merlot, five years ago under the Tinja label – named for his Mudgee vineyard, some 700 metres lower than the Nullo Mountain site.

The push into lower alcohol, preservative-free wine puts Lowe’s wines in a tiny, developing niche market.

Increasingly sensitive to sulphur himself, Lowe says sulphur-free wines appeal to people with a sulphur allergy, people with bronchial problems, some people recovering from surgery and to a new breed of younger people “who think they’re being poisoned by preservatives”.

He believes these young people appreciate “innovation and new things. They’re fascinated that a wine can be preservative-free, low in alcohol and still taste decent”.

But he cautions us to note the difference between “no added preservatives” and “preservative free” messages on labels. The difference is that sulphur occurs naturally and can be present even if a winemaker adds none. “Preservative-free” wine means literally no sulphur – and that requires fine attention to detail, like selecting fermentation yeasts that doesn’t produce sulphur.

Happily, picking grapes earlier to produce less alcohol provides some of the extra protection a no-sulphur wine requires. “A low pH means less microbial problems”, say Lowe. “But picking early also introduces green-spectrum flavours”.

To mask the green flavours in the white wines, Lowe says he “squeezes pretty hard on the skins, and includes the pressings”. This lifts the pH slightly, softening the palate, but it boosts colour and flavour, adds texture to the wine and the phenolics are a natural anti-oxidant.

For both reds and whites, oxygen is the enemy. Handling then requires vigilance at every stage. Lowe sees high quality fruit as the first line of defence – small, thick-skinned berries, hand picked and transported intact to the winery – resistant to breakage and invasion by microbes and air.

From fermentation until 24 hours before bottling, the wines must remain saturated with carbon dioxide, with zero exposure to air. “Bottling is the hardest bit”, says Lowe, calculating the ultimate bottling temperature and what pressure the screw cap can stand. “It’s tricky physics”, he explains, wandering off into Henry’s law (William Henry, 1803), dealing with pressure, gas and solubility of gas in liquid.

The subject’s too arcane even for a modern wine back label. But Henry’s law helped Lowe solve a tricky conundrum in a production chain that had to remain oxygen free.

And after five vintages, we see a really appealing 12.5 per cent alcohol Lowe Tinja Organic Preservative-free Merlot 2012. The first preservative-free white also appeals. It’s a blend of verdelho and chardonnay, from a Rylstone vineyard at 650 metres, weighing in at just 10 per cent alcohol.

The protective winemaking technique, says Lowe, means they can never be complex wines. But by they’re vibrant, fresh, clean and a pleasure to drink. And he’s promised himself to bring the alcohol levels down by about one percentage point each year – aiming to get the white down to seven or eight per cent.

Copyright © Chris Shanahan 2012
First published 13 June 2012 in The Canberra Times and in the online editions of The Melbourne Age, The Sydney Morning Herald, WA Today and Brisbane Times

Wine review — Andrew Thomas, Under and Over and Brown Brothers

Thomas Sweetwater Hunter Valley Shiraz 2010 $35
Thomas Motel Block Shiraz 2010 $50

Hunter winemaker Andrew Thomas recently released four single vineyard shirazes from the 2010 vintage – delicious variants on the earthy, medium-bodied Hunter theme. The delightfully named Sweetwater, from Belford, offers floral aromas and a juicy, fleshy, soft palate – lovely to drink now but probably good to cellar for up to a decade. The dry-grown vines on Motel Block vineyard, planted in 1967, produce a more concentrated, firmer wine than Sweetwater. It retains the unmistakable earthy, sweet flavours of Hunter Shiraz and the medium body. The combination of sweet, powerful fruit and firm tannins may preserve this wine for decades.

Under and Over Heathcote Shiraz 2010 $11–$13
Under and Over is a McWilliams brand comprising three regional specialties – pinot gris from the King Valley Victoria, chardonnay from Tumbarumba NSW and this shiraz from Heathcote, Victoria. Vignerons in the region, McWilliams included, make much of the “ancient Cambrian soils”. But this is a loosely used term and, most certainly, the soils haven’t been lying around on the surface since the Cambrian era 500 million years ago. (For a geologist’s overview, see A comment on the red soils of Heathcote Heathcote by David Farmer). With equal certainty the region grows beautiful shiraz, including this bright, savoury, grippy, medium bodied style made by Nicholas Crampton and Corey Ryan.

Brown Brothers Single Vineyard Heathcote Shiraz 2010 $23–$30
In its search for grapes suited to modern table wines, Brown Brothers wandered far from its base at Milawa, on the hot Oxley Plains. They initially pushed south to the higher, cooler reaches of the King Valley. But in the nineties, they established a vineyard on the Mount Camel Range, in Victoria’s Heathcote region – source of this appealing red. What do you get for about double the price of the other Heathcote shiraz reviewed today? Well, not double the quality, but a significant lift – principally in the sweeter, more concentrated fruit flavour and finer, silkier tannin structure.

Copyright © Chris Shanahan 2012
First published 10 June 2012 in The Canberra Times

Merlot confuses everyone, even Miles

A recent string of letters in The Canberra Times reveals mixed perceptions of merlot, Australia’s third most planted red wine variety.

Senator Humphries set the ferret running when he wrote, “In March, through the letters page of the Canberra Times, Ian de Landelles and I agreed on a wager: I bet that the next leadership speculation to hit the national headlines would be about the Labor Party; he, the Liberal Party. At stake is a nice bottle of red. I’m partial to a Merlot, please, Ian”.

Former Running Shop owner, Brian Wenn, shot back, “So Gary Humphries  (Letters, May 4) is partial to a merlot. Gary, merlot isn’t wine. It is a low quality anaesthetic substance which is sometimes blended in with real red wine like shiraz and cabernet to soften any sharper edges. No one expects you to drink the stuff by itself. I refer you to that great movie ‘Sideways’, in which the lead character, a wine connoisseur, profoundly states, ‘I’m not drinking merlot’. Quite right!”

Begging to differ, Ross McKay of Gungahlin, offered, “I have the greatest respect for Brian Wenn (Letters, 8 May) but he has fallen for getting Hollywood mixed up with reality. Some of the greatest wines in the world are merlot-based. Chateau Petrus comes to mind. I’m sure that Mr De Landelles is giving Senator Humphries a bottle of Petrus”.

Graciously conceding defeat to Humphries in another letter, Ian De Landelles added, “However, given our long-term friendship, I look forward to his invitation to share a glass of merlot with him as we discuss the nation’s political future”.

On one side of the debate Gary Humphries and Ian De Landelles – cheered on tongue in cheek by Petrus loving Ross McKay – seem happy drinking merlot, and perhaps even the prospect of sharing the same bottle.

That leaves Brian Wenn (he once called me a drinker with a running problem; so I gave up running) alone on the letters page sinking the boot into merlot. He calls on Miles from Sideways for support, summoning the unforgettable lines,  “No, if anyone orders merlot, I’m leaving. I am not drinking any f…g merlot”. (But he did; and we’ll come back to that later).

Perhaps more than any other variety, merlot creates confusion (fanned in the early days when much of Australia’s “merlot” turned out to be the generally lighter cabernet franc). It’s perceived variously as bland and sweet, a light and easy drinker, a low quality anaesthetic for blending with real reds, an elegant and noble blending companion for cabernet sauvignon or full-bodied and voluptuous, as in Chateau Petrus of Bordeaux.

One thing’s for sure in Australia – it’s a very important variety, third in volume after shiraz and cabernet. In 2009 (our most recent “normal” vintage), Australian vignerons harvested 403,000 tonnes of shiraz, 247,000 tonnes of cabernet sauvignon and 126 thousand tonnes of merlot – a country mile ahead of fourth placed pinot noir on 28,000 tonnes.

With that volume, and spread across so many regions, it’s almost inevitable for merlot to assume a number of identities. The style of wine it makes can be determined by climate, vineyard management, grape yields, winemaker preferences or a combination of these factors. For example, wine made from an irrigated, warm-climate, high yielding vineyard might be light, fruity and soft – and the maker might even leave unfermented grape sugar in the wine to fill the mid palate.

At the other end of the spectrum a winemaker in a cooler area might restrict yields to produce more concentrated flavour, usually from small berries. We see this, for example, in Capital Wines’ Kyeema Vineyard, Murrumbateman – where the merlot wine begins life dark and tannic, needing years of bottle ageing. Other good examples of straight merlot are Coldstream Hills Yarra Valley and Parker Coonawarra Estate.

Chateau Petrus remains the model for this style. I’ve visited the vineyard a couple of times, tasting the impenetrably deep, fragrant, voluptuous young wine – after schlepping through the dense, wet clay of the vineyard. On one occasion Christian Moueix, whose family has a long association with Petrus, served the marvellous, maturing (still voluptuous) 1982 vintage.

He observed that the Pomerol district (home of Petrus) produced the greatest of all expressions of merlot from its wet clay soils; while the free-draining limestone soils of nearby St Emillion produced more austere wines. In both Pomerol and St Emillion, winemakers pair merlot with cabernet franc. The Petrus vineyard comprises 95 per cent merlot, the rest cabernet franc, Moueix said, but more often than not the wine comprised only merlot.

But in Australia, as in France, winemakers generally blend merlot with other varieties. We see this at its best in Margaret River, in particular, and Coonawarra, usually with cabernet sauvignon, but to a lesser extent with petit verdot, cabernet franc and malbec.

The truth is, merlot can make stunning wine. Even Miles loved it. But that’s the irony in Sideways. He finally quaffed a treasured, much mentioned Chateau Cheval Blanc 1961 (from the Bordeaux sub-region, St Emillion) from a paper cup. Did he recognise the blend of merlot and cabernet franc?

Copyright © Chris Shanahan 2012
First published 6 June 2012 in The Canberra Times

Wine review — Andrew Thomas, Brown Brothers, Cumulus Wines and Balnaves

Andrew Thomas Kiss Shiraz 2010 $60
Pokolbin Estate Vineyard, Pokolbin, Lower Hunter Valley, NSW
On 4 May, Andrew Thomas released four outstanding single vineyard Hunter shirazes, including the two reviewed today – the drink-now DJV and potentially long-lived Kiss. From a vineyard planted in 1969, Kiss reminds me, in its finesse and understatement, of the legendary Lindemans Bin 1590 Hunter Burgundy 1959. It’s of a medium hue and body, an aroma combining bright fruit, Hunter earthiness and the subtle spice of French oak. These carry through to the intense, elegant, perfectly balanced palate. This is a unique Australian style – and a great wine by any measure.

Andrew Thomas DJV Shiraz 2010 $30
Lindeman Ben Ean Vineyard, Pokolbin, Lower Hunter Valley, NSW

Ben Ean vineyard gave its name to Lindeman’s popular “moselle” of the 1960s, though the wine shared no physical connection with the vineyard. In this brilliant blend, Andrew Thomas uses shiraz from those venerable old Hunter vines, co-fermented with nine per cent semillon verjuice. This results in a highly fragrant, supple, juicy, fruity, medium bodied red. The bright fruit, medium body and soft tannins provide exciting current drinking. Once again the warm Hunter delivers the suave elegance we expect from cooler areas.

Brown Brothers Limited Release Single Vineyard Chardonnay 2011 $24.90
Banksdale Vineyard, King Valley, Victoria

Brown Brothers’ single-vineyard chardonnay shows the influence of the unusually cool season. The flavour moves down the varietal spectrum, from the stone-fruit flavours of the warmer 2010 vintage, towards lemon and melon rind. And the alcohol declines from 13.5 per cent in 2010 to 12.5 per cent. With the flavour change comes the pleasing impact of higher acidity – all against the equally pleasing textural and flavour influences of barrel fermentation and maturation.

Cumulus Wines Chardonnay 2009 $30
Orange, NSW

Winemaker Debbie Lauritz used all the best chardonnay making techniques on this pleasing wine – only free-run juice, fermentation with both wild and cultured yeasts in new French oak barriques, lees stirring and partial malolactic fermentation. Free-run juice means a fine texture and intense fruit flavour. All the other bits mesh aroma, texture and flavour with that fruit. Add a couple of years’ age and we get a full-flavoured chardonnay (grapefruit and white peach varietal character), a honeyed, mature note and a vibrantly fresh, richly textured palate.

Balnaves Cabernet Sauvignon 2009 $35
Dead Morris and Walker Vineyards, Coonawarra, South Australia

Balnaves cabernet appeals for the power of its tannin coated varietal flavours – reminiscent of blackcurrant and black olives. Despite its power, the wine’s elegantly structured and capable of ageing well. Its cellar companion, The Tally 2009 ($90), seems even more tight-knit and concentrated, requiring years in the cellar – a big, elegant, multi-dimensional red, firmly in five-star territory. Both wines are sealed with ‘Pro Cork’, a natural cork protected by a thin polymer membrane, like a wrinkled old skin over the cork.

Balnaves Shiraz 2009 $24–$27
Balnaves vineyard, southern Coonawarra, South Australia

In 2009 winemaker Pete Bissell included a small amount of the white variety viognier in the shiraz ferment – much as Clonakilla and other Canberra producers do. The addition fits subtly with the Coonawarra wine, perhaps adding to the silkiness of the texture giving a little boost to the sweet aroma. A hefty 14.5 per cent alcohol doesn’t subtract, however, from the wine’s elegant structure. While the influence of oak is apparent, it’s totally compatible with the fruit flavours and adds to the wine’s overall appeal.

Copyright © Chris Shanahan 2012
First published 6 June 2012 in The Canberra Times and Fairfax online publications

Beer review — Kiuchi Brewery and Sierra Nevada Brewer

Kiuchi Brewery Real Ginger Ale 330ml $9.50
Many ginger beers seem like alcoholic soft drinks, tempering cloying sweetness with tart ginger. But Kiuchi is all beer – rich, warming (seven per cent alcohol) and malty, with an abundant, persistent head, and delicious deep undercurrent of tangy ginger flavour. The high alcohol and generous malt make it a good winter beer.

Sierra Nevada Tumbler Autumn Brown Ale 355ml $4.50
Deep chocolate brown Sierra Nevada Tumbler looks like it might be syrupy rich. But it gives the crisp, dry crunch of autumn leaves. The palate starts with rich, roasted malt flavours, but quickly dries out – finishing with a pleasing, lingering bitterness, combining hops and roasted malt.

Copyright © Chris Shanahan 2012
First published 6 June 2012 in The Canberra Times

Courageous win for Canberra’s Wig and Pen

Canberra’s Wig and Pen really earned its title as best small Australian brewery in the Australian International Beer Awards 2012.  The competition attracted 1,345 entries from breweries in 41 countries.

The trophy goes to the small Australian brewery with the highest average score across all the beers it enters – that is, its aggregate score divided by the number entered.

A brewery eyeing the trophy might restrict entries to its strongest. But brewer Richard Watkins courageously entered 14 brews, covering an adventurous, challenging range of styles.

Watkins won 12 medals from the 14 entries (two gold, four silver and six bronze). And the winning styles ranged from the easy drinking, popular Balleyragget Irish Red (silver medal) to the luxurious Lunch with the Monks – inspired by Belgium’s potent Abbey tripel ale style.

Copyright © Chris Shanahan 2012
First published 6 June 2012 in The Canberra Times

Wine review — Balnaves and Redbank

Balnaves of Coonawarra Chardonnay 2011 $26–$28
Balnaves makes a good chardonnay every year, a useful add-on to Coonawarra’s main game – reds. But could chardonnay upstage Balnaves’ reds in the cool 2011 vintage? The cool season accentuated the fruit flavour, shifting it towards the lemon and grapefruit end of the varietal spectrum. And the tingly acid backbone gives a special life and lift to a full-bodied yet elegant white. Winemaker Pete Bissell says he fermented it in oak barriques, about half of them new, using a combination of wild and cultured yeast. It should evolve well for another five or so years.

Balnaves of Coonawarra The Blend 2010 $19–$21
Balnaves of Coonawarra Cabernet Merlot 2010 $24

The Balnaves family produces several reds from its extensive Coonawarra vineyard holdings – ranging from these inexpensive blends to a cabernet sauvignon ($35) and The Tally, its flagship, at $90. ‘The Blend’ shows the lovely fragrance and elegance of merlot married with cabernet sauvignon and cabernet franc – the medium bodied palate reflects the aroma and leaves a farewell tweak of fine, but assertive tannin. The cabernet merlot blend delivers vibrant varietal berry flavours on a medium palate, with a quite strong, mouth-drying tannin structure (thank you cabernet).

Redbank King Valley Garganega 2010 $25
Garganega – the principal variety of Soave, the well-known savoury dry white from Soave, near Verona in Italy’s Veneto region – seems at home in Victoria’s little Italy, the King Valley. The Redbank winemakers fermented this, their first vintage, with wild yeast, matured it in older oak barrels and blended it with 10 per cent fiano, another Italian white. The resulting full-bodied dry white pleases with its melon rind and citrus flavours and pleasantly tart, firm finish. It’s a long way from our usual fare and worth trying.

Copyright © Chris Shanahan 2012
First published 3 June 2012 in The Canberra Times

Wine review — Coolangatta Estate, Silos Estate, Cullen, Bathe Wines and Massale by Kooyong

Coolangatta Estate Tempranillo 2009 $35
Coolangatta Estate vineyard, Shoalhaven Coast, New South Wales
In the Canberra Regional Show 2011, this wine top scored in its class, winning a gold medal and proceeding to the “other red varieties” trophy taste-off. The Canberra gong added to the gold medal and four trophies won in the 2010 Kiama Regional Wine Show. Like Coolangatta’s wonderful semillons, the tempranillo is estate grown but made in the Hunter Valley by Tyrrell’s – clearly a successful arrangement. This is a fresh, vibrant and medium-bodied tempranillo, seamlessly combining sweet and savoury fruit with soft, persistent tannins.

Coolangatta Estate Wollstonecraft Semillon 2011 $25
Coolangatta Wollstonecraft vineyard, Shoalhaven Coast, New South Wales

Coolangatta’s Ben Wallis says, “powdery and downy mildew are part of our life on the coast”, so in the cold, wet 2011 season, “we upped the ante in the vineyard”. The acidic grapes developed flavour ripeness very early in the cool conditions, but sugar levels lagged – the opposite of a normal year. Owner Greg Bishop and his team hand-picked the healthy fruit, shipping it to Tyrrell’s for vinification. The resulting wine presents rich, lemony varietal flavours cut with the season’s tart, bracing acidity. It’s slightly rounder than you’d expect in a cool season, 11 per-cent-alcohol wine, but it’s definitely built for ageing.

Silos Estate Wild Ferment Chardonnay 2010 $22.50–$25
Silo Estate vineyard, Berry, Shoalhaven Coast, New South Wales

The estate, located near Berry, grows seven grape varieties, including chardonnay, in its five-hectare vineyard. Looking young and fresh at two years, the 2010 chardonnay – fermented spontaneously by wild yeasts – shows fresh citrus and melon rind varietal characters. The palate’s medium bodied and smoothly textured with an underlying nutty character, derived from maturation on yeast lees following fermentation. The vines are hand pruned and the grapes hand picked.

Cullen Diana Madeline 2010 $115
Cullen vineyard, Margaret River, Western Australia
Like Penfolds Bin 707 reviewed on 9 May, Cullen Diana Madeline enjoys a cellaring potential measured in decades, not years. But the wines contrast starkly in style. Bin 707 shows an impenetrably dark, powerful face of cabernet – overwhelmingly dense and tannic as a young wine but becoming increasingly elegant as the decades pass by. Cullen is limpid and approachable on release – a wine of delicate violet-like aroma and seductive, subtle, supple, fine-grained palate. It’s a blend of cabernet sauvignon, merlot, petit verdot malbec and cabernet franc, planted forty years ago by winemaker Vanya Cullen’s parents, Kevin John and Diana Madeline.

Bathe Wines Pinot Noir 2011 $33
Tamar Valley and Coal River Valley, Tasmania

This callow newcomer to the busy wine scene rushes to the market barely a year out of the vineyard. Brash and exuberant on first opening, it becomes a more complete pinot after a long aeration. It’s light to medium bodied, with bright varietal fruit flavour, a stalky note (courtesy of whole bunches in the ferment) and, most importantly, a silky mid-palate. Jeremy Dineen of Joseph Chromy Wines made it for Bathe Wines, owned by John Harvey. It’s available at www.bathewines.com.au

Massale by Kooyong Pinot Noir 2011 $22.70–$30
Mornington Peninsula, Victoria

Sandro Mosele’s new release stood out in a recent tasting, wedged between Alex McKay and Nick O’Leary’s attractive Bourke Street Tumbarumba pinot and a very strange beast indeed from Savaterre, Beechworth. Mosele’s wine shows the light body and high acid of the cool season. But therein lies the appeal. Mosele hasn’t tried to prop the wine up with winemaking artifice. We taste pure and delicious raspberry-like varietal flavour on a shimmering fresh palate, supported by lean, tight tannins.

Copyright © Chris Shanahan 2012
First published 30 May 2012 in The Canberra Times

Coolangatta Estate leads the way on Shoalhaven Coast

The Shoalhaven Coast wine region website lists 15 wineries. They stretch about 130 kilometres by road, from Yarrawa Estate, Kangaroo Valley, in the north, to Bawley Estate, at Bawley Point, to the south.

That’s a reasonably big stretch of coastal land, covering almost a degree of latitude (34˚37’ to 35˚31 south, says Google Earth). But as winemaking regions go, it’s small, totalling, by my estimate, around 70–80 hectares of vines.

With temperature the main driving force behind the physical development of vines and grape ripening, the local climate, aided at the margins by human intervention, decides what varieties succeed and fail.

At first glance, Shoalhaven’s latitude (about three degrees north of Coonawarra, for example) might suggest a home for reds like cabernet sauvignon and shiraz. But in fact, the region’s significantly cooler than Coonawarra during the ripening season. As a result whites, in general, fare better than reds, which struggle in most seasons.

Coolangatta Estate’s Greg Bishop sees parallels between Shoalhaven and the lower Hunter Valley, to the north. Shoalhaven’s grapes ripen about three weeks later than the Hunter’s, but humidity and summer rainfall present almost identical challenges in the vineyard.

It’s a hard place to grow grapes”, says Bishop. But constant vineyard work generally overcomes the disease pressure created by moisture. “In the early days, Dr Richard Smart helped us, especially with canopy management”, he says. Open canopies maximise air circulation, helping the vines and fruit to dry out – aided by daily sea breezes. They also help sprays penetrate the vines.

The right spray regime, says Bishop, protects against mildew and botrytis cinerea. And tilling v-shape furrows between vine rows diverts water quickly away from the vineyard, further reducing disease pressures.

Bishop’s vigilance makes Coolangatta Estate the region’s dominant producer in quality and quantity – and the only one to date to stand up in any company, among those I’ve tasted. It’s also a consistent winner of trophies (130 to date) and medals at Australia’s top wine shows.

At the 2011 Canberra Regional Wine Show, for example, Coolangatta entered 13 wines and won nine medals, including golds for its 2009 tempranillo (reviewed today) and 2006 semillon.

Bishop rates semillon as best of the estate’s varieties by a wide margin. And given its outstanding show success, he wonders why it’s not more widely grown in the region.

I’ve tasted many vintages of these semillons over the last decade in wine shows and at the dinner table. They’re lovely, low in alcohol, capable of prolonged ageing and very similar in style to those from the Hunter – that is, austere and lemony when young and developing mellow, honeyed flavours with age.

To some extent, the style’s driven by the Hunter connection – as Tyrrell’s, Australia’s semillon masters, makes all of the Coolangatta wines. But Tyrrell’s are merely custodians of the fruit – the source of the wine flavour. Clearly, what Coolangatta grows is very good.

However, the more widely adopted verdelho “comes in every year”, says Bishop. Indeed, Coolangatta Estate 2011 ($22) and Cambewarra Estate’s 2010 ($23), tasted for this article, offer pleasant drinking – with Coolangatta comfortably ahead.

Chardonnay also performs well and a couple in our tasting looked OK – Silos Estate Wild Ferment 2010, reviewed today, and Cambewarra Estate Unwooded Chardonnay 2010 ($24).  Neither of these, however, matches the ones I’ve tried from Coolangatta Estate.

Coolangatta recently planted what it believed to be the Spanish white variety, albarino. But the variety (misidentified across Australia and, in fact, savagnin) performed consistently well in its first four vintages, 2009 to 2012. Bishop sees a good future for the variety in Shoalhaven.

Judges at the 2010 Canberra regional show, support Bishop’s view. They wrote that Coolangatta Estate Savagnin 2010, “had lovely bright fruit with depth of flavour and should be received with some excitement in the region”.

While reds in general struggle to ripen, a few varieties get there and newcomer tempranillo looks exciting. The Coolangatta 2009 reviewed today drinks beautifully – and deserves the gold medals and trophies won in the Canberra and Kiama regional wine shows. Bishop said he planted it because as an early ripener it stood a chance in the cool region.

Coolangatta and other producers in the area grow another early ripening red, chambourcin. This French-American hybrid has the advantage of being resistant to fungal disease; and the disadvantage of making plain wine, in my experience. However, consumers love it both as a red and rosé, says Bishop, partly perhaps because of its novelty.

Bishop also favours tannat, a tannic red variety, for its ability to ripen quickly and fully and, because of its loose bunches and thick skins, resistance to fungal disease. He says, “it has a lot of potential, and Tyrrell’s love it”. The current release Coolangatta 2009 has three gold, eight silver and seven bronze medals to its credit.

Although Coolangatta Estate planted vines in 1988 and Silos Estate three years before that, the Shoalhaven Coast lacks the maturity of a region like Canberra. Canberra’s maturity arrived over the last decade as all the threads spun over forty years finally came together – throwing up shiraz and riesling as regional specialties and achieving a critical mass of high quality vignerons.

Shoalhaven straddles the important Princes Highway tourist route and, at the moment, its tiny, fledgling wine industry seems more plugged into tourism than wine, per se. That’s a good start. But it’ll only be taken seriously as a wine region as the number of really high quality producers, like Coolangatta Estate, grows.

Copyright © Chris Shanahan 2012
First published 30 May 2012 in The Canberra Times