Category Archives: Wine review

Wine review — Bloodwood, Toolangi, Champy, Punt Road, L’Enclave des Papes and Ruffino

Bloodwood Orange Chardonnay 2009 $22–$25
Toolangi Yarra Valley Reserve Chardonnay 2006 $70–$75

Meet the yin and yang of cool-grown chardonnay – one almost unmarked by winemaker artifice; the other laden with it. The yin is Stephen and Rhoda Doyle’s Bloodwood 2009 – an extraordinarily intense, high-acid, taut, super fine chardonnay, fermented in steel vats, with only a passing (and undetectable) nod to oak. The yang is the equally intense Toolangi chardonnay – with the whole winemaker toolbox thrown at it by Rick Kinzbrunner: wild-yeast fermentation in oak, full malolactic fermentation and prolonged oak maturation. They’re striking wines indeed. But we didn’t finish either. We’d have like  more artifice in Bloodwood and less in Toolangi — yin and yang in the one bottle.

Bourgogne Pinot Noir (Maison Champy) 2008 $17.49–$24.99
Punt Road Yarra Valley Napoleone Vineyards Pinot Noir 2008 $25–$28

The Meurgey family’s profound influence on wine quality shows in Maison Champy’s lovely, entry-level Bourgogne. It’s screwcap sealed, clean, bright and a world removed from the feeble, grubby Burgundy’s passed off on unsuspecting drinkers for so long. It’s light bodied and finely structured, with fresh, slightly stalky varietal aroma and flavour and lightly acidic dry finish. Imported by Coles Liquor, owners of Vintage Cellars and 1st Choice. Punt Road’s pinot noir, from the Napoleone family’s vineyards, offers a more robust Australian expression of the variety – notably fuller, rounder and more tannic, but still the real pinot experience.

Cotes-du-Rhone L’Enclave des Papes 2008 $10.49–$14.99
Chianti Classico Riserva Ducale (Ruffino) $36–$4
0
These are imported by the Coles Liquor Group – Cotes-du-Rhone available in Vintage Cellars and 1st Choice; the Chianti Classico only at Vintage Cellars. Like the Champy Bourgogne reviewed above, the screwcap sealed Cotes-du-Rhone shows the bright, modern face of French winemaking — influenced by international competition and retailers like Coles insisting on screw caps and clean wine. It’s made predominantly from grenache and is therefore of medium colour and body with an attractive, dry, savouriness – a contrast to the sweet fruited Australian versions. Riserva Ducale is as good as Chianti gets – powerful and tannic but elegant, with a core of sweet ripe fruit.

Copyright © Chris Shanahan 2010

Wine review — De Bortoli and Best’s Great Western

De Bortoli Deen Series whites $9–$13

  • Vat 2 Sauvignon Blanc 2009
  • Vat 7 Chardonnay 2008
  • Vat 6 Verdelho 2009

The De Bortoli Deen Series wines combine fruit from both warm and cool regions. This achieves generosity of flavour with a zesty, light freshness. And because the warm regions produce fruit more cheaply than cooler areas, the quality to price ratio is very high. The sauvignon blanc is zesty, light and fresh with flavours towards the passionfruit-like warmer end of the varietal spectrum. The chardonnay is a million miles from the heavy styles we used to see, with pure stone fruit varietal flavour, silky texture and great freshness. The verdelho, a variety well suited to warm regions, shows a typical tangy sappiness.

De Bortoli Deen Series reds $9–$13

  • Vat 8 Shiraz 2007
  • Vat 9 Cabernet Sauvignon 2008
  • Vat 1 Durif 2008

The Deen reds, too, offer unusually rich flavours at the price. The shiraz, from the low-cropping 2007 vintage is full and soft with distinctive, spicy varietal flavour with a savoury edge and quite assertive, dry tannic finish. The cabernet sauvignon shows high-toned varietal berry aromas, tinged with leafiness; and the palate is juicy and smooth, though with the firm tannic backbone of the variety. Durif (the result of a chance pollination of peloursin flowers by shiraz) is inky deep in colour with a very ripe, sweet, plummy aroma and palate, tinged with spice and wrapped in firm, dry tannins.

Best’s Great Western

  • Bin O Shiraz 2006 $60
  • Thomson Family Shiraz 2006 $150

These fabulous reds are part of Australia’s largely unknown regional wine story – belying the myth of one big, homogenous country. Henry Best founded the vineyard in 1866. The Thomson family bought it in 1920 and fourth and fifth generation Viv and Ben Thomson are still there today. Bin 0 Shiraz comes from four low yielding blocks planted, using cuttings from older vines, between 1966 and 1994. Thomson Reserve comes from a block planted by Henry Best in 1868. Best’s is a distinctive shiraz style – ripe but savoury, intense but elegant; unlike, say, juicy, soft Barossa shiraz or the spicy, berry-flavoured Canberra style.

Copyright © Chris Shanahan 2010

Wine review — Observatory Hill, Perrier Jouet and Thorn Clarke

Observatory Hill Tasmania Pinot Noir 2008 $29
We discovered this gem at the excellent Piccalilly Restaurant, Battery Point, Hobart, late last year. It’s a fine, elegant style of some depth and complexity, sourced from Glenn Richardson’s Observatory Hill vineyard at Mount Rumney – just 10 kilometres from Hobart at the entrance to the Coal River Valley. Glenn harvests the grapes then hands them over to French winemaker Alain Rousseau at Frogmore Creek Winery, just up the road in the Coal River Valley. The wine is available direct from Observatory Hill, phone 03 6248 5380 or email info@observatoryhill.com.au

Perrier Jouet Blason de France Rose Champagne NV $105
It’s as delicate and sweet as a first kiss and bound to impress (and work) as a Valentine’s treat. This is no wussy, watery rose, but a blend of high quality chardonnay (45 per cent), pinot noir (45 per cent) and pinot meuniere — the three classic Champagne varieties, sourced from some of the region’s great vineyards. It’s made as a white wine and derives its delicate pink colour through the addition of red wine (made from pinot) as part of the liqueur d’ expedition added after removal of the yeast sediment from the bottle. It’s subtle, superb and best served at around 10 degrees.

Thorn Clarke

  • Shotfire Barossa Valley Quartage 2008 $23
  • Shotfire Barossa Valley Shiraz 2008
  • Sandpiper Barossa Shiraz 2008 $17
  • Sandpiper Eden Valley Riesling 2009 $17

The Clarke family owns about 270 hectares of vines spread around the Barossa – a remarkable estate that grew from Cheryl Clarke’s (nee Thorn) very old family holdings. The wines offer plenty of flavour for their modest asking prices. At a recent tasting top votes were divided over the two Shotfire wines – the fine but firm berry flavours of Quartage (a blend of cabernet, petit verdot, merlot and malbec); and the earthy, round, juicy softness of the shiraz. The cheaper Sandpiper Shiraz 2008 is a bigger, firmer drop – less polished, but still a mouthful of flavour. And the riesling is on the austere, aperitif style, typical of the Eden Valley.

Copyright © Chris Shanahan 2010

Wine review — Chalmers, d’Arenberg and Pikes

Chalmers Murray Darling Nero d’Avola 2009 $24–$30
As irrigators rip out traditional grape varieties along the Murray Darling, there’s a counter movement afoot as plantings of drought-hardy varieties – like fiano, sagrantino, lagrein, vermentino and nero d’Avola – increase. Bill Mason, proprietor of Z4 Wines, Canberra, offers a range of these made by the Chalmers family of Mildura. Indeed, a bottle of Chalmer’s first nero d’Avola, a red variety from Sicily, went down well with a group of determined white drinkers at a recent tasting. Because of its alluring, soft, earthy fruitiness, Australian now has a couple of new red converts. It’s due for release in early February, says Bill Mason.

d’Arenberg McLaren Vale “The Censosilicaphobic Cat” Sagrantino Cinsault 2007 $25–$29
It’s been almost twenty years since I’ve had the pleasure, but I can still remember the palate-wrenching, tannic grip of Sagrantino di Montefalco – a sturdy, impenetrably inky-black drop from Umbria, Italy. Thankfully, d’Arenberg’s first shot at the variety tempers the legendary sagrantino tannin with the softer, southern French variety cinsault, sourced from vines planted back in 1958. It’s a vibrant, herby, full-of-character red with a bit of push-pull going on between the firm tannins and delicious fruit. I can’t recall every trying a wine with this sort of tart, but pleasing tannin structure. It’s definitely worth a try.

Pikes Clare Valley

  • Traditionele” Riesling 2009 $17–$23
  • The Merle” Riesling 2009 $33–$38

Traditionele” and “The Merle” present slightly different, but dry, faces of Clare riesling. “Traditionele” is the softer of the two, being less acidic but still vibrantly fresh with pure, citrusy varietal flavours. It’s slightly rounder and fuller flavoured than “The Merle” but still, clearly, its sibling. “The Merle”, shows the more acidic, dry austerity of Clare’s Polish Hill sub-region. And hand-in-hand with that goes an extraordinarily intense-but-delicate lime-like varietal flavour – setting it apart from ordinary rieslings. Both have the capacity to change in pleasing ways with cellaring. But “The Merle”, I suspect, will still make us smile thirty years from now.

Copyright © Chris Shanahan 2010

Wine review — Yering Station, Pewsey Vale and Hewitson

Yering Station Yarra Valley Pinot Noir 2008 $28

De Bortoli Yarra Valley

  • Estate Grown Pinot Noir 2008 $38
  • Reserve Pinot Noir 2007 $50

The Rathbone and De Bortoli families make some of the best pinots in Australasia from mature Yarra Valley vines. The Rathbone wine, from Yering Station – first planted to vines by the Ryrie family in 1838 (after they’d been to Braidwood and Michelago) – is pure, silky and harmonious. It’s stunningly good for $28 and built to last in the cellar.  The two  De Bortoli wines show similar purity and harmony, though in a somewhat more savoury mould – especially the very complex reserve wine. They, too, should age well. Winemaker is Steve Webber, husband of Leanne De Bortoli.

Pewsey Vale Vineyard Eden Valley

  • Gewurztraminer 2009 $21–$25
  • Pinot Gris 2009 $21–$25

A little bit of gewurztraminer’s intensely musky, lychee-like flavour goes a long way. It’s the sort of wine to drink on its own once or twice a year. But if you think they’re all sweet and bland, you’ll be gobsmacked by this one – it’s dust dry, but with a lusciously viscous texture and a gripping, slightly firm finish. Fascinating indeed, but one glass may be enough. I suspect the Eden Valley might not be quite cool enough for pinot gris, a variety that struggles for flavour even in an ideal, cool climate. This one’s round and soft and pretty dry, but not overburdened with flavour.
Hewitson

  • Eden Valley Gun Metal Riesling 2009 $22
  • Adelaide Hills Lu Lu Sauvignon Blanc $22

Barossa-based Dean Hewitson makes lovely lean, taut, bone-dry whites from the Eden Valley (the hills to the east of the Barossa) and the Adelaide Hills, a notably cooler part of the same range, just south of Eden.  The riesling is in the classic Eden style – moderate in alcohol with an intensely, citrusy/varietal flavour and austere, delicious dry finish. The sauvignon blanc is distinctly different from the in-your-face Marlborough style. It’s lower in alcohol, less fleshy and more herbal, savoury and light with a pleasantly tart finish. Like Dean’s beautiful Barossa reds these are meticulously well made regional specialties. See www.hewitson.com.au

Copyright © Chris Shanahan 2010

Brats mellow to greats

In the mid eighties Penfolds released the first edition of The Rewards of Patience, containing reviews of Grange Hermitage (as Grange was then called), and the rest of the Penfolds red family, back to the earliest vintages, including the experimental Grange of 1951.

Grange was moving into a purple patch at the time, gaining international recognition ahead of a great flourishing — marked in particular by the release of the sensational 1990 vintage in 1995. Its price shot up. And despite increasing competition, it continued (still continues) to hold number one position in Australian wine auctions.

Its success continues despite last year’s attack by Winewise magazine, accusing Grange of being old fashioned; and a more generic urging by some writers here and in the UK for Australia to move to more elegant, lower alcohol wines. We’d heard all this before in the 1970s. And it’s just as wrong now as it was then.

Consumers roundly rejected the thin, lacking wines made from unripe grapes in the name of elegance — just as they will no doubt do should anyone be silly enough to go down that path again. But out of that error of judgement by our winemakers grew, gradually, a greater confidence in the qualities of our opulent warm climate reds, particularly shiraz.

And it turned out that elegance, in its true sense, was indeed a character of many wines from our emerging, cooler growing areas, like Mornington, Tasmania, Yarra Valley, Canberra, Margaret River and Coonawarra. Over time these grew in number and quality and joined our ever-improving warm climate styles.

And what the critics of the Penfolds style (Grange in particular) often lack is the perspective of long-term aging. For these were, and continue to be, wines that need decades of cellaring. They start as opaque, purple-rimmed wines brimming with fruit, oak and tannin. Even though these are harmonious enough, the total flavour volume and tannic grip can be overwhelming for many years.

Like a lot of others immersed in the trade, I see comparatively few wines of this style among the thousands of reds tasted each year. The market teems with lively, soft, easy to drink reds, quite often made specifically for very early drinking.

And, of course, the elegant, supple shirazes now made so beautifully in Canberra and other cool areas slip down easily in youth, even though some appear to have long-term cellaring ability. But we don’t yet have a thirty or forty year old Clonakilla Shiraz Viognier to confirm that, as we do with Grange.

What we may not see in a young Grange, unless we’ve also tasted very old vintages, is that great periods of time in the cellar render it less opaque, less tannic, less oaky, more complex and increasingly fine – and, yes, even elegant. I was reminded of this over the Christmas break when we opened two old Penfolds reds from our cellar – prompted to do so by the refreshingly cool weather. The wines were Penfolds Grange Hermitage 1982 and Penfolds Bin 80A Coonawarra Cabernet Kalimna Shiraz 1980 (inspired by Max Schubert’s legendary Bin 60A 1962).

These were like children in a way — wines that I’d come to know intimately throughout their lives, beginning when they were bold, purple, tannic oaky brats back in the eighties; and now after a couple of year’s absence moving int0 full, but not declining maturity.

I see that the Rewards of Patience is now in its sixth edition — and all but the first edition of 1986 track the progress of these two wines.

The second edition, 1990, notes Bin 80A 1980 as ‘a wine of great power and breeding with a long life in front of it — a classic in the making’. This was an opinion I shared sufficiently at the time to buy a case of it.

The same edition was equally unequivocal on the progress of Grange 1982 — “Generous, lifted ‘fleshy’ fruit is typical of the ’82 vintage. A distinctive and great Grange”. The tasters recommended a drinking window from the early 1990s and as far out as 2002.

By the third edition in 1994, the tasting panel was seeing Bin 80a 1980 as intense, concentrated, herbaceous, cedary, elegant, of remarkable structure and showing “strong Coonawarra district character”. They recommended drinking it out to 2010.

By this edition 1982 Grange was no longer one of the greats but, rather, “reflects the super-fleshy fruit characters of this vintage”. The tasters suggested regular monitoring (I think this means drinking) within a drinking window of “now to 2005”.

The tasting panel for the fourth edition in 2000 adopted more floral, less meaningful tasting notes for the Bin 80A, demoted it from the ranks of the ‘greats’ and wound back the drink window to 2007 and commented “best drunk soon”.

But the same group held a slightly higher view of the 1982 Grange, pushing the drinking window to 2008 and once again commenting on the distinctive “sweet, ripe fruit”. They thought it “might hold for many years” but not improve.

Just four years later in the 2004 fifth edition, Bin 80A was once again one of the ‘greats’ and its drinking window was now out to 2020. This once powerful red was now “a soft, well-balanced wine”.

This edition adopted a more kindly view of the now 22-year-old 1982 Grange. The tasters recommended drinking out to 2010. They described it as “a supple, refined wine with sweet cassis/cedary flavours”.

In the sixth edition in 2008, Bin 80A, now 28-years-old held its ‘great’ status and its drinking window was pushed out further to 2025. Though it had been described as a “soft, well-balanced wine” four years earlier, it was now “a well-concentrated, solid wine with attractive mature fruit and strong tannin structure”.

The reviews once again commented on Grange 1982’s rich, fleshy fruit, describing it as “idiosyncratic” and recommended drinking it by 2010.

Almost two years after the assessments made in the sixth edition, the Chateau Shanahan team noted the sweet fruitiness of the 1982 Grange. It’s been part of the wine since it was born and I recall that very early on we sometimes wondered if it would live as long as other Granges. Well at just on 28 years it’s soft, juicy, oh-so-complex and wonderfully vibrant, yet ethereal and aged. What a joy it was to drink and share with the family. It has many years to go.

The Bin 80A, too, opened wonderfully. In aroma, flavour and structure it’s still clearly led by cabernet sauvignon (two thirds of the blend) and very much a Coonawarra style — despite the Kalimna (Barossa) shiraz in the blend. This one has mellowed — having moved from power to elegance and grace in its thirty years. It, too, will age for many more years.

These are great wines. And great wine takes time.

Copyright © Chris Shanahan 2010

Wine review — Mr Riggs, Pewsey Vale and Hewitson

Mr Riggs Adelaide Hills Yacca Vineyard Tempranillo 2007 and 2008 $22–$25
I can’t think of a better Aussie expression of this Spanish variety than Mr Riggs 2007. It offers plush, blueberry-like varietal flavour and assertive but soft tannins that give it structure and a satisfyingly dry finish. It’s made by Ben Riggs from grapes grown on the Scott Hicks and Kerry Hysen-Hicks Yacca Paddock vineyard at Kuitpo.  Kuitpo (pronounced kypo) sits at the southern end of the Adelaide Hills near its boundary with the McLaren Vale wine region.  While good, the 2008 lacks the power and harmony of the outstanding 2007. See www.mrriggs.com.au

Pewsey Vale Vineyard Eden Valley

  • Riesling 2009 $13.49–$23
  • Prima’ Riesling 2009 $19–$25
  • The Contours’ Riesling 2004 $25–$28

This trio, made by Louisa Rose, comes from the Hill-Smith family’s 50-hectare Pewsey Vale vineyard. The dry riesling ranks among the best I’ve seen from the vintage – an extraordinarily delicious drop being given away for as little as $13.49. ‘Prima’, harvested weeks earlier when less ripe, retains a moderate level of natural grape sugar (22.6 grams per litre) with the higher acidity to match. At just 9.5 per cent alcohol it’s a delightful warm weather pick-me-up and will probably age and drink well for decades. And the brilliant lime-green colour of ‘Contours’ sets the scene for an intense, delicate, maturing, world-class dry riesling.

Hewitson Barossa Valley Baby

  • Bush Mourvedre 2008 $28
  • Ned & Henrys Shiraz 2008 $25

Early flowering, above average spring temperatures and a two-week burst of 35-degree-plus heat in March 2008 (following a mild February), brought the Barossa vintage on three weeks earlier than normal. The conditions produced exceptional grape sugar levels, terrifying winemakers. But in the end we’re seeing some excellent wines from the vintage, including this vibrant, rich-but-subtle pair from Dean Hewitson. Baby Bush is made from a young mourvedre vineyard propagated from vines planted in 1853 – it’s a gentle but rich, spicy red cut with persistent, soft tannins. The shiraz (containing nine per cent mourvedre) is another gentle, rich drop featuring, full, earthy Barossa shiraz flavours, tempered by mourvedre spiciness and finesse.

Copyright © Chris Shanahan 2010

Andrew Seppelt’s sensational Barossa wines

Murray Street Vineyards’ new-release reds are sensational — generous, juicy, seamless wines, made by Andrew Seppelt and sourced from low yielding vines sprinkled along the Western rim of the Barossa Valley.

They stand comparison with the best shiraz and blends from any part of the globe. And yet they’re just a small part of a wider movement towards sub-regional and individual vineyard labelling in the Barossa — a movement led by an amazing pool of talent exploiting the wealth of great vineyards, some dating almost to the beginning of European settlement in 1842.

But from a distance the Barossa might seem like one, big, homogenous region, churning out rich, warm, soft shiraz. While there’s a grain of truth in the generalisation, in reality it’s a complex valley of varying landscapes, producing a diversity of styles within that generally big, ripe, soft mould.

And if shiraz is the Valley’s signature variety, it’s commonly blended with the other Rhone varieties, grenache and mourvedre (known locally as mataro) — varieties that also stand on their own, sometimes with distinction.

Were we to tour the Barossa by helicopter, we’d start in the south at the separate Lyndoch Valley with its slopes, flats and feeder valleys; then north over the ridge into the southern Barossa proper with its rolling landscape, eroded by the North Para River; over the Gomersal plateau with black, cracking soils, inhospitable to vines, and its magic, sandy western ridge; through to the rising and flatter central and northern valley to the Kalimna sand dunes; east to the rim of the recently (geologically speaking) uplifted ranges of the Eden Valley and across to the lower,  more eroded western rim, including the Marananga and Seppeltsfield bowls. Doing the tour by Google Earth isn’t a bad approximation.

And were we to walk this roughly 30-kilometre by 12-kilometre landscape with geologist David Farmer we’d see about fifteen distinct land surfaces, including the southern angular-rock type soils, the cobbled soils of Roland Flat, the Kalimna dunes and the Gomersal Ridge sands.

Throughout this infinitely varied landscape, scores of winemakers like Andrew Seppelt are now defining the sub-regions by the wines they make — and currently debating formal boundaries and names (existing parish boundaries, for example, offer convenience but don’t gel, necessarily, with wine styles or natural land surface delineations).

But whatever names or boundaries the sub-regions ultimately adopt, the reality is that the division of wine styles in the Barossa is no longer restricted to north, south, east, west and the Eden Valley (part of the Barossa ‘zone’ but already an approved and separate ‘region’).

Andrew Seppelt’s patch of the Barossa stretches from Gomersal in the south, then north to Greenock and Kalimna — all on the valley’s western rim, an area pioneered by his great-great-great grandfather, Joseph Ernst Seppelt in 1851 and carried on from 1868 by his eldest son, Oscar Benno Seppelt.

The Seppelt family ultimately lost control of the Seppelt brand and the historic Seppeltsfield property. But Andrew’s Murray Street Vineyards, owned jointly with his wife, Vanessa, and Bill and Pattie Jahnke, lies just to the south of the old family property at Greenock.

Andrew writes, “Murray Street Vineyards is the result of a 10 year dream of my wife, Vanessa, and I. Believing that the Barossa is the best place in the world to grow shiraz, mataro, grenache, viognier and Marsanne, we set about sourcing fruit from the most extraordinary soil types in the Barossa Valley. Additional planting were made on the ancient, weathered slate slopes of Gomersal to complement the sandy clay loams of Kalimna’s lower reaches and the ironstone of the upper Kalimna hills”.

From a palette of shy-yielding vines (2.5 to 5 tonnes to the hectare), aged from five to about 90 years, Andrew produces an excellent, full-flavoured viognier marsanne blend (2009 vintage, $35) as well as the five sensational reds mentioned in the introduction.

The Barossa’ 2007 ($35), a blend predominantly of shiraz, with mataro and grenache, shows the lifted, alluring fragrance of grenache. It’s generous and soft, the tone set by grenache but enriched by earthy shiraz and spicy, tannic mataro. It’s a joy to drink now but has the depth to age well in the medium term.

Greenock Shiraz 2007 and Gomersal Shiraz 2007 (both $55) express variations on the shiraz theme from vineyards just a few kilometres apart. They’re both rich, full and soft, but the Greenock wine has a savoury edge and slight firmer tannins; and the Gomersal wine is more fragrant with a scrumptious, juicy palate.

Sophia Shiraz 2006 ($75), named for Andrew’s great-great grandmother, is a truly great shiraz blended from the best fruit from the Gomersal and Greenock vineyards – vibrant, deeply fruity, tender and solid.

Sophie’s fellow flagship, Benno Shiraz Mataro 2006 ($75), offers yet another variation on the theme. Like Sophia, it’s built on the best shiraz from Gomersal and Greenock but contains, as well, mataro from Gomersal. The influence of the mataro is profound – boosting the aroma, making the palate more buoyant, adding spicy flavours and firm, fine tannins.

This is a must-try Barossa variety. Older readers might recall Penfolds Bin 2 Mataro, a wonderful drop. And in recent times I’ve tasted extraordinary all-mataro wines from Dean Hewitson (two wines, one from southern Barossa vines planted in 1853) and Rolf Binder, from vines just behind his Veritas winery to the west of Tanunda.

For more information about Murray Street Vineyards see www.murraystreet.com.au

Copyright © Chris Shanahan 2010

Wine review — Tyrrell’s, Hardys and Turkey Flat

Tyrrell’s Hunter Valley — $24–$34

  • Belford Semillon 2004
  • HVD Semillon 2004

These individual vineyard wines express subtle shades of the idiosyncratic Hunter semillon style. The wines are low in alcohol and tending to lemony austerity when young. But with age they soften and the palate fills with delicious honeyed and toasty flavours – without losing the crisp, fresh acidity that attenuates the flavour. Thanks to the screw cap there are no caveats in recommending these just-released near-six-year-olds (a hit and miss affair in the days of cork). They’re in beautiful condition with shimmering lemon-green colour, stunning freshness and appealing early maturation aromas and flavours – and they’ll age for many more years. These are simply extraordinary.

Hardys

  • Nottage Hill Chardonnay 2007 $10–$12
  • Eileen Hardy Chardonnay 2006 $60–$70

Hardys, now part of USA-based Constellation Brands, boasts of its shift to regional branding, begging the obvious question – is there a future for multi-region blends? It’s easy to say yes for lower priced, fruity, simpler products like Nottage Hill where ‘Australia’ or ‘South Eastern Australia’ should be sufficient provenance. But as magnificent as it its, the flagship Eileen Hardy, blended from Tasmanian, Yarra Valley and Tumbarumba grapes doesn’t jell in a world super-premium market based on regional identity. Perhaps it’s time to drop the concept, and showcase the beautiful fruit from each of those regions in separate regional brands.

Turkey Flat Barossa Valley

  • Rosé 2009 $22
  • Butchers Block Marsanne Viognier Roussanne 2009 $27
  • Grenache 2007 $28
  • Butchers Block Shiraz Grenache Mourvedre 2008 $27

Peter and Christie Schulz’s beautiful Barossa vineyard, near Tanunda, still produces shiraz from vines planted in 1847 – some of the oldest in the world. But the estate now has vines, as well, at Bethany, Koonunga Hill and Stonewell, producing generous, warm, friendly reds, a full, fresh white blended from three Rhone Valley varieties and one of the purest, fruitiest rosés around – blended from grenache, shiraz, cabernet and dolcetto. The reds, though, are always the highlight. The shiraz grenache mourvedre 2008 offers the full, ripe flavours of the vintage; and the grenache 2007 is high toned but savoury and destined to become even more complex with age.

Copyright © Chris Shanahan 2010

Wine review — Shaw Vineyard Estate and Banrock Station

Shaw Vineyard Estate Canberra District

  • Laughter Series Riesling 2009 $15
  • Reserve Isabella Riesling 2009 $28

Here’s a couple of attractive wines from Graeme Shaw’s vineyard, on the Western edge of Murrumbateman. Isabella – Graeme’s new flagship, named for Isabella Anderson, matriarch of the former wool property’s founding family – is a knockout with its shimmering pale lemon-green colour, delicate floral, musky aroma and very fine, intense, brisk, dry palate. It’s all the more attractive for containing just 11 per cent alcohol. Isabella’s quaffing cellar mate’s a little darker and duller coloured with full, citrus-like varietal flavour and a slightly tart finish – not a bad wine, but there’s lots of low-priced competition out there in the quaffing stakes.

Banrock Station Mediterranean Collection – $14.99

  • Savagnin 2009
  • Pinot Grigio 2009
  • Fiano 2009

With the persistence of drier, warmer seasons Australian winemakers are looking to Spain and Italy for alternative grape varieties suited to these conditions. I’m not sure how pinot grigio – a mutant of pinot noir and at its best in humid, cool climates – snuck into this line up, but it’s a decent drop nevertheless, certainly in the drier style and leaning to pear-like varietal flavour. Savagnin, imported from Spain as albarino, until someone discovered the stuff up, is aromatic but bone dry and savoury. And fiano, a Roman variety, is full but pleasantly brisk and tart. Fiano and savagnin are currently available only at cellar door.

Banrock Station Mediterranean Collection – all $14.99

  • Montepulciano 2008
  • Tempranillo 2007

Here winemaker Paul Burnett works with one of the lesser-known (in Australia) Italian red varieties, montepulciano (not to be confused with the Tuscan town of the same name) and the increasingly popular Spanish tempranillo. In Italy, montepulciano hits it peak in Abruzzi, between the Apennines and Adriatic. This Aussie expression has pure, plummy fruit flavours, cut through with distinctive, savoury, dry tannins – a style that works well with char grilled meats, white, pink or red. The tempranillo is fleshier, with vibrant, juicy, ripe, blueberry like flavours and soft but abundant tannins drying out the finish.

Copyright © Chris Shanahan 2009