Beer paradox as Foster’s forecasts bland future

Paradoxically, as consumer interest in exotic beers grows and the number of microbrewers in the premium market expands, the mass market demands ever-blander beers.

Faced with a declining market share, Foster’s recently announced plans to regain momentum. And the focus seems to be largely on plugging gaps, or creating new opportunities, in the lighter-flavoured end of the market.

The approach suggests that wide swathes of Australia’s population doesn’t like traditional beer and perhaps never will.

Of the new products Foster’s plans, perhaps the nearest to traditional beer is said to be a mid-strength lager to be launched in Queensland under its new Great Northern Brewery Company brand. It’ll be brewed at Foster’s existing Yatala brewery and targeted square at Lion Nathan’s XXXX Gold.

From there, the beeriness of the new products declines.  There’s hope, perhaps, for Pure Blonde White, if it truly resembles the Belgian wheat beer style. But several sips of its low-carb cellar mate, Pure Blonde, point the other way.

And the new citrus-flavoured Carlton Dry Fusion Black seems also to be targeted at non-traditional beer drinkers.

We’re witnessing one of the biggest shifts ever in brewing – as brewers are asked to straddle two worlds: the ancient craft of brewing and the new world of manufacturing beverages to meet shifting consumer tastes.

Copyright © Chris Shanahan 2010

Canberra international riesling challenge 2010

The Canberra International Riesling Challenge, held in October, fielded a record 364 Australian entries, up from 352 in 2009. But the solid support from local makers wasn’t matched by international vignerons. Organiser Ken Helm says the number of overseas entries declined slightly.

France (Alsace), the Czech Republic, South Africa, Argentina and Chile each submitted a small number of wines. And in a quick flick through the catalogue of results, Germany and New Zealand seemed to have about three dozen entries each, and the United States around 20.

In one respect the Challenge remains out of step with Australian wine shows by awarding the trophy for the best South African wine to a silver medal winner. The general rule is, no gold medal no trophy – it sends the wrong message. How can a silver medallist win a trophy, the highest accolade in the show? Doesn’t make sense.

Entries came from every corner of Australia across three broad style categories – dry, semi-dry and sweet – with the main focus on dry wines. South Australia’s Clare and Eden Valley’s cemented their positions as leaders of this style, while Canberra looked the poor cousin – a result at odds with praise pouring in from other sources.

The judges awarded only three bronze medals to the 11 Canberra wines entered in the 2010 vintage dry classes. And the nine local wines entered in the combined 2008 and 2009 class tallied three medals – gold for Helm Premium Riesling 2009, plus two bronze medals.

In contrast, the Clare Valley fielded 40 dry rieslings from the 2010 vintage and 28 earned medals – four gold, 10 silver and 14 bronze. In the 2008-2009 class, 17 of Clare’s 21 entries won medals – two gold, three silver and 12 bronze.

The Eden Valley, a little to the south of Clare on the Mount Lofty Ranges, enjoyed similar success, with 14 of 23 wines from the 2010 vintage winning medals – three gold, three silver and eight bronze; and 21 of 26 wines in the 2008-2009 class succeeding, with three gold, four silver and 14 bronze medals.

Western Australia’s Great Southern region and Tasmania also showed good form with dry rieslings. Nine of Great Southern’s 2010 vintage wines won medals – one gold, one silver and seven bronze.

And Tasmania revealed that its rieslings might hit best form after a year or two in bottle. The state’s 2010 vintage wines earned four medals from ten wines (one gold, three bronze). But in the 2008-2009 class 17 wines yielded 12 medals – two gold, two silver and eight bronze.

While the wines were judged mainly in regional classes, some regions, with low entry numbers, were bundled into mixed classes – pitting contrasting styles against one another. Even so, the “various” class of 27 dry 2010 rieslings yielded three gold, six silver and 11 bronze medals. One of the gold medallists came from Central Victoria and the other two were large company blends, almost certainly from the Barossa-Clare-Eden Valley.

In this class, gold medals for Jacob’s Creek Reserve Riesling 2010 and Wolf Blass Yellow Label Riesling 2010 demonstrates what tremendous value big-company rieslings offer. Both can be found on special from time to time at around $11.

Some of the most exciting drinking, though, bubbled to the surface in the “museum” classes – for wines from the 2007 and earlier vintages. Their success sends three important messages – good riesling blossoms with age; the screw cap makes cellaring reliable; and the wines that age well are often fairly modestly priced on release.

Of the Clare Valley’s 18 museum rieslings, four won gold medals, five won silver and five won bronze. The gold medallists were O’Leary Walker Watervale Riesling 2006, Paulett’s Aged Release Polish Hill River Riesling 2005, Stone Bridge Wines Clare Valley Riesling 2006 and The Wilson Vineyard Polish Hill River Riesling 2004.

The oldest wine in the line up, Richmond Grove Watervale 1998, won a silver medal. Made by John Vickery, Phil Laffer and Bernie Hickin, from fruit grown on the historic Florita vineyard, this was the first modern, commercial-scale Clare wine sealed with a screw cap, setting the scene for the Clare winemakers larger-scale roll out of the seal two years later.

Eden Valley’s 11 museum wines showed good form, too, winning three gold, three silver and three bronze medals. The gold medallists were Peter Lehmann Wigan Eden Valley Riesling 2004 (current release is the sensational 2005 at $30), Trevor Jones Reserve Eden Valley Riesling 2005 and Wolf Blass Icon Eden Valley Riesling 2002.

A mixed museum class from various region yielded two gold medallists – Trevelen Farm Great Southern Riesling 2002 and Chartley Estate Tasmania Riesling 2007.

The judges found some excitement among the semi-dry Australian rieslings, awarding gold medals to two Tasmanian wines – Bream Creek VGR Riesling 2008 and Kate Hill Riesling 2009. This is a not unexpected result and cool climates produce the combination of fruit intensity, delicacy and high natural acidity needed to make this style well. Germany, of course, sets the pace.

Several vintages of sweet riesling attracted the judges, too, with gold medals awarded to Holm Oak Vineyards Tasmania Riesling TGR 2010, Pooley Late Harvest Tasmania Riesling 2010, Brown Brothers Patricia King Valley Noble Riesling 2006 and Ciccone Estate King Valley Botrytis Riesling 2006.

The catalogue of results is available at www.rieslingchallenge.com

Copyright © Chris Shanahan 2010

Wine review — Formby and Adams, Peter Lehmann, Angullong and Cumulus Wines

Formby and Adams Leading Horse Langhorne Creek Cabernet Sauvignon 2007 $17–$19
Langhorne Creek, near Lake Alexandrina, boasts two enduring wine dynasties – the Potts family at Bleasdale, founded 1850, and the Adams family at the Metala Vineyard, established 1891 by William Formby. Guy Adams, Formby’s great-great-grandson, is the fifth generation on the property. Guy’s 2007 cabernet shows the characteristics of the mild, very dry vintage. The varietal aroma and flavour are crystal clear. But the palate’s tight and firm, without Langhorne Creek’s characteristic fleshiness. However, the kernel of fruit handles the tannin easily, creating a terrific style to enjoy with high protein dishes, especially grilled or roasted steak or lamb.

Peter Lehmann Margaret Barossa Semillon 2005 $30
Going against the trend to release ever-younger vintages, Peter Lehmann recently released five absolutely beautiful wines from the 2005 vintage – a riesling, two shirazes, a cabernet and this stunning semillon, named for Peter’s wife, Margaret. Semillon’s an old Barossa workhorse white variety. It can be coarse and fat. But treated properly it makes superb wine. It has become a specialty for Lehmann, through their big volume, cheaper version, and this flagship, sourced from mature Barossa vines. It’s picked early (hence the modest 11.5 per cent alcohol), made protectively and bottle early to preserve the pure, citrusy fruit flavour, then five years’ bottle age adds its own magic.

Angullong Orange Sauvignon Blanc 2010 $15–$17
Cumulus Wines Climbing Orange Merlot 2009 $21.99

Angullong presents an appealing, subtle, gentle expression of sauvignon blanc, its flavours leaning towards the tropical-fruit-and-passionfruit end of the varietal spectrum. The vibrant, pure fruit flavours come with a soft, refreshing acidity. It provides a pleasing contrast to the more robust, acidic Marlborough styles, and the price is realistic – $15 at cellar door and around $17 retail. And from neighbouring Cumulus Wines, comes this delicious, fine-boned merlot from the outstanding 2009 vintage. It’s bright, plummy and medium bodied – fruity but not plump – finishing with persistent, fine, drying tannins. It’s an elegant, inexpensive red made for early enjoyment.

Copyright © Chris Shanahan 2010

Wine review — Brown Brothers, Vionta, Formby & Adams, Solar Vieja, Symphonia Vineyards and McIvor Estate

Brown Brothers Prosecco NV $18
King Valley, Victoria

Italy’s prosecco sparkling wines offer a pleasing light, savoury tartness. They’re usually low in alcohol with a simple, freshness and purity. Like a number of Australian winemakers Brown Brothers embraced the style, planting prosecco vines on its elevated, cool Banksdale Vineyard in Victoria’s King Valley. Their tank-fermented non-vintage style offers crisp, light, pear-like flavours with a little kiss of sweetness in the background. It’s an appealing, unobtrusive appetiser and could sit comfortably with just about any food.

Albarino (Vionta) 2009 $27–$30
Rias Baixas, Spain

Dare to zig as everyone else zags? Try this full, fascinating savoury white from Vilanova de Arousa in Spain’s Salnes Valley. Made from the albarino grape, it delivers a light, tropical-fruit aroma and a full, slightly peachy palate with fresh acidity and textural richness derived from ageing on spent yeast cells. But there’s more – a little grip and bite in the finish, giving a pleasing (or challenging to some) savouriness before the dry finish. Probably a bit overpriced for the quality, but it offers a new tasting experience.

Formby and Adams Cutting Edge Cabernet Shiraz 2007 $17–$19
Langhorne Creek, South Australia

In today’s line up of exotica, Cutting Edge stands out for its true-blue, ripe fruitiness. It’s sourced from the Adams’ family’s historic Metala Vineyard at Langhorne Creek and presents the region’s pure varietal definition and plush mid palate. The cabernet component shows a slight “minty” hint and the shiraz adds a plummy plumpness. A kiss of sweet oak adds to the voluptuous, pure drinking pleasure. One bottle may not be enough.

Rioja Crianza (Solar Viejo) 2007 $27–$30
Rioja, Spain

Like the albarino reviewed today this Rioja red is imported from Spain by the Wingara Wine Group, owners of Katnook Estate, Coonawarra. It’s 100 per cent tempranillo in a contrasting style to Symphonia, from Victoria’s King Valley. Fourteen months in oak and about a year in bottle brings it to an appealing stage of maturity. Rather than the plump, bright fruitiness we’re used to in Australian reds it’s lean and savoury with a fine, firm backbone of tannin, releasing teasing bursts of fruit flavour. It drinks beautifully now and should hold its appeal for another few years.

Symphonia Las Triados Tempranillo 2008
King Valley, Victoria

Peter Read planted Symphonia vineyards to a range of exotic varieties in the 1990s, later selling to Peter and Suzanne Evans. Consulting winemaker Robert Paul (formerly of Montrose, Mudgee) makes the wines, aiming for a “European style with more finesse and less oak, not concentration and power”. This is well down that style path. The colour’s deeper than the Spanish version and the fruit notably plumper and brighter. But there’s no oak interfering and the variety’s naturally firm, savoury tannins provide a good counterfoil to the fruit.

McIvor Estate Sangiovese 2008 $25
Heathcote, Victoria

We love this approach to the Italian red variety, sangiovese, by Gary and Cynthia Harbor, owners of the 5.5 hectare McIvor Estate Vineyard. They’ve allowed the variety to be what it is – not pushing it, or over extracting it and, very importantly, ageing it only in old oak. The result is a red of medium hue with a juicy but savoury mid palate, framed by firm, drying tannins. This is an estate to watch.

Copyright © Chris Shanahan 2010

Long history behind Lehmann’s brilliant Barossa wines

In 1987 Peter Lehmann, with winemaker Andrew Wigan, produced the first Peter Lehmann Stonewell Shiraz (current release 2005 vintage about $90), a magnificent but comparative newcomer to the blue-chip wine ranks. Behind it lies an extraordinary winemaking and viticultural heritage, reaching across generations.

Fortunately the heritage survived traumatic changes of company ownership over the years, culminating in a friendly buyout, endorsed by Peter Lehmann, by Swiss based Hess Group in 2003.

The central character behind Stonewell shiraz is Peter Lehmann, son of a Barossa Lutheran pastor. The viticultural heritage is the shiraz grape — a great survivor of the Barossa Valley’s 160-year winemaking history. And the winemaking heritage stretches each side of Peter: back to his predecessors at Yalumba and Saltram and forward to his winemaking successor, Andrew Wigan.

Peter once told me he saw Stonewell as a “continuation of the Mamre Brook dream — aided and abetted by Andrew Wigan”.

Mamre Brook was Saltram’s flagship Barossa red, created by Peter in 1963, four years after he took over winemaking from Bryan Dolan at Saltram (on the outskirts of Angaston) in 1959.

Bryan made wine at Saltram from 1949 to 1959, for his first four years working alongside Fred Ludlow. Fred had been there since 1893, making wine for the last fifteen years of a remarkable sixty years’ service.

Peter had trained as a winemaker at Yalumba (on the other side of Angaston from Saltram) in an era when fortified wines reigned. However, both Yalumba and Saltram had long-established traditions of making sturdy Barossa reds capable of ageing gracefully for decades (an art that almost died during the eighties).

In early 1999 I was privileged to taste with Peter Lehmann, Bryan Dolan (Bryan died only a few months later) and Bryan’s son Nigel (winemaker at a rejuvenated Saltram at the time and now with Pernod Ricard-owned Jacob’s Creek) a glorious line up of aged reds made by Fred Ludlow, Bryan and Peter from 1946 onwards.

The very first wine of the tasting, a tawny-rimmed 1946 Saltram Dry Red combined ancient, earthy, old-furniture smells with big, mellow, sweet-fruited, autumn-leaf flavours.

The standard held though vintages 1948, 1950, 1952 with a tremendous jump to a marvellous 1954 Saltram Selected Vintage Claret Bin 5 and even greater 1954 Leo Buring Vintage Claret (made by Saltram).

Other highlights were: 1957 Saltram Shiraz Bin 18; 1960 Saltram Selected Vintage Burgundy Bin 28; 1961 Saltram Dry Red Shiraz; 1963 Saltram Claret Bin 36; 1963 Stonyfell Angaston Burgundy (Barossa Shiraz); 1964, 1967, 1972, 1978 Mamre Brook Cabernet Shiraz; 1964 Saltram Shiraz; 1971 Saltram Selected Vintage Claret Bin 71/86; and 1973 Saltram Show Dry Red (first use of new oak at the winery).

Saltram lost this extraordinary red-wine tradition with the 1977 decision by its owner, Dalgety, not to buy grapes from their growers for the 1978 vintage. Peter refused to abandon the growers and in a gutsy effort, with support from his wife Margaret, good mate Robert Hesketh and others, established Masterson Wines to buy grapes and make wines under contract at Saltram in vintages 1978 and 1979.

In 1980, when new owners Seagram banned contract making at Saltram, Peter established a new winery at Tanunda. Masterson Wines became Barossa Vignerons Pty Ltd and, later Peter Lehmann’s Wines Pty Ltd after Cerebos took a controlling interest. In 1987, Adelaide based McLeod’s acquired the majority of Lehmann, at the same time folding Hoffmans and Basedows into it. Peter and Margaret Lehmann, via a family trust, held eight per cent of the new entity.

Thus, in 1993 Margaret and Peter became a vocal minority when McLeod’s wanted out. They were backed into a corner as they could sell to no one but the Lehmann’s. Once again, the family jewels (and Peter’s super money) were on the line as the Lehmann’s sought help to finance the deal. The company was listed on the ASX in 1993, $5.8 million oversubscribed in just three weeks.

During a hostile bid by British giant Allied Domecq in 2003, Lehmann refused to sell his block of shares, instead engineering the friendly buyout by Hess Group. Lehmann believed this option offered greater security for the Barossa grape growers behind the Lehmann brand.

When Peter left Saltram, winemaker Andrew Wigan stayed with him, aiding and abetting the development of Stonewell shiraz.

The first two vintages, 1987 and 1988, says Andrew, were simply the best vat of shiraz of the vintage put into new American oak puncheons for maturation.

From 1989, selection of Stonewell began in the vineyard. Selected fruit parcels are now fermented separately, finish fermentation in barrel, and the final blend is made from only the best barrels.

Andrew says that about fourteen vineyards ranging from 35 years to 110 years of age might make it to the Stonewell blend. The ‘Stonewell’ vineyard at Marananga in the Western Barossa makes the grade every year. The 2005 vintage contains material from the Kabiminye, Koonunga and Stonewell subregions.

The wines have tended to become riper, but more finely structured over the years. In 1996 fine-grained French oak was introduced, making up about 10 per cent of oak used during maturation. By 1998 French oak was up to 70 per cent and in the 2005 vintage is at 90 per cent. But, as finer oak was introduced, Andrew opted for slightly riper shiraz, to make Stonewell more opulent with ripe, soft tannins.

Looking back over all the Stonewells from 1987 to the just-released 2005, we see a wonderfully generous, satisfying Barossa red that ages beautifully while revealing marked individual vintage characters.

This year the wonderful, complex Stonewell Shiraz 2005 ($90) comes to market with four other Lehmann Barossa wines from the outstanding 2005 vintage.

Eight Songs Shiraz 2005 ($40) presents a brighter, fragrant, less burly face of Barossa shiraz. It’s all French oak matured and just lovely to sip on now (but it’ll age well, too).

Peter Lehmann Mentor Barossa Cabernet Sauvignon 2005 ($40), reveals just how well this variety fares in good Barossa vintages. It’s a big wine, but there’s an appealing purity to its slightly minty varietal flavour and an elegance to its structure.

Lehmann’s Wigan Eden Valley Riesling 2005 (reviewed here last week) is a near perfect example of maturing Australian riesling, glorious to drink and highly distinctie.

And Margaret Semillon 2005 ($40 – named for Peter Lehmann’s wife), delivers a beautiful, distinctive drinking experience. Like the Wigan riesling, it’s maturing, but has years ahead of it, but offers a different spectrum of flavours – zesty and lemony with the intriguing undertone of honey and toast that comes with bottle age.

These are exceptional offerings from a team with deep roots in the Barossa Valley.

Copyright © Chris Shanahan 2010

Canberra’s ever-inventive brewers

Canberra’s two ever-inventive brewers have a few new beers and a bit of news to share.
Christoph Zierholz (Zierholz Premium Beers) recently launched a new 5.6 per cent lager – made in the robust Oktoberfest style. It’s on tap at the Fyshwick brewery now. And in a few weeks, says Zierholz, he’ll be distributing five-litre kegs of his brews to retail outlets around Canberra. They’re similar in style, he says, to the Heineken kegs already available in some outlets.

The Wig and Pen, Civic, offers two new brews, the light (3.1 per cent alcohol), floral-citrusy Marv’s Man Mild and a 5.8 per cent seasonal Flemish Red Ale. The Flemish ale passes through the Wig’s “hopinator” (an infuser), acquiring the exotic tastes of morello cherries and whisky-barrel oak chips.

And there’s a wheat beer, brewed with whole apricots, ready to replace the Flemish ale, says brewer Richard Watkins.

Watkins has plans, too, for a summer cider, brewed from delicious apples, a perry and a Trappist-style ale inspired by the beers of Orval Abbey, Belgium.

Copyright © Chris Shanahan 2010

Beer review — Burnbrae and Young’s

Burnbrae Mudgee 548 Pale Ale 330ml $4
Mudgee’s Burnbrae joins a growing number of wineries offering beer at cellar door. In this case it’s a contract brewed three-per cent alcohol pale ale style – light lemon coloured, lively and zesty with a herbal, tangy-bitter hoppy finish. It’s a delicate, light bodied aperitif style. Available at the cellar door.

Young’s Special London Ale 500ml $7.60
This is a strong (6.4% alcohol), bottle-conditioned English-brewed ale, with an attractive deep gold-amber colour, abundant head and a complex malty/hoppy aroma. The palate’s richly malty with assertive hops flavour, lingering bitterness and strong alcoholic lift. It’s an interesting sipping beer for cool evenings – not one for dowsing a thirst.

Copyright © Chris Shanahan 2010

Wine review — Symphonia, McIvor and Brand’s

Symphonia King Valley

  • Petit Manseng 2008 $24
  • Saperavi $24

These eye openers come from the Symphonia Vineyard, owned by Peter and Suzanne Evans, parents in law of well-known winemaker Sam Miranda junior. Petit manseng, a southern French variety, impresses for its scrumptious fruit flavour and racy, pleasantly tart dry finish. Everyone loved it at a recent tasting. The same tasters, though intrigued, struggled with the purple, fruity, acidic, tannic saparavi (a Russian variety). That’s not surprising, though, says winemaker Robert Paul, describing saperavi as the Russian equivalent of the equally burly durif variety. Like the tasters, Paul sees a bright future in Australia for petit manseng.

McIvor Estate Heathcote

  • Marsanne Roussanne 2010 $25
  • Nebbiolo 2008 $35

Gary and Cynthia Harbor’s McIvor Estate lies at the southern, cooler end of Victoria’s Heathcote region, about 50 kilometres southeast of Bendigo. They specialise in niche varieties, including this white Rhone Valley inspired blend of marsanne and Roussanne and the red nebbiolo, from Italy’s Piemonte region. The white combines the shy, light tanginess of roussanne with the textural richness of marsanne – a pleasant, savoury drink-now white that’ll probably fatten with age. The nebbiolo is typically pale coloured and aromatic with the always-surprising lean, sinewy, savoury palate – a really good expression of this difficult variety and a treat to drink with high protein and gamey food.

Brand’s Laira Coonawarra

  • Shiraz 2008 $17–$22
  • Cabernet Merlot 2009 $17–$22

These are decent, solid wines at a fair price. The shiraz is attractively aromatic and flavour packed with quite a hit of oak building the mid palate and swamping, to some extent, the mid-weight ripe-berry flavours of the fruit. I can’t help thinking, therefore, that the wine might be a whole lot better, and reveal its Coonawarra origins more clearly, if the winemakers wound the oak back – maybe use no new barrels at all. The same might be said for the cabernet merlot, which seems also a touch leafy and green. At this price point these wines are being killed in quality and regionality by their neighbour, Majella, with its pure and lovely The Musician.

Copyright © Chris Shanahan 2010

Brewing endeavour

It seems to be raining new beers. The latest – Endeavour Reserve Amber Ale 2010 (reviewed here last week) and Endeavour Reserve Pale Ale 2010 – have been released through Coles’ 1st Choice and Vintage Cellars outlets.

These are both interesting, reasonably complex beers with no rough edges and a seamless drinkability usually associated with larger, professional brewing operations.

The website (endeavour.com.au) describes the venture as “three blokes having a go” – the three blokes being a former viticulturist, a marketing and sales specialist and a chartered accountant.

There’s no talk of the scale of the operation. But the professional packaging, smooth-edged beers and launch through a national chain suggest serious ambitions.

While it may be very good, initially,  for the three blokes to be off and running with Coles, I wonder how far down the track they’ve looked and if they’ve really considered the vulnerability of having all their eggs in one basket.

The supermarkets have more of a record for exploiting brands than building them. And there’s the downside of alienating what’s left of the independent trade; and, oh, the little matter of Woolworths, which is even bigger in liquor than Coles. Can’t imagine them climbing on board any time soon.

However, the beers are good and add to the diversity on offer.

Copyright © Chris Shanahan 2010

Beer review — Gage Roads and Endeavour

Gage Road Pils 330ml 6-pack $14.99
A press release accurately describes the repackaged mid-strength (3.5 per cent alcohol) Gage Road as a “European pilsner” style. It’s certainly light, tangy and refreshing – easy and pleasant enough to drink, but finally lacking complexity. Take the alcohol out of beer, it seems, and much of the flavour goes with it.

Endeavour Reserve Pale Ale 2010 330ml 4-pack $17.99
The just-released Endeavour pale ale appeals for its herbal and citrus character, derived from Super Alpha, Amarillo and Galaxy hops. The lively, fresh palate features subtle, rich malt flavour balanced by a mild, lingering hops bitterness. It’s a balanced, harmonious style, clearly designed as a “session” beer.

Copyright © Chris Shanahan 2010