Canberra – vintage 2010 a rollercoaster

What might vintage 2010 hold for Canberra wine drinkers? The season began exceptionally hot  and dry in November, turned cool and wet at Christmas, warmed up in January, then dumped rain again in February and March – encouraging berry split and fungal diseases. A slightly too-cool week following the early March rain retarded grape ripening. But as I write the mercury’s rising and we’re moving into a final, idyllic run of cool nights and warm days.

This is likely to save the day for the district’s red grapes. But the vintage could be down as much as fifty per cent for both reds whites, due largely to outbreaks of the fungal disease botrytis cinerea and berry split.

Ken Helm at Murrumbateman calls 2010 “the most topsy-turvy vintage ever”. Pessimism set in as the November heatwave stressed vines and seemed likely to bring vintage forward by weeks. But optimism rose at Christmas when four days of rain and cool weather revived the vines and put vintage back on a normal track.

Optimism faded with the February rain and outbreaks of mildew and botrytis – especially after bird netting made anti-fungal spraying a nightmare. But Helm and his grape growers found a workaround, using a small tractor and an improvised technique to spray a mix of hydrogen peroxide and acetic acid through the nets.

By now Helm had written off the chance of making a premium riesling in 2010, despite a record crush of the variety. Yes, there’s botrytis in some of it. But Helm is amazed by the combination of high sugar, exceptionally low pH and high acidity of the riesling juice – enough to revive hopes of a ‘premium’ riesling. It’s still a long shot and he says the jury’s out until the wine’s bottled in June.

Chardonnay withstood the botrytis charge less well and is a complete write off – there’ll be none made in 2010. A little sauvignon blanc survived to make a botrytis affected semi-dry style.

Helm’s main red variety, cabernet sauvignon, sourced from Al Lustenburger’s block, looks healthy, he says but won’t ripen until early April.

Clonakilla’s Tim Kirk calls 2010 “a difficult year that’s not in the same league as 2008 and 2009 – and in fact shows what remarkable years they were”. He’s glad to have picked riesling before the early March rain and says because it’s on the low-alcohol, high-acid side, it’ll be a delicate style.

By 13 March, he’d already processed 70 tonnes of “fantastic” red grapes from the warmer Hilltops region, but still had some whites and all of his reds hanging on the Murrumbateman vineyards. He anticipated harvesting the reds between mid March and early April. “It’ll be a selective pick”, Kirk said, “and some of the fruit will be declassified”.

Roger Harris of Brindabella Hills, Hall, describes 2010 as complex, “even the vines are confused”, he says, with cabernet ripening ahead of shiraz when it’s normally the other way around. Harris says he escaped disease but berry split (followed by shrivelling) caused by the rain reduced his crop significantly.

He’s made tiny amounts of good sauvignon blanc and riesling (crops are down 50 per cent) and, if weather forecasts prove correct, he anticipates a small but high quality shiraz crop.

At our highest and coolest vineyard, Lark Hill, vintage generally begins later – the first fruit generally coming in as the rest of the district polishes of the last of its whites. Running against the district trend, Sue Carpenter calls 2010 “our most striking vintage yet” with picking of pinot noir and chardonnay for sparkling wine scheduled for 19 March and chardonnay and riesling for table wine a day later. She expects to wrap vintage up on 15 April, harvesting the Austrian variety gruner veltliner and riesling for Lark Hill’s legendary auslese.

Carpenter says the vineyard has no botrytis and attributes this to biodynamic vineyard management. She believes that mulching interferes with botrytis’s life cycle. As well, the berry skins are too thick for the botrytis to penetrate and it therefore dies.

Down the hill at Lerida Estate on Lake George, Jim Lumbers reports good quality but quantities severely reduced by a “huge amount of botrytis”.  He says he salvaged 50 per cent of the chardonnay by using sorting tables – eliminating rotten fruit and sending only clean fruit to the fermenters. The resulting wine should be on the light and delicate side, reflecting the low sugar and high acid of the cool vintage.

Lumbers says unlike other recent cool vintages, 2002 and 2005, 2010 received far more rain. The combination of cool weather and moisture means big crops losses to botrytis and significantly later ripening for the red varieties.

Lumbers anticipates losing half of his pinot noir crop and sees his vineyard “sitting on the boundary of possibility” – meaning that when the chances of ripening fruit is marginal there’s also the possibility, given a run of slightly warmer days, of producing exceptional wine.

At this stage, he says, merlot and cabernet franc are “bursting with health, with berries like melons – but they need weeks to ripen”. And shiraz, says Lumbers, “is as green as green and needs ages. Perhaps Edgar Riek was right after all” (Dr Riek, founder of the neighbouring Lake George vineyard believed Lake George foreshore too cool to ripen shiraz).

At this stage, with the whites largely in the vat and the reds still on the vine, we can’t assess the vintage properly. What we do know is that quantities are down and the whites will be on the delicate side. The fate of our reds depends on weather conditions over the next few weeks. No rain dances, OK.

Copyright © Chris Shanahan 2009

Wine review — Bloodwood, Toolangi, Champy, Punt Road, L’Enclave des Papes and Ruffino

Bloodwood Orange Chardonnay 2009 $22–$25
Toolangi Yarra Valley Reserve Chardonnay 2006 $70–$75

Meet the yin and yang of cool-grown chardonnay – one almost unmarked by winemaker artifice; the other laden with it. The yin is Stephen and Rhoda Doyle’s Bloodwood 2009 – an extraordinarily intense, high-acid, taut, super fine chardonnay, fermented in steel vats, with only a passing (and undetectable) nod to oak. The yang is the equally intense Toolangi chardonnay – with the whole winemaker toolbox thrown at it by Rick Kinzbrunner: wild-yeast fermentation in oak, full malolactic fermentation and prolonged oak maturation. They’re striking wines indeed. But we didn’t finish either. We’d have like  more artifice in Bloodwood and less in Toolangi — yin and yang in the one bottle.

Bourgogne Pinot Noir (Maison Champy) 2008 $17.49–$24.99
Punt Road Yarra Valley Napoleone Vineyards Pinot Noir 2008 $25–$28

The Meurgey family’s profound influence on wine quality shows in Maison Champy’s lovely, entry-level Bourgogne. It’s screwcap sealed, clean, bright and a world removed from the feeble, grubby Burgundy’s passed off on unsuspecting drinkers for so long. It’s light bodied and finely structured, with fresh, slightly stalky varietal aroma and flavour and lightly acidic dry finish. Imported by Coles Liquor, owners of Vintage Cellars and 1st Choice. Punt Road’s pinot noir, from the Napoleone family’s vineyards, offers a more robust Australian expression of the variety – notably fuller, rounder and more tannic, but still the real pinot experience.

Cotes-du-Rhone L’Enclave des Papes 2008 $10.49–$14.99
Chianti Classico Riserva Ducale (Ruffino) $36–$4
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These are imported by the Coles Liquor Group – Cotes-du-Rhone available in Vintage Cellars and 1st Choice; the Chianti Classico only at Vintage Cellars. Like the Champy Bourgogne reviewed above, the screwcap sealed Cotes-du-Rhone shows the bright, modern face of French winemaking — influenced by international competition and retailers like Coles insisting on screw caps and clean wine. It’s made predominantly from grenache and is therefore of medium colour and body with an attractive, dry, savouriness – a contrast to the sweet fruited Australian versions. Riserva Ducale is as good as Chianti gets – powerful and tannic but elegant, with a core of sweet ripe fruit.

Copyright © Chris Shanahan 2010

Beer review — Murray’s

Murray’s Craft Brewing Co Pilsner 330ml $3.95
Don’t be put off by the hazy appearance. Unusual for a pilsner style, Murray’s is bottle conditioned. But I’ve tasted better bottles than this one – the head collapsed quickly; though the palate delivered big on citrusy, lingeringly bitter hops. Hops heads will love it; others might find the hops overwhelming.

Murray’s Craft Brewing Co Whale Ale 330m $3.95
It’s got a use-by date of 25 December 2010. But the bottle I opened on 3 March (bought in a local retail store) was gone – dull, muddy colour; no head; little aroma; and a flat, lifeless palate. Now Murray’s has a good reputation, so I’m guessing something’s wrong in the bottling, shipping or storage.

Copyright © Chris Shanahan 2010

Prepare for the new-season hop brews

It’s the season of mists and mellow fruitfulness. I know this not by the fruit laden vines that round the thatch-eaves run (who has eaves these days?) — but by the Hobart Mercury ad for hop-pickers.

Tasmania’s our main hop-growing area, and the ad, closing march 3, sought workers to put in10 hours a day, six days week for three weeks.  Hopefully the ad worked, because I’m told hop picking commenced in Victoria on 3 March and Tasmania won’t be far behind. The New Zealanders will soon be flat chat, too.

Much of the crop will be dried and pelletised for year-round brewing use. But increasingly we’re seeing brewers big and small putting those fresh, sappy, pungent, resiny hop flowers to stunning effect in seasonal brews.

It’ll only be a matter of weeks before we taste them in rich, malty beer flowing through the Wig & Pen’s hopinator. We’ll also keep and eye out for Red Hill Brewery beers made shortly after harvest ¬– they grow their own down there on the Mornington Peninsula and the fresh hop taste is a signature.

And a couple of months down the track we’ll enjoy two widely distributed bottled products – James Squire Hop Thief and Cascade First Harvest from Lion Nathan and Foster’s respectively.

Copyright © Chris Shanahan 2010

Wine review — Helm and Wynns Coonawarra Estate

Helm Canberra District Cabernet Sauvignon 2007  $27–$32
There’s bad news and good news. First the bad – frost decimated Ken Helm’s cabernet crop in 2007. And now the good news – the small, crop, much of it second-growth fruit, developed ripe flavours at low sugar levels, meaning lower alcohol wine. And more good news – Ken backed off on the new oak, using mainly two and three year old barrels. The result is a fragrant, elegant, delicious cabernet, rippling with sweet, supple varietal fruit, counterbalanced by cabernet’s assertive, drying tannins. This is a big step away from the too-oaky wines of past vintages, liberating the bright, berry fruit flavours.

Wynns Coonawarra Estate Shiraz 2008 $9.90–$20
Put this and the cabernet in the next column on your bargain-watch list. Both are phenomenally good wines and occasionally the big retailers prices slash the prices to ridiculously low levels. It’s a beautifully aromatic, vibrant, cool climate shiraz featuring ripe but spicy and juicy fruit flavours and ever-so-fine, soft tannins. It’s sourced from central and northern Coonawarra and matured for just six months in older French and American oak barrels. I suspect, however, that another few months in oak and an extra year in bottle might have taken this to an even higher level. It drinks well now and will flourish for decades if well cellared.

Wynns Coonawarra Estate  ‘Black Label’ Cabernet Sauvignon 2007 $19–$32
A severe frost in October 2006 nipped much of the 2007 vintage in the bud, reducing production of Black Label by 80 per cent. What’s left, though, is a world-class cabernet, at the elegant end of the Coonawarra spectrum. The colour’s vibrant and limpid. And though the aroma’s ripe and purely varietal, the palate is medium bodied, with the unique, and delicious, underlying power and structure of Coonawarra cabernet.  It’s already drinkable and showing some savoury notes. But there’s the depth and harmony here for a good ten years, probably more, in a good cellar.

Copyright © Chris Shanahan 2010

Canberra importer finds Italy’s sweet spot

Can a wholesale import business focussed on sweet Italian wine succeed in Australia? Canberra’s Brian and Carol Keil, with Italian based Imogen McNamara, will soon know. With the first shipment of their Pilgrim Wines now in Australia, the Keils paraded their sweeties, and a few dry wines as well, in front of the Canberra trade two weeks ago.

I offer my impressions below. But bear in mind that distribution has barely begun and prices are estimates only, based on list wholesale price. You should send queries about pricing and availability to brian.keil@pilgrimwines.com.au

DRY WINES

Maso Martis Brut Rosé 2009 (Trentino) $90 750ml
A very good, if very young, 100 per cent pinot noir bottle-fermented bubbly rosé, with a strong acid backbone that seems slightly separate from the intense varietal flavour. Distinctive style, but when you can buy 1999 Pol Roger Champagne for around $80, it’s hard to see value in this youngster.

Volpe Pasin Sauvignon 2008 (Colli Orientali del Friuli) $60 750ml
A bright, fresh, intensely flavoured, finely textured sauvignon blanc. It’s pure and varietal but not as in your face as Marlborough styles. $60 seems a lot to pay for sauvignon, especially when you can buy similarly restrained styles from Sancerre (in France’s Loire Valley) for $20–$30.

Russiz Superiore Friulano 2008 (Friuli Venezia) $60 750ml
Made from the friulano grape, also known as sauvignon vert, sauvignonasse and, formerly, as tocai Friulano. The wine’s reminiscent of gewürztraminer in its grapey intensity, viscous texture and firm finish. Idiosyncratic and not to my taste.

Volpe Pinot Grigio (Colli Orientali del Friuli) 2006 $82 750ml
There’s no doubting the intensity of varietal flavour. But it’s marred, in my opinion, by oak flavours that aren’t integrated with the fruit. It reminded me of poorly oaked wines we made in Australia thirty years ago, before our vignerons learned to ferment (not just mature) whites in oak barrels.

Palari Faro 2006 (Sicily) $117 750ml
Did I miss something? Let’s, euphemistically, call this much-awarded red “rustic”.

Marco Donati Sangue di Drago 2007 (Trentino) $82 750ml
Made from old teroldego vines (the variety shares a parent with shiraz), this unique wine is bright, crimson rimmed and brimming with succulent, jube-like aromas and flavours. The palate’s velvet textured with fine, bone-dry tannins.

Dominio di Bagnoli Friularo Vendemmia Tardiva 2001 (Veneto) $81 500ml
Late picked friularo grapes give this red particularly ripe fruit flavours that jut through the high acid and austere tannins. It’s idiosyncratic and ageing well but I suspect uninvited microbial guests may be behind the accompanying “rustic” notes.

SWEET RED WINES

Maso Martis Moscato Rosa 2008 (Trentino) $94 375ml
Who can resist muscat – especially a limpid, delicately pink, penetratingly musky, aromatic luscious one like this. Simply delicious.

Bonotto delle Tezze Raboso Passito 2007 (Veneto) $84 500ml
The Bonotto family’s sweet red offers a tour de force of deep purple colours and sweet-and-sour juicy, fruity, stalky flavours. It’s made from late picked air-dried grapes and matured for two years in small oak barrels.

Dominio di Bagnoli Friularo Passito 2001 (Veneto) $82 750ml
Proprietor Dr Borletti makes his passito from friularo grapes dried in the estate’s grainary. The wine is matured in oak barrels for three years and emerges intensely raisin like and sweet, lifted by volatile acidity (aka vinegar – a minor but useful component of all wines).  But underlying the seductive sweetness are the very dry, grippy, firm, red-wine tannins.

Le Salette Recioto della Valpolicella 2005 (Veneto) $101 500ml
This wine could’ve been a blend of very ripe, sweet black cherries laced with balsamic vinegar – complex and fascinating but way out on the vinegar limb. It certainly stretches the concept of wine to the limits and tests the boundary between wine and vinegar – intense, sweet fruitiness being the flux.

Trabucchi Recioto della Valpolicella 2005 (Veneto) $129
Like the Le Salette wine above, the flavours resemble super ripe, sweet black cherries; but there’s little balsamic in this recioto; instead very dry, persistent, red-wine tannins acting as a foil to the plush, sweet fruit. A wonderful and distinctive drink.

Tramin Gewurztraminer 2007 (Alto Adige) $80 375ml
This is a richly textured but very fine, luscious, barrel-aged, late-picked gewürztraminer, that avoids the heaviness and hardness often associated with the variety.
Tramin Gewurztraminer Terminum Vendemmia Tardiva 2006 (Alto Adige) $130 375ml
Sample cork tainted; unable to rate. Dear Italians, wake up to screw cap.

SWEET WHITES

Le Salette Passito Cesare 2005 (Veneto) $87 500ml
This is made from dried malvasia and garganega grapes and aged in oak for twenty months. Presumably this oxidative process explains the wine’s slightly bronzed colour and touch of sherry-like tang overlying the intensely sweet, dried-fruit flavours.

Suavia Recioto di Soave Acinatum 2005 (Veneto) $86
This beautiful, fine, soft wine is made from dried garganega grapes, fermented and matured in oak barrels. The shimmering lemon-gold colour belies its age and fit with its lively, luscious, lovely apricot-like flavours.

Trabucchi Recioto di Soave 2005 (Veneto) $110 500ml
This another glorious recioto di Soave, this time fermented in steel tanks and matured in oak. Luscious, apricot flavours are at the core, but there’s a beautiful lift and buoyancy and a lively, fresh acidity drying out the finish.

Marco Cecchini Picolit 2006 (Friuli-Venezia-Guilia) $110 500ml
A comparatively dull wine after the Soaves, presentable and luscious with flavours reminiscent of honeycomb; but, alas, didn’t push our buttons.

Marco Cecchini Verlit 2006 (Friuli-Venezia-Guilia) $85 500ml
This is made from dried verduzzo grapes fermented and matured in oak barrels ¬– a winemaking regime that adds a slightly varnishy, sherry-like complexity to the concentrated, luscious sweet fruit flavours.

Cantine Viola Moscato di Saracena 2007 (Sardinia) $122 500ml
What an extraordinary wine – it’s a golden-amber colour; the aroma is high-toned and penetrating with subtle, underlying caramel notes. The palate is lively ¬– the plush, sweet, caramel and toffee flavours tempered by an intense, acidic backbone. It’s made from gently heated, crushed malvasia and guarnaccia grapes, with slowly-dried moscato grapes added.

Copyright © Chris Shanahan 2010

Wine review — Braided River, The Crossings, Brokenwood and Mount Pleasant

Braided River Marlborough Sauvignon Blanc 2009 $14–$19
The Crossings Marlborough Sauvignon Blanc 2009 $14–$19

New Zealand’s Ager Sectus Wine Estates, controlled by Peter and Debbie Cutfield, owns the ‘Braided River’ and ‘The Crossing’s brands. Winemaker Matt Mitchells says the bolder, traditional, in-your-face Braided River wine is an all-of-Marlborough blend. But the more restrained ‘The Crossings’ comes from the company’s extensive vineyards in the cooler Awatere Valley (to the south of the earlier-planted Wairau Valley). It’s paler in colour and lighter bodied with a taut acid backbone carrying the delicious, pure, tropical-fruit varietal flavour – something of a surprise from such a cool area, more noted for capsicum-like flavour from the other end of the spectrum.

Braided River Marlborough Pinot Noir 2008 $17–$22
The Crossings Marlborough Sauvignon Blanc 2009 $20–26

Marlborough’s unique, sunny, cool climate makes it the world’s sauvignon blanc capital. And its pinot is set to achieve similar status. Braided River, an all-of-Marlborough blend, offers pure, ripe varietal flavours, fleshed out by high-toast oak.  It’s soft but built like a real red and ready to enjoy now. The vividly coloured ‘The Crossings’ heads in a less fleshy, finer, more intense flavour direction. In tandem with the fruit, the fine but assertive tannin structure (derived from a range of oak types and extend maceration on skins) make for satisfying, complex drinking at the price.

Brokenwood Hunter Valley

  • ILR Reserve Semillon 2004 $45
  • Maxwell Vineyard Semillon 2005 $36

Mount Pleasant Lovedale Hunter Valley Semillon 2005 $65

We sipped this delicious, maturing Hunter trio over four days without noticeable degradation of wine quality – few whites could achieve this.  Brokenwood ILR 2004 (10 per cent alcohol) sits on the austere end of the style spectrum – dry as cucumber skin, brisk as limejuice and showing first hints of age. Maxwell 2005 (11 per cent alcohol) seems a little fuller and softer by comparison and it’s lemony rather than limey. Its vintage mate from the 1940s Lovedale vineyard (11.5 per cent alcohol) is a little deeper coloured but dust dry, with jaw dropping flavour intensity and gripping, dry acidity.

Copyright © Chris Shanahan 2010

Pinot set to join trans-Tasman sauvignon pipeline

Have you heard about the trans-Tasman sauvignon blanc pipeline to Bondi? Neither have I. But we’re swimming in the stuff and the tap’s not about to be turned off. In 2009 New Zealand exported 43.8 million litres (equivalent to 4.9 million dozen bottles) of wine to Australia. About ninety per cent of that was white wine, the majority of it sauvignon blanc.

The New Zealanders began planting sauvignon like crazy decades ago, sprinting to keep up with an insatiable international thirst. While the GFC imposed a momentary pause, exports began to gush again in 2009, albeit at the expense of producer margins.

With little capacity to move an estimated 30-million litre surplus domestically, New Zealand vignerons simply slashed prices – and international buyers opened their order books. Exports flooded out, accelerating in late 2009, possibly to create storage space for vintage 2010.

Exports to Australia, New Zealand’s biggest market, grew 40.9 per cent from 31.1 million litres in 2008 to 43.8 million litres in 2009. But the growth came at considerable cost to vignerons, as the price per litre fell 21.6 per cent, from $NZ9.53 to $NZ7.57.

Similarly, volume to the United Kingdom leapt 30.3 per cent from 31.1 to 41.2 million litres while the price per litre fell 17.2 per cent to $NZ6.74 from $NZ8.14. Running against this trend, Americans and Canadians imported greater volumes and paid more per litre. But Germany, Denmark and the Netherlands drove producer prices down significantly.

In Australia, the lower buying prices and proliferation of brands, many created by retailers and wholesalers, quickly translated into greater shelf, fridge and floor space and significantly lower retail prices.

While this no doubt expands the market for New Zealand sauvignon blanc, much of it is at unsustainable prices – the result of sheer distress. This creates a serious dilemma for well-established producers. They may have spent years building the Marlborough brand, suddenly to find customers becoming competitors and dozens of opportunistic labels cashing in cheaply on the good will they’ve created.

These operators don’t have the marketing overheads of leading brands, so little wonder we’ve seen prices plunging to all-time lows – dragging the strong brands along, too. We should lap it up while we can – perhaps for another few years — but eventually supply and demand will realign and prices will once again reflect the cost of production.

And as the focus shifts from bargain-basement sauvignon blanc, we might notice just how much bubbly and pinot noir we’re shipping across the Tasman. It’s not enough to fill the Bondi pipeline – but these are top-end wines. And pinot noir, now in its infancy, could create a new market much as Marlborough sauvignon blanc did – gradually during the eighties and nineties, then dramatically this century.

And I’m backing Marlborough to lead the charge again. It remains by far the largest of New Zealand’s wine regions, accounting for 16,682 of its 31,057 hectares of vines. Hawkes Bay comes a distant second with 4,928 hectares. The much talked about Otago region has just 1,540 hectares, albeit more narrowly focused on pinot noir and chardonnay than Marlborough.

But for all the talk of Central Otago and Martinborough pinot noir – and these are creating New Zealand’s international pinot image – Marlborough is the variety’s engine room. It’s the biggest producer – but almost certain can almost certainly equal the quality of pinots coming out of Central Otago and Martinborough.

In Canberra last, New Zealand winemaker Matt Mitchell said that some Marlborough vignerons worried that by focusing on cheaper pinot, rather than cutting edge stuff, the region might already have typecast itself as a bulk producer.
In fact, Marlborough has a unique opportunity with pinot noir. It has already created a market from virtually nothing  and is now the leading player in Australia’s pinot niche. In the year to June 2009, the New Zealanders exported four million litres of red to us, the majority of it pinot noir, at a value of $NZ9.07 a litre).

Even ten years ago we barely had a beverage pinot noir market in Australia. With the exception of a tiny minority of top-end wine drinkers, Australians held deep suspicious of the variety – and for good reason. Most the cheaper ones of the time tasted more like rose than red wine.

Marlborough converted us, through popular wines like Oyster Bay, Montana and Stoneleigh, to a belief that lighter, elegant pinot can be a decent red. It doesn’t have to lack substance.

After the dust settles on the current wine surplus, watch for New Zealand, led by Marlborough, to take pinot to the world. It’s set to become the sauvignon blanc of red wine.

Copyright © Chris Shanahan 2010

Wine review — Collector, Chandon, Freeman and Morambro Creek

Collector Canberra District Reserve Shiraz 2008 $46
Alex McKay’s Collector Reserve 2008 won four trophies at the recent Sydney Royal Wine Show, topping Aussie greats like Vasse Felix Cabernet and Best’s Bin O Shiraz. Alex sourced the shiraz from the Kyeema Murrumbatemen Vineyard – and added a few buckets of the white variety, viognier, from Kyeema and Wayne and Jenny Fischer’s vineyard. Since its release late last year the wine has largely absorbed the telltale sappy/herbal notes derived from whole-bunch fermentation, leaving just a leafy hint. This seasons the flavour and adds savouriness and grip to the deep, supple, very fine palate. This is a glorious wine and a world away from our traditional styles. See www.collectorwines.com.au

Chandon Pinot Gris 2009 $25–$28
Freeman Hilltops Fortuna 2008 $22–$25

At a recent tasting this contrasting pair, based on the white variety, pinot gris, divided the audience. The all-pinot gris Chandon 2009 – from Victoria’s King and Yarra Valleys – appealed for its combination of brightness and fine, smooth, silky texture, probably the result of partial barrel fermentation. Brian Freeman’s wine, from the nearby Hilltops region, appealed to those with a taste for more savoury, slightly grippy dry whites. Brian blends it from pinot gris with smaller amounts of sauvignon blanc, chardonnay, riesling and aleatico – source, says Brian, of those savoury, pleasantly tart tannins.

Morambro Creek Padthaway

  • Shiraz 2007 $19–$22
  • Cabernet Sauvignon 2007 $19–$22

Since the sad decline of the Lindemans brand we hear little of the Padthaway region, on South Australia’s Limestone Coast, an hour’s drive north of Coonawarra. The success of Lindemans Padthaway Chardonnay during the eighties and nineties, and for a little while this century, drew this very large producing region to the attention of wine drinkers. Alas, much of its produce disappears into anonymous multi-regional blends. But occasionally we see elegant, tasty wines like this pair from Morambro Creek carrying the regional flag. These tasty, easy-drinking wines give us a glimpse of what this region can deliver in abundance. See www.morambrocreek.com.au

Copyright © Chris Shanahan 2010

Trophy Collector — how a Canberra shiraz stole the Sydney show

There was no phone call, no email, no press release. Indeed, if it hadn’t been for a tip-off from one of the judges, Alex McKay’s success at Sydney’s 2010 Royal Wine Show might’ve escaped our notice. His Collector Reserve Shiraz 2008 won a gold medal and four trophies, including the Dr Gilbert Phillips Memorial Trophy for best red wine of the show.

It’s a significant win for Alex and Canberra shiraz, especially as Collector Reserve pipped one of Australia’s shiraz blue bloods, Best’s Great Western Bin O, for the top honour.

Alex reckons “it’s an achievement for the show to pick a wine like that. The judges are better and the classes are more sympathetic to this style”. But he’s not viewing the success of this elegant, cool climate shiraz as the end of big, traditional styles from warm areas. He says these regions have suffered a couple of very hot vintages, resulting in “a lot of over-ripe wines from South Australia, and they’ve not been doing well because of it”.

The Collector wine comes principally from the Kyeema vineyard, Murrumbateman, containing some of Canberra’s oldest shiraz vines, planted by Ron McKenzie in 1983. (Part of the small viognier component in the blend comes from Wayne and Jenny Fischer’s Murrumbateman). It’s been source of Kyeema Estate Shiraz (now part of Capital Wines) but the vineyard also provided fruit to Hardy’s during their period in Canberra. As Hardy’s winemaker, Alex appreciated the superior quality of Kyeema fruit and consequently maintained the relationship when he set up on his own after Hardy’s departure from Canberra.

Without this fruit, we wouldn’t have a Sydney trophy winner. But it demonstrates Canberra’s potential for shiraz – good sites with properly managed mature vines can make great wines.

Alex made the trophy winner in the old Madew winery at Lake George (now part of Lake George Winery). He fermented numerous batches of the Kyeema fruit, ranging from half a tonne to four tonnes. They were all natural – that is, spontaneous, without the addition of cultured yeasts. Controversially, he used whole grape bunches in about 40 per cent of the ferments.

Whole grape bunches include stalks — and these add distinctive stalky and herbal aromas and flavours, as well as bolstering the tannins and, hence, texture of the wine. But generally a little bit goes a long way.

At the time, Alex thought he might’ve gone “a bit too far – I was a bit scared”. He says that this herbal, stalky, slightly hard edge was most apparent in the young wine and admits, “a lot of people could be turned off by it”. However, he sees the character becoming better integrated into the wine with every month that passes and the fleshiness seems to increase.

I’ve tasted the wine only once, at a Senso dinner hosted by Clonakilla’s Tim Kirk last October. I noted the whole-bunch stalky character. It was certainly right up front. But the wine was delicious – silky, smooth and elegant with the stalky character adding complexity. “Superb” was the final comment.

I’ve not tried the wine since last October. But Jeremy Stockman, a judge the Sydney Show, tells me his main impressions were the wine’s purity and brightness – a wine of sufficient depth to bear comparison with Best’s legendary Bin O Shiraz.

Collector Reserve Canberra District Shiraz 2008 is available at around $46 from fine wine outlets and www.collectorwines.com.au. Alex expects to sell out within one month as he made only 1,000 six packs. He also offers the outstanding Collector Marked Tree Shiraz 2008 at $26 and has in the pipeline an $18 Canberra shiraz – a joint venture with fellow winemaker Nick O’Leary

HOW COLLECTOR STOLE THE SHOW

Collector Reserve Shiraz 2008’s four trophy winning streak at the Sydney Royal Wine Show began modestly. A gold medal won alongside Wolf Blass Gold Label Adelaide Hills Shiraz Viognier 2008 – its only competitor in class 52 (premium shiraz viognier blends) – put Collector in the running for the John Swann Memorial Trophy.

It was tasted off against gold medallists from the other eligible classes – Lillydale Yarra Valley Pinot Noir 2008, St Hallett Barossa Valley Gamekeepers Reserve Shiraz Grenache 2008, Yellowtail The Reserve Shiraz 2008 and Brookland Valley Margaret River Cabernet Sauvignon 2008.

In this first ballot, “purity and brightness got it through”, recalls judge Jeremy Stockman – saying that of the other shirazes in the taste-off “one was too oaky and the other fruity but simple”. Collector then, by default, seized the Leslie Kemeny Memorial Trophy as none of the gold medallists from other eligible classes was from the 2008 vintage.

The real test of Collector’s mettle, though, came in the taste off for the Dr Gilbert Phillips Memorial Trophy for best red wine of the show. It faced a ballot against the other red trophy winners – Blue Pyrenees Cabernet Sauvignon 2008, Yalumba Hand Picked Barossa Shiraz Viognier 2008, Vasse Felix Margaret River Cabernet Sauvignon 2007, Hardys Thomas Hardy Cabernet Sauvignon 2004, Wolf Blass Gold Label Pinot Noir 2008, Best’s Great Western Bin O Shiraz 2008 and Xanadu Next of Kin Cabernet Sauvignon 2009.

Stockman recalls “one seriously good cabernet in this class, but I voted one and two for the shirazes”. And Collector won the tally and the trophy. Winemaker Alex McKay, an associate judge at the show (associate scores don’t count), says he thought he recognised his own wine in the first taste-off but remained sceptical of its prospects – and then felt “surreal” as it stepped up to become red of the show.

It’s not clear from the catalogue of results (www.sydneyroyalshows.com.au) which wines Collector faced in the taste-off of for the Busby Trophy (best wine or brandy from New South Wales). But in theory it might have been lined up against whites, reds, bubblies fortifieds and brandies.

Collector Reserve Canberra District Shiraz 2008 — Trophies won at the 2010 Sydney Royal Wine Show

  • John Swann Memorial Trophy
    Best dry red wine two years and older in premium classes
  • Leslie Kemeny Memorial Trophy
    Best 2008 vintage red wine from premium classes
  • Dr Gilbert Phillips Memorial Trophy
    Best red wine of the show
  • James Busby Annual Prize
    Best wine or brandy from New South Wales

Copyright © Chris Shanahan 2010