Wine and truffle — have fun, be adventurous

The truffle book (Gareth Renowden, Limestone Hills Publishing, New Zealand, 2005) says that this expensive little black tuber turns off perhaps as many people as it turns on.

But whether we like it or not, the truffle’s extraordinary, penetrating aroma can’t be ignored. It gets up our nose and stays there a long time. Indeed, it’s so pervasive that if it tasted exactly as it smelled, there’d be few, if any, wines on earth capable of standing up to it.

Fortunately the truffle’s ability to enhance the flavours of other foods gives it a role beyond that first jaw-dropping perfume – opening up any number of wine matching opportunities. Ultimately what wine to serve depends more on the food and sauce accompanying the truffle than the truffle itself. As that could be anything from ice cream to steak we really have the whole wine spectrum as candidate.

But before we attempt any wine matches, what does truffle (specifically tuber melanosporum or the black Perigord variety, now in season around Canberra) smell and taste like?

New Zealand truffle grower, Gareth Renowden, likens it to a mix of unwashed socks, armpits, the whole spice cupboard, crushed garlic, damp leaves mixed with moist soil and a big floral hit: lilies for penetration and roses for sweetness.

Not tempted? Then try this reminiscence of a first truffle hunt by Elizabeth Luard (Truffles, London, 2006), “I breathe deeply. The fragrance almost overpowers me, filling my nostrils with a scent so exciting, so overwhelming, so astonishingly familiar that my head swims and I have to sit down on a tree-stump… What exactly is it that makes the scent of a truffle so thrilling? Well. The chemists tell us it’s the pheromones, the stuff that tells Noireau [her companion’s truffle-sniffing dog] that the neighbour’s bitch is on heat. There’s no other way to explain the effect. It reminds some of us – not all, no doubt – of those nights when we held our first lover in our arms and learned, once and for all, what this thing they talked about in books was all about. Sex, actually – but all new-minted and carrying with it none of the baggage of later years. I breathe deeply again. These words spring to mind: sweet almonds, ripe grapes, thyme, rosemary, juniper, the scent of heather-roots, bonfire embers after rain”.

And 26 years earlier that great food writer, Waverly Root (Food, New York, 1980), described his truffle moment – in a new Parisian restaurant,  “I bit full into it and my mouth was flooded with what was probably the most delicious taste I have ever encountered in my entire life, simultaneously rich, subtle and indescribable. It ate it all, while the other guests regarded me with loathing… I find it quite impossible to pass on any idea of its taste. If I say it was as sturdy as meat, I will start you off on a completely wrong track as to its savor. If I say it was unctuous and aromatic as chocolate, I will do the same. Truffles taste like truffles, and like nothing else whatever; and it is a rare, rare privilege to be able to taste a fresh truffle of this calibre”.

If truffle’s hard to describe it’s also hard to ignore, thanks to that beguiling perfume which does, as Elizabeth Luard says, contain pheromones. But it seems the most important of the roughly 50 compounds behind the perfume’s appeal to animals, including humans, is dimethylsulphide – a compound used in perfume making, and an integral part of the flavour of some beers, especially lagers.

But it’s a complex mix and includes acetaldehyde, ethanol and acetone – which perhaps accounts for some of the soaring floral notes in fresh truffle, one that I described as jonquil-like in my one and only encounter.

In his book, Renowden says German researchers in the early eighties found that truffles shared a sex hormone, androstonol, with boar saliva and men’s armpits. They speculated that sows might be sexually attracted to truffle smell and that this might explain the folklore of truffles as aphrodisiac. But Thierry Talou, a leading authority on truffle aroma, synthesised the aroma, sans hormone, and found pigs to be just as keen to dig for the smell.

So, one way or another, if the truffle appeals, it’ll begin with that haunting, unique, pungent, penetrating aroma. What to drink with it?

What wine can match that aroma in intensity? None that I know of. Even the most aromatic gerwurztraminer, the most floral riesling, the most perfumed, musky pinot noir don’t go anywhere near it. If then, like Waverly Root, we’re tempted to munch right into our truffle (at $125 for 50 grams), why bother with wine. Water will do.

But if, as one equally extravagant recipe suggests, we simply boil our truffle for 20 minutes in dry white wine (with a few strips of bacon and a little seasoning to enrich the stock), then surely a very dry white wine would do the trick – perhaps Chablis or Champagne.

A classic and opulent combination is truffle with foie gras, sometimes cooked with Armagnac, the robust brandy of southwestern France. I can imagine a succulent wine like Sauternes or an Australian facsimile of the style – botrytis semillon – being in harmony with this almost unimaginably rich dish.

The setting, then, drives the choice of wine. It could be an aged, top-shelf chardonnay with truffle and cheese; a fine youthful pinot noir with truffle and chicken; an aged cabernet with rare steak and truffle sauce; a Barolo or aged Rhone red or cool-climate Australian shiraz with game, mushroom and truffle.

To me, and probably to almost everyone in Canberra, the fresh truffle is a totally new world to be explored. There are no rules, then – just one guiding principle: to be adventurous and enjoy yourself.

Copyright © Chris Shanahan 2009

Beer review — real stout: Dublin Guinness and Rogue Shakespeare

Guinness Foreign Extra (Dublin) 330ml $5.67
Dear Guinness, if you can brew such opulent, glorious stout in Ireland, why can’t you achieve the same in Australia? Or are we just getting what we deserve? This Dublin brew is a benchmark stout – alcoholic, malty, chocolaty and delightfully bitter, but also harmonious and very drinkable.

Rogue Shakespeare Stout (Oregon USA) 650ml $14.85
Rogue, from Oregon, USA, presents a modern but still opulent face of stout. Its vibrant, fresh hops and fruity, estery aroma are novel in such a dark, potent beer. But these give tremendous freshness and vivacity to the underlying deep, roasted-malt flavours and assertive bitter finish.

Copyright © Chris Shanahan 2009

Enough of anorexic stout

Stout, like many other modern beer styles, seems to have been dumbed down, on average, to broaden its appeal. But there’s a countervailing force, driven by craft brewers and consumers keen to savour the power of this great ale style.

To see the difference between stout-by-name and stout-by-nature, you only have to compare, say, Australian-brewed Guinness on tap and the Dublin brewed Guinness Foreign Extra reviewed below.

The local version is pleasant enough. But if you’re looking for stout’s strong, distinctive roasted malt flavours, mid-palate opulence and assertive hops bitterness, you’re unlikely to find it. I’ve tried periodically without success.

The brewer’s art in making stout is to bring the strong aromas and flavours harmoniously together – to deliver flavour, bitterness, complexity and drinkability. Guinness’s Foreign Extra, to my taste, achieves that deliciously.

But the Rogue Shakespeare Stout reviewed today and Mountain Goat Stout, reviewed two weeks ago, show that good stout has many faces.

And they’re great winter beers as they deliver all that lovely, warming malty flavour best when served at around 10 degrees.

Guinness Foreign Extra (Dublin) 330ml $5.67
Dear Guinness, if you can brew such opulent, glorious stout in Ireland, why can’t you achieve the same in Australia? Or are we just getting what we deserve? This Dublin brew is a benchmark stout – alcoholic, malty, chocolaty and delightfully bitter, but also harmonious and very drinkable.

Rogue Shakespeare Stout (Oregon USA) 650ml $14.85
Rogue, from Oregon, USA, presents a modern but still opulent face of stout. Its vibrant, fresh hops and fruity, estery aroma are novel in such a dark, potent beer. But these give tremendous freshness and vivacity to the underlying deep, roasted-malt flavours and assertive bitter finish.

Copyright © Chris Shanahan 2009

Wine review — Majella, Balnaves, Howard Park, Moss Wood

Majella The Musician Coonawarra Cabernet Shiraz 2008 $18
Barwang Hilltops Cabernet Sauvignon 2007 $20

Prof and Tony Lynn’s Musician gives elegance a good name. It’s sourced entirely from the Lynn’s southern Coonawarra vineyard and made specifically for early drinking. It captures Coonawarra’s bright, magic berry aromas and flavours. And though it’s soft and easy to drink, it still has the structure of a real red. The sensational 2007 is still available around town, but we can move onto the vibrant 2008 with equal confidence when the 2007 sells out. I rate this as my top Australian red under $20. And for something chunkier and chewier, try the tight and tannic Barwang 2007 – a firm steak wine from the neighbouring Hilltops region.

Balnaves Coonawarra ‘The Tally’ 2007 $90
Balnaves Coonawarra Cabernet Sauvignon 2007 $35
Balnaves Coonawarra Cabernet Merlot 2007 $24

This one cuts the mustard in any company – a deep and powerful but elegant red built for long cellaring. It’s from two of Doug Balnave’s best vineyards and matured in top-notch new French oak – a classic example of ‘letting the wine eat the oak, not letting the oak eat the wine’. In a scaled down version, Balnaves Cabernet Sauvignon 2007 ($35) goes more than half way to ‘The Tally’ while Cabernet Merlot 2007 ($24) delivers drink-now Coonawarra flavour and elegance. This is a terrific estate offering great value.

Howard Park Scotsdale Great Southern Cabernet Sauvignon 2007 $40
Howard Park Leston Margaret River Cabernet Sauvignon 2007 $40
Moss Wood Margaret River Moss Wood Vineyard Cabernet Sauvignon 2006 $100

Scotsdale Great Southern presents ripe-berry flavours – in a lovely interplay with oak – without the leafy notes seen in the Margaret River wine. To me it’s the more outstanding of the two in 2007. The law of diminishing returns applies to wine, too. So, no, Moss Wood isn’t two and a half times better than the $40 Howard Park wines.  But there’s discernibly more body, extra flavour concentration and a lovely slick, silky depth – in the taut, elegant regional mould. The lofty price reflects scarcity and a hard-won reputation earned over many decades by one of Margaret River’s oldest vineyards (founded 1969). Pure class.

Copyright © Chris Shanahan 2009

Aussie, French, US and Chilean cabernets reviewed

While shiraz and chardonnay slug it out for top spot (we produced 436 thousand and 445 thousand tonnes respectively in 2008), cabernet holds confidently to its less publicised third position at 254 thousand tonnes.

Like shiraz, it works in a variety of regions, if not as easily, producing robust, pleasing flavours – albeit with a boost, on occasion, through the addition of shiraz, merlot, malbec or petit verdot.

Like shiraz, it’s a variety that performs across price points from wine casks, to function wines to wines that can hold their own in any company in the world.

This is a review of some that’ve drifted across the Chateau Shanahan tasting bench recently.

Majella The Musician Coonawarra Cabernet Shiraz 2008 $18
Prof and Tony Lynn’s Musician gives elegance a good name. It’s sourced entirely from the Lynn’s southern Coonawarra vineyard and made specifically for early drinking. It captures Coonawarra’s bright, magic berry aromas and flavours. And though it’s soft and easy to drink, it still has the structure of a real red. The sensational 2007 is still available around town, but we can move onto the vibrant 2008 with equal confidence when the 2007 sells out. I rate this as my top Australian red under $20.

Knappstein Clare Valley Enterprise Vineyard Cabernet Sauvignon 2006 $42
Alas, the musty, mouldy reek of cork taint ruined a wine that, on reputation, should’ve been superb. We could be generous to the winemakers and say, oh dear, what bad luck. But realistically, guys, you make your own luck with seals these days. How about a screw cap next vintage?

Balnaves Coonawarra ‘The Tally’ 2007 $90
This one cuts the mustard in any company – a deep and powerful but elegant red built for long cellaring. It’s from two of Doug Balnave’s best vineyards and matured in top-notch new French oak – a classic example of ‘letting the wine eat the oak, not letting the oak eat the wine’. In a scaled down version, Balnaves Cabernet Sauvignon 2007 ($35) and Cabernet Merlot 2007 ($24) also deliver Coonawarra flavour, elegance and drinkability. This is a great estate.

Stags’ Leap Napa Valley Cabernet Sauvignon 2005 $60
Farmer Bros imported this into Canberra in the late seventies and early eighties when good Australian cabernets were scarce. The competition’s fiercer now (cabernet’s second only to shiraz in volume), so at $60 it’s a bold move by Foster’s. It’s big, ripe style of cabernet, with juicy, blackcurrant-like flavours offset by firm, ripe tannins. It looks young and fresh at four years’ age and probably will drink well for a decade or two. A superb wine.

Barwang Hilltops Cabernet Sauvignon 2007 $20
This is a solid cabernet, made by McWilliams from their Barwang Vineyard located at nearby Young (the Hilltops region). The underlying ripe, varietal flavours manage to push up through assertive, firm, drying tannins. Needs a good chunk of protein (rare steak would be good) to cut through that firm structure. Very good value and sometimes discounted well below the $20 recommended price.

Penny’s Hill McLaren Vale Cabernet 2007 $24
This is a big, ripe red from the warm McLaren Vale region. The firm tannins suggest cabernet, but in the aroma and flavour the varietal character becomes a little blurred. It’s a nice, chunky red offering fair value.

Howard Park Scotsdale Great Southern Cabernet Sauvignon 2007 $40
We return to sharp varietal definition in two contrasting Howard Park wines from individual vineyards in Western Australia’s Great Southern and Margaret River regions. The Great Southern wine presents ripe-berry flavours – in a lovely interplay with classy oak – without the leafy notes (usually indicative of a cool season) seen in the Margaret River wine. Scotsdale features very intense, very young flavours and taut, elegant structure.

Howard Park Leston Margaret River Cabernet Sauvignon 2007 $40
Just as in the Scotsdale vineyard wine, high-quality oak plays a dominant flavour role in Leston. It’s symbiotic relationship between oak and fruit that lifts the wine to a more complex, enjoyable level. There’s crystal-clear varietal definition, too, with that ‘leafy’ edge adding more complexity, as it doesn’t descend into green, unripe characters. In this wine it’s part of a harmonious, high-toned, elegant cabernet of considerable strength. These Howard Park cabernets are strong, characterful wines needing a few more years’ bottle age to reveal their best.

Moss Wood Margaret River Moss Wood Vineyard Cabernet Sauvignon 2006 $100
The law of diminishing returns applies as much to the wine world as any other. So, no, Moss Wood isn’t two and a half times better than the $40 Howard Park wines.  But there’s discernibly more body, extra flavour concentration and a lovely slick, silky depth – in the taut, elegant regional mould. The lofty price reflects scarcity and a hard-won reputation earned over many decades by one of Margaret River’s oldest vineyards (founded 1969). Pure class.

Cape Mentelle Margaret River Cabernet Sauvignon 2005 $84
This is another of the time-proven Margaret River cabernets, founded by David Hohnen in 1970 and now owned by Moet Hennessy Louis Vuitton. It’s a firmer, more tannic wine than the Moss Wood with quite strong ‘tomato leaf’ character seasoning the riper, underlying cabernet berry flavours. While the austerity of the tannins seems in keeping with a cabernet of this fruit intensity, I suspect it’s not one of the Cape Mentelle greats and I have a caveat on the persistent ‘leafy’ character in this wine. At this price caveats are significant.

Juniper Estate Margaret River Cabernet Sauvignon 2005 $40
Juniper, too, comes from old (36 years) Margaret River vines, and, like Cape Mentelle, shows some austere tannins. But there’s a good depth of varietal fruit to match – adding up to good value in this distinguished company.

Helm Premium Cabernet Sauvignon 2006 $52
For the second year in a row Ken Helm (hand-in-hand with grape grower Al Lustenberger) has banished the green notes that blighted too many Canberra cabernets in the past. The 2006 is opulent by comparison with those earlier wines. Indeed, there’s a plush depth to the fruit, good varietal definition and ripe, firm tannins to hold it all together. But there’s one last frontier for Ken to conquer – oak – if he’s to justify the $52 price tag and bear comparison with the greats. The Howard Park, Moss Wood, and Balnaves wines in particular demonstrate how the right oak lifts high-calibre wine to another flavour and structural dimension.

Chateau Peyrabon Haut-Medoc 2005 $29.40
As a retailer I made several trips to Bordeaux seeking mid-priced cabernets for the Australian market – but gave up. The quality was there in abundance at higher prices. But occasionally, it seems, $30 wines, like this Woolworths’ import for its Dan Murphy chain, just trip over the ‘value’ line. It’s not comparable in style, say, to Balnaves cabernet at $24. But it’s a decent, solid wine from a strong vintage, featuring ripe fruit and the classic, austere ‘claret’ tannin structure. It’s fully priced at $29.40, so watch for the specials!

Montes Apalta Vineyard Colchagua Valley Chile Cabernet Sauvignon Carmenere 2007 $14.60
Note to Woolies’ wine buyers: have you actually tasted this?

Copyright © Chris Shanahan 2009

Wine review — Clonakilla, Overstone, Annie’s Lane and d’Arenberg

Clonakilla Canberra District Jack Reidy Shiraz 2008 $27–$30
Clonakilla’s Tim Kirk made this blend for the Wesfarmer owned Vintage Cellars chain, using fruit from the Long Rail Gully, Dean Terrell and Phil Williams vineyards. It’s a close cellar mate to Clonakilla O’Riada Shiraz ($35 cellar door) – but without the benefit of declassified components from Clonakilla’s flagship shiraz-viognier blend. It’s in the fine-boned, savoury Canberra style, albeit a little tart and raw on first opening. But exposure to air rounds these edges, revealing the underlying pure, lovely cool-climate shiraz flavours. I’d suggest future vintages might allow a couple of extra months each in oak and bottle before release.

Overstone Marlborough Pinot Noir 2008 $12–$14
Pinot noir comes in a wide spectrum of styles, from pale and sweetish rosés, to voluptuous, silky, long-lived reds that can be very firm when young. This one sits in between. It’s medium ruby in colour, intensely aromatic, and unmistakably pinot – but towards the lighter end of the variety’s flavour spectrum. The flavour’s bright, pure and varietal. And the structure of zesty acid and fine tannin puts it squarely in the light-to-medium bodied luncheon style – a red to serve lightly chilled in warm weather.  Overstone is sold only through the Woolworths owned Dan Murphy liquor chain.

Annie’s Lane Clare Valley Riesling 2008 $16–$20
d’Arenberg McLaren Vale Viognier Marsanne 2008 $13–$15

These contrasting, fruity dry whites suit spicy Asian food well. At a refreshingly low 11.5% alcohol, Annie’s Lane delivers riesling’s lovely floral aromatics and flavours and crisp, lemon fresh finish. The bright fruit and crispness made it an easy match for a range of spicy to hot dishes at the Taj Mahal, a restaurant that appears not to have changed since the mid seventies. In d’Arenberg’s white blend, marsanne tempers the viognier, a variety that tends to be a little too fat, juicy on its own. The result is a very fruity, round and soft wine with enough acid to carry the varied food at Sammy’s Kitchen.

Copyright © Chris Shanahan 2009

Taking our wine names to the world

For all the international success of Australian wine (we exported $2.46 billion worth in the year to January 2009, 17% less than in the year to January 2008), our export markets know little of the diverse regional wine styles flowing from our 112 official ‘geographic indications’ (GIs).

Our export success to date rests primarily on ‘brand Australia’ –  based on fruity, fresh, reliable varietals, more often than not sourced from multiple regions and bearing the generic origin ‘South Eastern Australia’.

It has been a remarkable achievement requiring a massive investment in vineyards, wineries, inventory, marketing and distribution. And while it provides a solid base for expansion, the fairly narrow focus to date tends to typecast Australia as one big, hot country producing predictably fruity, alcoholic wines.

About  twenty years after Penfolds Grange won its international reputation as ‘the one true first growth of the southern hemisphere’, accolades for our upmarket wines tend to be more for our big, juicy, warm-climate reds, notably shiraz, then for any other of our specialties.

We shouldn’t lament that success. But we do need to tell the rest of the story – perhaps starting with the world’s opinion makers and chipping away year after year. We certainly have the wines to build an expanded image of Australia.

Just how entrenched the image is came through at a large-scale pinot noir tasting on the Mornington Peninsula in February. The UK’s Jancis Robinson, no stranger to Australian wine (she recognised the unique glory of Hunter semillon quarter of a century ago), said the Australian pinots would turn heads in London. They were more refined and delicate than she’d anticipated.

At the same event, on his first visit to Australia, respected Burgundian vigneron, Frederic Mugnier, said, “Australian pinot is not at all what I thought it would be. They are much better. The stereotype I had in mind was of dark, thick and jammy wines. They are the reverse – delicate, fluid, juicy and delicious – bravo”.

That was the wine talking of course – carefully selected examples of the best from Tasmania, Yarra Valley, Mornington and Macedon. One sip beats a thousand press releases.

Good wine always talks. At a Sydney dinner we wowed Dino and Stefano Illuminati, vignerons from Abruzzi, Italy, with 1998 vintage Peter Lehmann Barossa Valley Stonewell Shiraz – a big, warm, sublime, and stereotypical, Australian shiraz.

It was the sort of wine they’d become used to in their visits to Australia since the early nineties. They loved the style, partly because it related it to their own robust, earthy reds made from the montepulciano grape.

But they were not prepared for their next Australian shiraz, served blind at Sydney’s Level Forty-One Restaurant. The harbour lights sparkled far below. The waiter splashed the limpid, shimmering, crimson-rimmed mystery red from the crystal decanter into our Riedel glasses.

Dino’s expressive face lit up as he swirled the glass and sniffed. ‘Fantastico’, he said. Stefano agreed. They loved its beautiful fragrance and graceful, supple, plush palate. Quickly they agreed that it was French – and magnificent.
“Yes”, we Aussies agreed, “it’s a beautiful wine. But it’s Australian”. “No”, the Illuminatis gasped together. “This can’t be Australian”. Even more shocking was the revelation that it came from Canberra – Clonakilla Shiraz Viognier 2006. Once again, the wine had spoken. For the Illuminatis the stereotype was smashed – in the most delightful way imaginable.

They wanted to know about Canberra and how it was different from the Barossa and did Australia really make more than one style of shiraz. They’re keen to learn more on future visits.

Bit by bit, over time, our industry has to paint this picture to drinkers and opinion makers around the world.

And just as our industry brought leading writers to Australia twenty years ago, at the dawn of our big export push, it’s commencing a new pitch to the international opinion makers through the first ‘Landmark Australia Tutorial’.

The series of tutorials, held in the Barossa between the first and fifth of June, presented 248 top-notch Australian wines to a dozen carefully selected international communicators. The wines covered more than half a century of vintages, including Seppelt Great Western Hermitage K72 Shiraz, Wynns Coonawarra Michael Hermitage 1995 and Penfolds Grange 1955 and a diverse range of modern wines.

You can read more about the event at www.landmark-wineaustralia.com

Copyright © Chris Shanahan 2009

Beer review — James Squire Hop Thief 2009

James Squire Hop Thief Ale 2009 345ml 6-pack $18
I rate Hop Thief as the most harmonious of the five hop-season brews reviewed in the last few weeks. It marries tangy, herbal, hops aromas, flavour and lingering bitterness perfectly with the rich, underlying malt flavours. This is another brewing masterpiece from Chuck Hahn and his gang in Camperdown, Sydney.

Copyright © Chris Shanahan 2009

Hop Thief steals the show

Chuck Hahn and his James Squire team brewed their first Hop Thief Ale shortly after the hop harvest in 2006. For that brew, says Chuck, they used carefully selected new hop varieties from New Zealand.

In 2007, Chuck moved the focus to America, testing ten new varieties and selecting two for the brew that eventually made it to Australian retail shelves.

There was no 2008 Hop Thief. But it’s back this year as a rich,  malty, complex ale, featuring hops from the first tangy-sweet sniff to the lingering bitter finish. And it achieves this without the resiny flavour build up that sometimes takes over hoppy beers.

Chuck used hop three varieties at different production stages. Pride of Ringwood and Galaxy, added to the kettle, drive the bitterness and passionfruit notes, says Chuck.

And late hopping with Southern Hallertau (a German Australian cross) boosted the aroma and liveliness of the flavour. For this final step in production the brewers passed the beer through a container of fresh hops – similar to Wig & Pen’s approach for its on-tap Hop Heads Ale.

We enjoy hops in beer all year, of course. But there’s a special freshness to these seasonal brews. And they’re best enjoyed as soon as they’re released.

Copyright © Chris Shanahan 2009

Wine review — Printhie, Peppertree, Penfolds, Seppeltsfield and Brokenwood

Printhie Orange Chardonnay 2008 $15–$17
Peppertree Venus Block Orange Chardonnay 2008 $24–$26
Penfolds Bin 311 Tumbarumba Chardonnay 2008 $35–$43

These wines present three different faces of local, cool-grown chardonnay. Printhie, from the cool heights of Mount Canobolas, Orange, expresses the zesty, fresh and delicious citrus flavours of the variety unadorned by winemaking tricks. The Penfolds wine, from Tumbarumba, in the lee of the Snowies, presents a complex but very finely textured, tending to austere, face of chardonnay built to last. And Pepper Tree displays the full gamut of winemaker inputs related to oak maturation and secondary fermentation. It’s notably fuller bodied than the other two, but retains the racy freshness of cool-grown chardonnay.

Seppeltsfield Barossa fortified wines 500ml

  • Vera Viola Oloroso DP38 $32
  • Clara Blanc Amontillado DP116 $26
  • Flora Fino DP117 $22

Our December 2008 agreement with Europe spells the end of ‘sherry’, ‘oloroso’, ‘amontillado’ and ‘fino’ on our wine labels. Instead we’ll see, from some makers at least, ‘sherry’ replaced by ‘apera’ (a frivolous play on ‘aperitif’) and from Seppeltsfield the proprietary terms Vera Viola, Clara Blanc and Flora, in company with the familiar old DP numbers, replacing ‘oloroso’, ‘amontillado’ and ‘fino’. Whatever they’re called though, these are three of the most decorated, delicious and overlooked wines in Australia – the fine, dust-dry, tangy Flora; rich, dry, nutty Clara Blanc; and the fine, luscious, mellow Vera Viola.

Brokenwood Brycefield, Belford Vineyards Hunter Valley Semillon 2005 $36
The best Hunter semillons need years of bottle age – sometimes decades – to develop their greatest flavours. They’re low alcohol wines (this one’s just 11 per cent) and when young tend to delicacy, purity and austerity – a pleasing combination with some foods. Age takes the edge off the austerity and complex flavours develop around the core lemony varietal character, arriving at a distinctive ‘toasty’ phase perhaps ten or twenty years from vintage. This beautiful blend, from vineyards in the Hunter’s Lovedale and Belford sub-regions, leans towards the youthful, pure, zesty, delicate phase – but at four years’ age the first, subtle mature notes are beginning to show.

Copyright © Chris Shanahan 2009