Beer review — Carlton and Matilda Bay

Carlton Dry Fusion 355ml 6-pack $15.99
Today’s reviews represent the style bookends of Foster’s brewing – appealing at one end to those who probably don’t like beer at all to those obsessed with it at the other end. To my taste, if Carlton Dry Fusion didn’t have the word ‘lager’ discretely placed on the label it  could pass as soft drink.

Matilda Bay Fat Yak Pale Ale 330ml 6-pack $19.99
Fat Yak bills itself as an American style pale ale – a genre potent in malt and hops. But it strikes me as a toned down version of Matilda Bay Alpha Pale Ale. It’s still intensely hoppy and complex, but perhaps doesn’t have the opulent malt of Alpha.

Copyright © Chris Shanahan 2009

Mac’s beers — attractive flavour spectrum

The three Mac’s beers being imported from New Zealand by parent company Lion Nathan present an attractive spectrum of flavours – from the pale, light, low-carb Spring Tide to the richly malty, but mid-alcohol Mac’s Gold All Malt Lager to the full-bore, hoppy Hop Rocker Pilsner.

The range also shows the challenge brewers face in retaining flavour as alcohol or carbohydrate levels decline. In themselves alcohol and carbs have little flavour. But their contribution to the overall richness of beer becomes apparent when they’re not present.

Anyone who’s drunk low alcohol or low-carb beer understands the flavour disappointment. Brewers try to compensate by boosting other flavour components, notably of hops in low-carb brews. The Woolworths-owned Platinum Blonde is a good and successful example of this approach, as is Mac’s Spring Tide.

But the vibrant hops aroma and flavour even of these well-made beers barely mask the flavour hole. They’re tolerable. But if you’re into full-strength beer your interest’s likely to fade quickly.

Mac’s Gold, I believe, is far more successful. Its modest 3.8 per cent alcohol is sufficient, in combination with rich malt and subtle but attractive hops, to maintain interest time and again. And Hop Rocker is brisk and rich with a distinctive pungent but not over-the-top hoppiness.

Copyright © Chris Shanahan 2009

Wine review — Riposte, Barwang and Angoves

Riposte ‘The Stiletto’ Adelaide Hills Pinot Gris $22–$26
Barwang Tumbarumba Pinot Gris 2008 $17–$20

Pinot gris, a clear or yellow or golden or grey or pink, long-tamed mutant of pinot noir, comes in so many styles – bone dry, semi-dry, semi-sweet or sweet – it’s almost impossible to define. But the most intensely flavoured, possessing so-called classic ‘nashi pear’ varietal character, invariably come from cool growing regions. These two, from the elevated Tumbarumba and Adelaide Hills districts, deliver crystal clear varietal flavour at the dry end of the pinot gris spectrum. The Barwang is pure, taut and delicious. But the Riposte offers another dimension and rates as my best yet Aussie expression of the variety. The Riposte brand is owned and made by Tim Knappstein.

Barwang Hilltops Shiraz 2007 $17–$20
Barwang Hilltops Cabernet Sauvignon 2006 $17–$20

The nearby Hilltops region produces slightly deeper, fuller-bodied reds than cooler Canberra. But the two styles sit comfortably together as we saw at last year’s regional wine show where reds from both districts won gold medals. Barwang Shiraz 2007 (one of those gold medallists) has strong, peppery varietal flavour and sturdy, grippy tannins – a satisfying drop at a modest price. The cabernet, too, is full-blooded with blackcurrant-like varietal flavour, a leafy hint and the even sturdier, grippier tannins of the variety. The Barwang vineyard, established by the late Peter Robinson in 1969, belongs to McWilliams and the winemaker is Andrew Higgins.

Angove Long Row Chardonnay 2007 $8–$10
The tasty benefits of cross-regional blending show in Angove’s budget-price Long Row chardonnay. By combining cheaper, less flavoursome grapes with more intensely flavoured material from areas like Wrattonbully, Padthaway and Mount Benson, the makers strike the correct value to quality ratio. It’s a rich, crisp and lively wine with unmistakable melon-peach-chardonnay flavour and touch of oak. Drink up now as it’ll lose its vibrant edge with age.

Copyright © Chris Shanahan 2009

Canberra vintage 2009 begins

Canberra’s 2009 vintage is underway as I write and will be in full swing when you read this. It’s almost certain to be smaller than the extraordinary 2008 season when, for example, Lerida Estate harvested more than 70 tonnes from a vineyard that ought to yield about 45 tonnes. However, barring adverse weather in the next few weeks, quantities will still be in the normal range.

We won’t know the quality until we begin drinking the wines in a few months. But the fruit that’s been harvested so far appears to be ripe and healthy and reflects the seasonal conditions.

The season started well with mild weather and good spring and early summer rainfall. Then dry conditions set in and temperatures rose, culminating in a couple of severe heat waves that put vines under stress.

But locals makers escaped the extremes experienced by vignerons in Victoria and South Australia, where temperatures soared into the forties and strong winds exacerbated heat stress in the vines.

In Victoria and South Australia many growers reported severe crop losses caused by sunburn to the fruit or leaf loss that left vines unable to ripen their loads.
Canberra’s losses, in general, appear to be more modest although some growers, including Roger and Faye Harris at Brindabella Hills, reported significant reduction in yields caused by hot winds. In general, it seems that growers with adequate water were able to maintain vine health during the heat.

At Hall, the Canberra District’s lowest sub-region (around 550 metres), Dr Roger Harris of Brindabella Hills Winery calls it ‘a funny season’. Rogers says any summer rain came only as thunderstorms distributing moisture unevenly. One storm dumped 50 mm at Murrumbateman, but only 5 mm at Hall.

When I spoke to Roger on 14 March he’d already harvested the early-ripening varieties, sauvignon blanc and chardonnay and expected to start on riesling and shiraz from about 21 March.

He’d also processed fruit from a couple of warmer areas outside of Canberra. These included verdelho, albarino and tempranillo from the Rusty Fig vineyard near Bermagui and shiraz from Tumblong, near Gundagai.

From Murrumbateman Ken Helm rates the 2009 riesling from Al Lustenberger’s as even better than the 2008. He said the green juice had ‘beautiful acid and flavour’. He’d crushed nine tonnes of riesling by Saturday 14 March.

By that time chardonnay had just finished fermenting and sauvignon blanc had begun ticking over. Ken anticipates a smaller vintage than in 2008. He says that Canberra may have been spared the worst of the heat damage because it arrived before veraison (when berries begin to soften and ripen) for most varieties.

At nearby Clonakilla Tim Kirk reports great colour and ripe flavours, but low acidity, in shiraz from the warmer Hilltops region. Because of the heat wave he sees 2009 as ‘more of a red vintage than a white vintage’.

Tim makes a slightly fuller style of riesling than Ken Helm and was leaving his on the vines for another couple of weeks. He expected to harvest viognier from 22 March and shiraz from 25 March. He believed that if the fine, mild weather held for another two weeks a good vintage could become an outstanding one.

Frank Van de Loo of Mount Majura Vineyard was busy pressing chardonnay when I called and had also harvested merlot for rosé and pinot noir for sparkling wine. Other varieties, including riesling and pinot gris needed another week or two of ripening, Frank said.

Unlike many vineyards in the region Mount Majura had set an even larger crop than in the generous 2008 season. If left on the vine this would’ve reduced wine quality, so Frank’s team trimmed it back in January – dropping around 60 per cent of the riesling and graciano on the ground.

During the season Frank’s been working with the Australian Wine Research Institute on rotundone, the compound recently identified as the source of shiraz’s distinctive peppery character. He’s been sending shiraz berries at various stages of ripeness and will later send samples from the fermentation. But that’s a story for another day.

At Lake George Lerida Estate’s Jim Lumbers anticipates an even higher quality vintage than the ‘wonderful’ 2008. He said that after the heatwave ‘ripening slowed delightfully’. He believes that the longer hanging time for the fruit will produce ripe flavours at low sugar (and therefore lower alcohol) levels.

Pinot and chardonnay for sparkling wine and pinot noir for rosé were already fermenting when I spoke to Jim. And he expected to be under way with the main harvest by 21 March.

Up at Lark Hill, our highest vineyard, at 860 metres, vintage was still a week away when I spoke to Chris Carpenter. He said he expected to harvest pinot noir and chardonnay for sparkling wine on 19 and 20 March and for table wine in the first week of April, followed by riesling and grüner veltliner (their first crop of this variety) a week later.

Chris said they’d been short of water during the heatwave but their biodynamic practices, including deep mulching, had kept the vineyards in good health. He expects volumes to be about the same as in 2008.

We’ll have a sniff around the district in a few months to see what’s really in store from vintage 2009.

Copyright © Chris Shanahan 2009

Beer review — Steinlager and Steinlager Pure

Steinlager Premium 330ml 6-pack $17.99
The original Steinlager impressed for its stunning freshness and pleasing flavours. Offsetting the malt richness is a distinctive, herbaceous hops character. This sets the keynote of the aroma and takes over again in the refreshing finish, providing both herbal flavour and satisfying bitterness.

Steinlager Pure 330ml 6-pack $17.99
The new Steinlager, like the old one, is deliciously fresh and clean with a quite full underlying malt richness. Alas, though, the apparently low-impact hops means that the malt flavour dominates and, to me, the beer simply lacks the drive and bitterness that finishes of a top-notch lager.

Copyright  © Chris Shanahan 2009

I’ll take the original Steinlager please

If the new Steinlager Pure “encapsulates the purity of New Zealand in a bottle” does that make it more pure than the original Steinlager – which uses “only pure, natural New Zealand ingredients”?

Why can’t the spin-doctors simply cut to the chase and tell us what’s different about the new product? It’s not the purity. Both versions claim that. And it’s not the amount of alcohol, carbohydrates or energy in each 100ml. According to the website they’re identical in Steinlager and Steinlager Pure.

The press releases says that Steinlager Pure uses Pacific Jade and Nelson Sauvin hops, while the website attributes the original Steinlager’s distinctive flavour, in part, to Green Bullet hops.

Hops are important, of course, because they affect the aroma, flavour and bitterness of beer. So, if we sip the two side by side, yes, there’s a flavour difference.

Now the press release says that Steinlager Pure “satisfies the thirst of a modern drinker”.  My interpretation of this, after tasting both beers, is that the modern drinker doesn’t like hops aroma, flavour or bitterness. I couldn’t help viewing the new release as a dumbed-down version of the old.

Copyright © Chris Shanahan 2009

Wine review — Penfolds, Punt Road and West End

Penfolds Bin 407 Cabernet Sauvignon 2006 $33–$50
Penfolds Bin 389 Cabernet Shiraz 2006 $40–$60

The bargain-basement pricing’s gone, but these are world-class wines with proven long-term cellaring ability. Bin 407 – sourced from Robe and nearby Coonawarra on the Limestone Coast, Langhorne Creek and the Barossa Valley – is as ripe, graceful and pure an expression of cabernet as you’re likely to find. It’s lovely to drink and sure to evolve well. Bin 389 from the Barossa, Langhorne Creek, Coonawarra and McLaren Vale regions is fuller and more powerful with a chewier, more assertive tannic grip than the Bin 407. It’s harmonious, despite the power, but needs a few years in the cellar.

Punt Road ‘Airlie Bank’ range $15–$20
The drink-now range of the Napoleone family’s Punt Road winery includes Sauvignon Blanc 2008, Chardonnay 2007, Pinot Noir 2007, Shiraz Viognier 2007 and Cabernet Sauvignon Merlot 2006 – all from the Yarra Valley. There’s an appealing fine-ness and elegance across the range from the brisk, citrusy sauvignon to the rich, fresh, refined chardonnay to the zippy, fruity pinot to the fragrant, peppery, supple shiraz viognier to the dusty, fine-grained cabernet merlot. These are really delightful regional varietals – terrific stuff from winemaker Kate Goodman. See www.puntroadwines.com.au for more info.

West End Canberra District Riesling 2008 $13.50–$15
West End Richland Cabernet Merlot 2008 $10.80–$12
West End 3 Bridges Durif 2007 $20–$23

Bill Calabria’s West End Estate at Griffith, NSW, produces a wide range of wine styles including some of the Shaw Vineyard Estate Wines from Canberra. I’m assuming that’s the source of West End’s own keenly priced Canberra Riesling, a pleasing, floral, fruity and delicate style for current drinking. Richland Cabernet Merlot is full of primary, grapey flavours a touch of warming alcohol and a background, mildly astringent bite of tannin. The hugely fruity Durif (a cross of shiraz and peloursin) is layered with soft tannins and has an aftertaste reminiscent of Pascal blackcurrant jubes – something to love or hate.

Copyright © Chris Shanahan 2009

Shaky metaphor stirs Aussie wine writers

The first handwritten postcard arrived in early July 2006, postmarked Paris, 30 June. It read ‘Dear Chris, It’s a long time since we’ve seen each other as I have been away for nearly 10 years now. Funnily enough I am back where I started and it made me think of you and the old days. Anyway, I plan to catch up with you when I get back to Australia soon. Love & wishes OBS’.

It made me think of the old days, too. But I couldn’t remember ‘OBS’. And I couldn’t think of any lost friends. My wife raised her eyebrows; grown-up kids seemed amused but suspicious.

A week later the second card arrived from Dubai, postmarked just one day after the Paris one. OBS was on the move. ‘Dear Chris’, she greeted me (it was a woman’s handwriting), ‘Dubai is hot at this time of year and will get hotter. The gold here is beautiful, good value and adorns the most stylish.

New Dubai is the vision of one man – truly amazing. 25% of the world’s building cranes are here. It makes me realise that with dedication and passion there are no boundaries to quality and success. I’m so looking forward to talking with you about our mutual friend. Love & wishes OBS’.

So, I shared a mutual friend with OBS. ‘It’s a prank’, said my wife, eyebrows relaxed; grown up son joked about a secret sibling, winked.

Almost two weeks later came the London postcard. ‘Dear Chris’, wrote my long lost friend, ‘Well it’s all been happening here what with the World Cup, Wimbledon and the sales. I was the toast of London and I both dressed and played up like you could not believe. But everyone loved me and it made me so proud to be an Aussie.

It’s now time to plan my journey home although I’ll probably make one more stopover. When I do get there I’d love to spend some time with you. Love & wishes OBS’.

By now we were looking forward to the postcards, their hints of lifestyle and self-promotion adding to the OBS mystery. A week or so later came another, from Beau-Rivage Palace, Lausanne, Switzerland. ‘Dear Chris, I’ve travelled well across the alps to Switzerland and I’m now rested in this world famous hotel.

I was feeling quite intimidated by the famous parade of names at the hotel when a delightful, professional man agreed to join me in a drink. He liked me immediately and we enjoyed each other’s company most of the night. However, I miss you and my other friends at home and look forward to being with you soon. Love & wishes OBS’.

By now we’d concluded that OBS was a drink. She was Aussie, she saw no limits to quality or success, she’d been the toast of London, she’d travelled well across the alps, and even against other famous names had been enjoyed by a professional gentleman, albeit to excess.

But questions remained unanswered. Who was she and why had she been out of Australia for ten years?

The final postcard, from Sydney, arrived in early August but OBS revealed little: ‘Dear Chris, It’s great to be home safe and sound what with all the trouble in the Middle East right now. Winter is really here isn’t it whilst Europe swelters.
‘The Sydney fish markets received a visit yesterday and a seafood feast was prepared last night, which is something I have missed more than nearly everything else. Oh what joy! I’ve been away for some time now and I can’t tell you how much I have been looking forward to seeing you and making up for lost time. Anyway, I’ll call you in the next few days to try to catch up. Love & wishes OBS’.

But the phone didn’t ring. Instead, came a letter from Richard Owens of Hunter Valley winery, Oakvale, apologising for ‘a marketing programme that may have back fired’. He was also ‘sorry if you or anyone in your family has been concerned or hurt’. What had my fellow wine writers been up to in the good old days? And what were their partners thinking now?

At Chateau Shanahan we’d been puzzled at first, then amused and then curious after the Swiss postcard. We wanted to know who OBS was, not an apology.

And Richard answered our question in the same letter, revealing OBS as Oakvale Barrel Select Shiraz – and she’d been travelling around Europe in a suitcase.

As it turned out OBS wasn’t an old friend – we’d never met – and we didn’t have any mutual friends. She was a metaphor, and a pretty shaky one at that. But she’s welcome to our next dinner party, perhaps accompanying the roast beef. She might even spend the night.

Copyright © Chris Shanahan 2009

Wine review — Penfolds

Penfolds new release reds $23–$34

  • Bin 138 Barossa Valley Grenache Mourvedre Shiraz 2007
  • Penfolds Bin 128 Coonawarra Shiraz 2007 
  • Penfolds Bin 28 Kalimna Shiraz 2006 

This year’s release of Penfolds reds has been a demure affair. The customary retail price wars seem to have given way to stock pictures, tasting invitations and nary a price in press ads. We’ve not yet seen the $15.75 slash-and-burn of just two years ago. But prices tumbled from a recommended retail of $33.99 to around $23 (by the case) – at present – at which they offer seriously good value. The quality’s exciting. And time-proven cellaring potential across the range is even more reliable now that they’re all under screw cap. There’s a Penfolds thumbprint to each wine; but there’s individuality as well, starting with the juicy Bin 138 blend.

There’s a base of lovely, fleshy grenache in Bin 138. But mourvedre (aka mataro) and shiraz add a spicy, earthy note and the fine, ripe, persistent tannins that mark the Penfolds style. It’s delicious to drink now but should alter enjoyably over at least another decade in bottle. Bin 128 shows cooler fruit origins in its elegant structure and underlying peppery/spicy shiraz flavours. But there’s a tannic austerity, too, and a pleasing savouriness that seems to come from both the fruit and the French oak. The fruit versus tannin tension in this too-young (but superb) wine will resolve with a few years’ bottle age.

Bin 28 is the deepest coloured of the three wines, reflecting the origin of its fruit from the warm Barossa Valley, Langhorne Creek and McLaren Vale regions. It was named for the Kalimna Vineyard, in the northwestern Barossa, original source of Bin 28 and still source of much Grange material. There’s a juicy, chewy, ripe-black-cherry richness to the fruit and it’s layered with firm, grippy tannins, in the Penfolds mould – like a matrix of fruit and tannin. It’s big, solid, harmonious and built to enjoy across the decades. Like Bin 138 and Bin 128 it’s a wine of unusual dimension and pedigree for $23.

Copyright © Chris Shanahan 2009

A decade of screwcaps pays off for riesling drinkers

Chateau Shanahan’s in the grip of a severe riesling addiction. Our pleasure comes reliably and economically. And it’s a direct result of Australia’s dramatic switch from cork to screwcap – precipitated in 1999 by a group of determined Clare Valley riesling makers.

Thanks to winemaker Jeffrey Grosset and his Clare Valley mates we’re all enjoying better, fresher wines of every style every day. And if, like Chateau Shanahan, you began tossing a few cases of screw-capped Aussie rieslings under the house ten years ago you’ll understand our excitement.

Over the last few months we’ve snapped the caps off every vintage from 1998 on. We’ve particularly enjoyed those from 2003 and earlier. And though the styles vary from maker to maker and year-to-year, the best share a delicious combination of mature flavours with shimmering freshness.

What’s also coming through is that inexpensive wines from the right regions and makers often cellar well. A good example is Richmond Grove Watervale Riesling 2002, bought for around $10 in late 2002.
It’s a wine we’ve always regarded as deliciously undervalued, so there’s a few vintages of it on hand, including the 1997, which is cork sealed. And therein lies a little-known screw cap story that precedes the Clare Valley initiative by one year.

It involves John Vickery, perhaps our most influential riesling maker ever, a team of like-minded makers at Orlando (owners of Richmond Grove) and a few people from the then Coles-Myer-owned Liquorland group.

In April 1997 Vickery conducted tastings of his rieslings back to the 1963 vintage for a handful of fortunate media and the trade at the Richmond Grove Winery, Tanunda. (To read about the tasting search for ‘Riesling master John Vickery unveils a life’s work’ on this site).

The best were magnificent. But John lamented the damage caused by corks, saying that he’d had to open many bottles of some vintages to find one good one. By then he was advocating a return to screw caps, a practice that had been abandoned by winemakers after commercial trials in the late seventies. Though drinkers had rejected screw caps, the seal had subsequently proven itself to be highly effective over the ensuing decades.

Immediately after the tasting, the Coles Myer people negotiated with Orlando to have 1,000 cases each of Richmond Grove’s Watervale and Barossa Rieslings sealed under screwcap from the 1998 vintage.

Coles Myer duly launched the wines Australia wide through its Vintage Cellars wine club magazine, Cellar Press, explaining the benefits to its readers.

Drinkers embraced the idea. And the launch sparked a reaction from other retailers demanding the Richmond Grove rieslings under screw cap. But as Orlando had sealed all but the Coles Myer portion under cork they couldn’t oblige. The exercise, however, demonstrated that the screw cap was an idea whose time had come.

However, it wasn’t embraced universally at first. Some sceptics, including the late Len Evans, felt that wine, and especially red wines, wouldn’t mature properly under screw cap. Others lamented the loss of the ‘romantic’ associations of pulling a cork.

And though the uptake for white wines was rapid, there were teething problems. Some of the early bottlings of riesling and, later, red wines, developed smelly sulphide compounds -– a problem of reduction (lack of oxygen) that could be fixed (and was) by more attentive winemaking.

As well, screw caps could be damaged by direct impact and by being on the top layer of the bottom palate of a three-palate-high stack – both of which could break the airtight seal. But these and other glitches were minor and largely manageable problems, especially when compared to the high failure rate of cork over time.

Of riesling taken from the Chateau Shanahan cellar in the past year or so, we’ve found, for example, that to get one really good bottle of the highly prized, cork-sealed 1997 Orlando Steingarten Riesling, we have to open five bottles. Of those one will be corked or so oxidised that’s it’s not much fun to drink, three will be OK, but dull and one bouncing with life.

We’ve found the same, too, with the cork-sealed 1997 Richmond Grove Watervale Riesling. On the other hand, we’ve had no failures (and lots of pleasure) from numerous screw cap sealed Richmond Grove rieslings from 1998 on.

Other memorable, aged-but-fresh, screw cap bottles enjoyed recently include Petaluma Hanlin Hill Clare Valley Riesling 2003, St Hallett Eden Valley Riesling 2002 and 2003, Leo Buring Eden Valley Riesling 2003, Henschke Julius Eden Valley Riesling 2001, Jacob’s Creek Steingarten Riesling 2005 and Tim Adams Clare Valley Riesling 2003.

This experience suggests that the advent of the screw cap makes riesling perhaps the safest, cheapest and most interesting of Australia’s cellaring wines. It’s all about drinking pleasure in the end. You have to choose the right wines – not all riesling will cellar (your wine retailer could point to a few, and these days that’d include several Canberra District wines).

And you have to keep them somewhere cool and dark. A typical under-the-house Canberra storeroom – annual temperature range from 10 degrees to 20 degrees Celsius – seems fine for ten years or so. That’s all we have. But if you have controlled temperature storage at around 16 degrees constant, the best rieslings should cellar for many decades. My favourite of the Vickery 1997 tastings, for example, was from the 1972 vintage.

Copyright © Chris Shanahan 2009