Beer review — Lord Nelson & Cascade

Lord Nelson Brewery Three Sheets Ale 330ml $4
This is the first packaged beer I’ve tried from Sydney’s Lord Nelson brewpub. Three sheets is mid-golden coloured ale with a rich, spontaneous head and the light haze of bottle conditioning. It has a pronounced fruity, tangy, citrus-hoppy aroma. It’s smooth on the palate with flavours that reflect the aroma.

Cascade Stout 375ml $3.50
This is a genuine, full-bore stout with deep brown/black colour, high alcohol (5.8 per cent) and assertive roasted-barley, chocolate-like aroma. Those roasted and chocolate characters dominate an opulent, warming palate, with sufficient hops to balance the malt sweetness and a deliver a lingering, fresh roasted, mildly bitter aftertaste.

Copyright © Chris Shanahan 2007

DIY hops for Mornington brewer

The Schloss Shanahan team has the Red Hill Brewery Café on its must-visit list. It’s located amongst the vineyards on Mornington Peninsula. And apart from brewing what appears to be a range of distinctive beers, it grows its own hops.

I’ve not heard of any other Australian brewer doing this, though I know of one that’s being planned in Tasmania.

The flower of humulus lupus is, of course, the only seasoning element in the vast majority of beers brewed on this planet. And it comes in many varieties, added at various stages of the brewing process to provide aroma, flavour and bitterness.

Dried hops flowers – as opposed to compressed pellets – are prized by many brewers. But, apparently, it’s very difficult to secure regular supplies and unless you happen to brew in the right latitudes you can’t grow your own.

Mornington sits on the edge of this band and, according Red Hill’s website, they currently grow five varieties: Hallertau, Tettnanger, Golding, Willamette and Pride of Ringwood, harvested by friends in mid-March each year.

The brewery offers Golden Ale, Wheat Beer, Scotch Ale and occasional seasonal specialties – currently the 8 per-cent alcohol ‘Temptation’, model on the Belgian strong-ale style.

See www.redhillbrewery.com.au

Copyright © Chris Shanahan 2007

Wine review — Curly Flat, Williams Crossing, Portree, Cope-Williams, Hanging Rock, Mount William, Shadowfax & Lanes End

Curly Flat Macedon Ranges Pinot Noir 2005 $46
Williams Crossing Macedon Ranges Pinot Noir 2005 $20
Portree Macedon Ranges Pinot Noir 2005 $33

The very cool climate of the Macedon Ranges wine region, an hour’s drive north west of Melbourne, produces top-notch pinot noirs – wines of great perfume, clear varietal flavour and silky, fine texture. Judging there two weeks ago 21 of the 29 pinots tasted won medals – three golds, three silvers and fifteen bronzes. The high strike reflected the quality, especially of these three gold-medallists. Portree wine, the fullest bodied of the trio, shows a more powerful face of pinot. Curly Flat, the most complex and interesting, needs time (it’s not released yet anyway). And Williams Crossing, Curly Flat’s second label, is taut, fine and delicious. See www.portreevineyard.com.au and www.curlyflat.com

Cope-Williams Romsey Brut Pinot Noir Chardonnay NV $26
Hanging Rock Macedon Cuvée VII LD $115
Mt William Winery Blanc de Blanc 2001 $35

I’ve never judged a class of Australian sparklings as striking and delicious as those at the recent Macedon show. A maturity of winemaking, coupled with the extremely cool growing conditions delivers flavour and structure seldom found outside of France’s Champagne district. These three gold-medallists show pretty well the full spectrum of the region’s sparkling styles: the ultra-fine, elegant, marvellously fresh, all-chardonnay Mt William 2001 (www.mtwilliamwinery.com.au); the classically fine and intense Cope-Williams Brut NV (www.copewilliams.com.au) and Hanging Rock’s idiosyncratic tour-de-force of powerful fruit, tight structure and edgy, tangy cask maturation complexities (hangingrock.com.au).

Shadowfax Macedon Ranges Chardonnay 2006 $35
Lanes End Macedon Ranges Chardonnay 2005 $28
Curly Flat Macedon Ranges Chardonnay 2005 $38

Macedon’s third grape specialty, chardonnay, probably faces more Aussie competitors than its pinots and bubblies do, partly because of the sheer versatility of this variety. That said, the chardonnays that it makes are in a very fine, restrained style — the best of which could take on any competitors.  Amongst twenty eight chardonnays judged we found these three zingy fresh gold-medal winners: the very fine, stunningly fresh Shadowfax 2006 (www.shadowfax.com.au), the more robust, slightly oakier, but still very fine Lanes End (www.lanesend.com.au), and the more restrained, slightly funky, deliciously fresh Curly Flat (www.curlyflat.com).

Copyright © Chris Shanahan 2007

Sauvignon blanc — cat’s pee or god’s nectar

Sauvignon Blanc. Kath and Kym once called it sauvignon plonk. Others call it cat’s pee. Over a glass or two, a vet I know enquired if the horse had been shot. Wine man, the late Len Evans listed it with goat’s cheese amongst his pet hates. And England’s wine luminary, Jancis Robinson, once wrote that its ranking amongst the world’s nine ‘classic’ varieties came only because of its ‘divine combination with semillon in parts of Bordeaux’.

While wine show judges almost invariably find sauvignon classes disappointing, populated by weedy, tart wines, sprinkled with one or two juicy highlights. Despite all the sauvignon put downs, Aussie drinkers love the variety – notably as a straight varietal from Marlborough, New Zealand or, from Margaret River, Western Australia, blended with semillon.

Twenty-one years ago, Jancis Robinson wrote “Sauvignon blanc produces wines for our times: white, dry, refreshingly zesty, aggressively recognisable and ready to drink almost before the presses have been hosed down after the vintage”. Her words seem even more on the money now than they did in 1986.
And the word from retailers and producers is that sauvignon blanc and blends are the fastest growing segment in the domestic wine market. And, for example, when I left Vintage Cellars a few years back, sauvignon blanc already accounted for one sixth of wine sales at a time when the variety accounted for only one twenty fifth of Australia’s grape crush.

This suggests a dash into sauvignon blanc by Australia’s keenest wine drinkers. The sustained growth in sauvignon blanc demand shows up, too, at the nation’s grape crushers. In 2002 we crushed 28, 567 tonnes of it. In the small 2003 vintage the figure fell to 21,028 tonnes before doubling to 42,504 tonnes in 2006 and slipping marginally in the drought-affected 2007 vintage to 39,463 tonnes. This growth suggests many hectares of plantings coming on stream to meet rising demand.

So why the rise in popularity of sauvignon blanc? I suspect it’s the exciting quality of straight varietals from Marlborough and blends from Western Australia delivering what Jancis described 20 years ago, “dry, refreshingly zesty, aggressively recognisable and ready to drink almost before the presses have been hosed down”.

It’s not that chardonnay’s in decline. Far from it. Rather, sauvignon blanc has found its niche as a fruity, zesty undemanding white well suited to our warm climate and casual dining habits – capturing what might have been riesling’s role.

Twenty years ago when the Aussie dollar was stronger, the most loved sauvignons were those imported from Pouilly and Sancerre at the eastern end of France’s Loire Valley. Magically fruity with a minerally, bone-dry finish, they reigned until international demand and a weakening dollar pushed them out of reach of most Australians.

Domestic sauvignons, at the time, came from mainly warm areas and were often made in the oak matured ‘fume blanc’ style pioneered by Robert Mondavi in California. These attracted momentary attention but were by and large over oaked and lacking varietal flavour.

By the mid eighties Australians had begun to enjoy the first in-your-face Marlborough sauvignon blancs. These offered pungent, capsicum-like aromas and flavours in tandem with high natural acidity – the product of Marlborough’s very cool climate, a pre condition for good sauvignon.

Twenty years on and Marlborough’s the world capital of sauvignon, having spread from a few vineyards at the southern cooler side of the Wairau valley to the warmer northern side and to the even cooler Awatere Valley, over the Wither Hills to the south.

The resulting diversity of sites, viticultural practice and winemaking preferences means a great diversity of Marlborough styles today. In general that means zesty, fresh, well-defined varietal flavours. But the varietal spectrum varies from the riper citrus and tropical fruit character of warmer sites to the old in-your-face capsicum-like ones.

Australian sauvignon blanc hasn’t found its Marlborough yet. But it has found a comfortable home in the Adelaide Hills. Like Marlborough the Adelaide Hills region is far from homogenous climatically. But selected sites do bring home the bacon, like the pace-setting Shaw and Smith.

And at Margaret River in the west, where sauvignon blanc seldom makes it on its own, semillon steps in to fatten out the mid palate and add a lovely citrus note without detracting from the racy freshness of sauvignon blanc.

These range from ever-popular ‘classic dry white’ styles like those from Evans & Tate and Vasse Felix at modest prices to the seamless glory of Cullens and Cape Mentelle partly oak fermented sauvignon blanc and semillon blends.

With a few exceptions like Cullens and Cape Mentelle wine, though, these are wines to chill, quaff and enjoy by the bucketful. Then back up for the new vintage as soon it hits the shelves.

Copyright © Chris Shanahan 2007

Cider and beer review — Little Creatures Pipsqueak & Boag’s

Little Creatures Pipsqueak Best Cider 330ml $12.95 6-pack
The Little Creatures team takes a lead from the Brits with this lovely, tangy, appley cider. Apparently it’s been in development for about a year. Melissa Fettke made it from ‘fresh, locally-sourced apples’. It’s at the drier end of the cider spectrum with a refreshing, natural-tasting, apple-like acidity.

Boag’s Classic Blonde Low Carbohydrate Lager 375ml about $2.70
If you’re reading this column you probably don’t drink bland beer. Which may put Classic Blonde off your radar. For all the marketing palaver about meeting demand for low-carb beer while maintaining flavour, this, in my view, is a very well made, fresh, clean brew with all the interest of water.

Copyright © Chris Shanahan 2007

Lord Nelson hits the bottle

One of Sydney’s enduring pub breweries – the Lord Nelson – now offers a couple of its brews online and in a limited number of bottle shops.

The Lord Nelson – located in Kent Street, The Rocks, and built of convict-hewn sandstone – claims to be Australia’s oldest continuously licensed pub. But its modern fame comes from beers brewed on site, good food, great location and unique ambience.

And it’s a watering hole for the wine industry, thanks to the involvement of Yalumba proprietor, Robert Hill-Smith. This connection gives the packaged beer effective distribution, too, reaching all the way to Canberra and the south coast, albeit in a limited way.

Like all craft beers, the Lord Nelson brews are best enjoyed on draught a few metres from the fermenters. But from the one bottle tasted here in Canberra, the idiosyncratic style survives packaging and transport intact.

The beers can be found at Plonk, Manuka, Café della Piazza, Civic and, down the coast, at Mogo Village Cellars and Narooma Cellars.

The Lord Nelson also offers two brews — Old Admiral (a full malt, high alcohol ale) and the tangy pale ale, Three Sheets — online for $59.90 a slab of 24 X 330ml bottles, plus delivery.

See www.lordnelsonbrewery.com.au

Copyright © Chris Shanahan 2007

Wine review — Cullen, Barton Estate & Shaw Vineyard Estate

Cullen Margaret River

  • Diana Madeline 2005 $90
  • Chardonnay 2005 $60

Cullen 2005 is an extraordinary chardonnay – one that slips down deceptively easily but builds in interest as the level drops in the bottle. Here’s a few notes from a recent tasting, ‘near perfect – seamless, with wonderful richness, silky, fine texture… gets better with every sip … hard to say goodbye to the last drop’. Diana Madeline – a cabernet sauvignon, merlot, malbec cabernet franc, petit verdot blend, named for winemaker Vanya Cullen’s late mother – is in a similar subtle, slow-building mould. It’s limpid, delicately fragrant and intensely flavoured – but also elegant and beautifully balanced. It, too, slips down easily, and one bottle just doesn’t seem enough.

Barton Estate Canberra District Riesling 2004 $18
A glass of Barton Estate 2004 is one of the best arguments you’ll find for local riesling. At three years’ it’s showing the first honeyed edges of bottle age – without having lost the freshness of youth. In the local show recently we awarded it a silver medal after debating what else it might come up against in open competition. Roger Harris made the wine at Brindabella Hills Winery under contract for Bob Furbank and Julie Chitty of Barton Estate Vineyard, Murrumbateman. This is definitely a brand to watch. And at $18 this is definitely a riesling to be drinking. Enquiries to Bob and Julie, phone 02 6230 9553 or email sales@bartonestate.com.au

Shaw Vineyard Estate Canberra District

  • Cabernet Sauvignon 2004
  • Cabernet Merlot 2004
  • Cabernet Shiraz 2004 $22

Former builder Graeme Shaw sends fruit from his 32-hectare Murrumbateman vineyard to Griffith for winemaking. And, as our regional reputation builds increasingly on shiraz, Graeme puts an argument forward for cabernet sauvignon – both straight and blended with merlot or shiraz. Certainly the wines are well made, delicious and laden with gold, silver and bronze medals — and the odd trophy. I’ve tasted them three times in the past year, awarding the cabernet and cabernet shiraz silver medals at the regional show last month. These remain my favourites – especially the cabernet shiraz – though all of the wines drink well. See www.shawvineyards.com.au

Copyright © Chris Shanahan 2007

Lots to like in New South Wales

In a good year Australia crushes about two million tonnes of grapes, equivalent to about 150 million dozen bottles of wine. About one quarter of that comes from New South Wales, second in volume to our undisputed winemaking monarch, South Australia on fifty per cent.

Scratch below the surface of these big figures and we find, beyond the cask wines and daily quaffers, an increasingly rich palette of flavours emerging from the hottest plains to the chilliest peaks across New South Wales.

Vines now speckle the endless wrinkles and folds of the Great Divide from Queensland to Victoria and sprawl in broad acre plantings along the Murrumbidgee and Murray Rivers.

The latter, known officially as the ‘Big Rivers’ zone, accounts for more than 70 per cent of New South Wales’ wine production. While much of the wine from these areas is homogenous, destined for wine casks and cheaper bottled products, there are pockets of specialisation.

Take, for example, the luscious dessert wines of the Riverina district. Back in the eighties the de Bortoli family showed that semillon, the region’s then most widely planted white wine variety, need not make ordinary wine. De Bortoli Noble One, now Australia’s best known sticky, was born of imagination and the propensity of the area’s warm, humid sites to produce suitable grapes.

irtually every Riverina grower now makes a semillon in the Noble One mould – a style that goes so well with desserts, patés, and ripe old blue-vein cheeses.

Along the Great Dividing Range style variations can be remarkable – sometimes over tiny distances, thanks to dramatic variations in altitude. Warm Cowra, at about 200 metres makes fat, soft peachy, drink-now chardonnays; an hour’s drive north at 900 metres chilly Orange makes an altogether, leaner, slow evolving, more interesting style.

The former can be quaffed happily with any casual meal; the latter deserves the very finest seafood and your undivided attention.

The lower Hunter, of course, one of Australia’s oldest wine making regions, specialises in low-alcohol, delicate, long-lived semillons and elegant, earthy shiraz but, like most regions, produces a wide range of wines with notable success, too, in chardonnay and verdelho.

In our very own Canberra district (most of it within New South Wales, despite the name), shows the dramatic impact of altitude-related climate variation. Warmer sites between 550 and 650 metres around Hall and Murrumbateman make wonderfully elegant, refined shiraz — a great match for rare spring lamb, veal or turkey. And the shiraz performance has worked to higher altitudes in recent years and now includes Mount Majura, Wamboin and Lake George foreshore.

The cooler sites at over 800 metres up on the Lake George Escarpment, above Bungendore, make fine chardonnay and, occasionally, pinot noir – fine pairings for Atlantic salmon and duck, respectively.

Throughout the Canberra region, in comparatively warm Hall and Murrumbateman, up on the cool, high escarpment and along Lake George foreshore, at 700 metres, riesling performs well, albeit in a number of dry styles — all suited to a range of seafoods, depending on body and richness.

Canberra’s southern neighbour, Tumbarumba, in the cool lee of the Snowy Mountains, produces superb, delicate pinot noir and chardonnay for top Australian sparkling wines – delicate, appetisers to serve with finger food. Tumbarumba also contributes to some of our very best elegant, intense and expensive chardonnays. Like those from Orange, these gems can be savoured with the finest seafood.

Farther to the north, Mudgee (meaning ‘nest in the hills’) mixes the broad acre plantings of the last decade with the smaller plots of boutique makers. Though its winemaking story stretches back to 1858, its explosive growth is largely a story of the wine boom of the nineties.

Mudgee makes sturdy but not heavy reds, noted for their high tannin content and the longevity and ultimate grace of the very best. Shiraz and cabernet sauvignon are the main varieties – the latter working well with the local lamb and beef and former being a treat with rich pasta dishes.

Thanks to Italian immigrants Carlo Salteri and Franco Belgiorno-Nettis, Mudgee is also home to mature plantings of the Italian red varieties sangiovese, barbera and nebbiolo.

The first two work well in the area and though they’ve disappeared from sight in recent years, they’re about to reappear under the new ownership of Bob Oatley. The medium bodied, savoury sangiovese works well with savoury foods, including pizza; while the dazzling summer-berry exuberance of barbera loves pasta, salads and a good laugh.

And all of this is only part of what New South Wales wines have to offer. Vineyards have sprung up, as well, on the south coast, in the southern highlands, around Gundagai and on the New England highlands from Tamworth through to the Queensland border.

Every vineyard is a flavour and a story in itself and there are food styles aplenty to go with them.

Copyright © Chris Shanahan 2007

Beer review — Grolsch & Carlow Curim

Grolsch Premium Lager $3.99 473ml swing top
Fancy bottles invariably push our BS metre up. But Grolsch impressed, both for stunning freshness (rare in imports, especially in green UV-admitting glass) and individuality. In one sense it’s mainstream lager. But there’s a distinctive and appealing pungent, herbal, hop character that carries from aroma, to rich palate, to dry, refreshing finish.

Curim Celtic Wheat Beer $7.99 $500ml
Carlow Brewing, established in Ireland’s Barrow Valley in 1998, brews this and a number of other beers including, of course, stout. But the Irish can brew wheat beer, too. In Curim it’s an appealing fruity, round, soft style — as beguiling as an Irish brogue, if a little tired from its long journey.

Copyright © Chris Shanahan 2007

English beer disappoints Canberra brewer

Richard Watkins, brewer at Canberra’s Wig and Pen, returned from the UK recently, inspired by a mild ale that won the Great British Beer Festival’s champion beer award.

The Wig’s version of this easy-drinking style, modelled on the winning ale, should be on tap in a few weeks, says Richard. It’s in the pot now, brewed on 16 October.

But Richard’s three-week tour fell a little flat. He reckons that real ale appears to be struggling in London where mass-produced lagers like Fosters, Fosters Extra Cold, Stellar Artois and Carlsberg seem ubiquitous.

He said that he struggled, ’even finding a good London pub that looked after its beer’.

Richard tasted 311 beers in visits to five breweries and the Great British Beer Festival – and awarded only twenty-eight of them a score of four or more out of five – a depressingly low figure from the land that led the ale revival thirty years ago.

Copyright © Chris Shanahan 2007