Beer review — Debowe Mocne & Mongozo

Debowe Mocne 500ml $5.99
Feel like a brew that claims to be ‘an excellent proposal for real men who expect from beer truly beer-like sensations’? What it offers is dark colour, high alcohol (seven per cent) and a burly, malty flavour with alcohol astringency and a bitter, verging on acrid, finish.

Mongozo Banana 330ml $4.99
Yuk. Let’s give a star for being fresh and beer. But not even ‘fair trade organic bananas’ save Mongozo from the compost bin. Better there than consumed. It’s bright, fresh and beer-like. But it’s oh, so cloyingly sweet and confection like. Perhaps I’m missing something. But I’ll be glad when I’ve enough.

Copyright © Chris Shanahan 2007

Wine review — Madfish, Cape Mentelle, Jacob’s Creek, Chandon, Tyrrell’s & La Chablisienne

Madfish Western Australia Sauvignon Blanc Semillon 2007 $15–$19
Cape Mentelle Margaret River Sauvignon Blanc Semillon 2007 $25

Today’s summer-drinking selections feature three pairs of proven regional varietal specialties. The first pair are brilliant, contrasting examples of one of Australia’s most popular blends – sauvignon blanc and semillon from southwestern Western Australia. Madfish is all about zingy, fresh, tropical fruit flavours – a pure, all-fruit wine to wash away the day’s cares. Cape Mentelle’s blend hits the senses a bit harder, starting with the intense herbal, pungent aroma that both varieties seem to deliver in Margaret River. These intense flavours drive the palate, too. But there’s an oak-fermentation and-maturation richness to the texture making the wine all the more interesting.

Jacob’s Creek Reserve Chardonnay Pinot Noir 2004 $15–$19
Chandon Tasmanian Cuvée 2004 $39

To make top-shelf sparkling wine, the classic varieties pinot noir and chardonnay must be grown in very cool to cold regions where grape flavour develops while acidity remains high. And that’s led our leading makers to Tassie and high-altitude, southerly mainland sites over the last twenty years. Jacob’s Creek Reserve is a chardonnay dominant blend from cool sites, including Tasmania. Chardonnay drives the aroma and flavour, while pinot gives the wonderful taut structure that stamps it with class. This is serious bubbly at a bargain price.  Chandon, from Tasmania’s Coal River Valley, is a bronze tinted pinot dominant blend of extraordinary intensity and lovely complex, nutty aftertaste.

Tyrrell’s Moon Mountain Hunter Valley Chardonnay 2006 $17 to $20
Chablis (La Chablisienne) 2005 $24–$29.99

Chardonnay shows it’s extraordinary versatility in this pair from the warm Hunter Valley and cold Chablis, France – the former a maritime environment at latitude thirty-three degrees south; the latter a continental site at forty-seven degrees north. They’re from regional masters Tyrrell’s and the La Chablisienne cooperative. Moon Mountain sits at the finer, leaner (but texturally rich) end of the regional style spectrum. There’s a beautiful buoyancy, finesse and lightness to it. La Chablisienne, imported by Coles Group (Vintage Cellars and 1st Choice), presents the unique, teasingly succulent, finesse and dryness of Chablis. No drink on earth goes better with a platter of fresh, briny south-coast oysters.

Copyright © Chris Shanahan 2007

Beer review — Erdinger Weissbier & Brok Sambor

Erdinger Weissbier Mit Feiner Hefe 500ml $5.99
This is a first-class, bottle-conditioned Bavarian wheat beer. The spontaneous head hints of quality – a promise fulfilled by the pure, delicate, fruity aroma and vibrant, fresh palate. It’s round and sweet — but delicate at the same time — and balanced by a refreshing, crisp acidity.

Brok Sambor Export 500ml $3.79
From Poland, Brok Sambor, at 5.7 per cent alcohol, sits at the sturdier end of the lager spectrum. It has a fragrant and appealing hops-led aroma, supported by sweet malt. The malt richness comes through on a smooth, full-bodied palate. But the malt’s held in check by delicious, moderately bitter hops.

Copyright © Chris Shanahan 2007

A judge’s drinking guide from the 2007 Canberra Regional Wine Show

Last week I presented the industry perspective on the Canberra Regional Wine Show, but what’s in it for consumers? Well, read on and for a guide to dozens of delicious wines coming from Canberra and surrounding regions – Tumbarumba, Gundagai, Southern Highlands, South Coast and Hilltops (Young).

You can troll through the catalogue of results at www.rncas.org.au. And if you do don’t limit the shopping list to the gold medal and trophy winners, because there’s great drinking among the silver and bronze medallists, too.

This applies especially to some of the emerging or niche varieties. Semillon, for example, while unlikely to achieve much in Canberra, is the star variety at Coolangatta Estate, Nowra. These Tyrrell-made wines are unique and lovely. The stand out in this year’s show was their mature-but-fresh silver-medal winning 1998 vintage.

Closer to home at Gundaroo, pure, rich, apricot-like silver medallist Tallagandra Hill Viognier 2006 came within a sniff of gold and showed, yet again, how well suited Canberra is to this variety. Clonakilla blazed the way, Hardy’s encouraged wider planting of it amongst independent growers and established a significant plot at Holt. We’ll be hearing a lot more of viognier in Canberra, despite Hardy’s exit from the region.

We judged several promising whites made from pinot gris but to this judge, anyway, silver medallist Mount Majura Pinot Gris 2007 soared above the others. It’s a particularly vibrant and pure white wine made by Frank van de Loo.

Bryan and Jocelyn Martin’s Ravensworth Murrumbateman Sangiovese 2006, another silver medal winner, presents a bright, fresh, modern face of this classic Italian variety without losing the slightly rustic, savoury tannin structure. This is another significant, trail-blazing local wine.

In the past, Hardy’s tended to dominate the sparkling wine class with its Tumbarumba-based pinot noir chardonnay blends made by Ed Carr. However, Kosciusko Wines of Tumbarumba and Gallagher Wines of Murrumbateman, plugged the gap created by their exit, this year.

Gallagher Blanc de Blanc 2005, made from Murrumbateman chardonnay, won silver. It’s a very appealing, well-made example of this lighter aperitif style. Gold medal winner Kosciusko Scius Pinot Noir Chardonnay 2005 showed the sheer class of fruit from cold Tumbarumba – and the extra dimension and structure added by pinot noir. This is another significant regional wine.

Ever-so-fashionable sauvignon blanc shows a glimmer of hope in two attractive and contrasting silver medallists: taut, pungent and pure McWilliam’s Barwang Tumbarumba 2007 and funky, softer Brindabella Hills Canberra District 2007.

It would be fair to say that pinot noir remains a niche variety for the district, despite high ambitions for it from Lerida Estate at Lake George and Lark Hill, higher up on the Lake George Escarpment.

Lark Hill no longer enters the show, which is a pity. And Lerida topped the pinot noir classes, winning a silver medal for its fragrant, silky-textured 2006. At the exhibitors’ tasting proprietor Jim Lumbers said he’s confident of an even better performance in future vintages.

In the national wine market riesling, too, remains a niche — albeit much discussed –variety. But it’s a star of the Canberra District and will be even better when our makers eliminate faults that blemish outstanding fruit.

Frost and drought slashed the 2007 riesling harvest, hence we had just eleven rieslings to judge, of which eight won medals: gold for Wallaroo, silver for Gallagher, Mount Majura and Helm Classic Dry and bronze for Pialligo Estate, Brindabella Hills and Four Winds. These are all lovely, fresh wines and strongly recommended.

A riesling topped the white museum classes, too. Wallaroo 2002 (gold) came in ahead Coolangatta Semillon 199 (silver) and Coolangatta Alexander Berry Chardonnay 2000 and Barwang Chardonnay 1996 on bronze.

Cabernet’s thirty-three per cent medal strike rate was the lowest of the mainstream varieties that exhibited in significant numbers.

But there were several attractive silver medallists: Shaw Vineyard Estate Cabernet Sauvignon 2004 and Cabernet Shiraz 2004, Lambert 2004, McWilliams Barwang 2005 and Little Bridge 2005.

Fifteen of the twenty-four chardonnays exhibited earned medals. The only gold medallist, Bidgeebong Icon 2006 comes from Tumbarumba.  And demonstrating chardonnay’s versatility, the silver and bronze medallists came from Tumbarumba, Southern Highlands, South Coast, Hilltops, Lake George, Mount Majura and Murrumbateman.

Saving the best for last, shiraz, once again, was star of the show and certainly heads any consumer-shopping list for the region. We judged forty-five shirazes and awarded seven gold medals, six silver medals and 16 bronze medals.

The winners came in a diversity of styles – within a generally refined, medium-bodied theme – from Murrumbateman, Lake George, Hilltops and Wamboin. In the taste-off for the trophy, the beautifully fragrant, silky Lerida Estate Lake George Shiraz Viognier 2006 beat velvety, supple Chalkers Crossing Hilltops 2005 by two votes to one.

Other absolutely wonderful shirazes included gold medallists Nick O’Leary Canberra 2006, Lambert Canberra 2004, Lambert Reserve Canberra 2005 and Barwang Hilltops 2005; and silver medallists Ravensworth Canberra 2006, Chalkers Crossing Hilltops 2004, Lerida Canberra 2005, Lambert Reserve Canberra 2004 and Barwang Hilltops 2004.

Copyright © Chris Shanahan 2007

Pop and craft brewers hop in opposite directions

As pop beers grow ever less bitter, there’s a smaller but vigorous move in the opposite direction as boutique makers crank up the hops component of their brews.

And the hops expression varies enormously thanks to the use of many different varieties added at varying stages of the brewing process.

Wonderfully named hops variants such a fuggles, amarillo, goldings and saaz each inject their own character to a wide spectrum of aromas and flavours and to the bitterness of a brew.

Before hops made its way into brewing beer was probably sweeter than it is today. And makers used a variety of botanicals, including herbs, spices and tree bark, to offset this.

However, only the flower of humulus lupulus, a rapidly growing summer climber, provides the complex mix of resins, alpha and beta acids, oils and polyphenols that profoundly influence the structure, aroma, flavour and bitterness of modern beers.

Copyright © Chris Shanahan 2007

Wine review — Wallaroo, Lerida Estate & Kosciusko Wines

Wallaroo Wines Canberra District Riesling 2007 about $20
This gold-medallist and trophy winner from the 2007 Canberra Regional Wine Show comes from two neighbouring vineyards in Hall. Because of the tiny 2007 crop Phil and Carol Williams of Wallaroo vineyard and Roger and Faye Harris of Brindabella Hills combined their riesling grapes from which Roger made and bottled the wine. Some bears the Brindabella Hills label; some the Wallaroo label. Whichever you buy, it’s the same wine inside. How does this square with the judges’ tallies – 49/60 and bronze for Brindabella Hills and 55.5/60 and gold for Wallaroo? Well, the laugh’s on us. The wines, though, are pure and delicious. See www.wallaroowines.com.au

Lerida Estate Canberra District Shiraz Viognier 2006 $50 to $60
In this year’s Canberra Regional Show, shiraz once again asserted itself as the district’s greatest variety. Excitement is the word when six out of 43 shirazes win gold medals and a pile more come in with silver and bronzes. Four of the six gold-medallists came from within the Canberra district (Lerida, Nick O’Leary, and two Lambert wines) and the other two from nearby Hill Tops region at Young (Chalkers Crossing and McWilliams Barwang). In a tightly contested taste-off for best shiraz of the show, Lerida 2006 Shiraz Viognier, from Lake George, triumphed – a very fragrant and silky smooth drop indeed. Watch www.leridaestate.com for news of its release date.

Kosciusko Wines Scius Pinot Noir Chardonnay 2005 $29.95
Not surprisingly the top bubbly from the Canberra Regional Show comes from cool Tumbarumba – source of some of Australia’s best grape material for this style. More surprising is that it comes from a newcomer to sparkling wine making. The trophy winner was made by engineer-turned-winemaker, Chris Thomas, using fruit from contract growers. It really is a lovely drop, built on the classic Champagne-region varieties, pinot noir and chardonnay. The class of the ripe-but-delicate fruit shows in the wine’s appealing flavour, tight structure and beautiful integration with the bottle-fermentation-and-maturation characters.  Available from Canberra Cellars, Belconnen and Braddon.

Copyright © Chris Shanahan 2007

Croser in Canberra — on regional wine shows

Regional wine shows, says leading Australian wine man Brian Croser, can be marketing springboards. With the international fine wine market so focused on what grows best where, he argues, regional shows can highlight what varieties best suit a region and the results used to take that message to the world.

Croser was in Canberra last week to chair the Canberra Regional Wine Show, an event open to producers from Canberra, Hilltops (Young), Tumbarumba, Southern Highlands, Gundagai and the south coast.

It’s an extraordinarily varied catchment for grape growing – and hence wine flavours – with vineyards spread over a significant range of latitudes (Mittagong in the north to Gundagai in the south) and, perhaps more importantly, from altitudes of near sea level at Nowra, to around 900 metres at Tumbarumba.

That spread means, as well, a wide range of soils, aspects and, of course, the all import diurnal temperature ranges and low humidity of inland sites, versus the more humid, lower temperature range of coastal sites.

That ensures considerable diversity of wine styles in our local show. Interestingly, our judging scores correlated closely with the theory of what varieties ought to work in the various locations.

At the trophy presentation and exhibitors’ tasting, Croser urged local makers and growers to maximise the four benefits that he sees flowing to them from the show.

First, look at the results, he said, and they’d find a fine-tuned benchmarking exercise, especially in classes like shiraz. In Canberra, he said, the judging was harder than in a big-city show because our styles were in a more limited range – and not shaded by blockbusters from the Barossa or McLaren Vale as they might be in an open show.

This made the task harder for judges. But it allowed a regional style to be judged in all its subtlety and, hopefully, for a range of styles within that comparatively narrow spectrum to be awarded.

Second, regional shows highlight, as well, the bigger picture of what suits various parts of the region. He said that in the Perth Sheraton show for Western Australian wines last week, for example, regional specialties dominated the awards list: chardonnay and cabernet merlot from Margaret River and shiraz from Frankland River.

Similarly, the Canberra show illustrated the strength of high-altitude Tumbarumba’s chardonnay and pinot noir chardonnay sparkling wine; Nowra’s suitability for semillon; and Canberra’s suitability for shiraz, riesling and viognier.

Third, Croser argued, the ratings, in conjunction with judges comments in the catalogue of results, provide clues for improving technical aspects of viticulture and winemaking – and, hence, wine quality.

The fourth and final virtue, Croser believes, is the ability of shows to ‘inform and inspire the way a region manifests itself – to identify its strengths and how to tell the world’.

As to Canberra itself, as opposed to the outlying areas included in the judging, Croser sees a natural matrix of soils, geology and climate that make shiraz, riesling and viognier naturals, and as good as it comes anywhere. ‘These three belong hand in hand’, he commented.

A great highlight of the show for Croser was ‘consistency of style through the shiraz and shiraz viognier classes’. He sees in them similarities to the wines of Hermitage, France, Australia’s two Mount Barkers (Western Australia and Adelaide Hills) and Great Western, Victoria.

He described our shiraz as bright and spicy of medium intensity, fine grained and having finesse – not blockbusters in the traditional Aussie mould.

And what do we have to do as a region to improve? Sadly, as Ian McKenzie had found as chair of judges from 2004 to 2006, winemaking faults remain far too common.

Croser found fewer faults than when he last judged in 2002 but more than he’d expect to find in other regional shows. He lamented that good, expensive-to-grow fruit should be compromised by basic winemaking faults – principally relating to smelly yeast bi-products and largely seen in white wine classes.

He emphasised that the judging of the show was to international standards and that the bronze, silver, gold and trophy award-winning wines would scrub up in any company. Our district has phenomenal strengths but room to improve, too.

The trophy winners from this year’s show were: Lerida Estate Canberra District Shiraz Viognier 2006, Bidgeebong Wines Icon Series Tumbarumba Chardonnay 2006, Wallaroo Wines Canberra District Riesling 2007, Coolangatta Estate Nowra Semillon 2001, Kosciusko Wines Tumbarumba Pinot Noir Chardonnay 2005.

That’s only the top of the honours list. For the full results go to www.rncas.org.au

Copyright © Chris Shanahan 2007

Stout and porter — can you see the light

At the Australian International Beer Awards some years back we discussed the differences between ‘porter’ and ‘stout’, the commonest names for dark, malty beers.
We had on the judging panel several experienced stout makers and a mix of lager-focused but well-travelled brewers as well.

The distinction between the two styles, we decided, was not clear and that there was considerable crossover – for the simple reason that both stout and porter come in a spectrum of styles.

Dr Tim Cooper, now head of Cooper’s Brewery, Adelaide, but at the time its chief brewer (and an accomplished stout maker) summed up the discussion: ‘if you can see through it, it’s porter; if you can’t, it’s stout’.

Tim’s throwaway line captured the beer’s three-hundred year history: it appears that porter came first, probably in the early 18th century, and that stout was a more robust version of it and originally called ‘stout porter’.

Copyright © Chris Shanahan 2007

Beer review — Weihenstephaner & Orval

Weihenstephaner Tradition Bayrisch Dunkel 500ml $5.99
Despite its 5.2 per cent alcohol and dark colour, there’s nothing heavy about this Bavarian ale from the ancient Weihenstephan Brewery. It’s a rich, smooth, beautifully balanced beer offering sweet malt as its keynote with absolutely harmonious bitterness drying out the finish. I’ll have another glass please, this is delicious.

Orval Trappist Ale 300m $8.49
This is a Belgian classic for the adventurous. It’s tremendously lively, with a luxurious foam, sweet, fresh, enticing aroma and strikingly tangy palate.  It has the bite of acid, the flavour of wheat beer and an idiosyncratic bitter/sour, lingering aftertaste with distinct and exotic feijoa-like note.

Copyright © Chris Shanahan 2007

Wine review — Temple Bruer, Backvintage & Jones Road

Temple Bruer Langhorne Creek Shiraz Malbec 2005 $17.50
& Preservative Free Cabernet Merlot 2007 $20

Langhorne Creek has been called Australia’s middle-palate, thanks to its broadacre plantings and high-quality fruit that disappears anonymously into commercial blends. But several small operators, like David Bruer’s 27-hectare, organically certified Temple Bruer vineyard, offer regionally labelled products.  David delivers huge value in his generous, new-release Shiraz Malbec blend. It’s an unusual coupling but works deliciously. The malbec adds that extra depth of purple colour and great richness and firmness. The preservative-free wine avoids oxidation, it seems, through sheer youth combined with high acid and tannin. This provides fruity, if somewhat raw drinking for those allergic to sulphur dioxide. See www.templebruer.com.au

Backvintage Wairarapa Sauvignon Blanc 2006 $11.99
& McLaren Vale Shiraz 2004 $11.99

Like every winegrowing country Australia has a rich heritage of ‘merchant’ labels – wine brands created by merchants who buy, blend and sometimes even make wine from numerous regions. Backvintage is a newcomer to the ranks, founded in 2003, and offering its products direct to drinkers from its store in salubrious Northbridge, Sydney, and via www.backvintage.com.au. Canberra-based Master of Wine, Nick Bulleid selects the wine and seems on the money with several that I’ve tasted. The Kiwi sauv blanc is the real thing – pungent and in-your-face, with rich mid palate and high-acid, truly dry finish. The red shows the attractive aromatics of the vintage with lovely soft, satisfying tannins.

Jones Road Mornington Peninsula Pinot Noir 2005 $32
& Chardonnay 2005 $29

The Frewer family established Jones Road vineyard on the Westernport Bay side of Mornington Peninsula in 1997. Their website – www.jonesroad.com.au — tells us that Rob Frewer and son Matthew manage the vineyard and that the wines are made in the Yarra by Rob ‘sticks’ Dolan and Travis bush – an accomplished team. What really counts of course is how good the wines are. And both of these new releases show the combined qualities of superior fruit and good winemaking. The finely textured, silky smooth chardonnay is an outstanding expression of the variety.  The pinot is perfumed, elegant, refined and complex with a lovely earthy, savoury note.

Copyright © Chris Shanahan 2007