Yearly Archives: 2007

Lord Nelson hits the bottle

One of Sydney’s enduring pub breweries – the Lord Nelson – now offers a couple of its brews online and in a limited number of bottle shops.

The Lord Nelson – located in Kent Street, The Rocks, and built of convict-hewn sandstone – claims to be Australia’s oldest continuously licensed pub. But its modern fame comes from beers brewed on site, good food, great location and unique ambience.

And it’s a watering hole for the wine industry, thanks to the involvement of Yalumba proprietor, Robert Hill-Smith. This connection gives the packaged beer effective distribution, too, reaching all the way to Canberra and the south coast, albeit in a limited way.

Like all craft beers, the Lord Nelson brews are best enjoyed on draught a few metres from the fermenters. But from the one bottle tasted here in Canberra, the idiosyncratic style survives packaging and transport intact.

The beers can be found at Plonk, Manuka, Café della Piazza, Civic and, down the coast, at Mogo Village Cellars and Narooma Cellars.

The Lord Nelson also offers two brews — Old Admiral (a full malt, high alcohol ale) and the tangy pale ale, Three Sheets — online for $59.90 a slab of 24 X 330ml bottles, plus delivery.

See www.lordnelsonbrewery.com.au

Copyright © Chris Shanahan 2007

Wine review — Cullen, Barton Estate & Shaw Vineyard Estate

Cullen Margaret River

  • Diana Madeline 2005 $90
  • Chardonnay 2005 $60

Cullen 2005 is an extraordinary chardonnay – one that slips down deceptively easily but builds in interest as the level drops in the bottle. Here’s a few notes from a recent tasting, ‘near perfect – seamless, with wonderful richness, silky, fine texture… gets better with every sip … hard to say goodbye to the last drop’. Diana Madeline – a cabernet sauvignon, merlot, malbec cabernet franc, petit verdot blend, named for winemaker Vanya Cullen’s late mother – is in a similar subtle, slow-building mould. It’s limpid, delicately fragrant and intensely flavoured – but also elegant and beautifully balanced. It, too, slips down easily, and one bottle just doesn’t seem enough.

Barton Estate Canberra District Riesling 2004 $18
A glass of Barton Estate 2004 is one of the best arguments you’ll find for local riesling. At three years’ it’s showing the first honeyed edges of bottle age – without having lost the freshness of youth. In the local show recently we awarded it a silver medal after debating what else it might come up against in open competition. Roger Harris made the wine at Brindabella Hills Winery under contract for Bob Furbank and Julie Chitty of Barton Estate Vineyard, Murrumbateman. This is definitely a brand to watch. And at $18 this is definitely a riesling to be drinking. Enquiries to Bob and Julie, phone 02 6230 9553 or email sales@bartonestate.com.au

Shaw Vineyard Estate Canberra District

  • Cabernet Sauvignon 2004
  • Cabernet Merlot 2004
  • Cabernet Shiraz 2004 $22

Former builder Graeme Shaw sends fruit from his 32-hectare Murrumbateman vineyard to Griffith for winemaking. And, as our regional reputation builds increasingly on shiraz, Graeme puts an argument forward for cabernet sauvignon – both straight and blended with merlot or shiraz. Certainly the wines are well made, delicious and laden with gold, silver and bronze medals — and the odd trophy. I’ve tasted them three times in the past year, awarding the cabernet and cabernet shiraz silver medals at the regional show last month. These remain my favourites – especially the cabernet shiraz – though all of the wines drink well. See www.shawvineyards.com.au

Copyright © Chris Shanahan 2007

Lots to like in New South Wales

In a good year Australia crushes about two million tonnes of grapes, equivalent to about 150 million dozen bottles of wine. About one quarter of that comes from New South Wales, second in volume to our undisputed winemaking monarch, South Australia on fifty per cent.

Scratch below the surface of these big figures and we find, beyond the cask wines and daily quaffers, an increasingly rich palette of flavours emerging from the hottest plains to the chilliest peaks across New South Wales.

Vines now speckle the endless wrinkles and folds of the Great Divide from Queensland to Victoria and sprawl in broad acre plantings along the Murrumbidgee and Murray Rivers.

The latter, known officially as the ‘Big Rivers’ zone, accounts for more than 70 per cent of New South Wales’ wine production. While much of the wine from these areas is homogenous, destined for wine casks and cheaper bottled products, there are pockets of specialisation.

Take, for example, the luscious dessert wines of the Riverina district. Back in the eighties the de Bortoli family showed that semillon, the region’s then most widely planted white wine variety, need not make ordinary wine. De Bortoli Noble One, now Australia’s best known sticky, was born of imagination and the propensity of the area’s warm, humid sites to produce suitable grapes.

irtually every Riverina grower now makes a semillon in the Noble One mould – a style that goes so well with desserts, patés, and ripe old blue-vein cheeses.

Along the Great Dividing Range style variations can be remarkable – sometimes over tiny distances, thanks to dramatic variations in altitude. Warm Cowra, at about 200 metres makes fat, soft peachy, drink-now chardonnays; an hour’s drive north at 900 metres chilly Orange makes an altogether, leaner, slow evolving, more interesting style.

The former can be quaffed happily with any casual meal; the latter deserves the very finest seafood and your undivided attention.

The lower Hunter, of course, one of Australia’s oldest wine making regions, specialises in low-alcohol, delicate, long-lived semillons and elegant, earthy shiraz but, like most regions, produces a wide range of wines with notable success, too, in chardonnay and verdelho.

In our very own Canberra district (most of it within New South Wales, despite the name), shows the dramatic impact of altitude-related climate variation. Warmer sites between 550 and 650 metres around Hall and Murrumbateman make wonderfully elegant, refined shiraz — a great match for rare spring lamb, veal or turkey. And the shiraz performance has worked to higher altitudes in recent years and now includes Mount Majura, Wamboin and Lake George foreshore.

The cooler sites at over 800 metres up on the Lake George Escarpment, above Bungendore, make fine chardonnay and, occasionally, pinot noir – fine pairings for Atlantic salmon and duck, respectively.

Throughout the Canberra region, in comparatively warm Hall and Murrumbateman, up on the cool, high escarpment and along Lake George foreshore, at 700 metres, riesling performs well, albeit in a number of dry styles — all suited to a range of seafoods, depending on body and richness.

Canberra’s southern neighbour, Tumbarumba, in the cool lee of the Snowy Mountains, produces superb, delicate pinot noir and chardonnay for top Australian sparkling wines – delicate, appetisers to serve with finger food. Tumbarumba also contributes to some of our very best elegant, intense and expensive chardonnays. Like those from Orange, these gems can be savoured with the finest seafood.

Farther to the north, Mudgee (meaning ‘nest in the hills’) mixes the broad acre plantings of the last decade with the smaller plots of boutique makers. Though its winemaking story stretches back to 1858, its explosive growth is largely a story of the wine boom of the nineties.

Mudgee makes sturdy but not heavy reds, noted for their high tannin content and the longevity and ultimate grace of the very best. Shiraz and cabernet sauvignon are the main varieties – the latter working well with the local lamb and beef and former being a treat with rich pasta dishes.

Thanks to Italian immigrants Carlo Salteri and Franco Belgiorno-Nettis, Mudgee is also home to mature plantings of the Italian red varieties sangiovese, barbera and nebbiolo.

The first two work well in the area and though they’ve disappeared from sight in recent years, they’re about to reappear under the new ownership of Bob Oatley. The medium bodied, savoury sangiovese works well with savoury foods, including pizza; while the dazzling summer-berry exuberance of barbera loves pasta, salads and a good laugh.

And all of this is only part of what New South Wales wines have to offer. Vineyards have sprung up, as well, on the south coast, in the southern highlands, around Gundagai and on the New England highlands from Tamworth through to the Queensland border.

Every vineyard is a flavour and a story in itself and there are food styles aplenty to go with them.

Copyright © Chris Shanahan 2007

Beer review — Grolsch & Carlow Curim

Grolsch Premium Lager $3.99 473ml swing top
Fancy bottles invariably push our BS metre up. But Grolsch impressed, both for stunning freshness (rare in imports, especially in green UV-admitting glass) and individuality. In one sense it’s mainstream lager. But there’s a distinctive and appealing pungent, herbal, hop character that carries from aroma, to rich palate, to dry, refreshing finish.

Curim Celtic Wheat Beer $7.99 $500ml
Carlow Brewing, established in Ireland’s Barrow Valley in 1998, brews this and a number of other beers including, of course, stout. But the Irish can brew wheat beer, too. In Curim it’s an appealing fruity, round, soft style — as beguiling as an Irish brogue, if a little tired from its long journey.

Copyright © Chris Shanahan 2007

English beer disappoints Canberra brewer

Richard Watkins, brewer at Canberra’s Wig and Pen, returned from the UK recently, inspired by a mild ale that won the Great British Beer Festival’s champion beer award.

The Wig’s version of this easy-drinking style, modelled on the winning ale, should be on tap in a few weeks, says Richard. It’s in the pot now, brewed on 16 October.

But Richard’s three-week tour fell a little flat. He reckons that real ale appears to be struggling in London where mass-produced lagers like Fosters, Fosters Extra Cold, Stellar Artois and Carlsberg seem ubiquitous.

He said that he struggled, ’even finding a good London pub that looked after its beer’.

Richard tasted 311 beers in visits to five breweries and the Great British Beer Festival – and awarded only twenty-eight of them a score of four or more out of five – a depressingly low figure from the land that led the ale revival thirty years ago.

Copyright © Chris Shanahan 2007

Wine review — Yalumba Wrattonbully, Paxton & Oakvale

Yalumba Wrattonbully Vineyards Marsanne Viognier 2006 $18.55
What a scrumptious drop – oozing with vibrant rich viognier, tempered somewhat by the more restrained marsanne, and with the silk-smooth texture that comes from barrel fermentation and ageing. It’s one of several outstanding new releases from Yalumba: Mawson’s Hill Block 3 Wrattonbully Cabernet Sauvignon 2005 and Bridge Block 7A Sauvignon Blanc 2007 (both $14.95) from vineyards established in the mid nineties; and the powerful Yalumba The Signature ‘Alan Hoey’ Barossa Cabernet Sauvignon Shiraz 2003 ($42.95); idiosyncratic, wonderful The Octavius Barossa Old Vine Shiraz 2003 ($100-ish) and the elegant, teasingly leafy The Menzies Coonawarra Cabernet Sauvignon 2004 ($42.95).

Paxton AAA McLaren Vale Shiraz Grenache 2005 $23
Try this for the real Vale experience of generous flavour, soft tannins and food-friendly spicy savouriness – all showing the extra fragrance and depth of an outstanding vintage. Michael Paxton made the wine using shiraz from the family’s ‘Gateway’ and ‘Jones Block’ vineyards and grenache from their ‘Quandong Farm’ vineyard.  It’s a blend of five shiraz parcels and three of grenache, sourced from dry grown bush vines. Michael’s father, David, enjoyed a reputation for growing top-notch fruit in the Vale for decades before moving into winemaking. Not surprisingly the wines live up to the Paxton reputation.

Oakvale Hunter Valley

  • Gold Rock Semillon 2007 $17.50
  • Block 37 Verdelho 2007 $19.50
  • Peppercorn Shiraz 2006 $29

Oakvale sources all of its fruit from the lower Hunter Valley, predominantly from Broke, the next valley over from Pokolbin. A few samples sent recently by winemaker, Steve Hagan, were impressive. Gold Rock Semillon 2007 offers tremendous value. It’s an appealing version of this regional specialty and ought to drink well over the next five or six years. It’s lemony, soft, low in alcohol and very crisp and fresh. The verdelho offers more body and flavour, but to my taste, not the interest of the semillon. And the Peppercorn Shiraz is just lovely – very soft and tender in the Hunter mould with probably decades of cellaring ahead of it.

Copyright © Chris Shanahan 2007

Beer review — Fish Rock and Knappstein

Fish Rock Brewery Leather Jacket Lager 6X330ml $18
Was it the riverside ambience at the Pickled Octopus, Tuross, that made Leather Jacket Lager and Red Emperor Amber Ale taste even better than on their release last year? With fresh beer-battered flatty fillets and char grilled dory, nothing could’ve been more refreshing than these brews from Mittagong. See www.fishrockbrewery.com.au

Knappstein Enterprise Brewery Reserve Lager 330ml 6-pack $16.95
In the year since its release Knappstein Lager seems to have taken on a cult status. It’s a stunningly good drop brewed in the historic Knappstein Enterprise Winery building in the Clare Valley, once home to a brewery. Winemaker Paul Smith’s brewing mentor is fellow Lion Nathan man, Chuck Hahn.

Copyright © Chris Shanahan 2007

Turning water into beer

How important is water in brewing? And what are we to make of beers that spruik the virtues of ‘pure spring water’ and the like?

There’s a hint in Malt Shovel brewer, Chuck Hahn’s answer when asked about his water source some year back.  ‘Camperdown springs’, he replied.

So, if some of Australia’s most successful craft beers use tap water – albeit filtered and suitably adjusted – maybe the ‘spring water’ thing doesn’t matter too much.

This simply demonstrates the quality of modern town water and the ability of brewers to add minerals on demand to subtly influence beer styles.

The demystification is demonstrated clearly in England’s Burton-on-Trent.

This uniquely mineralised water, ideal for ale brewing, is emulated around the world and gave rise to the term ‘Burtonised’. These days, a former Bass brewer told me, even Burton water is de-Burtonised to make lager, then re-Burtonised to make ale.

Copyright © Chris Shanahan 2007

Wine review — Bidgebong, Kirrihill & Morris

Bidgeebong Icon Series Tumbarumba Chardonnay 2005 $32
While the 2006 vintage won a gold medal and trophy at the recent Canberra regional wine show, the currently available 2005 is on the money, too. It’s sourced from the Slacksmith family’s Humula vineyard at 400-450 metres above sea level – towards the lower end and presumably warmer part of the Tumbarumba region. Originally destined for a larger blend, this single-vineyard parcel impressed winemakers Andrew Birks and Keiran Spencer enough to bottle it separately. Spontaneous fermentation in oak added textural depth and complexity to a fine-boned and rich chardonnay that looks particularly vibrant and fresh at two and a half years.  See www.bidgeebong.com.au

Kirrihill Wines Clare Valley Single  Vineyard Series $19.95:

  • Tulach Mor Shiraz 2005
  • Tulach Mor Cabernet Sauvignon 2005
  • Baile an Gharrai Shiraz Mourvedre Grenache 2006

These are big-value, vibrant Clare Valley reds made by David Mavor from selected Clare Valley vineyards. The shiraz and cabernet come from the Tulach Mor (Gaelic for big hill, but anglicised to Tullymore) vineyard, while the shiraz mourvedre grenache comes from the Baile en Gharrai (Ballingarry) vineyard. The latter shows the pronounced spicy, musky fragrance of mourvedre and grenache. These varieties play a delightful role in the vibrant, spicy, soft and dry palate, too.  The shiraz is bright, fresh and soft and somewhat denser than the blend. The cabernet surprises with its ripe but pure varietal aroma and flavour and terrific mid-palate richness – something missing in so many Aussie cabernets. See www.kirrihillwines.com.au

Morris Rutherglen Durif 2004 $19.99
What is durif? Well, it’s a tough, tart, burly, high-alcohol, blood-crimson red wine that lives forever and has a small but fanatical following. Its Australian home is Rutherglen, northeastern Victoria but its origins are French. Jancis Robinson says that a Dr Durif, after whom it was named, propagated it in about 1880 and that in France it was ‘tolerated, though never encouraged’. The Morris family planted it in Rutherglen in 1920 and Mick Morris made the first table wine from it in 1954 – a practice continued today by his son, David, under the ownership of Pernod Ricard Australia.

Copyright © Chris Shanahan 2007

Setting a bubbly standard

With more than a hundred thousand visitors a year, you’d have to say that Moet’s Yarra Valley winery knows what its customers wants.

That such a multitude of wine drinkers have opted for luxury and location consistently for almost twenty years is surely a lesson in the service standards premium wine drinkers expect and are attracted to – especially as Australia gears up for the next region-driven phase of our export drive.

It also says a lot about the best features of the French wine industry. At the top end you have the world’s greatest regional wines. They remain global benchmarks for cabernet sauvignon, pinot noir, chardonnay and semillon-sauvignon-blanc dessert wine. And in the case of Champagne you have perhaps the world’s greatest regional wine marketers, selling about 300 million bottles a year of their luxury product.

French giant Louis Vuitton Moet Hennessy owns a string of prestigious Champagne brands, Moet et Chandon, Dom Perignon, Veuve Clicquot, Mercier and Krug included, as well upmarket bubbly operations in Australian (Chandon Australia), America (Chandon California) and Argentina (Bodegas Chandon).

A close look at the Australian operation reveals a French sense of place being at the core of the brand. But in the Australian instance it’s not a single regional grape source as it is in Champagne.

For LVMH, the Chandon brand’s centrepiece is a magnificent cellar-door-wine-tourism complex in the Yarra Valley. If you’ve not visited Chandon, it’s worth the forty-minute drive next time you’re in Melbourne.

It’s a place to pause and admire the scenery, taste the wines, or, as the majority of visitors seem to, stay for a light and delicious lunch and a glass of one of Chandon’s many sparkling wines or elegant Green Point table wines.

A setting like this probably makes the wines taste even better. But that’s part of the experience. And the French know how important this is in building brand image.

Underneath the image at Chandon, though, lies about twenty years’ winemaking in the Valley and beyond and, of course, the perspective and expertise brought by the centuries old Champagne region connection.

Two decades after establishing in the Yarra, Chandon owns about eighty hectares of mostly mature vineyards sprinkled at altitudes varying from 90 metres to 450 metres in the valley and at 600 metres in the Strathbogie ranges. And the winemaking team also sources fruit from tens of contract growers from afar afield as Tasmania.

That highly varied fruit sourcing translates into a range of highly individual Chandon sparkling wines and several elegant table wines under the Green Point label (named for the Yarra Valley location).

There’s a parallel here with the Champagne region where multi-vineyard sourcing allows makers to produce large-scale blends (enough to serve the world) — of a surprising consistency for such a marginal grape-growing climate.

The difference in Australia, of course, is that we’re comparatively new to the top-end bubbly game and we don’t have a single, dedicated region for it. Chandon has of necessity, and inclination, looked high and low, quite literally, for suitable material

Not one of the Chandon sparklers we drink today could have been as good as they are now when Chandon arrived in 1986. It takes decades to establish vineyards, allow the vines to mature to develop grower relationships.

The Chandon range today is varied within a generally, generous-but-soft and very fine-textured style.
Soft, creamy and fresh Chandon NV (about $20 to $27, depending on retailer moods) expresses the style consistently. It’s backed up by the vintage version (about $10 more) – a tighter, more intense, complex style.

I’ve not tasted the 2004, due for release in October. But it’s a promising sounding blend from Yarra Valley, Strathbogie Ranges, King and Buffalo Valleys, Coonawarra and Coal River Valley Tasmania. Watch this space.

Two very appealing straight chardonnay blends from the 2004 vintage come from the Yarra Valley, Strathbogie and King Valley. Blanc de Blancs 2004 ($39) is a traditional soft, elegant aperitif style; ZD Blanc de Blancs 2004 is, I suspect, the same wine but without the usual ‘dosage’ of sugar (hence, zero dosage). It’s somewhat racier and, of course, bone dry.

The bronze/pink Vintage Brut Rosé 2004 might tempt the most vehement rosé sceptic. It’s an unforced style for bubbly as most of the grapes for white sparklers come from the red varieties pinot noir and pinot meunier. Chandon’s rosé gets its colour from a dash of pinot noir fermented on skins rather than drained off as the white versions are. It’s a lovely drop.

The favourite has to come last, of course. The bronze-tinted Chandon Tasmania Cuvée 2004 ($39), from the Coal River Valley, is stunning. It’s bold, rich and complex but dazzlingly fresh and fine at the same time.

Chandon’s latest releases offer great value within a distinctive house style. They’re beautifully packaged, setting the scene for any celebration. To my palate they’re more enjoyable than some of the cheaper, austere, immature real Champagnes being imported.

But if you’re used to the real thing and price doesn’t matter that’s where the greatest quality and drinking satisfaction still lies.

Copyright © Chris Shanahan 2007