Yearly Archives: 2007

Wine review — Leo Buring, Oxford Landing & Mount Majura

Leo Buring 2007 Rieslings: Eden Valley $18.99, Clare Valley $18.99
Leonay DW K17 Eden Valley 2007 $36.99

These continue a great tradition that began under Leo Buring in the 1940s, passed to Lindemans in the 1960s and then, via Penfold Wine Group and Southcorp, to Foster’s in 2005. Components of the three rieslings looked good in the Barossa recently and hit the mark as finished wines. The Clare wine is the most rounded, generous and slightly grippy of the three – in a crisp, dry, varietal way. The Eden Valley wine is more delicate and racy – a nose ahead of the Clare version. And ‘Leonay’ simply blows its cellar mates away. This is sheer, intense, refined class with long term cellaring potential.

Oxford Landing Cabernet Shiraz 2006, Merlot 2006, Sauvignon Blanc 2006 $6–$8
This is one of the few budget-priced wine ranges with a name that relates to its origins. Oxford Landing is, indeed, a wine estate, established on South Australia’s Murray River in 1958 by Wyndham Hill-Smith, father of the current owner, Robert. Since Oxford Landing’s launch in the eighties, it’s been a budget champ, delivering rich, ripe flavours at the right price. The comparatively low alcohol sauvignon blanc (11.5 per cent) is right on the money in 2007 with fresh, crisp, passionfruit-like varietal flavours. Merlot 2006 is medium bodied with real-red tannins; and Cabernet Shiraz 2006 offers more robust flavours with, again, real red-wine structure.

Mount Majura Canberra District Riesling 2007 $16, Merlot 2005 $16, Shiraz 2006 $25
Tempranillo 2006 $25

Frank van de Loo’s new riesling bursts with aroma and flavour, giving it a drink-now appeal that we don’t always see in this often slow-developing variety. But it also has the fresh acidity and to develop well for several years. It’s clear from the new red releases – and a taste of the 2005 Tempranillo against the 2006 – that 2005 was a stronger year than 2006. That’s just the wines reflecting the seasons, of course. Merlot 2005 shows the chocolaty richness and firm tannin structure of the vintage; Tempranillo 2006 seems a little leaner and more acidic than the 2005; and the 2006 shiraz is just lovely – in the fine, spicy, soft cool-climate mould.

Copyright © Chris Shanahan 2007

Micro makers focus on individual Barossa vineyards

We’ve all heard of Seppelt, Penfolds, Saltram, Yalumba and Orlando – great and enduring Barossa names. But what do we know of Tuesner, Tscharke, Lienert, Hentley Farm, Clos Otto, Gibson, Schild, Jenke, Haan, Kabinye, Langmeil, The Willows, Whistler, Kaesler, Kalleske, Torbreck, Three Rivers, Rockford, Veritas, Turkey Flat, Greenock Creek and Murray Street Vineyards? – to name just a few of the Valley’s smaller winemakers, many of them comparative newcomers.

There’s a revolution in the valley – perhaps insurrection is a better term – that’s at least as significant as the ‘Rhône ranger’ outbreak of the 1980s. Remember them?

As the industry expanded and consolidated in the mid to late eighties, the Barossa became increasingly a source of anonymous blending material for mass commercial brands – many of them owned by the large, old Barossa firms.

A group of Barossa winemakers, including Charlie Melton (Charles Melton Wines), Robert O’Callaghan (Rockford Wines) and Bob McLean (St Hallett) rebelled against creeping homogeneity and put the Barossa’s best foot forward.

They saw the long-term value of the region’s tried, proven and mature vineyard resources – particularly of the red Rhône Valley varieties shiraz, grenache and mourvedre (hence the sobriquet).

As the larger companies moved away from their regional roots, these small producers embraced regional specialisation and created wine-lover Barossa icons like Charles Melton Nine Popes, Rockford Basket Press Shiraz and St Hallett Old Block Shiraz. These appealed not just to local drinkers but excited a few commentators in export markets as well.

For the Rhône rangers and the others that followed, the Barossa provided rich pickings with its unique vineyard resource spread over a large and climatically and topographically diverse area.

The significant spread from north to south, the varying aspects along the eastern and western slopes and valley floor and varied soils mean significant variation in grape flavours – and hence the styles of wine produced.

These, of course, can never be expressed in multi-region blends. But this vineyard-by-vineyard flavour expression is the international language of fine wine. It’s the foundation of France’s wine appellation (name) system that grew, not from legislation describing wine regions, but from distinct wine styles defining regions.

The Barossa’s pattern of land settlement unquestionably aided the Rhône rangers back in the eighties and seems to be an important factor in the rise of a new band of Barossa sub-regional and single-vineyard specialists.

How can history affect today’s wines? Well, it can. And it’s illuminating to quote from a little booklet that I worked on last year with Phil Laffer, head of Orlando winemaking and viticulture.

In the book (The View From Our Place, Simon and Schuster, UK, 2006), Phil writes of the Barossa, ‘More than any other part of Australia that I can think of, the Barossa retained its ethnic identity for a very long time. This predominantly German influence continues to give us a unique food culture.

From the time the pioneering Germans arrived here in the 1840s until the 1970s, these communities tended to occupy mixed farms, with comparatively low incomes and a culture of growing and preserving much of their own food. They didn’t have any money to move away if they wanted to, so they stayed a very tight-knit community’.

From a modern winemaking viewpoint, the crux of this is that many of those mixed farms included grapes as part of the mix, creating an extraordinary scattering of small to medium holdings across the length and breadth of the Valley.

Many of these are extant today, some in the hands of the fifth and sixth generation of the founding family. Of course, there have been consolidations, grubbings and significant broad-acre plantings over the past decade.

But what the new wave of mostly young winemakers are doing – many without wineries or vineyards of their own – is finding those old, scattered vineyard plots and making small batches of the most extraordinary wine.

They’re mostly of old Barossa families, well qualified, and often have amazing insights into what even very small plots of old vines might deliver.

These are adding to the richness and colour of the other small and medium estate-based operations. And, ultimately, their growing success will probably create a Burgundy-like Barossa – not in wine-style, but in a growing appreciation of sub-regional and individual-vineyard differences expressed in wine.

Our bid to build on the success of ‘brand Australia’ in export markets will rely increasingly on exactly this sort of regional specialisation, where it’s warranted.

And it’s certainly happening in this valley that spreads twenty kilometres from north to south, widens from about 500 metres in the south to ten kilometres in the north, has gentle hills on the western boundary; the higher, cooler Eden Valley rising out of the eastern slopes; and whose south-eastern corner abuts the much cooler Adelaide Hills.

This column will look at some of the new-wave Barossa makers in the months ahead.

Copyright © Chris Shanahan 2007

Beer review — Matilda Bay & Little Creatures

Matilda Bay Grayston Reserve 07 750ml $17
Brad Rogers’s second vintage ale is bottle-conditioned and built to last. It’s a wheat ale combining five different barley and wheat malts. The combination gives Grayston a rich, chocolate-like flavour. But the wheat components add a spiciness and lift to the estery, fruity aroma and a vibrance and crisp acidity to the palate.

Little Creatures Bright Ale 330ml 6 pack $18.99
This is a small brewer’s response to demand for an easy drinking beer. Made in the image of the full-bore, cloudy Pale Ale, Bright Ale leads with the lovely citrus/resiny character of new season New Zealand hops in a moderately bitter brew built on delicious, subtle pale ale, carapils crystal, Vienna and wheat malts.

Copyright © Chris Shanahan 2007

Another vintage beer story

Where vintage wines reflect seasonal variations on grape flavour, a vintage date on a beer signals the brewer’s intent to give us a robust, age-worthy brew rather than seasonal flavour impact.

And the difference in flavours between vintage beers reflects the brewer’s imagination and ingredient selection rather than, say, the regional differences that we might see in wine.

The Cooper’s and Matilda Bay 2007 vintage ales reviewed this week and last illustrate the impact that brewing decisions makes on the beers we drink.

Cooper’s opts for a high-alcohol (7.5 per cent) all-barley beer. The result is an opulent, rounded beer with heady fruit-like esters. To keep these in check the brewers create countering herbal aromas, flavours and bitterness with a liberal addition of hops.

The less alcoholic Matilda Bay, by using wheat malt as well as barley, has a drier, less rounded palate, more apparent fruitiness and the distinctive acidity of wheat ales.

Matilda Bay Grayston Reserve 07 750ml $17
Brad Rogers’s second vintage ale is bottle-conditioned and built to last. It’s a wheat ale combining five different barley and wheat malts. The combination gives Grayston a rich, chocolate-like flavour. But the wheat components add a spiciness and lift to the estery, fruity aroma and a vibrance and crisp acidity to the palate.

Copyright © Chris Shanahan 2007

Wine review — Carlei, Majella & Wither Hills

Carlei Green Vineyards Yarra Valley Chardonnay 2005 $29, Heathcote Shiraz 2004 $27 and Upper Goulburn Valley Cabernet Sauvignon 2004 $29
Sergio Carlei sources fruit from various Victorian vineyards, matching grape variety to region – with great individuality from what I’ve tasted to date. The new releases hit the mark again, particularly the chardonnay and shiraz. While the finely structured Yarra chardonnay shows all the complexities of barrel fermentation and maturation, it’s the pure, varietal fruit that really stars. The shiraz is sensational – full bodied, but elegant at the same time, with generous, savoury fragrance, silky, smooth tannins and high natural acidity that focuses the varietal flavour and gives the wine life and lift. The cabernet? – lovely, but upstaged by a few Coonawarras on the tasting bench.

Majella Coonawarra Shiraz 2005 $30, Cabernet Sauvignon 2005 $30 and The Malleea Cabernet Shiraz 2004 $70
These have become Coonawarra benchmarks since Brian ‘Prof’ Lynn and his brother Tony shifted from grape growing to winemaking in the early nineties. The wines are made in a distinctive ripe and robust style with generous, though sympathetic oak treatment – a style partly steered by what the vineyard produces but also carefully thought through by Prof and winemaker Bruce Gregory. The 2005’s show the great ripe, juiciness of the vintage without sacrificing Coonawarra’s deep, sweet berry flavours. The cabernet, in particular, is stunning and destined for a very long cellaring life. The flagship Malleea shows the elegance of the cooler year.

Wither Hills Marlborough Pinot Noir 2004 or 2005 $45-$50
Lion-Nathan-owned Wither Hills, on the cooler, southern side of Marlborough’s Wairau Valley, has developed what I believe are some of the best value-for-money pinots in the world under its founder, Brent Marris. Brent recently left, leaving the reins to his long serving offsider, Ben Glover. Ben had a hand in making both of these delicious wines. And although the richer, riper 2005 replaced the 2004 some time back, both can still be found on retail shelves. The 2004 now shows some sweet, gamy, bottle-age character that’s 100 per cent pinot, while the 2005 still presents more primary varietal fruitiness. Both have the silky depth of good pinot.

Copyright © Chris Shanahan 2007

Lake George renaissance part 2 — Lake George vineyard

Sometimes a vineyard’s fate depends on succession, or lack of it – a story well illustrated by Canberra’s first two vineyards.

In 1971 CSIRO scientists Dr Edgar Riek and Dr John Kirk, unknown to each other at the time, planted vineyards on the western foreshore of Lake George and at Murrumbateman respectively.

Kirk’s Clonakilla passed smoothly from John to his son Tim and today enjoys a global clientele.

Riek’s succession, though, didn’t run as smoothly as he’d hoped after selling Lake George Vineyard in 1998. But late last year the owners, Theo Karelas and his son Sam, decided to get the vineyard and winemaking back into shape.

Sam says that even though he made the Lake George wines in recent years, he had no background in winemaking. As well, working in the family’s Four Olives Deli Café at Manly, Sydney, left little time for the vineyard.

It needed full-time care. And their determination to give it that coincided with Hardy’s plan to exit Canberra. This, in turn, caused Hardy’s Canberra winemaker, Alex McKay, to consider his options for the future.

With enormous respect for Alex’s talent and fearful that he might leave Canberra, Edgar Riek approached the Karelas family. They seized the opportunity. And after discussions with the family early this year Alex agreed to make the Lake George wines and oversee a rejuvenation of the vineyard.

The arrangement with Theo and Sam Karelas allows McKay time to develop his own brand as well. (While that’s a story for another day, we can look forward to the release of Alex’s two gold-medal winning Canberra shirazes in August).

Out at the vineyard on a freezing Sunday, Alex is clearly impressed by the site that Riek chose back in 1971. He says the soil is great – ‘it’s friable, it’s well drained and it has the right pH balance’.

The site also has a unique aspect, exposing it to humid sea breezes. This, believes Alex, means less moisture stress for vines – and that’s particularly important in our otherwise dry climate.

He points to a building to the south, beyond the adjoining Madew vineyard. Throughout the drought, it seems, the water tanks there remained two-thirds full purely from condensation run off, courtesy of the sea breezes.

Despite the sea breezes, though, the six-hectare vineyard suffered in the long drought.  Alex appears confident, though, of restoring the vineyard – and shows a twenty-year-old photograph of Edgar Riek standing in front of neatly hedged vines with trimmed swards of green grass between the rows.

Alex intends to ‘nurse the vines along gently’ and not use too many sprays. He started the rejuvenation with soil tests across the property and from this developed a range of composts that have since been spread among the vines, along with supplements to address mineral deficiencies.

Like all accomplished winemakers, Alex knows that he can’t make a silk purse out of sow’s ear – or a top-notch shiraz from second grade fruit.  So the whole 6-hectare vineyard’s being reworked to produce the best possible quality.

The focus is going to be on the red varieties shiraz, pinot noir and tempranillo and on the white chardonnay and pinot gris. But a few patches of old cabernet sauvignon, malbec and viognier are to remain to make one-off small parcels or perhaps, in the case of viognier, to find its way into blends with shiraz.

The rejuvenation program includes grafting from one variety to another; grafting to better clones of the same variety; grubbing out old vines and replanting with better-suited varieties; and progressively re-trellising right across the vineyard.

Eighty-seven-year-old Edgar Riek began grafting shiraz onto pinot noir about a year ago; a block of merlot and cabernet is to be grafted over to tempranillo and shiraz this winter; and parts of the chardonnay and remaining pinot noir blocks are to be progressively grafted to better clones.

A block of shiraz at the lowest point of the vineyard is to be grubbed out and replanted to the white pinot gris – the lower, cooler location being better suited to whites.

The only new planting is to be seven rows of tempranillo on a plum site mid-vineyard that’s already been ripped in preparation.

Alex says that the gradual transformation from T-trellising to single-wire vertical shoot positioning will be accompanied by cane pruning. Together these will provide a more manageable canopy and help to optimise yields – key elements in producing high-quality fruit.

As Alex leads the charge in the vineyard – with help from Edgar Riek and Nick O’Leary, another of the young talents from Kamberra – Sam is planning the cellar door facility.

Like neighbouring Lerida Estate and Madew, he wants a substantial offering to attract both Canberra residents and travellers from the busy Federal Highway.

He envisages a large facility with both indoor and outdoor dining capacity – perhaps an outdoor pizza oven and, almost certainly, with a focus on cheese from boutique makers, both local and foreign – something that’s been a great success for him in the Manly deli.

Although Lake George has few wines to offer at present – the 2007 vintage being the hottest on record and one of the most difficult – it’s on track to deliver the vineyard’s full potential in coming years.

It seems that Edgar Riek’s vision might come true after all – thanks to the resources, will and entrepreneurial skill of the Karelas family and the outstanding talent they’ve recruited to deliver the goods.

Copyright © Chris Shanahan 2007

Beer review — Cooper’s & Ruddles County

Cooper’s Extra Strong Vintage Ale 2007 $375ml $3.75
The family resemblance between Cooper’s 2006 and 2007 ales is a high 7.5 per cent alcohol and robust malt and hops flavours. But a year’s bottle age sees the 2006’s flavour balance shifting towards sweet, toffee-like malt and away from hops. The ultra-fresh 2007 still delivers both in abundance – and harmony.

Ruddles County World Famous English Ale 500ml $7.49
In a recent tasting of richer, maltier English ales Ruddles stood apart for its lighter colour and emphasis on a lingering, delicious bitter finish. Malt and fruitiness, the other key ale-flavour elements were there, too, but the hops aroma and flavour and bitterness set the theme for a very more-ish drop.

Copyright © Chris Shanahan 2007

Cooper’s 2007 — a vintage drop

Cooper’s Vintage Ale 2007 hit retail shelves recently, prompting a call to brewer, John Hood to find out what makes ‘vintage’ beer age-worthy.

The biggest element, said John, is the bottle conditioning process – where a secondary fermentation produces carbon dioxide and absorbs oxygen. This in turn reduces oxidation of the beer.

Subsequently the high alcohol, opulent malt flavours and assertive hopping tend to mask oxidative character that might show more in a lighter beer.

John says that successive vintage have taught the brewers that some things seem to work better than others.

For example, all that alcohol and body requires a counterfoil.  Robust hops treatment provides bitterness to balance the malt sweetness and a pungent aroma to match the fruity esters.

Vintage 2007 has a little more crystal malt for its red hue and caramel/toffee flavour as well as increased hopping to increase the bitterness – as this tends to decline with age.

Cooper’s Extra Strong Vintage Ale 2007 $375ml $3.75
The family resemblance between Cooper’s 2006 and 2007 ales is a high 7.5 per cent alcohol and robust malt and hops flavours. But a year’s bottle age sees the 2006’s flavour balance shifting towards sweet, toffee-like malt and away from hops. The ultra-fresh 2007 still delivers both in abundance – and harmony.

Copyright © Chris Shanahan 2007

Wine review — Balnaves, Gallagher & Jim Barry

Balnaves of Coonawarra Shiraz 2005 $24, The Blend 2005 $19,
The Tally Cabernet Sauvignon 2005 $80

This impressive trio of new releases from the Balnaves family shows the ripeness and strength of the warm 2005 vintage. The shiraz shows some peppery, cool-climate flavour but it’s otherwise fuller and more tannic than usual, albeit in a soft and approachable style. The Blend — the bargain of the three — delivers attractive, ripe, upfront fruit flavours with soft, easy-on-the-palate tannins. It’s ready to drink now. The Tally, from the Balnaves family’s ‘Dead Morris’ and ‘Walker’ vineyards belongs to the cellar: it’s dense and powerful with Coonawarra’s vivid cabernet varietal flavour, firm structure and assertive, but sympathetic, oak character. See www.balnaves.com.au

Gallagher Canberra District Riesling 2007 $18, Merlot 2006 $22, Blanc de Blancs 2005 $35
Greg Gallagher’s new releases offer pretty good value. This, the first of the local 2007 rieslings that I’ve seen, seems particularly aromatic and full flavoured for such a young wine, with an appealing, round, soft, juicy palate. The merlot hits a lot of the right buttons with its appealing, plummy perfume and finely structured, medium-bodied, fruity palate. It has richness without heaviness and avoids the over-oaking or green tannins that mar too many examples of this variety. The estate-grown bubbly shows Greg’s expertise in this area. It’s a beautifully made, very youthful and full-bodied expression of this all-chardonnay style. Cellar door phone 6227 0555.

Jim Barry Cover Drive Coonawarra Clare Cabernet Sauvignon 2005 $19.50
The Barry family captures the essence of good, drink-now cabernet in Cover drive. A warm-vintage blend from Coonawarra – cabernet’s heartland – and Clare Valley, it delivers pleasant, ripe-berry/chocolaty varietal flavours with just the right weight and richness on the mid-palate. It’s a good argument for cross-regional blending, a great Australian specialty. The Barrys are Clare Valley based and have very substantial vineyards in a number of locations. But they also own a vineyard in southern Coonawarra. Peter Barry says the Coonawarra component provides ‘intense varietal character’ while Clare Valley contributes chocolate-like flavour and round, soft tannins.

Copyright © Chris Shanahan 2007

Beer review — Redoak & Fuller’s

Redoak Rauch 330ml $7.50 at Café della Piazza
Redback Rauch had the Schloss Shanahan tasting memories drifting back to Bamberg, Germany, and drafts of meaty, smoky Rauchbier served with liver dumpling soup. We’ve not seen an Aussie attempt at this beechwood-smoked style before, but see great promise in Redoak’s less in-your-face version. This is adventurous brewing by David Hollyoak.

Fuller’s Extra Special Champion Ale 500ml $7.49
Few back labels hit the mark like Fuller’s. But ‘smooth, full bodied and bursting with flavour, with marmalade fruitiness throughout’ hit the mark as we sipped at this opulent 5.9 per cent alcohol English ale. The fruity notes really did move into the bitter/sweet marmalade spectrum. These fitted well with the complex, bitter hops.

Copyright © Chris Shanahan 2007