Yearly Archives: 2011

Spicing up beer flavour

Brewers love tinkering with flavours. Indeed the natural additives they use goes way beyond the traditional ingredient list of malt, water, hops and yeast.

Some flavoured beers go back centuries. Belgium Lambic beers, for example, originated as natural ferments of beer with blackberry (cassis), raspberry (Framboise), cherry (kriek) or peach (peche) – a process described by one brewer as a tag-team of microbes producing a palatable, if idiosyncratic, sweet and sour sipping beer.

And in northern Germany, Berliner Weisse, dating probably from the sixteenth century, remains popular. It’s a low alcohol wheat beer with a sour, lactic flavour, usually served pre-mixed with raspberry or woodruff cordial.

While some additives, like Stilton, chilli and pizza sound positively weird, others, carefully handled, produce interesting, tasty beers. The list includes banana, ginger, Australian pepper berry, chocolate, coffee, shiraz, various herbs and spices and even fresh truffle.

Copyright © Chris Shanahan 2011

Beer review — Feral White and Weihenstephaner

Feral White 330ml $3.42
Feral White, from the Swan Valley, combines wheat and barley, seasoned with coriander and orange peel, in the Belgian style popularised by Hoegaarden. It delivers the style’s fresh, clove-like aroma and lemon-fresh palate. But it lacks the creamy richness of the originals and finishes perhaps a little sweet.

Weihenstephaner Original Bayrisch Mild 500ml $4.77
This lager is a pale, mild and subtle counterfoil to the assertively bitter Weihenstephaner Pilsner reviewed a few months back. Subtlety is the keynote all through: malty aroma with just a hint of hops aromatics; smooth, deep, velvety palate with just enough hops to dry out the finish.

Copyright © Chris Shanahan 2011

 

Wine review — Grosset, Bleasdale and Tower Estate

Grosset Adelaide Hills

  • Pinot Noir 2009 $66
  • Chardonnay 2009 $53

Jeffrey Grosset is best known as a producer of pristine Clare Valley rieslings – wines made protectively to display fruit, fruit and nothing but fruit. This mastery of riesling making shows, too, in the intensity and varietal purity of his pinot noir and chardonnay – barrel aged wines that we might expect to reveal significant winemaker inputs. Sip through the wines over a couple of days, and the winemaking textures and complexities emerge. But shimmering fruit remains always at the front. Both come from the cool Adelaide Hills (to the south of Clare on the same Mount Lofty Ranges).

Bleasdale Langhorne Creek Potts’ Catch Verdelho 2010 $16–$18
The Potts family say that verdelho was one of the first varieties planted in their vineyards back in nineteenth century. It thrives there. And while probably originally planted to make fortified wine (as it does in Madeira), verdelho retains good acidity in this warm region, endearing itself as a variety for dry white wines. The aroma’s of tropical fruit, with an appealing sappy undertone – characters that come through on a fresh and fruity drink-now palate. The vineyard, established by Frank Potts in 1850, is on the Bremer River flood plain near Lake Alexandrina, South Australia.

Tower Estate Adelaide Hills Pinot Gris $22–$25
Samantha Connew took over winemaking at the Hunter’s Tower Estate in 2010, following ten brilliant years at Wirra Wirra, McLaren Vale. Connew’s arrival coincided with Tower’s belated but welcome shift to screw cap seals – a tremendous boon for all of their wines, but especially for vibrant, fresh whites like this, their second pinot gris from young vines in the Adelaide Hills. The wine presents a zesty, citrusy freshness with subtle pear-like varietal flavour and just a trace of the rich texture (but not the oiliness or viscosity) often seen in some expressions of the variety.

Copyright © Chris Shanahan 2011

 

Wine review — Louee Wines, Yering Station, Jacob’s Creek, Paxton, Innocent Bystander and Terra a Terre

Louee Nullo Mountain Riesling 2010 $25
Rylstone, New South Wales

It’s just 50 kilometres from Mudgee (450 metres) but Nullo Mountain vineyard sits at 1,100 metres. At that altitude grapes develop varietal flavour at low sugar levels while retaining spine-tingling acidity that’d make a German vigneron smile. Over at Mudgee David Lowe helps these wonderful grapes become intense, delicate, low-alcohol wines. There’s the brisk, lemony, 10.5 per cent alcohol, bone-dry version made for the long haul but wonderful now, too. And there’s the sinfully pleasurable 12-per-cent alcohol late-picked version – lush and sweet, combining lemony varietal flavour with apricot-like tang of botrytis and drying, cleansing acidity.

Yering Station Shiraz Viognier 2008 $28
Yarra Valley, Victoria

Alcohol in red wine is a hot topic. But it’s surprising how little a wine’s alcohol content tells you about its aroma, flavour or structure. For example, this cool-climate shiraz is a world apart from the warm-grown Jacob’s Creek Barossa wine reviewed here today. Yet both weigh in at 14.5 per cent alcohol. For Yering Station, that’s partly the result of a hot vintage. But even so it’s a cool-climate shiraz to its boots – concentrated, for sure, but medium bodied, spicy and peppery with a supple and soft but still tannic palate.

Jacob’s Creek Centenary Hill Shiraz 2006 $60
Jacob’s Creek and Rowland Flat, Barossa Valley, South Australia

A decade ago, with an eye to evolving markets, Jacob’s Creek introduced a “reserve” range. About five years later they added to the brand several super premium wines that’d lived under other Orlando labels. Appropriately that included the flagship Centenary Hill shiraz sourced from three old shiraz blocks on Jacob’s Creek (yes, it really exists) and an old block at nearby Rowland Flat. The 2006 is a highly aromatic wine combining the immense power and chocolaty richness of Barossa shiraz with an attractive spicy overlay, probably resulting from cool breezes flowing down the creek.

Paxton Tempranillo 2009 $23
Thomas Block and Landcross Farm vineyards, McLaren Vale, South Australia

Yum. Very drinkable. And surprising for warm McLaren Vale, Paxton Tempranillo tastes ripe but weighs in at just 12 per cent alcohol – a rare feat in Australia.  Our makers generally sweat on flavour ripeness as sugar levels (and hence potential alcohol levels) climb ever higher. David Paxton says the wine underwent extended maceration on skins to build structure and flavour. Maturation in older barrels gave mellowness but not obvious oak flavour. The style is medium bodied and soft featuring sweet but savoury berry flavours.

Innocent Bystander Pinot Gris 2010 $19
Yarra Valley, Victoria

Innocent Bystander’s latest pinot gris offers fresh and pure, if subtle, pear-like varietal character, backed by a fine, silky textural richness. This textural richness comes from maturation on yeast lees both in tank and in older oak barrels – executed so well that there’s no overt oakiness. Without the texture there might be little to the wine. But the combination of subtle flavour and rich texture add up to a very enjoyable drink. The grapes come from the cool upper Yarra Valley.

Terra a Terre Sauvignon Blanc 2010 $25
Wrattonbully, South Australia

Ah, no, not another bloody sauv blanc. Bloody cat’s pee. Whoa, hold on. Oh, ahhh, mmmm. Wow. This is Lucy Croser’s and Xavier Bizot’s Australian take on a sauvignon blanc style made by leading small makers in Sancerre, France. It’s barrel fermented and matured in a way that builds texture and body and mutes varietal exuberance while retaining an exciting acid-driven vivacity. Terre a Terre may mean down to earth. But this is heavenly stuff (for sauv blanc) from a daughter of Brian Croser (founder of Petaluma and Tapanappa) and a scion of France’s Bollinger family. These two have wine in the veins.

Copyright © Chris Shanahan 2011

Is aerating wine just hot air

Does wine need air? Does it taste better if we shake it up in a glass, breathe the bottle, decant it or pour it through one of those new aerating pourers? The short answer is: do what works for you, because the experts disagree. And science now tells us that we’ll taste what we think we’re going to taste anyway.

In The Oxford Companion to Wine, Dr Richard Smart writes, “Another traditional but disputed reason for decanting is to promote aeration and therefore encourage the development of the wine’s bouquet. Authorities as scientifically respectable as Professor Emile Peynaud argue that this is oenologically indefensible: that the action of oxygen dissolved in a sound wine is usually detrimental and that the longer it is prolonged the more diffuse its aroma and the less marked its sensory attributes”.

So there. It’s settled. Let’s flog our decanters, aerating glasses and aerating pourers on eBay. Forget the mumbo jumbo. Open the bottle, pour and drink. Now. For Professor Peynaud it doesn’t get better than the first sip, direct from bottle to glass.

No, no, no counters one of the world’s biggest selling wine authors, Hugh Johnson. In Wine: A Life Uncorked, he pities poor Peynaud for what he missed. Johnson, a great wine romantic, routinely decants almost all the reds and whites he drinks. “People who leap to judgment on the first sniff are simply in too much of a hurry”, he concludes.

Johnson’s drinking mate, Michael Broadbent, Master of Wine, certainly isn’t in a hurry. Broadbent, writes Johnson, places a wristwatch beside his notebook – then times the rise and fall of a fine wine’s fragrance from the moment it’s decanted. Their shared belief that great wine needs air and time to reveal all couldn’t be further from Professor Peynaud’s position.

Wondering if there were any science to either position, I called the Australian Wine Research Institute. Communications manager, Rae Blair, said the institute had no material to offer.

However, sensory research manager, Leigh Frances, recalled an informal test conducted with a panel of wine experts. In a masked tasting they’d been served a range of wines, some decanted and some direct from the bottle.

With only one exception, the tasters couldn’t tell the difference between the decanted and non-decanted wines. The exception was a French wine, riddled with hydrogen sulphide (rotten egg gas). Aerating the wine dispersed the stench of this poorly made wine.

This takes us back to the original reason for decanting. When winemaking was a more hit or miss affair than it is today, wine often contained unpleasant volatile components, including hydrogen sulphide and sulphur dioxide. Decanting, or even leaving wine open for a time before serving, disperses these.

Hydrogen sulphide forms in a “reductive” environment – that is, in the absence of oxygen. It’s part and parcel of winemaking, especially in the dense cap of skins associated with red wine ferments. Winemakers introduce air during winemaking to disperse it.

The introduction of screw caps led winemakers to even greater vigilance against hydrogen sulphide. Because the screw cap creates a more reductive environment than cork, winemakers were forced to be even more attentive. As a result we enjoy cleaner wines.

However, tiny amounts can still appear in some wines, though whether or not we notice depends on our threshold for detecting it. Giving the wine a good splash, by whatever means, generally gets rid of it.

What other nasties might aeration remove? Almost all wines contain sulphur dioxide as a preservative. Again we all have different thresholds for detecting it, and a small minority of people are even allergic to it. Decanting won’t help allergic people. They simply have to seek preservative free wine.

Most people don’t detect the free sulphur dioxide in wine, mainly because our winemakers now measure the required dose fairly precisely. However, winemakers generally give white wines intended for long-term cellaring, notably top-shelf rieslings, more liberal doses. This slowly disperses from the bottle over time. But it can be an astringent element in very young wines. Again, a good splash into a decanter or jug or gurgle through an aerator generally solves the problem.

Decanting delivers one other clear benefit. But it has nothing to do with aeration. Very old red wines throw a harmless but bitter deposit. Decanting in this case simply separates clear wine from the sediment.

But what are the benefits of aeration and time seen by Hugh Johnson, Michael Broadbent and others. Are they all in the mind?

While no one can quantify the benefits, I’d say probably not. Aeration by whatever means probably reduces dissolved sulphur dioxide quickly – a source of irritation to those sensitive to it. It also disperses hydrogen sulphide, though this fault is now rare in Australian wine.

So that leaves the effect of exposure to air over time. This begins as soon as the bottle’s opened and continues as long as we’re drinking it, whether it’s decanted or run through an aerator or not.

For thirty years at Chateau Shanahan we’ve always tasted wines, sometimes decanted, sometimes not, over several days. We splash them into glasses; we refresh the glasses each day; we swirl the glasses; and the ratio of air to wine in the bottles increases daily. Air destroys some sooner than others.

We don’t time the rise and fall of bouquet. But we do see changes over time. The very best wines become more interesting, sometimes for several days. Big reds, in particular, seem to shed their tannic hardness and reveal more of their underlying fruit. Some initially appealing, fruity wines, on the other hand, collapse very quickly.

We’ve also noted in some delicate, aromatic wines that some lovely highnotes apparent on first opening disappear fairly quickly, even when the wine kicks on revealing other lovely flavours. So professor Peynaud has a point.

There’s nothing scientific in this approach. It’s simply enjoying the changing smells and flavours. And the better, longer lasting wines invariable give greater pleasure. We love decanters, too. What could be lovelier than red wine and candle light winking through cut crystal? The wine tastes good before it’s poured.

And if you’d like to see if  those fancy aerators make a difference, there’s a simple, objective triangular taste test you can do. You’ll need a collaborator.

You need to give your collaborator three identical glasses, labelled ‘1’, ‘2’ and ‘3’, and one bottle of wine. Disappear from the room.

Your buddy now opens the bottle and pours direct from the bottle into one or two glasses; then pours through the aerator into the remaining glass or glasses. It doesn’t matter whether there’s one aerated and two non-aerated — it works either way. The important thing is that you don’t know. Your friend should note which glasses contain which wines.

You now return to the room and three three identical glasses, each filled to exactly the same level. Smell and taste the wines. If one wine smells or tastes different from the other two, then aeration is making a detectable difference; if not, it isn’t. You might like to try the test on a range of different wine styles as it might produce different results.

Whether you like the difference is another thing altogether and entirely subjective.

Copyright © Chris Shanahan 2011

Cool summer dampens beer sales

On February 15 Foster’s Group reported declining profit on the back of falling beer sales. CEO Ian Johnston attributed this partly to “unseasonal weather in peak consumption months”. We might call this seasonally adjusted profit.

As a lapsed retailer I can vouch for this phenomenon. In research to understand the effect of advertising on beer sales, Liquorland marketing department once discovered that sales rose and fell with the thermometer. Advertising merely redistributed the brand mix.

The seasonal blip noted by Foster’s comes on top of a long-term decline revealed in recent Australian Bureau of Statistics figures. The bureau says we now drink about 107 litres a person, well down on our peak of 176 litres almost forty years ago.

Despite the overall decline, though, premium beers, including imports, and those bland low-carbohydrate beers enjoyed double-digit growth in recent years.

Copyright © Chris Shanahan 2011

Beer review — Pike’s Oakbank and Invercargill Brewery

Pike’s Oakbank Pilsener 330ml 6-pack $17.99
Henry Pike first brewed Oakbank beer in 1886. In 1996 Pike’s descendents, Neil and Andrew Pike of Pikes wines, Clare Valley, introduced a Coopers-brewed Oakbank Ale. A few years later the Pike’s replaced the ale with this pilsner style, featuring rich, smooth malt and wonderfully aromatic, mildly bitter hops.

Invercargill Brewery Boysen Beery 330ml $8.98
The label describes it as a traditional fruit beer with a Kiwi twist. A wheat ale, brewed with boysenberries, it’s a vibrant red-mahogany colour, luring us with a sweet, berry aroma. After an initial fruity hit, the palate turns pleasantly, tantalisingly sour. It’s an idiosyncratic beer, based on the Belgian fruit Lambic style.

Copyright © Chris Shanahan 2011

 

Wine review — Alinga, Louee Wines and McKellar Ridge

Louee Nullo Mountain Pinot Grigio 2010 $25

Louee Wines, established in 1996 by Rod James and Tony Maxwell, has two vineyards at Rylstone, near Mudgee – one on Nullo Mountain at an altitude of about 1100 metres. This high, cool site produces intensely flavoured whites with a strong but delicate spine of acid. This accentuates the vivid varietal flavour in the 11-per-cent-alcohol pinot gris and sharpens up the clean, bone-dry refreshing finish. Last year Louee Wines merged with David Lowe Wines of Mudgee. Lowe, a Hunter veteran, excels at making this low alcohol, high acid, slow maturing style of white.

McKellar Ridge Canberra District

  • Shiraz Viognier 2009 $26-$28
  • Trio Cabernet Sauvignon Cabernet Franc Merlot 2009 $26-$28

Brian and Janet Johnston make just 600 cases of wine each year. They are truly handmade – hand picked from their 650-metre altitude Point of View vineyard and hand plunged. Their ‘Trio’, combining three of the Bordeaux varieties, seems a bit bigger a broodier than earlier vintages – a solid, deeply fruity wine with assertive tannin but nevertheless elegant structure. In a similar solid vein, the 2009 shiraz viognier blend seems particularly ripe and full (in the fine-boned Canberra context) with noticeable seam of oak flavours through the fruit. These are excellent wines but need another few months in bottle before drinking.

Alinga Four Winds Vineyard Canberra District

  • Chardonnay 2009 $17
  • Shiraz 2008 $19

The Lunney family planted their 13-hectare Four Winds vineyard at Murrumbateman in 1998 during BRL Hardy’s push into the region. Indeed, daughter Jaime Lunney worked two Canberra vintages with Hardys and now makes the family wines. The unoaked chardonnay, sourced from Four Winds and other Canberra vineyards offers a great big gob full of ripe melon-and-peach chardonnay flavours – a simple, generous, fruity and fresh wine. The estate-grown shiraz is just lovely, and great value. It’s in the elegant, refined Canberra style – limpid colour; bright and ripe berry fruit underlying spicy and savoury characters; and a juicy, easy-drinking medium-bodied palate.

Copyright © Chris Shanahan 2011

 

Wine review — Rutherglen Estate, Leogate, Maipenrai, Leasingham and Fox Gordon

Rutherglen Estate Savagnin 2010 $16.95
Rutherglen, Victoria

Like other Australian winemakers Rutherglen Estate planted the Spanish white variety albarino only to learn that the CSIRO, source of all our stock, had been given savagnin by the Spanish supplier. Savagnin is the non-muscat clone of gewürztraminer and to smell and taste the two is to be puzzled why they have identical DNA but taste so very different. This is a lovely, bone dry, low alcohol white with floral aroma, vibrant, citrusy palate, rich texture and savoury finish.

Leogate Early Release Reserve Chardonnay 2010 $25
Brokenback Vineyard, Lower Hunter Valley, New South Wales

Bill and Vicki Widin recently acquired the beautiful Brokenback vineyard, located at the foot of the Brokenback Range. They bought part of it from Foster’s and part of it from Tyrrell’s, thus reuniting what had originally been a single vineyard acquired by Rothbury Estate in 1969. Read the full story at www.leogate.com.au as you sip this delicate but full-bodied chardonnay. It’s deliciously varietal, spritely and fresh but still has a subtle background complexity from partial maturation on yeast lees in oak barrels.

Maipenrai Pinot Noir 2008 $27
Sutton, Canberra District, New South Wales

What an exciting pinot – the best I’ve seen from Canberra, and at three barrels probably the smallest production wine likely to be reviewed in this column. Yep, just three barrels “made up of fruit from our MV6, 777, 114 and 115 clones”, writes winemaker Brian Schmidt. Maipenrai delivers most of pinot’s great features: limpid colour; high-toned perfume, combined with varietal fruit, savouriness and a hint of stalkiness; similar fruity, savoury, stalky flavour; luxurious, silky texture; and a decent line of tannin holding it all together. See www.maipenrai.com.au

Leasingham Schobers Vineyard Shiraz 2006 $62.50
Schobers vineyard, Clare Valley, South Australia

Some readers might recall Leasingham Classic Clare Shiraz 1994, winner of the 1995 Jimmy Watson trophy – a solid wine, big on fruit, tannin, colour and oak. It was sourced from the Schobers vineyard. Later, under Steve Pannell, the style evolved considerably, resulting in a clearer expression of the vineyard’s vivid fruit and subtler, more complimentary use of oak. The limited release 2006, made by Kerri Thompson and Simon Osicka, is a wonderfully polished, elegant wine, capturing deep, bright, sweet, ripe, spicy shiraz flavours completely integrated with subtle oak. It’s looking young and fresh at five years, but won’t appear again under the Leasingham label.

Leasingham Schobers Vineyard Cabernet Sauvignon 2005 $62.50
Schobers vineyard, Clare Valley, South Australia

What on earth will the new owners of the Leasingham brand do? They own the name but not the winery or key vineyards like Schobers that stood behind the brand. They might taste this glorious cabernet as they ponder the future of a brand stripped of its roots. There’s a touch of mint in the evocative, pure cabernet aroma – a note that comes through, too, in the lively, juicy flavour of this elegant, fine, deeply flavoured wine. The Schobers vineyard, however, is carrying on under the ownership of Canberra’s Jim Murphy and Michael Phelps, with wines being made by O’Leary Walker, Clare Valley. Future vintages will appear under their new Schobers label.

Fox Gordon Princess Fiano 2011 $16–$20
Adelaide Hills, South Australia

There’s an interesting style contrast between this fiano (a variety from Campania, Italy), grown in the cool Adelaide Hills, and the warm-grown version from Rutherglen Estate reviewed last week. Fox Gordon’s version, made by Tash Mooney, offers greater concentration of fruit flavour and a particularly racy, acid backbone. It’s savoury and, in the Italian style, packs a piquant bite in the finish. Mooney makes this one for Coles’ Vintage Cellars and 1st Choice chains.

Copyright © Chris Shanahan 2011

 

Howland and Wiggs buy original Lake George vineyard

Last November as Canberra’s grape vines burst into life, Peter Wiggs and Peter Howland walked onto the original Lake George vineyard, accompanied by its founder, 90 year-old Dr Edgar Riek. Wiggs and Howland had just bought the vineyard from Theo and Sam Karelas, its owners since 1998.

Riek’s presence was more than symbolic. He planted Cullarin (the property name) in 1971, experimented with dozens of varieties, and devoted thousands of hours to perfecting the vineyard and wines, sold under the Lake George Winery label.

Even when Riek, then 78, sold Cullarin in 1998, it was keep the dream alive for another generation. But he says he’s been disappointed to see the vineyard marking time for most of the last twelve years – except for a welcome but brief period of rejuvenation under Alex McKay and Nick O’Leary, following Hardy’s departure from the district.

That brief period of new planting, grafting and re-trellising saw the vineyard almost double in size, and the introduction of shiraz and tempranillo.

Howland certainly connects Riek’s vision to his own. He views the property as “Edgar’s garden – a library of vines” and describes Riek as “the greatest resource of all. He comes out here every couple of weeks and has so much knowledge”. Riek says it’s wonderful seeing his dream coming back to life again.

Howland says that he and Peter Wiggs began searching for a small, established, cool-climate vineyard some years back. They’d been particularly fascinated by Cote-Rotie style shiraz and short-listed several regions, including Canberra, capable of making the style.

When they discovered Cullarin up for sale, they visited the site, dug around and ultimately bought the property, including about five-hectares of vine and four sheds. The Lake George Winery name, however, remains with Theo and Sam Karelas next door on the former Madew property, which they acquired in 2008.

Howland writes, “I will be viticulturist with responsibility for both the vineyard and winemaking. Our focus is on making high quality shiraz, pinot noir and chardonnay. Production for 2011 will be approximately 800 cases, rising to approximately 1,500 cases for 2013. Our plan is continue the revitalisation of the vineyard that was began by Alex Mackay. We will also be re-establishing the winery and hope to open a cellar door in 2013 (to coincide with release of the 2011 vintage wines).

Howland says he arrived at the vineyard last November, “just after budburst. It was not in great shape at all, then rain brought up all the weeds”.

However, that’s all under control now, he says, and despite the rain and consequent mildew problems in by the district, the vineyard carries a good crop of healthy fruit. The few problems he sees are in dense canopies on an old T-trellis system. Fruit on a more open vertical-shoot-positioning system, established by McKay and O’Leary, seems perfect – confirming a first impression that the whole vineyard should be converted to the system.

Over time, Howland plans to build up good soil nutrition using biodynamic principles – good soil nutrition being key to healthy vines. And healthy vines, of course, produce tasty fruit – the key to good wine.

By the time this year’s crop ripens (it’s now at veraison stage, where red varieties begin to colour and bullet-hard berries soften), one of the sheds will be fitted out as a winery.

Howland sees his coming vintage at Lake George as a time for trial and observation of the vineyard’s pinot noir, shiraz, pinot gris, viognier, cabernet, malbec, chardonnay, tempranillo and mourvedre. Afterwards he can decide what stays, what goes and what gets expanded.

Howland studied oenology at Adelaide University and has made wine in Italy, the Hunter Valley, Western Australia and Argentina. He has an interest in online retailing through Suitcase Wines, offering individual vineyard wines from around the world, and Hidden Talent, devoted to small-batches from boutique winemakers.

Peter Wiggs is a managing partner of Archer Capital, an Australian private equity investment business claiming “the longest track record of any leveraged buyout manager in Australia”.

Archer led the management buyout of Cellarmaster Group from Foster’s in 2007. Cellarmasters is a vertically integrated wine direct marketing group making, packaging, selling and delivering wine direct to its customers in Australia and New Zealand. (Shortly after this article’s publication in the The Canberra Times, Archer announced the sale of Cellarmaster to Woolworths).

With Howland’s expertise in vineyard and winery and Wigg’s money and background in business management, Edgar Riek’s vision may finally be realised.

Sadly, the wines won’t appear under the Cullarin or Lake George Winery brands. But whatever name Howland and Wiggs select, the wines will be entirely from the original vineyard. This is terrific news. Edgar Riek is still smiling.

Copyright © Chris Shanahan 2011