All posts by Chris Shanahan

Wine review — Giesen, Mitolo & Murdock

Giesen Marlborough Sauvignon Blanc 2007 $14–$20
Giesen sources its fruit from a diversity of vineyards across the Marlborough district. This has an impact on flavour as the area is far from homogenous and produces a spectrum of sauvignon flavours, ranging from cat’s-pee pungent to sweet, tropical-fruit. The 2007 leans more to a ripe, highly aromatic passionfruit-like character, with herbal and pungent notes spicing up the background. Typical of Marlborough, there’s juicy mid-palate richness cut by a bracing, refreshing acidity. It’s widely distributed in Australia with sufficient presence to attract retailer discounting. It’s good value even when fully priced and a bargain when it hits  $14 or so.

Mitolo McLaren Vale Jester Shiraz 2006 & Jester Cabernet Sauvignon 2006 $24–$28
The Mitolo brand arrived out of the blue in 1999, combining the viticultural and winemaking talents of Frank Mitolo and Ben Glaetzer respectively. The new releases are delicious regional specialties sourced from Frank’s vineyards at Willunga, at the southern end of the Vale. The shiraz is absolutely scrumptious. It’s full and ripe and soft, as warm climate shiraz ought to be. But it’s also savoury and complex without the jammy fruit sweetness sometimes seen in warm-area reds. The cabernet is idiosyncratic – pure and fruity, with an unusually fleshy palate, derived says the press release, from drying the fruit on racks for weeks prior to fermentation, a-la Verona’s Amarone method.

Murdock Coonawarra Cabernet Sauvignon 2003 $42, Merlot 2005 $23
‘The Merger’ 2005 $18.50

Former Wynns’ viticulturist David Murdock tends the family vineyards in Coonawarra (planted 1973) and the Barossa (planted 1982) before handing the grapes over to Peter Bissell at Balnaves, Coonawarra, for winemaking. The cabernet is a beautiful, classically Coonawarra wine – strong yet elegant and best after years of bottle ageing. The current release 2003, for example, should drink well for decades. If you thought Aussie merlot had little going for it, try Murdock’s 2005 – it captures the fragrance, elegance and taut structure this great, but usually blended, variety. ‘The Merger’ tempers the fruity generosity of Barossa shiraz with firm, powerful Coonawarra cabernet. See www.murdockwines.com

Copyright © Chris Shanahan 2008

Beer review — Wig & Pen hop-season beers

Hopidemic Autumn Seasonal Ale 285ml glass $4.20
The Wig & Pen, Civic, currently offers three seasonal brews celebrating the recent hop harvest. ‘Hopidemic’ (the hoppiest beer in Australia claims brewer, Richard Watkins) comes from the hand pump. It’s a soft, fresh and aromatic real ale with piquant hops fragrance in harmony with the rich pleasing malt flavours.

Hop Heads Ale & Venom Imperial Ale 285ml glass $4.20
‘Hop Heads’ arrives in your glass via a ‘modus hoperandus’ – a vessel filled with fresh hops flowers. These infuse the ale with a startling, raw hop character. It’s idiosyncratic but a must-try for hop heads. Venom is your poison if you prefer intense bitterness mollified by malt opulence and alcohol.

Copyright © Chris Shanahan 2008

Wine review — Wirra Wirra, Hanging Rock & Lou Miranda

Wirra Wirra McLaren Vale Church Block $18–$22
We won’t hold it against Church Block that it’s named for a particular vineyard but not sourced from it. Its saving grace is the rich flavour that it delivers and the smooth, soft finish. We’re also in a forgiving mood because that richness and smoothness really does come from McLaren-sourced grapes – from a number of vineyards sprinkled through the district. It’s a bright-fruited, thoroughly modern-style blend of cabernet, shiraz and merlot. But it also has the structure of a real red and on a recent road test it held our interest to the last drop. Samantha Connew made it for drinking over the next four or five years.

Hanging Rock Macedon Ranges Jim Jim Vineyard
Sauvignon Blanc 2007, Pinot Gris 2007, RS Fifty Riesling 2007 $27

These are very delicate, intense whites from Hanging Rock’s cold, south facing Jim Jim Vineyard at 650 metres above sea level. The cool site produces aromatic whites with a flavour spectrum not often seen in Australia. The sauvignon blanc is on the minerally, lean, dry side with a pronounced acidity like a delicious, ultra fresh granny smith. The pinot gris is weighty for the variety and smoothly textured but still has a fine acid edge. The riesling is a baby – and a very promising one. It’s only nine per cent alcohol and contains fifty grams per litre of residual sugar – in the classic German dessert style, complete with the high acidity to carry this level of sweetness.

Lou Miranda Old Vines Barossa Valley Shiraz 2005 $25.95
Some years back I walked with Lou Miranda amongst the lovely old bush vines on the Miranda family’s vineyard at Rowland Flat. The family later sold up, but Lou hung onto the old vines (now 90–100 years old) and recently released this wonderful red made from their tiny crop. This is a modest price for a wine of this calibre and provenance. And it’s unapologetically, big, bold Barossa. Tasted at a crowded, noisy, dinner party amongst many other reds, it was the first to disappear. People loved its ripe, rich, juicy flavour and soft, easy tannins. An English guest soaked off the label as a shopping reminder. If you’re reading this Robert, just visit the website – www.loumiranda.com.au

Copyright © Chris Shanahan 2008

Wine review — Constable Hershon, Briar Ridge & Kooyong

Constable Hershon Hunter Valley Semillon 2004 $14.80-$18.50
On a recent trip to Newcastle I found several local wines available by the glass at Terminal One Bar + Dine, on the harbour foreshore. The locals apparently know Constable Hershon well. But as this tiny Pokolbin-based winery sells most of its wine at cellar door, and the balance through restaurants, it’s not well known. It’s a delicious drop, in the delicate, slightly austere, low-alcohol Hunter mould. While bottle age adds richness, it’s still trim, taut and bone dry with lime-like varietal flavour and fine acid tang. The lightness and bracing edge made it a refreshing match with a rocket, prosciutto and Parmesan salad. It’s available at www.constablevineyards.com.au.

Briar Ridge ‘Stockhausen’ Hunter Valley Shiraz 2006 $29
Briar Ridge, located at Mount View in the lower Hunter, named its flagship red after former Lindemans winemaker, Karl Stockhausen. Karl made his first wines in the area in 1960, has the legendary Lindemans 1970 Chablis to his credit, and today consults to Briar Ridge’s winemaker, Mark Woods. This is a full-bodied style for a Hunter shiraz. But at 13.5 per cent alcohol it’s not in the monster-mould 15 per cent range that we see in many Aussie shirazes. It’s warm and rich and soft and very ripe tasting. But there’s a savouriness and earthiness to it as well. See www.briarridge.com.au.

Kooyong Mornington Peninsula Pinot Noir 2006 $34-$40
Kooyong’s rise to the front ranks of Australian pinot noir and chardonnay making has been extraordinary. It’s a must-try for pinot lovers and a must-visit if you’re down Mornington way. Along with Port Phillip Estate, it’s owned by the Gjergja family and can be tasted at Port Phillip’s cellar door. It’s been a Chateau Shanahan favourite for a few years now because it delivers the real pinot experience at a modest (for pinot) price. A few weeks back the 2006 compared favourably, in a youthful way, to a glorious, mature 1990 Claude Dugat Gevrey Chambertin (Burgundy) from Rob and Sandy Forbes’ cellar.  It’s available at fine wine stores and cellar door.

Copyright © Chris Shanahan 2008

Press release — Champagne information bureau: expanded appellation

This is a press release issued by the Champagne Information Bureau, Sydney, on 26 March 2008

Press Release: The Revision of the Champagne Appellation

The INAO has reviewed and unanimously approved the report concerning the development of the geographic area of the Champagne AOC. The proposed new geographic area will now be subject to a public enquiry, which will allow everyone involved to put forward any appeals or oppositions to this project.

Timeline of the revision

2003 – INAO agreed to look into the Champagne AOC following a request to review Champagne’s geographic area from Champagne’s Syndicat Général des Vignerons de Champagne.

The 1927 legislation stated that the Champagne AOC convenes 634 communes (zone d’élaboration), out of which 319 are allowed to grow Champagne grapes (zone de production).

2006 – A group of five experts appointed by INAO audited current villages and potential villages which could be part of the future AOC.

13th March 2008 the five experts presented their findings and recommendations to the INAO’s national committee. Subsequently, the INAO accepted these recommendations and a public enquiry will be launched in the Champagne Region, allowing anyone concerned to put forward appeals and oppositions to the project.

Within the next 6 – 12 months the experts will study any appeals put forward in the public enquiry, and will present a new definitive report.

The INAO will then begin drawing up the new boundaries for the vineyards, which should be completed by 2017.

Champagne to expand

Coonawarra’s prolonged, and at times bitter, boundary dispute of the nineties pales in comparison to what’s being unleashed in France’s Champagne district. For the first time since the 33,500-hectare growing area was defined in 1908, there’s to be a major expansion of the number of communes permitted to grow Champagne grapes. With two communes sacked and forty promoted the number is set to increase from 319 to 357.

While the website of the region’s controlling body, the Comité interprofessionel du vin de Champagne (CIVC), is surprisingly mute on the topic, the world’s newspapers are running hot with the news.

Much of the focus is on the windfall for those within the new boundary and the bitterness sure to be felt by those that just miss out. Several sources, including Decanter magazine and Guardian News & Media, carry this wonderful quote from Gilles Flutet, a member of the body that made the announcement, “If your vines fall on the wrong side of the divide, they will be worth €5,000 a hectare. On the other side they will be worth €1 million.”

For the winners, it’ll be like waking up in the morning to find someone’s replaced your old Vespa with a new Rolls Royce. And the proposed winners are to be announced by the Institut national de l’origine et de la qualité (INAO) over the fifteen days following their March 13 decision to expand the region.

The Guardian News & Media illustrates the depth of local rivalries with this quote from Sylvie Le Brun, a farmer from Montmirail, “At a dinner party Saturday everyone was saying, ‘I hope the neighbours aren’t chosen.’”

With a review period to follow the announcement, it’ll be about a year until we see where the final boundaries lie and another decade or more before new planting move into full production.

But even before this relatively small expansion, Champagne was a huge producing region – especially given its position at the luxury end of the market.

While the official maximum area for vines is set at 33,500 hectares, INAO figures show that in 1995 there were 30,659 hectares in the ground. Between 1999 and 2006 this expanded by about 300 hectares a year to reach 32,626 hectares, leaving little, if any, scope for further expansion.

To view Champagne’s scale from an Aussie perspective, in 2006 Victoria had 39 thousand hectares under vines, New South Wales 40 thousand hectares, Western Australia 12 thousand and the whole country 169,000. Champagne, then, has two and a half times more vineyard land than Western Australia and only a little less than either Victoria or New South Wales.

But the comparison becomes even starker when you compare Champagne with a single, Aussie premium region. In a good year, by my estimate, Coonawarra might make fifty million bottles of wine – about one-sixth of Champagne’s 330 million bottle output.

The French drink over half of that. But in 2007 the region exported 150.9 million bottles (up seven per cent on 2006) to over 190 countries, putting leading Champagnes amongst the most recognised luxury brands in the world.

While articles about the region’s expansion talk of surging demand in China, India and Russia, the real action remains amongst the developed nations.

In 2007 the top-ten markets slurped down eighty per cent (121 million bottles) of Champagne’s exports. The UK topped the list at 38.9 million bottles, followed by the USA on 21.7 million, Germany on 12.9 million, Italy on 10.3 million, Belgium on 9.9 million, Japan on 9.1 million, Switzerland on 6.1 million, Spain on 4.6 million, the Netherlands on 4.1 million and Australia on 3.3million (up 12 per cent on 2006).

Now the Champenoise are masters of luxury-goods marketing. They think long term, protect their brand aggressively and spread their sales over many markets (knowing that when some are up, others are down).

This long-term approach probably drives the current expansion plans. If Russia, China and India are small markets now, where might they be in ten or twenty or thirty years? Sales to Russia in 2007, for example, were up forty one per cent on 2006, and those to China up thirty per cent.

But what can we expect from a quality perspective? Why were boundaries guarded so jealously for one hundred years, only to be expanded as production peaks and demand soars?

Old vignerons will always tell you of any wine region that they didn’t plant the worst land first. This is as true in Champagne as it is anywhere.

In all likelihood, in my view, the expansion may swell the volumes of middle-of-the-road Champagne and the pockets of those who make it, but most of the world won’t notice.

There’s already a huge quality chasm within Champagne. Where once, in Australia, we might have perceived three broad quality levels – non-vintage, vintage and de-luxe blends (like Moet’s Dom Perignon), many consumers now know that quality varies widely within any of these groupings.

As well, there’s an increasing recognition of Champagne’s vineyard ranking system, and an appreciation that the best wines come from the top vineyards. We’re increasingly seeing vineyard rankings featured in PR material from Champagne houses. And there’s a growing number of single-vineyard, grand-cru-vineyard only and single-varietal Champagnes coming onto the market.

At Bass Phillip Winery, for example, I enjoyed with proprietor Phillip Jones an extraordinary single-vineyard, all pinot noir Champagne from the village of Ambonnay – Egly-Ouriet Brut Grand Cru 1996 – imported by Prince Wine Store, Melbourne.

Wines like that will only ever be niche players. They’re at the tip of the Champagne quality pyramid and remind us, sadly, that the base of the pyramid is about to become bigger.

Copyright © Chris Shanahan 2008

Brad Rogers leaves Matilda Bay, heads to Byron Bay

Brewer Brad Rogers recently headed for Byron Bay, New South Wales, after years behind the Matilda Bay brew kettles, making some of the best, most interesting beers in Australia.

Brad studied winemaking. But after a vintage or two he switched to brewing for Fosters in the mid nineties. He started at the old Tooth’s Kent Brewery, Sydney, and enjoyed a stint at Carlton Brewery, Fiji, before joining the company’s craft-brewing arm, Matilda Bay.

Although Matilda Bay originated in Fremantle, Brad worked mainly at their ‘Garage’ brewery in Dandenong, developing great beers like Alpha Pale Ale and Naked Ale – sold only at Young and Jackson’s,  Melbourne, home of the famous painting of Chloe.

Brad phoned the other day to say that he’d teamed up with entrepreneur Jamie Cook. He said that they’re developing a brewery in Byron Bay and expect to have their first beers available by August.
He’s not saying what styles we can look forward to – only that he’s going ‘to make just one or two properly’.

One of the partners owns eight pubs in the area, so the focus will be on draft beer. But there’ll be bottled stuff, too, so we may see Brad’s new brews in Canberra.

Copyright © Chris Shanahan 2008

Wine review — Penfolds new releases

Penfolds Bin 311 Orange Chardonnay 2007 $38–$43
Penfolds Bin 138 Barossa Valley Shiraz Grenache Mourvedre 2006 $20.80–$34

From long personal experience the Penfolds reds provide reliable, sometimes exciting cellaring, especially at the discount prices accompanying each new release. They’ve become somewhat finer in recent years without losing the essential Penfolds layered, complex, tannic style. The whites seem to be undeservedly ignored, although this tight, intense style from nearby Orange rates a mention. It’s fully priced, however, and probably not quite up to the standard set by small players like Main Ridge and Kooyong – or even a premier cru Chablis. While predominantly shiraz, Bin 138’s aroma and flavour show grenache highlights with an attractive savouriness. Needs three or four years’ cellaring.

Penfolds Bin 128 Coonawarra Shiraz 2006 $18.90–$33
Penfolds Bin 28 Kalimna Shiraz 2005 $18.90–$32

These are warm-climate and cool-climate expressions of shiraz, both weighing in at a hefty 14.5 per cent alcohol, but displaying distinct flavour differences. There’s cool-climate pepper and spice in the Coonawarra wine. But it’s taut, grippy and far from ready to drink. What was Foster’s thinking when it released Bin 128 a year younger than the Bin 28? It certainly didn’t do drinkers a favour. That quibble aside (and the slight alcohol hotness), it’s a significant red that’ll drink well for a decade or more. Bin 28’s fuller and riper. It too shows a little alcohol hotness, but the rich fruit and layered tannins suggest good long-term cellaring.

Penfolds Bin 407 Cabernet Sauvignon 2005 $39–$45
Penfolds Bin 389 Cabernet Shiraz 2005 $39.50–$58

The two cabernet-based bin reds, in my view, star in this year’s line up. Bin 407 is typically textbook varietal -– showing cabernet’s distinctive aroma, flavour, power and firm structure – characteristics saved from austerity by the deep, sweet fruit flavour. It’s built for cellaring, although unadorned protein-rich food, particularly rare lamb or beef, mollify those tannins and together taste terrific. With cellaring Bin 407 retains its cabernet varietal character under the patina of age. Bin 389 is the most beautifully aromatic of the new releases. With the flavour opulence to match the aroma and a sturdy tannin structure it ought to age well for twenty years in a good cellar.

Copyright © Chris Shanahan 2008

Wine review — Redmans, Mount Pleasant & Alenquer (Quinta Sentacosta)

Redmans Coonawarra Shiraz 2004 $15-$22
Redmans Coonawarra Cabernet Sauvignon 2003 $30-$35

Redmans wines stand out as distinct, finer examples of Coonawarra. There’s a deliberate philosophy behind them, based on a clear understanding of what the alternative styles might be and a long family familiarity with Coonawarra and its wines. Bruce and Malcolm Redman intentionally make the ‘elegant’ rather than the burlier style, approaching grape-growing and winemaking as their father Owen — and before that Owen’s father — the legendary Bill Redman – did. The 2004 shiraz is a fine-boned, spicy red to enjoy over the next five years. And the 2003 is one of the most graceful, understated and thoroughly enjoyable cabernets you’ll ever pull a cork on.

Mount Pleasant Philip Hunter Valley Shiraz 2005 $12-$18
Like the Redman wines reviewed above, the perennially under-rated Philip stuck to its guns through decades of changing red-wine fashion. It’s perhaps a bit brighter than the older versions – and a screw cap means no more cork taint or random oxidation – but it’s never tried to be more than what it is: an uncomplicated, tasty regional specialty. It’s appealing and soft and though richly flavoured, it’s medium bodied and refreshingly devoid of intrusive oak flavours.  As 2005 was a warm year in the Hunter, this one’s appreciably fuller than the 2004. It has hallmark soft Hunter tannins and mouth-watering savouriness.
Alenquer (Quinta Setencosta, Casa Santos Lima) 2005 $12-$15
This is a Coles import from Alenquer, Western Portugal – an area renowned for quantity rather than quality, but clearly capable of taking on Aussie wines in the $10-$15 price segment. It’s medium bodied, with appealing, bright, summer-berry fruit flavours and savoury, earthy tannins – all interestingly different to what we find in Aussie wines at the price. It’s one to glug down now. It seems that the strong Aussie dollar, combined with the growing confidence and selection skills of Coles and Woolworths, is creating real competition for Australian wine – and giving us variety to boot. It’s available from Vintage Cellars and 1st Choice stores.

Copyright © Chris Shanahan 2008

Muscat — popular for 2,000 years

The Greeks, Phoenicians and Romans loved the muscat grape and spread it around southern Europe. From there it colonised the continent, and later the new world. Two millennia on, drinkers everywhere enjoy muscat in still, semi-sparkling, sparkling and fortified wines.

Its full name is muscat-a-petits-grains and its colour ranges from white to pink to brown. Its many Aussie aliases include frontignan, frontignac, fronti, muscat and brown muscat and it’s behind Italy’s delicate, sweet, low-alcohol Moscato d’Asti and Rutherglen’s fabulous fortified muscats.

In Australia we distinguish between muscat-blanc-a-petits-grains and muscat-rouge-a-petits-grains in our official viticultural figures (we harvested a mere 1,027 tonnes combined in 2007). And Rutherglen producers prescribe the rouge version as the only one permissible in the regional product.

But in Vines, Grapes and Wines Jancis Robinson writes that ‘The ampelographer Truel on his historic visit in 1976 demonstrated that all of the colour gradations, many of them encountered in the same vineyard in Australia, are in fact strains of muscat-a-petits-grains’.

It’s distinct from muscat of Alexandria (aka gordo muscat or muscat gordo blanco), a lesser but hardy beast that for years filled our sweeter wine casks and provided names like gordo moselle.

While gordo remains an important bulk-wine contributor, with sixty-three thousand tonnes harvested in 2006 and fifty thousand in the drought-stressed 2007 vintage, muscat-a-petits-grains became a declining niche player, partly a victim of anti-sweet-wine snobbery.

Between 2005 and 2006 the area of muscat-a-petits-grains in the ground declined from a meagre 529 hectares to 462 hectares.

However, the growing number of Asti-inspired Aussie moscatos hitting the market can only be possible if makers use muscat of Alexandria as well as the superior muscat-a-petits-grains.

Anecdotal evidence says supply of the real thing is tight this year. In Canberra last week, Wirra Wirra CEO, Andrew Kay, said the variety was hard to buy. He commented that last year Wirra Wirra released Mrs Wigley Moscato, its first shot at the style, as an experiment at cellar door where it outsold Church Block, the flagship red.

Cellar door was where moscato’s success began for Brown Brothers, too. In an interview for this column last year Ross Brown recounted the company’s continued success with sweeter styles.

Ross recalled a Winemakers Federation of Australia survey revealing that sixty per cent of wine drinkers enjoy a glass only occasionally because they don’t like the flavour. The revelation shocked the WFA but not Brown Brothers. For years they’d understood that wine is a peculiar taste, at odds with the sweeter things that we drink all the time – from mother’s milk to fruit juice.

Browns discovered decades ago a perennial demand for sweet table wines. They’ve catered for this at cellar door where small, experimental blends are later rolled out on a larger scale.

Ross said that consistently over the years sweet, fruity table wines – in a range of styles — have been the winners and remain the biggest selling styles at cellar door. The cellar door favourites, at the time of the interview, were the red Cienna and white Moscato (made from muscat of Alexandria) – both sweet wines weighing in at a modest 5.5 and 5 per cent alcohol respectively.

Brown Brothers success with Moscato was no doubt an inspiration to other winemakers. But it won’t have been the only factor.

Australian winemakers are familiar with the joyful simplicity of muscat, or fronti, as a table wine. It’s light, fresh, sweet and deliciously grapey.

The Italians, though, created the style that’s now catching on here, partly driven by winemakers aware of the Italian version, partly by the success of Brown Brothers and other makers and partly by drinkers themselves, many of whom will have tasted the original Moscato d’Asti.

In Italy they call the variety moscato blanco – the same grape they use in Asti Spumante. Though the frizzante, or semi-sparkling style, also originated in Asti, its region of production now includes the adjoining Cuneo and Alessandria districts.

The wine’s keynotes are a musky grapiness, low alcohol (about five per cent), sweetness, and a zingy acidity and light effervescence that offset the sweetness. They’re not luscious or sweet enough to be dessert wines. In fact, they’re light, fruity, and refreshing enough to enjoy as an aperitif. Any good liquor store will have one or two available.

The Aussie versions tend to be a little higher in alcohol than the Italians, and the best capture much of the interplay between sweet, musky fruitiness and zesty acidity. They’re delicious. But sip carefully, as some are just sweet and cloying.

Though not yet a mainstream style, moscatos are popping up everywhere from the Hunter to Yarra to Barossa and McLaren Vale and across to the west. Some are pink, others white.

Their success shows that we’ll embrace sweet table wines if they’re good. And to be good they must be made from suitable grape varieties. Muscat-a-petits-grains and even the lesser muscat of Alexandria have the credentials. They’ve been putting a smile on our faces for at least two thousand years.

Copyright © Chris Shanahan 2008