Wine review — Wynns

Wynns Coonawarra Estate – Shiraz 2006 $12-$15 – Cabernet Sauvignon 2005 $23-$30
My only quibble with these two new releases – and especially the shiraz – is that they ought to be a year older at release. Not that you’ll be putting the cork back in. The shiraz offers lovely, sweet berry flavours with cool-climate spice and pepper and an elegant, fine-grained tannin structure – very appealing, and will be more so in another year. The cabernet is all class and must surely rate amongst the best value in the world. The fruit flavour shows the extra ripeness of a warmer season, but it’s still crystal-clear cabernet varietal, albeit in a slightly fleshier, silkier style – and should drink beautifully for many, many years.

Wynns Coonawarra Estate – Michael Shiraz 2004 $73 – John Riddoch Cabernet Sauvignon 2004 $73
Wynns two flagships reds have shifted gear since their reintroduction in 2003 after a short, oversupply-driven hiatus. What we see now is a more refined version of what went before: slightly less ripe, notably less new-oak influence and a little more brightness in the fruit character. All of this is particularly apparent in the sensational 2004 Michael Shiraz. Yes, there’s oak there but the keynote is superb, fragrant peppery shiraz with an elegance reminiscent of that of the legendary 1955 – the original. John Riddoch, too, shows the great fragrance of the vintage in its own cabernet way – powerful, yet supple and elegant. Both wines are screw cap sealed.

Wynns Coonawarra Estate Johnson’s Block Shiraz Cabernet 2004 $35
This is a straight, single-vineyard wine from one of the original sites acquired by the Wynn family in 1951. It still has vines dating from 1925 and was one of several older vineyards to be rejuvenated from the late 1990s. Winemaker Sue Hodder calls the wine ‘old fashioned’ in that it shows more fruit and less oak than the modern Wynns wines do. The aroma really is seductively floral and backed by a juicy, shiraz-led palate. Cabernet’s role seems to be to tighten up the palate, giving structure and elegance. It’s really a classic Coonawarra blend, revived a decade ago by Majella and now finding new life under Wynns.

Copyright © Chris Shanahan 2007

Beer review — Wig & Pen, Hoegaarden

Wig & Pen Russian Imperial Stout $6.00 & Lachie’s Ness $4.20 (half pint)
These are two wonderful, idiosyncratic seasonal specialties brewed by Richard Watkins at the Wig & Pen, Canberra City. The first is a potent, molasses-rich stout served, responsibly, only in half pints. The other, named for proprietor Lachie McOmish, is in the silk-smooth, chocolate/malt/smoky Scot’s wee heavy style.
*****

Hoegaarden ‘The Forbidden Fruit’ 330ml $5.50
International brewer InBev makes Belgium’s unique, cheeky winter favourite – Forbidden Fruit. It’s a heady mix of alcohol, malt and fruity esters that are part and parcel of the warm-fermented ale family. At 8.5 per cent alcohol it’s a sip-and-savour style – but a wimp compared to the Wig’s 11 per cent stout, reviewed above.
*****

Copyright © Chris Shanahan 2007

Book review — ‘The Wine Diet’ by Roger Corder

Any book that puts wine at the centre of the diet can’t be all bad. It was enough to draw the Chateau Shanahan literary team beyond the me-too cover hype – the usual promises of eternal life, or something like it, if you follow this diet.

But as we read through the book we found not a panacea, but a discourse on nutrition enlightened by population studies and medical research down to the molecular level – and one family of molecules in particular.

On page 32 we meet this star molecule – procyanidin – or one version of it, anyway. Our arteries dilated just looking at tetra-epicatechin, a strapping chain of four epicatechin molecules.

But before we discuss the procyanidin family, we should meet Roger Corder, author of The Wine Diet.

The jacket tells us that he’s Professor of Experimental Therapeutics at the William Harvey Research Institute, London. It says ‘he has pursued research into cardiovascular function and the links between diabetes and heart disease for 25 years, with the aim of discovering new treatments for these ever-increasing health problems’.

Corder’s long trail to procyanidin begins with a recounting of the so-called French paradox. About 25 years ago, he writes, ‘French epidemiologists observed that the French had relatively low rates of coronary heart disease despite high consumption of saturated fat’.

Then in 1991 Dr Serge Renaud appeared on 60 Minutes and shook America with the idea that ‘regular wine drinking could account for the French paradox’. This, says Corder, ‘split experts into the camps of believers and non-believers’.

Scientists continued to study the protective effects, or not, of alcohol in general and of red and white wine.

Much of the research focused on the benefits of the polyphenols found in red wine – of which our hero, procyanidin, is but one form. These compounds are derived from grape skins and pips and, to a lesser extent, from oak storage vessels.

Further population studies tended to confirm a heart-protective effect from red-wine drinking. As scientist drilled down, they examined an apparent correlation between red-wine consumption and reduced platelet aggregation – a risk factor in blood clotting.

For others, the search shifted to the anti-oxidant properties of red-wine polyphenols. Could they prevent the oxidation of LDL-cholesterol (the bad one)? The belief was that as LDL-cholesterol (the bad one) accumulated under the endothelium (the non-stick coating inside blood vessels) it oxidised and could become a trigger for atherosclerosis (arterial blockage).

Clinical trials showed that, yes, red wine polyphenols did indeed suppress LDL oxidation – whether ingested as red wine, as white wine laced with red wine polyphenols or as an extract without alcohol.

Not surprisingly this and other similar studies, writes Corder, led people to attribute the ‘anti-atherosclerotic benefits of red wine to the antioxidant properties of its polyphenols’.

But as further trials with anti-oxidants showed little efficacy in reducing the incidence of heart attacks, scientists began ‘wondering whether they have any relevance’.

The headline anti-oxidant during this period was resveratrol, another member of red wine’s polyphenol family. Corder discusses the case for and against resveratrol but dismisses it, quoting fellow scientist George Soleas, writing in 1997, ‘resveratrol is a very minor player indeed, and may even more accurately be characterized as a spectator’.

Corder agreed with Soleas partly because the concentration of resveratrol used in clinical trials bore no relationship to the quite small quantities found in red wine.

Moving away from the anti-oxidant qualities of red-wine polyphenols, Corder sought to identify the ‘most important component of red wine for modifying vascular function and preventing atherosclerosis’.

His laboratory research showed that red wine suppressed synthesis of endothelin-1 – an agent known to narrow blood vessels, raise blood pressure and trigger ‘processes leading to atherosclerosis’.

Corder and his colleagues ultimately identified our friends, the procyanidin family, as the polyphenols contributing to blood-vessel health.

Corder’s subsequent research identified areas, most notably in Sardinia, Italy, and Madiran, France, where consumption of red wines with high procyanidin concentrations coincided with low rates of heart disease.

A great deal of The Wine Diet isn’t about wine all. Not even the procyanidin bit, as Corder details the dozens of common foods rich in these compounds – from apples to walnuts to chocolate.

And on wine itself, Corder has more caveats than Clayton Utz: only red wines contain procyanidins and their concentration varies enormously from wine to wine; the greatest benefit is to be had by drinking wine with meals, as this reduces peak blood alcohol level; that consumption must be moderate; and that for women regular wine consumption, even at low levels, increases the risk of breast cancer.

Perhaps of even greater interest than the mighty procyanidin molecule is Corder’s discussion of nutrition in general. The Chateau Shanahan team found this the most illuminating part of the book – a level headed discourse on how we might balance our energy intake amongst carbohydrate, fat and protein and a rundown on the nutrients we need, why we need them and what we’ll find them in.

As we said at the start, any book that prescribes wine in our diet can’t be all bad. And it gets better when we’re encouraged, as Corder does, to eat a wide range of fresh products.

The Wine Diet — Complete Nutrition and Lifestyle Plan, by Roger Corder. Published by Sphere, an imprint of the Little, Brown Group $29.99

Copyright © Chris Shanahan 2007

Wine review — Yalumba, Clonakilla & Innocent Bystander

Yalumba Barossa Valley Bush Vine Grenache 2006
Yalumba Eden Valley Wild Ferment Chardonnay 2006 $17.95

They call it grenache in France and Australia and garnacha in Spain. By whatever name, it’s is an interesting red variety, tending to a pale colour and very high sugar levels (and therefore alcohol) when ripe. It’s fragrant and spicy, has soft tannin and is therefore very soft and at home in blends with shiraz and mourvedre. In the Barossa it made superb fortifieds before the current table wine age and, as a consequence, many little stands survive. Yalumba’s captures the perfume, spice and softness of the variety, along with an earthy, savoury edge. Its companion chardonnay is a bright, fresh and funky style of great appeal.

Clonakilla Canberra Shiraz Viognier 2006 $80, Hilltops Shiraz 2006 $28, Canberra Ballinderry 2005 $30
This trio, due for release on September 1, further cements Clonakilla’s place as one of Australia’s great wine estates. Tim Kirk’s Shiraz Viognier – inspired by Rhône Valley winemaker Marcel Guigal – remains the benchmark of this blend in Australia. The 2006 continues the beautifully fragrant, graceful, supple style. With such small production of the flagship, Tim introduced a few years back a second shiraz, sourced from the nearby Hilltops region – a bolder style featuring deep, spicy shiraz flavours with typical Clonakilla silky smoothness. Ballinderry, a cabernets and merlot blend, is the surprise in this year’s release. Was it Tim I heard denouncing Canberra cabernet? He won’t be any more. This one is outstanding – fully ripe but elegant and varietal.

Innocent Bystander Moscato 2007 375ml $13.50
This one’s as pretty to look at as it is pleasant to drink. The quirky label, clear bottle and blush-pink colour look inviting. Flip off the crown seal, pour a lightly frizzante glass and you can smell the enticing, grapey, musk-like sweetness. The distinctive aroma and flavour come from the muscat grape – gordo muscat and black muscat from the Boulton and Burge vineyards on Victoria’s Murray. Picked early, made fresh and at just 5.5 per cent alcohol this is an Aussie interpretation of Asti Moscato, from Italy’s Piemonte region. It’s crisp, fresh, grapey and slightly sweet – a good afternoon pick-me-up or aperitif.

Copyright © Chris Shanahan 207

How Sue Hodder’s history lesson improved Wynns’ Coonawarra reds

The old adage that the only thing we learn from history is that we don’t learn anything from history is bunk. At Wynns Coonawarra Estate, a close study of historic wines taught Sue Hodder and her winemaking team plenty about Coonawarra wines.

A decade on from two retrospective Wynns shiraz and cabernet tastings — stretching back to the 1950s — Sue’s new-release reds demonstrate that the past can influence current winemaker thinking.

In the tastings – featuring Wynns’ shiraz back to vintage 1953 in 1997 and cabernet sauvignon back to 1954 in 2004 – some of the very old comparatively low-alcohol, low-tannin, low-oak wines surpassed more recent wines, and completely eclipsed those of the late seventies.

The tasting proved the great longevity of Coonawarra reds – like the 1955 Michael Hermitage (shiraz) and 1954 cabernet sauvignon. And it revealed several distinct style eras in the estate’s history.

In simple terms we might see the early fifties to the seventies as straightforward – pick the grapes not too ripe, crush, ferment, press to tank, let the malo-lactic fermentation rip, and then mature the wine in older oak for a while before bottling.

In the late seventies – and we might call this the bean-counter era – fruit ripeness and consequent wine flavour declined as vineyard yields rose. This was in part a company thing (the high yields) and, in part, historical, as several other makers sought to produce ‘elegant’ wines by harvesting unripe grapes. Older drinkers still view the word ‘elegant’ as euphemism for thin and green.

The economic imperative took a different shape in the eighties as minimal pruning and mechanical harvesting reduced costs without sacrificing ripeness. Minimal pruning, in particular, created problems of its own to be addressed more than a decade later.

Although the eighties was a period of growth and rising demand for premium reds, margins were often squeezed in a mainly domestically focused industry. In this period Coonawarra reds tended to become riper and more influenced by maturation in new oak – with mixed success as winemakers learned the ropes.

It was, overall for Coonawarra, a period of great quality improvement. And for Wynns, this included the introduction of a new flagship red in 1982, named after pioneer John Riddoch. Made by John Wade, John Riddoch 1982 is to my taste one of the greatest cabernets yet made in this country.

Meanwhile good old Wynns Black Label cabernet carried on, perhaps a tad riper and a little oakier than in the old days, but, as the retrospective tasting showed, always purely varietal and almost invariably with the stuffing to age for decades.

In the late eighties and nineties the flagship John Riddoch cabernet was always denser, more powerful and oaky than the cheaper Black Label, but not always more revered by consumers.

Similarly, a powerful reserve shiraz resurrected the ‘Michael’ name in 1990, there having been only one vintage – 1955 – in the past. This, too, showed intense fruit and assertive oak.

By the late nineties the Wynns cabernets in particular were showing silkier tannins, without losing varietal flavour and intensity – and Sue and the team had begun rethinking how things ought to be done.
The re-think led to a rejuvenation of the older vines, including the removal of dense clusters of dead wood – a result of twenty years’ minimal pruning.

Launching this year’s releases last week, Sue said that what the tasting of older wines had taught her was that Coonawarra reds don’t have to be big tannic monsters to age well. It was clear that elegant, refined styles, without any new oak, still delivered great drinking pleasure after half a century.

Sue said that she’d also learned that a bit of ‘pepper’ in Coonawarra shiraz was nothing to be afraid of. This simply recognises that Coonawarra is a cool growing region, that cool-grown shiraz has a peppery note and it loses this when over ripe.

During the vineyard renovation and re-thing of winemaking styles, Sue’s team stopped making John Riddoch Cabernet Sauvignon and Michael Shiraz altogether for a couple of vintages. Declining sales surely played a part in the decision, but it was a much need breathing space.

While the by-now older John Riddochs and Michaels were ageing well – and some are just glorious – Sue has now demonstrated in the new-release 2004s that the style could be bettered.

The new wines still have exceptional fruit intensity, but oak intrudes less and the true elegance that was apparent in many of the old wines in the retrospective tasting is apparent.

The glory of the old styles, it seems, gave Sue the confidence to make changes for the better.

The 2004 Michael Shiraz, in particular, shows the benefit of the softer touch and rejuvenated vineyards. This wine captures the fragrance, unique berry and pepper character and elegant structure that Coonawarra can deliver – as it did in the original Michael in 1955.

The changes are there but more subtle in recent vintages of the White label Shiraz and Black Label Cabernet Sauvignon and the re-introduced John Riddoch Cabernet Sauvignon.

Indeed, the estate that made Coonawarra famous is quietly, through quality and value, reasserting its status. See this website on July 16 for reviews of the new releases.

Copyright © Chris Shanahan

Beer review — Theakston & Wychwood

Theakston Old Peculier the Legend 500ml $7.49
Peculier spelling perhaps, but Theakston’s idiosyncratic brew clicks all the right winter hyperlinks. An alcohol of 5.6 underpins an inviting warmth that’s matched by the rich but subtle malt flavour. The use of wheat malt as well as barley in the blend gives the palate zest and dries out the pleasantly tart finish.

Wychwood Hobgoblin Strong Dark Ale 500ml $6.89
At 5.2 per cent the alcohol’s modest for a strong ale. But the opulent, creamy-textured palate adds to its warmth. The flavours lean towards the chocolate, mocha and caramel typical of dark malt beers – and this is nicely balanced with a tweak of hops bitterness. It’s a distinctive, delicious winter beer.

Copyright © Chris Shanahan 2007

Fosters to close Matilda Bay Fremantle brewery

All hell’s likely to break loose in the west with Foster’s decision to shut down Matilda Bay’s Fremantle brewery.

As I write this column Foster’s has just broken the news to the Australian stock exchange and to Fremantle staff affected by the decision.

Matilda Bay’s Melbourne-based Chief Brewer, Brad Rogers, tells me that Matilda Bay’s bigger brands, including Redback Wheat Beer and Bohemian Pilsner, will now be brewed at the Foster’s-owned Cascade Brewery, Tasmania.

Brad says that Matilda Bay’s Beez Neez has been brewed by Cascade for just over three years.

It seems the decision is an economic one of bringing production closer to the big east coast markets. But the west will miss its modern beer icon.

Will the beer style change? Probably not. But if they do it’ll be for reasons other than a change of location.

Brad says that Matilda Bay’s small brewery at Dandenong will continue to operate.

Copyright © Chris Shanahan 2007

Press release — Penfolds 2007 recorking clinics announced

This is great after-sales service for collectors of Penfolds red wines. The winemaking team, led by Peter Gago, opens, samples, tops up and recorks your 15+ year old Penfolds reds. If it’s thumbs up on quality, they top the wine up with the current vintage, recork, re-capsule and attach a signed certificate to the bottle. If it’s thumbs down? You get a new cork and advice to drink it now.

This is Penfolds press release: 

2007 PENFOLDS REGIONAL RECORKING CLINICS

The 2007 Penfolds Re-corking Clinics are confirmed:

Newcastle — Tuesday 31 July 2007
Crowne Plaza, Corner Merewether Street & Wharf Road, Newcastle NSW

Cairns – Tuesday 14 August 2007
Cairns International Hotel 17 Abbott Street Cairns QLD

Canberra – Thursday 2 August 2007
Hyatt Hotel Commonwealth Avenue Yarralumla ACT

Launceston – Friday 17 August 2007
Country Club Tasmania, Tasman Room, Country Club Ave, Prospect TAS

Over the last 15 years over 50,000 bottles of Penfolds wines have been inspected, opened, tasted and topped up by Penfolds Winemakers to ensure their prolonged cellar development. It is an amazing after hours service. The Clinics give our wine friends confidence in their wine investment and encourages further interest in wine.

*Please note for Penfolds Recorking Clinics you must supply your own bottle of Penfolds wine 15 years or older, no other wine labels may be tested at these clinics. Registrations will close two weeks before each clinic. To register please visit www.penfolds.com.au <http://www.penfolds.com.au>

Wine review — Redbank The Long Paddock, Mount Majura, Cloudy Bay & Giant Steps

Redbank The Long Paddock Shiraz 2005 & Chardonnay 2006 $12.95
The Redbank brand originated in Victoria’s Pyrenees region. However, ownership of its ‘Long Paddock’ budget range shifted to Robert Hill-Smith’s Yalumba some years back. Quality is exceptional for the price and fruit sourcing generally from the King Valley, although the current shiraz contains some Pyrenees material as well. The shiraz has lovely, ripe plummy flavours with a cool-climate peppery note and a dry, food-friendly savouriness. The chardonnay is generous, but not fat, with attractive melon-like varietal flavour and an attractive, apple-fresh finish. The smooth texture suggests a touch of malo-lactic fermentation and some maturation on yeast lees. This makes it all the more interesting.

Mount Majura Canberra Chardonnay 2005 $20
Cloudy Bay Marlborough Chardonnay 2005 $42

These are the Yin and Yang of chardonnay, even if both are made in a broadly similar way: fermented and matured in oak barrels. Frank van de Loo’s, from the Mount Majura Vineyard Canberra is minerally, racy and dry. There’s a brightness to it and though some of the winemaker inputs stand out, there’s a lovely cool-climate, grape-fruit-like varietal flavour that maintains the lean, taut style. Cloudy Bay, from even cooler Marlborough, shows extraordinary fruit opulence and accompanying viscous texture. Despite the sheer flavour volume, this is a balanced wine of great freshness and seductive slipperiness. Cloudy Bay you’ll find in stores; for Frank’s wine see www.mountmajura.com.au

Giant Steps Yarra Valley Sexton Vineyard Pinot Noir 2005 $29.95
Giant Steps Yarra Valley Tarraford Vineyard Pinot Noir 2005 $39.95

By the law of diminishing returns the $40 pinot ought to be maybe ten per cent better – not 33 per cent better — than the $30 one, right? Not with this two from Phil Sexton, though: the $40 Tarraford Vineyard wine delivered, to may taste, almost double the drinking pleasure. But I wouldn’t say no to either. These are elegant but substantial pinots, well removed from the lighter, simpler styles. They share a savouriness and strong structure. In the Sexton that fruit versus tannin arm wrestle seems to lean a little towards tannin. In the Tarraford, however, the beautiful fruit aroma carries through into a glorious, supple palate.

Copyright © Chris Shanahan 2007

Lake George renaissance

Lake George’s two oldest wine estates – Lake George Vineyard and Madew Wines – seem to have fallen off the radar in recent years, leaving relative newcomer, Lerida Estate, to keep the flame burning.

But there’s a renaissance in the making. Madew is on the market. And Lake George owner, Theo Karelas, recently engaged former Kamberra winemaker, Alex McKay, to reinvigorate the vineyard and winemaking – with help from Dr Edgar Riek, the vineyard’s founder.

A revitalised Lake George Vineyard and Madews, operating alongside Lerida, could make this little strip the most-visited part of Canberra’s scattered wine scene. Being at a peaceful remove from the busy Federal Highway is no disadvantage – as the success of nearby Lynwood Café demonstrates.

This really is a very charming location. Search ‘Lake George, Australia’ on Google Earth for a bird’s-eye view of what travellers see when travelling by road between Canberra and Sydney. Heading north from Canberra, the Federal Highway climbs then traverses the Lake George Escarpment before plunging down to the lake at Geary’s Gap.

Continuing north along the western shore of the lake, the escarpment literally crumbles steeply downwards, occasionally spewing rock debris onto the road.

Approaching the northern end of the lake, the slope from the escarpment eases before opening out onto the plains around the village of Collector.

The Lerida, Lake George and Madew vineyards form a contiguous line along these comparatively gentle slopes of the Lake George escarpment and are accessed from the old Federal Highway, now a quiet backwater next to the freeway.

The vineyards lie between the escarpment to the west and Lake George to the east. For those not familiar with the area, ‘Lake’ might be seen as an ironic term. As locals know the lake, vast as it is, comes and goes over time.

After a run of wet seasons it laps the side of the road, mystifying new visitors with its fence posts jutting above the water. In prolonged dry spells, sheep graze the grassy landscape and visitors might glimpse a puddle in the far south towards Bungendore.

When Edgar Riek established Lake George Vineyard in 1971 the lake was there and filling. It has come and gone several time since. And it makes me wonder what influence the presence or absence of such a large body of water – or land – makes on the grape-growing environment along the foreshore. The changes must have an impact.

The Lake George vineyards share other unique grape-growing conditions, too: soil that includes both rubble from erosion of the escarpment as well as deep gravels from old shorelines; the late afternoon shade provided by the escarpment towering above; an elevation of around 700 metres above sea level; and considerable variation in ripening times over short distances – Jim Lumbers, for example, cites a three week gap within Lerida Estate’s 7.5 hectares.

Two years after Riek established ‘Cullarin’ – the original name of Lake George Vineyard – naval captain Geoff Hood planted Westering Vineyard immediately to the north. David and Romily Madew acquired Westering in 1994, expanding the vineyard and building a winery, restaurant (grapefoodwine), cellar door complex.

In 1997 Jim Lumbers and Anne Caine, inspired by Edgar Riek’s pinot noirs, established Lerida on Riek’s southern boundary.

About a year later, Edgar Riek, by now in his seventies and concerned about succession, sold Lake George Vineyard to the Karelas family but stayed on as consultant for the 1999 and 2000 vintages.

Throughout his time at Lake George Edgar had been deeply engaged with the wine industry – partly through the role he played in establishing the National Wine Show – and his wines, despite the tiny volumes, enjoyed a high profile. These faded from view after his departure.

David Madew, on the other hand, showed flair for publicity, establishing Madew’s opera amongst the vines and the ambitious grapefoodwine complex – an enduring piece of infrastructure for the Lake George area. What becomes of Madew under new ownership remains to be seen. But the foundation is there to build on.

As Lake George Winery faded and Madew focused on events, Jim Lumbers and Anne Caine invested heavily in Lerida Estate.

From 1997 they established 7.5 hectares of vines with a strong skew toward pinot noir. This remains their passion, but they also have in the vineyard pinot gris (a white mutant of pinot noir), chardonnay, shiraz, merlot, cabernet franc, shiraz and viognier.

After a fairly rustic start to winemaking – I recall tasting wine outdoors from barrels stored in a shipping container in the early days – they built a beautiful winery, cellar door, café complex designed by Glenn Murcutt.

They’ve been moving up the grape-growing, winemaking learning curve rapidly. And now with Malcolm Burdett and skilled French ‘stagiers’ assisting at each vintage, the wines show increasing polish.

Maturing vines, careful vine management, rigorous fruit selection and competent winemaking have all contributed to a major lift in quality for Lerida. The latest offerings at cellar door (overlooking the lake and within the café) represent real value, with high points for me being the 2005 Reserve Shiraz and 2006 Pinot Noir.

Jim has some wonderful 2007 reds maturing in barrel, including shiraz, merlot and pinot. Again my favourite was the shiraz – already showing strong cool-climate peppery varietal character plus mid-palate richness – followed by a very promising merlot.

This is a winery to watch. It seems well resourced and driven by Jim and Anne’s passion – shared by Malcolm Burdett. However, it’s a little early in the journey yet to say what Lerida’s greatest wines will be. It takes many decades to see what varieties work where, especially in a climate as variable as Canberra’s.

Copyright © Chris Shanahan 2007