Yearly Archives: 2009

Beer review — Stone & Wood

Stone & Wood Pale Lager 330ml $3.90
Brad Rogers and the team at Wood & Stone, Byron Bay, hit all the right notes with this juicy, pale-lemon-coloured lager. It’s ultra fresh, has a smooth, pure, malty richness belying the light colour and complex, harmonious hops aroma, flavour and bitterness.

Stone & Wood Ale 500ml $8.00
We mover from Wood & Stone’s easy-drinking lager, to an altogether more assertive beast – an opulent, dark-mahogany-coloured ale, laden with sweet, intense toffee-like aromas and flavours. These come from wood-fired stones added to the kettle to “rouse the boil and caramelise the brew”.

Copyright © Chris Shanahan 2009

Canberra is Aussie amateur brew champ

It’s official. Canberra’s amateur brewers are the best in Australia. Craig Webber, president of Canberra Brewers, says local contestants won the Australian amateur brewing championship, held recently in Canberra, by a wide margin.

And the qualities that took us there showed in a later taste-off of fifteen local beers, each previously judged the best of its style. I was one of four judges for the Wig & Pen trophy, assessing the diverse line up of international styles – English standard pub ale, Bohemian pilzen, Vienna lager, bock, Munich helles lager, English extra special bitter, American brown ale, robust porter, Russian imperial stout, English-style India pale ale, American barley wine, Belgian triple, German hefeweizen, Flanders red ale and rauchbier.

After much sipping and discussion we narrowed the field down to four brews, each an outstanding example of its style – the English standard pub ale, the extra special bitter, the robust porter and the Rauchbier.

The ballot produced a clear trophy winner – Mike Day’s extra special bitter, an appealing deep-amber ale with distinctive, zesty hops. Mike also won second place for his gentle, refreshing English style pub ale.

Mike’s winning ale recipe will now be brewed by Richard Watkins and offered over the bar at the Wig & Pen in the new year.

Copyright © Chris Shanahan 2009

Wine review — Draytons, Yalumba and Running With Bulls

Draytons Vineyard Reserve Pokolbin Shiraz 2007 $30
This is one of those beautiful old school Hunter reds – medium bodied, gentle, supple and soft but savoury and earthy, too. It’s sourced from two old Drayton family vineyards at Pokolbin, a sub-district of the Hunter Valley – the 40-year old Bull Paddock Block and 110-year-plus Old Flat Shiraz Block. The grapes were hand picked, fermented in small, open vats and matured in a mix of new French oak and older French and American barriques. While the oak supports the wine, it doesn’t get in the way of the pure fruit flavour from those venerable old vineyards. It’s a gem.

Vineyard Reserve Pokolbin Chardonnay 2009 $30
Try this and you’ll see why judges at the 2009 Hunter Valley Wine Show gave it a gold medal and trophy. Winemaker Will Rickard-Bell captured the vibrant, pure, succulent, nectarine-like varietal flavour and added subtle background flavours and texture with careful oak treatment: fermentation of half the blend in new French barrels and the balance in steel tanks, followed by a few months in older barrels. Will says it’s sourced from a very small plot of vines planted to the Penfolds clone back in 1965 – making it one of Australia’s oldest chardonnay vineyards. See www.draytons.com.au

Yalumba Langhorne Creek Vermentino 2009 $14.95
Running With Bulls Barossa Tempranillo 2009 $18.9
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The ability of vermentino, an Italian white variety, to withstand heat and drought makes it a good candidate for Australian vineyards. There’s a fair bit of it being planted now. But the true test will be whether we enjoy the wines it makes. This one has a fresh passionfruit-like aroma and flavour, reminiscent of ripe sauvignon blanc, but seems a bit coarse and hard on the palate. Spain’s tempranillo is another comparative newcomer to Australia with potential to become mainstream, thanks to its flesh fruit flavour and firm, but not hard, tannins. Yalumba’s is a ‘bistro’ version of the style – zesty, fruity and ready to drink now.

Copyright © Chris Shanahan 2009

Beer review — Brains and Daleside

Brains SA Premium Beer from Wales 440ml can $4.00
It’s all the way from Cardiff, just $4 a can, and a very good example of dry, mild ale: burnished-copper colour; attractive, fruity-malty aroma; malty but dry palate with subtle hops flavours and mildly bitter finish. It’s understated, complex and at 4.2 per cent alcohol easy to sink a few.

Daleside Old Leg Over 500ml $8.20
From Wales we head north and west to Yorkshire for a darker, but still dry-ish ale, billed as ‘a right grand Yorkshire beer’. It’s beautifully fresh, with roasted-malt and nutty flavours to the fore – and well-judged hops bitterness kicking in refreshingly at the finish. All that, and it’s just 4.1 per cent alcohol.

Copyright © Chris Shanahan 2009

Pumpkin brew for Jindabyne

Drinkers at Jindabyne’s Banjo Paterson Inn know part owner, Gavin Patton, as pumpkin – a nickname soon to be immortalised on tap.
Last week Chuck Hahn pitched the yeast into the first batch of pumpkin ale – a true witches kettle of malted barley, roasted pumpkin, nutmeg, allspice, ginger, cinnamon and Pride of Ringwood and Summer Saaz hops.

Pumpkin plays a dual role says Chuck – together with the malted barley it provides sugar for fermentation (and hence alcohol) and also adds a distinct flavour.

Pride of Ringwood hops give bitterness (but not too much), while the Summer Saaz and spices, added late, during the whirl-pooling process, contribute aromatics and flavour.

It’s bubbling away in the Banjo’s cauldron as I write. Chuck says fermentation will take a week. Then there’ll be a week’s maturation before it goes on tap in the bar. There’ll be a small picture of pumpkin Patton on the logo, Chuck says, adding “we’ve got a big one, too, but we want to sell some beer”.

Copyright © Chris Shanahan 2009

Hilltops shiraz wins Jimmy Watson trophy — but more reform needed

The Jimmy Watson trophy is to wine drinkers what the Melbourne Cup is to once a year punters. We’ve all heard of it. There’s a buzz each year as the Melbourne show unveils the latest winner. And for the winner, especially if it’s a little known winery, victory can be a fast track to glory.

This year the coveted crystal and silver jug came to the Eden Road Winery, Canberra, for its Hilltops Shiraz 2008. The wine had previously won trophies as best shiraz and best red at the 2009 Canberra Regional show and shared the champion-wine trophy with Ken Helm’s Premium Riesling 2009 (which also won gold in Melbourne).

The bad news is that the juicy, drink-now red sold out shortly after the trophy announcement a few weeks back. And the good news is that the 2009 vintage – now maturing in Eden Road’s cellar in the old Kamberra Winery – will remain at a modest $16.50 a bottle when it’s released next year. I tasted components of it today alongside the Jimmy winner and have little doubt that it’ll be at least as good, and in the same supple, easy-drinking mould. Winemaker Nick Spencers views the 2009s as ‘a big step up from the 2008s’.

Nick says the majority of grapes used in the trophy winner came from Jason Brown’s Moppity Park vineyard – the second oldest in the Hilltops region (established 1973) – with components from Grove Estate and other vineyards.

And he sees a fundamental difference between Hilltops and Canberra shiraz – the former showing bright, berry fruit, with an open, easy drinking character; the latter making fragrant but taut wines needing time to mature.

The Hilltops fruit, he says, doesn’t demand oak maturation the way cabernet or fuller bodied shiraz does. Indeed, Nick matured the majority of the winning blend in steel tanks and the balance in older oak barrels.

Apart from cutting the oak bill (and the price of the finished wine) maturation in tank lends an agreeable gamey note to the wine – a characteristic readily observed while comparing tank and barrel samples of the as yet unblended 2009 vintage.

Eden Road Hilltops Shiraz 2008, says Steve Webber, chair of the Melbourne show, is only the second winner in the trophy’s 37-history to have been bottled and in the market at the time of judging. Until recently the line up was the domain of raw young reds not due for blending, let alone bottling, for many months away. The break out box explains why this was so – and why it made the Jimmy Watson not only Australia’s best-known wine award but also its most reviled by critics, including me.

Stephen Shelmerdine, Chair of the wine show committee of the Royal Agricultural Society of Victoria (RASV), tells me that bottled exhibits now account for 75–80 per cent of all entries. The change, he says, result from a run of earlier vintages, wines spending less time in oak and shifting the judging from July to October.

And there’s been tremendous pressure, too, to bring the trophy in line with standards adopted by Australia’s other wine shows: no awards for unfinished wine.

Stephen explained that making changes requires the agreement of RASV, as show organise, and the Watson family, as custodians of the Jimmy Watson Trophy trust deed.

He says that after widespread consultation with the industry, from 2010 the trophy will be open to both one and two year old reds – meaning an even higher proportion of bottled wine in the judging line up.

But he admits there’s continuing pressure to exclude unfinished wine – an option still being considered by the RASV and the Watson family.

But even if we assume that what wins the trophy is what we finally drink, what makes the trophy so noteworthy?

I can’t fathom it. It’s not inherently superior to other judgements. It’s not a line-up of the best of the best – just a gang of one-year-old reds from all over the country. The trophy’s success seems to be based more on an emotional appeal, perhaps derived from its long history and steady promotion over four decades. Interestingly, the background story is seldom told now that the trophy has a life of its own.

I remain a Jimmy Watson sceptic on three grounds. The first, now receding as we see more finished products in the race; the second that no single award means a great deal – look for wines with a string of successes in different shows; and thirdly that just because the judges at one show like a wine doesn’t mean that you or will.

Take, for example last year’s winner, Flametree Cabernet Merlot 2007 – I couldn’t get through even a single glass of; down the sink it went.
This year’s winner is another story. It’s delicious, but sadly no longer available. Full marks, though, to the Eden Road team for not letting the victory go to its head. We can all look forward to trying the 2009 next year at the same realistic price.

The Jimmy Watson trophy over the years
In 1962 Jimmy Watson, wine merchant, died. At his funeral, a hat passed amongst Watson’s loyal followers, raising funds to sponsor an annual ‘Jimmy Watson Memorial Trophy’ for the best one-year-old red wine at the Melbourne Wine Show.

There are those who still remember Jimmy with fondness – none more so than his son Alan as he presides, with his son, over the Jimmy Watson Wine Bar founded by his father all those years ago.

But somewhere along the way, the trophy took on a life of its own – a farcical, commercial life far removed from the world Jimmy Watson inhabited during his lifetime.

Alan Watson remembers his father as a wine pioneer – a man who cheerfully weathered the sneers of some fellow Australians for nothing more than encouraging the consumption of table wine with food. In those days wine was just plonk.

Bill Chambers, maker of superb Rutherglen fortifieds and long-term chair of judges at the Melbourne wine show, once told me that he recalled Watson’s Wine bar in the late 1950s. There were bottles everywhere as a leather-apronned Jimmy, a great showman, worked with two rubber tubes to bottle a hogshead of red before lunch – an enviable feat in Chamber’s view, and one Jimmy Watson was proud of.

In those days Bill Chambers worked up in the Clare Valley with the Stanley Wine Company. He remembers Melbourne Wine Merchant, Doug Seabrook, buying hogsheads of raw young Clare Valley reds, many of which he sold to Watson. By all accounts it was these vigorous young reds, and not only those from Clare, that interested him most of all.

In an interview some years back, Alan Watson told me that his father’s business was not originally a watering hole as it is today, but a bottle shop where the owner selected and bottled everything himself. But Watson’s great enthusiasm attracted a ring of disciples who soon began bringing food to the shop and adopting a liberal interpretation of licensing laws that permitted patrons to taste wine before purchasing.

The clientele, enthralled by Watson, showman and extrovert, came from all walks of life. But with Melbourne University just up the road from Watson’s Lygon Street premises, academics and students swelled his ranks of followers. Eagerly they swallowed his message.

Dad tried to move the trade into another era,” reminisced Alan Watson. “He wanted wine to be seen as an everyday occurrence, something to be consumed with meals.” He also urged patience, encouraging customers to cellar the immature, purple, one-year-old reds that were the bulk of his trade.

Jimmy Watson was an educator of old and young alike according to Bill Chambers. “Students, professors, everyone brought their tucker down the road before heading up to Watson’s to drink wine. But he was a showman and I can’t remember him drinking much himself.”

Watson’s senior disciples, mostly academics and businessmen, gravitated to an upstairs room, eventually dubbed ‘The House of Lords’ by him. It was these most ardent and articulate followers who passed the hat at Jimmy Watson’s funeral, thus perpetuating his name in the Jimmy Watson Memorial Trophy to be awarded to the robust, year-old reds he so loved.

For the next ten years the Jimmy Watson Trophy – now a household word amongst wine drinkers – remained unknown to wine consumers and of only minor interest to wine companies.

Bill Chambers judged in Melbourne from the early 1960’s. He recalls little fuss over the Watson Trophy until the Berri Co-operative won it in 1973. Then, recalls Chambers, after an heroic celebration, winemaker Brian Barry boarded the plane carrying the Murray River’s first major trophy.

Perhaps we can link the trophy’s rise to fame more with Wolf Blass’s hat trick. He won it in 1974, 1975 and 1976 for his 1973, 1974 and 1975 vintages of ‘Dry Red Claret’. He renamed the wine Wolf Blass Black Label and used the Jimmy as its launching pad. He even proclaimed the triple victory on the neck label of his sparkling wine at the time.

Increasingly since then, to win the trophy is to harvest a windfall. For the hype surrounding each year’s winner virtually guarantees the wine’s commercial success.

While no amount of hosing down seems to quell trade or public clamouring for the winner, the fact is that for most of the trophy’s history, the winning wine has not been the finished product.

This has been the source of sustained and intense criticism, principally from those concerned with the integrity of show results. Awarding medals and trophies to unfinished wine simply magnifies the chance of fraud.

Even the most meticulously honest winery blending a “representative” show sample across a range of barrels can’t say with certainty that what the judges tasted and what goes into bottle are the same wine.

While recent changes made by the show organisers and the Watson family, deserve praise, the reform must go all the way and close the trophy judging to unfinished wine.

We can sympathise with the Watson family’s emotional connection to the raw young reds Jimmy loved to bottle. But the interests of wine drinkers and the integrity of the show system must ultimately rise above those sentiments.

Copyright © Chris Shanahan 2009

Wine review — Penfolds, Littore Family, Cobaw Ridge and Coriole

Penfolds Cellar Reserve McLaren Vale Tempranillo 2007 $50
Littore Family Wines Tempranillo 2008 $9.
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Is one worth ten times the price of the other? No, but they’re a world apart. The Littore wine, from the Moorabool Valley, near Geelong, expresses juicy, pure, blueberry-like varietal flavours in a simple, glug-it-down way. The Penfolds wine is more solid, savoury and multi-layered. I liked it after a sip or two earlier this year; wrote it off as too oaky in a masked tasting with other tempranillos at Mount Majura Winery a few months later; and recently savoured every drop of an entire bottle. Sure, there’s abundant oak. But it adds a savoury edge and structure to a complex wine built for the cellar.

Cobaw Ridge White Label Organic Chardonnay 2008 $27
Cobaw Ridge Macedon Ranges Lagrein 2006 $40

Alan and Nelly Cooper’s five-hectare vineyard sits at 610 metres above sea level in Victoria’s very cool Macedon region. The cool site showed in the brisk, concentrated wine flavours during a recent visit. The unoaked white label chardonnay is tangy and intense with dazzling, refreshing acidity. The barrel-fermented 2007 ($35) is sensationally complex and rich, yet restrained and elegant. The 2006 pinot ($48) is fragrant and delicious; but the taut tannins means its best lies ahead. The peppery shiraz 2007 ($40) is very Rhone-like. And the Lagrein 2007 $40 steals the show as a plush but tannic and pleasantly tart expression of this Sudtirol variety.

Coriole McLaren Vale Fiano $25, Sangiovese $22, Barbera $32, Adelaide Hills Nebbiolo $32
Mark Lloyd pioneered the Italian red variety, sangiovese, in the eighties; now offers fiano, barbera and nebbiolo as well; and has a sagrantino up his sleeve for the new year.  The white fiano, a Roman variety, is fragrant in a generally vinous sort of way, with a full, richly textured, pleasantly grippy palate. Barbera, a red from the north presents vibrant summer-berry flavours with a structure built on acid rather than tannin. Sangiovese is the opposite, being savoury with the quite firm tannins that go well with char grilled red meats. The deceptively pale and perfumed nebbiolo, too, packs a load of firm, lingering tannins.

Copyright © Chris Shanahan 2009

Beer review — White Rabbit

White Rabbit Dark Ale 330ml 6-pack $19.90
This is a smart brew from the new White Rabbit Brewery at Healesville in the Yarra Valley. It’s dark and malty with an attractive roasted note, pervaded by delicious herbal hoppy aromas and flavours. The palate is lively, refreshing and surprisingly dry – making it a good session beer.

Copyright © Chris Shanahan 2009

White rabbit is really a little creature

There’s an echo of Little Creatures in the new White Rabbit Dark Ale, from Healesville, Victoria. It’s in the pervasive hops aroma and flavour – a thumbprint of the Little Creatures’ style, courtesy of the ‘hop back’, a sack of fresh hops seeped in the brew.

White Rabbit’s burrow might be thousands of kilometres from Freemantle, Little Creatures’ home. But it’s a wholly owned subsidiary of Little Creatures and has as its next door neighbour Phil Sexton’s Giant Steps winery.

Phil, a founder of both Matilda Bay (now owned by Fosters) and Little Creatures (now part owned by Lion Nathan), consults to Little Creatures and the new White Rabbit operation.

Apart from the family hops signature, White Rabbit Dark Ale, the only brew currently available, is far removed from the Little Creatures’ style. Its dark, nutty, roasted-malt flavours and strikingly dry palate are unique – and perhaps partly attributable to the open fermenters used by brewer Jeremy Holse, a Matilda Bay veteran.

And little Creatures hasn’t limited its expansion to Victoria. It recently acquired a twenty per cent stake, and national distribution rights, in the Byron Bay brewery, Stone and Wood – which counts former Little Creatures and Matilda Bay brewer, Brad Rogers, among its four other shareholders.

Copyright © Chris Shanahan 2009

Too early to write chardonnay’s obituary

A few weeks back, Foster’s Group held a little conference, titled ‘restoring the maligned reputation of the world’s greatest white grape variety’.

Nielsen figures released at the event show that chardonnay began its shocking fall from grace in August 2004 – after thirty years as the darling of our industry. Since 1976 our production had grown from a bucketful, to 17,400 tonnes in 1986 to 444,000 tonnes in 2008.

But domestic sales are still falling (7.1 per cent in the year to August 2009 in a white wine market that grew by 6.9 per cent). And to add to the ignominy being heaped on chardonnay, the usurper is the ignoble sauvignon blanc.

The Nielsen figures reveal that sauvignon blanc overtook chardonnay as our biggest selling white in March this year – and left it in its dust. New Zealand wine, representing 70 per cent of our sauvignon blanc sales, continues to grow at an extraordinary 35.9 per cent. But it’s too early to write chardonnay’s obituary.

The problem with chardonnay seems to be partly one of image – suggesting long-term flaws in the way it’s been marketed and packaged, combined with consumer memories of the fat, heavy, oaky styles that once excited wine drinkers. It matters little that this was twenty years ago and that styles have since moved on. Drinkers haven’t heard the message.

Foster’s attribute part of the decline to fashion – linking it to Kath and Kim’s ‘kardonnay’ (but not their ‘sauvignon plonk’) and the ABC (anything but chardonnay) movement.

If popularity breeds its own counter culture, then sauvignon blanc could be headed for the same fate as chardonnay. It’s everywhere we look – dominating wine lists, pushing good riesling and chardonnay from retail refrigerators and dominating the Nielsen list of Australia’s top 10 whites selling for between $14 and $19 a bottle.

In the year to August, sauvignon blanc and blends, including five New Zealanders, held eight of the top 10 spots. Oyster Bay Sauvignon Blanc topped the list (we drank $48.7 million worth), followed by Giesen and Stoneleigh, then Montana in fifth position and Secret Stone in ninth. The only chardonnay was Oyster Bay from New Zealand.

If there’s to be a reaction to New Zealand sauvignon blanc it could come in the next few years in the face of a real or perceived decline in quality. The New Zealand invasion began with high quality products, notably Cloudy Bay of Marlborough, founded by Australian David Hohnen in the mid eighties and now owned by Moet Hennessey Louis Vuitton.

The quality gap between Marlborough’s best, like Cloudy, and the worst is now wider than ever following years of large scale planting. New Zealand’s sauvignon blanc hit 177 thousand tonnes in 2010, following harvests of 169 thousand tonnes, 102 thousand tonnes, 96 thousand tonnes and 63 thousand tonnes in the previous four vintages.

A simple fact of rapid expansion is unequal quality – based on vine age, site selection, vineyard management and winemaking, and the skinny flavours arising from overcropping. Certainly much of the New Zealand material now coming our way is pretty ordinary in my opinion.

Not surprisingly, New Zealand’s overproduction means lower prices. This starts with declining grape prices (Marlborough sauvignon blanc fell from $2,230 a tonne in 2005 to $1,651 in 2009) and flows immediately to wine prices – confirmed by the rapid growth of cheaper New Zealand sauvignon blanc in Australia (1,035 per cent in the $8–$11 bracket; 59.1 per cent in the $11–$14 bracket in the year to August).

Of course, waiting for the sauvignon blanc rot to set in isn’t going to save chardonnay’s bacon. Its revival will have to be driven by makers. And that will come from a high base. Despite its decline bottled chardonnay still accounts for $269.7 million in sales; 25.5 per cent of all bottled wine sold in Australia; and 92 per cent of sales over $19.

Foster’s consumer taste testing shows that even non chardonnay drinking sauvignon blanc drinkers like chardonnay when they don’t know what they’re drinking – provide they’re fresh, low or no-oak versions. So there’s hope.

But I don’t think unoaked chardonnays are the way to go. Modern chardonnays gain great complexity, but not oak flavour, from barrel fermentation and maturation. Perhaps the biggest shift, as we inevitably rip out many chardonnay vines, will be in sourcing from the cooler areas that produce the crispest, finest flavours. With such a versatile variety, that still leaves many options in Australia.

Marketing it then remains the issue, just as it is now. Ultimately, though, it’s a superior grape variety producing beautiful, complex flavours. It will ride out the fads and remain one of our biggest sellers as long as we drink white wine.

Copyright © Chris Shanahan 2009