Beer review — Red Duck and Lord Nelson

Red Duck Overland Bright Ale 330ml $4.90
From the Purrumbete Brewing Company, Victoria, Red Duck is a lightly hazy, pale-coloured, easy-drinking ale. It’s moderately alcoholic at 4.2 per cent, with an emphasis on zesty freshness and refreshing hops bitterness rather than overt malt flavour. Strangely, Overland doesn’t rate a mention on the Red Duck website.

Lord Nelson Old Admiral 330ml $3.80
Sydney’s Lord Nelson, opened in 1842, claims to be Australia’s oldest continuously licensed pub. In 1987 it began brewing on site and has become one of the Rocks area’s must-visit sites. The opulent, malty, high-alcohol and generously hopped Old Admiral ale is best on tap, but the bottled version slips down easily enough.

Copyright © Chris Shanahan 2009

Hobart’s beer oasis

For a cold brew on a hot day there are few nicer spots than the Old Sydney Hotel in Bathurst Street, Hobart, if you happen to be down that way. The front bar has the cosiness of an English pub – a watering hole where people of all ages sip and chat comfortably against the background of live acoustic music.

On a recent visit, the bar offered sixteen beers on tap, ranging in style from wheat ale to stout, with selections from several microbrewers as well as Australia’s brewing giants Lion Nathan and Foster’s, owners, respectively, of Hobart’s Boag’s and Cascade breweries.

The local selection included the hearty, malty Winter Willie Warmer Dark Ale from Willie Simpson’s new Seven Sheds Brewery, located at Railton, near Devonport on the state’s north coast; and its pale and delicately fruity counterpart, Moo Brew Wheat Ale, from just up the Derwent River at David Walsh’s extraordinary Moorilla Estate complex.

What a pleasant surprise, too, to find delicious, fresh draught beers from distant Stone and Wood Brewery, Byron Bay – the exuberantly, fragrantly hoppy Draft Ale and zesty, light but complex Pale Lager.

Judging by the Saturday afternoon crowd and range of beers being pulled, the drift to interesting beers is alive and well.

Copyright © Chris Shanahan 2009

Wine review — Lock and Key, Moppity Vineyards and Gallagher

Lock and Key Hilltops Cabernet Sauvignon 2008 $10–$15
Moppity Vineyards Hilltops Cabernet Sauvignon 2008 $16–$20

In 2004 Jason and Alecia Brown bought the 78-hectare Moppity Vineyard from the receivers. Established in 1973, and the second oldest in Hilltops, the vineyard was mature but run down. After much TLC it’s now showing just how good the fruit is as the Browns turn all their efforts to production for their two labels – Lock and Key and Moppity Vineyards. The cabernets are rich but elegant –Lock and Key, on the lighter, leafy side but still with delicious berry fruit flavours and firm tannins offers tremendous value; Moppity is riper, with more body and depth.

Lock and Key Hilltops Shiraz 2008 $10–$15
Moppity Vineyards Hilltops Shiraz 2008 $16–$20
Moppity Vineyards Hilltops Reserve Shiraz 2007 $45–$50

Shiraz is unquestionably the signature variety for the Hilltops region as it makes juicy, soft, medium bodied wines that are easy to love. The wines are transforming perceptions of who does what best in Australia. And the Browns, with their significant plantings, are showing that a regional specialty can offer sensational value as well as distinctive qualities. The medium bodied Lock and Key is as good a red as you’ll ever find for the money; Moppity Vineyards ramps up the fruit concentration, but is still refined and elegant; and the Reserve shows the greater power, savouriness and firm tannins of the 2007 vintage.

Gallagher Brut Rose 2008 $25 and Duet Sparkling 2008 $25
Winemaker Greg Gallagher brought to Canberra a couple of decades’ sparkling-winemaking experience – valuable know-how extending from vineyard management to making and maturing base wines, blending the components before bottling and then getting the bottle fermentation and maturation right. Greg’s know-how shows in these two very appealing bottle fermented sparklers – a delicate, blushing rose, blended from 65 per cent pinot and 35 per cent chardonnay, with its fresh tease of red fruits and fine, dry finish; and Duet, an aperitif style pinot chardonnay blend, sourced from Greg’s Murrumbateman vineyard.

Zork SPK closures unimpressive

Both of the Gallagher sparklers are sealed with Zork’s new SPK plastic closure and can be resealed after opening. However, we were unimpressed by the new ‘award winning’ seal: we found the plastic security strip difficult to remove; we were thoroughly drenched after one seal refused to budge then came away explosively, spurting half the contents over our tasting bench (and us)t; and it’s inelegant, looking more suited to cheap bubbly than high quality wines like Greg Gallaghers.

Copyright © Chris Shanahan 209

Big value in niche rieslings

The International Riesling Challenge, held in Canberra in October, reminds us that riesling remains our best value-for-money white wine variety. The results catalogue is packed with delicious, potentially long-lived wines available at modest prices. However, riesling remains a niche variety, ignored by the vast majority of drinkers, despite the decades of praise heaped on it.

In a recent presentation, James Halliday said that before the mid eighties “more bottles of (true) riesling sold than all other major white varieties combined”. Between 1976 and 1986 Australia’s riesling production grew rapidly, then dipped slightly over the next decade and half, before growing modestly over the last few years to reach 36,900 tonnes in 2009. However, viewed on a graph, the riesling-production story looks near enough to a 20-year straight line – under a soaring rocket called chardonnay, that peaked at around 400 thousand tonnes.

But as we saw last week, that rocket ran out of thrust in 2004 and finally lost its number one position earlier this year to sauvignon blanc, led by the New Zealanders with seventy per cent of the still rapidly growing sauv blanc market.

But even in decline, chardonnay still accounts for a quarter of all bottled white wine sales in Australia by value. While riesling might appear to be holding its own in absolute volume, its dramatic loss of market share since the burgeoning of chardonnay in the eighties and sauvignon blanc this decade remains something of a mystery.

Dramatising riesling’s niche status is the rapid rise this decade of pinot gris (aka pinot grigio) in our production figures. In 2009 Australian vignerons harvested 40,500 tonnes of it – a little ahead of riesling’s 36,900 tonnes. This is probably fashion driven as from my experience the ratio of mediocre to good pinot gris runs at about ten to one – the opposite of what you’d expect of riesling.

But riesling’s stubborn refusal to become popular, galling as that might be to its spruikers, is surely one of the reasons we pay comparatively little for often stellar quality.

For example, among the Riesling Challenge’s gold medallists in the Australian dry categories, prices range from as little as $15 (probably $10 on special) to around $45, with the majority somewhere in between.

The judges awarded nineteen gold medals in these classes, the majority of them to currently available wines and with a sprinkling of harder-to-find back vintages.  The latter simply prove riesling’s durability – and the rewards that come from cellaring.

If the results don’t fully reflect the diversity of styles we make across the continent, the judges nevertheless spread their favours reasonably widely. Not surprisingly, the classic Clare and Eden Valleys (neighbours on South Australia’s Mount Lofty Ranges) dominated with fourteen gold medals. But Canberra scored two golds, Tasmania one, Coonawarra one and Mansfield, in Victoria’s Upper Goulburn region, one.

The full honours roll makes a great shopping list. The prices given below are either cellar door or current retail prices found online. Some of the wines may not be released yet; and older ones may no longer be available, although it’s worth Googling the wineries and asking.

Canberra gold medallists
Helm Premium Riesling 2009 $45
Shaw Vineyard Estate Winemaker Selection 2008 $22

Coonawarra gold medallist
Wynns Coonawarra Estate Riesling 2008 $17–$20

Upper Goulburn gold medallist
Delatite Riesling 2008 $23

Tasmania gold medallist
The Wine Society Tasmania Riesling 2007 (2009 currently selling at $16.99)

Clare Valley gold medallists
Jim Barry Watervale Riesling 2009 $14–$17
Knappstein Ackland Vineyard Watervale Riesling 2009 $32.95
Tim Adams Clare Valley Riesling 2009 $20–$25
Sevenhill Clare INIGO Riesling 2008 price not available
Richmond Grove Watervale Riesling 2008 $14–$20
Cardinham Estate Clare Valley Riesling 2003 (2008 currently selling at $18)
Leo Buring Leonay Clare Valley Riesling 2005 (probably high thirties)

Eden Valley gold medallists
Poverty Hill Eden Valley Riesling 2009 $18–$22
St Hallett Eden Valley Riesling 2008 $16–$20
St Hallett Eden Valley Riesling 2005 (hard to find, go for the current release)
Peter Lehmann Wigan Eden Valley Riesling 2004 ($40 at cellar door)
Jacob’s Creek Steingarten Riesling 2007 $28–$32 (officially ‘Barossa’ but sourced from elevated, cool, southern Barossa sites skirting the Eden Valley).

Multi-region gold medallist
Jacob’s Creek Reserve Riesling 2009 $15–$18 (region not given but generally a blend of very good predominantly Clare and Eden Valley material).

Copyright © Chris Shanahan

Beer review — Stone & Wood

Stone & Wood Pale Lager 330ml $3.90
Brad Rogers and the team at Wood & Stone, Byron Bay, hit all the right notes with this juicy, pale-lemon-coloured lager. It’s ultra fresh, has a smooth, pure, malty richness belying the light colour and complex, harmonious hops aroma, flavour and bitterness.

Stone & Wood Ale 500ml $8.00
We mover from Wood & Stone’s easy-drinking lager, to an altogether more assertive beast – an opulent, dark-mahogany-coloured ale, laden with sweet, intense toffee-like aromas and flavours. These come from wood-fired stones added to the kettle to “rouse the boil and caramelise the brew”.

Copyright © Chris Shanahan 2009

Canberra is Aussie amateur brew champ

It’s official. Canberra’s amateur brewers are the best in Australia. Craig Webber, president of Canberra Brewers, says local contestants won the Australian amateur brewing championship, held recently in Canberra, by a wide margin.

And the qualities that took us there showed in a later taste-off of fifteen local beers, each previously judged the best of its style. I was one of four judges for the Wig & Pen trophy, assessing the diverse line up of international styles – English standard pub ale, Bohemian pilzen, Vienna lager, bock, Munich helles lager, English extra special bitter, American brown ale, robust porter, Russian imperial stout, English-style India pale ale, American barley wine, Belgian triple, German hefeweizen, Flanders red ale and rauchbier.

After much sipping and discussion we narrowed the field down to four brews, each an outstanding example of its style – the English standard pub ale, the extra special bitter, the robust porter and the Rauchbier.

The ballot produced a clear trophy winner – Mike Day’s extra special bitter, an appealing deep-amber ale with distinctive, zesty hops. Mike also won second place for his gentle, refreshing English style pub ale.

Mike’s winning ale recipe will now be brewed by Richard Watkins and offered over the bar at the Wig & Pen in the new year.

Copyright © Chris Shanahan 2009

Wine review — Draytons, Yalumba and Running With Bulls

Draytons Vineyard Reserve Pokolbin Shiraz 2007 $30
This is one of those beautiful old school Hunter reds – medium bodied, gentle, supple and soft but savoury and earthy, too. It’s sourced from two old Drayton family vineyards at Pokolbin, a sub-district of the Hunter Valley – the 40-year old Bull Paddock Block and 110-year-plus Old Flat Shiraz Block. The grapes were hand picked, fermented in small, open vats and matured in a mix of new French oak and older French and American barriques. While the oak supports the wine, it doesn’t get in the way of the pure fruit flavour from those venerable old vineyards. It’s a gem.

Vineyard Reserve Pokolbin Chardonnay 2009 $30
Try this and you’ll see why judges at the 2009 Hunter Valley Wine Show gave it a gold medal and trophy. Winemaker Will Rickard-Bell captured the vibrant, pure, succulent, nectarine-like varietal flavour and added subtle background flavours and texture with careful oak treatment: fermentation of half the blend in new French barrels and the balance in steel tanks, followed by a few months in older barrels. Will says it’s sourced from a very small plot of vines planted to the Penfolds clone back in 1965 – making it one of Australia’s oldest chardonnay vineyards. See www.draytons.com.au

Yalumba Langhorne Creek Vermentino 2009 $14.95
Running With Bulls Barossa Tempranillo 2009 $18.9
5
The ability of vermentino, an Italian white variety, to withstand heat and drought makes it a good candidate for Australian vineyards. There’s a fair bit of it being planted now. But the true test will be whether we enjoy the wines it makes. This one has a fresh passionfruit-like aroma and flavour, reminiscent of ripe sauvignon blanc, but seems a bit coarse and hard on the palate. Spain’s tempranillo is another comparative newcomer to Australia with potential to become mainstream, thanks to its flesh fruit flavour and firm, but not hard, tannins. Yalumba’s is a ‘bistro’ version of the style – zesty, fruity and ready to drink now.

Copyright © Chris Shanahan 2009

Beer review — Brains and Daleside

Brains SA Premium Beer from Wales 440ml can $4.00
It’s all the way from Cardiff, just $4 a can, and a very good example of dry, mild ale: burnished-copper colour; attractive, fruity-malty aroma; malty but dry palate with subtle hops flavours and mildly bitter finish. It’s understated, complex and at 4.2 per cent alcohol easy to sink a few.

Daleside Old Leg Over 500ml $8.20
From Wales we head north and west to Yorkshire for a darker, but still dry-ish ale, billed as ‘a right grand Yorkshire beer’. It’s beautifully fresh, with roasted-malt and nutty flavours to the fore – and well-judged hops bitterness kicking in refreshingly at the finish. All that, and it’s just 4.1 per cent alcohol.

Copyright © Chris Shanahan 2009

Pumpkin brew for Jindabyne

Drinkers at Jindabyne’s Banjo Paterson Inn know part owner, Gavin Patton, as pumpkin – a nickname soon to be immortalised on tap.
Last week Chuck Hahn pitched the yeast into the first batch of pumpkin ale – a true witches kettle of malted barley, roasted pumpkin, nutmeg, allspice, ginger, cinnamon and Pride of Ringwood and Summer Saaz hops.

Pumpkin plays a dual role says Chuck – together with the malted barley it provides sugar for fermentation (and hence alcohol) and also adds a distinct flavour.

Pride of Ringwood hops give bitterness (but not too much), while the Summer Saaz and spices, added late, during the whirl-pooling process, contribute aromatics and flavour.

It’s bubbling away in the Banjo’s cauldron as I write. Chuck says fermentation will take a week. Then there’ll be a week’s maturation before it goes on tap in the bar. There’ll be a small picture of pumpkin Patton on the logo, Chuck says, adding “we’ve got a big one, too, but we want to sell some beer”.

Copyright © Chris Shanahan 2009

Hilltops shiraz wins Jimmy Watson trophy — but more reform needed

The Jimmy Watson trophy is to wine drinkers what the Melbourne Cup is to once a year punters. We’ve all heard of it. There’s a buzz each year as the Melbourne show unveils the latest winner. And for the winner, especially if it’s a little known winery, victory can be a fast track to glory.

This year the coveted crystal and silver jug came to the Eden Road Winery, Canberra, for its Hilltops Shiraz 2008. The wine had previously won trophies as best shiraz and best red at the 2009 Canberra Regional show and shared the champion-wine trophy with Ken Helm’s Premium Riesling 2009 (which also won gold in Melbourne).

The bad news is that the juicy, drink-now red sold out shortly after the trophy announcement a few weeks back. And the good news is that the 2009 vintage – now maturing in Eden Road’s cellar in the old Kamberra Winery – will remain at a modest $16.50 a bottle when it’s released next year. I tasted components of it today alongside the Jimmy winner and have little doubt that it’ll be at least as good, and in the same supple, easy-drinking mould. Winemaker Nick Spencers views the 2009s as ‘a big step up from the 2008s’.

Nick says the majority of grapes used in the trophy winner came from Jason Brown’s Moppity Park vineyard – the second oldest in the Hilltops region (established 1973) – with components from Grove Estate and other vineyards.

And he sees a fundamental difference between Hilltops and Canberra shiraz – the former showing bright, berry fruit, with an open, easy drinking character; the latter making fragrant but taut wines needing time to mature.

The Hilltops fruit, he says, doesn’t demand oak maturation the way cabernet or fuller bodied shiraz does. Indeed, Nick matured the majority of the winning blend in steel tanks and the balance in older oak barrels.

Apart from cutting the oak bill (and the price of the finished wine) maturation in tank lends an agreeable gamey note to the wine – a characteristic readily observed while comparing tank and barrel samples of the as yet unblended 2009 vintage.

Eden Road Hilltops Shiraz 2008, says Steve Webber, chair of the Melbourne show, is only the second winner in the trophy’s 37-history to have been bottled and in the market at the time of judging. Until recently the line up was the domain of raw young reds not due for blending, let alone bottling, for many months away. The break out box explains why this was so – and why it made the Jimmy Watson not only Australia’s best-known wine award but also its most reviled by critics, including me.

Stephen Shelmerdine, Chair of the wine show committee of the Royal Agricultural Society of Victoria (RASV), tells me that bottled exhibits now account for 75–80 per cent of all entries. The change, he says, result from a run of earlier vintages, wines spending less time in oak and shifting the judging from July to October.

And there’s been tremendous pressure, too, to bring the trophy in line with standards adopted by Australia’s other wine shows: no awards for unfinished wine.

Stephen explained that making changes requires the agreement of RASV, as show organise, and the Watson family, as custodians of the Jimmy Watson Trophy trust deed.

He says that after widespread consultation with the industry, from 2010 the trophy will be open to both one and two year old reds – meaning an even higher proportion of bottled wine in the judging line up.

But he admits there’s continuing pressure to exclude unfinished wine – an option still being considered by the RASV and the Watson family.

But even if we assume that what wins the trophy is what we finally drink, what makes the trophy so noteworthy?

I can’t fathom it. It’s not inherently superior to other judgements. It’s not a line-up of the best of the best – just a gang of one-year-old reds from all over the country. The trophy’s success seems to be based more on an emotional appeal, perhaps derived from its long history and steady promotion over four decades. Interestingly, the background story is seldom told now that the trophy has a life of its own.

I remain a Jimmy Watson sceptic on three grounds. The first, now receding as we see more finished products in the race; the second that no single award means a great deal – look for wines with a string of successes in different shows; and thirdly that just because the judges at one show like a wine doesn’t mean that you or will.

Take, for example last year’s winner, Flametree Cabernet Merlot 2007 – I couldn’t get through even a single glass of; down the sink it went.
This year’s winner is another story. It’s delicious, but sadly no longer available. Full marks, though, to the Eden Road team for not letting the victory go to its head. We can all look forward to trying the 2009 next year at the same realistic price.

The Jimmy Watson trophy over the years
In 1962 Jimmy Watson, wine merchant, died. At his funeral, a hat passed amongst Watson’s loyal followers, raising funds to sponsor an annual ‘Jimmy Watson Memorial Trophy’ for the best one-year-old red wine at the Melbourne Wine Show.

There are those who still remember Jimmy with fondness – none more so than his son Alan as he presides, with his son, over the Jimmy Watson Wine Bar founded by his father all those years ago.

But somewhere along the way, the trophy took on a life of its own – a farcical, commercial life far removed from the world Jimmy Watson inhabited during his lifetime.

Alan Watson remembers his father as a wine pioneer – a man who cheerfully weathered the sneers of some fellow Australians for nothing more than encouraging the consumption of table wine with food. In those days wine was just plonk.

Bill Chambers, maker of superb Rutherglen fortifieds and long-term chair of judges at the Melbourne wine show, once told me that he recalled Watson’s Wine bar in the late 1950s. There were bottles everywhere as a leather-apronned Jimmy, a great showman, worked with two rubber tubes to bottle a hogshead of red before lunch – an enviable feat in Chamber’s view, and one Jimmy Watson was proud of.

In those days Bill Chambers worked up in the Clare Valley with the Stanley Wine Company. He remembers Melbourne Wine Merchant, Doug Seabrook, buying hogsheads of raw young Clare Valley reds, many of which he sold to Watson. By all accounts it was these vigorous young reds, and not only those from Clare, that interested him most of all.

In an interview some years back, Alan Watson told me that his father’s business was not originally a watering hole as it is today, but a bottle shop where the owner selected and bottled everything himself. But Watson’s great enthusiasm attracted a ring of disciples who soon began bringing food to the shop and adopting a liberal interpretation of licensing laws that permitted patrons to taste wine before purchasing.

The clientele, enthralled by Watson, showman and extrovert, came from all walks of life. But with Melbourne University just up the road from Watson’s Lygon Street premises, academics and students swelled his ranks of followers. Eagerly they swallowed his message.

Dad tried to move the trade into another era,” reminisced Alan Watson. “He wanted wine to be seen as an everyday occurrence, something to be consumed with meals.” He also urged patience, encouraging customers to cellar the immature, purple, one-year-old reds that were the bulk of his trade.

Jimmy Watson was an educator of old and young alike according to Bill Chambers. “Students, professors, everyone brought their tucker down the road before heading up to Watson’s to drink wine. But he was a showman and I can’t remember him drinking much himself.”

Watson’s senior disciples, mostly academics and businessmen, gravitated to an upstairs room, eventually dubbed ‘The House of Lords’ by him. It was these most ardent and articulate followers who passed the hat at Jimmy Watson’s funeral, thus perpetuating his name in the Jimmy Watson Memorial Trophy to be awarded to the robust, year-old reds he so loved.

For the next ten years the Jimmy Watson Trophy – now a household word amongst wine drinkers – remained unknown to wine consumers and of only minor interest to wine companies.

Bill Chambers judged in Melbourne from the early 1960’s. He recalls little fuss over the Watson Trophy until the Berri Co-operative won it in 1973. Then, recalls Chambers, after an heroic celebration, winemaker Brian Barry boarded the plane carrying the Murray River’s first major trophy.

Perhaps we can link the trophy’s rise to fame more with Wolf Blass’s hat trick. He won it in 1974, 1975 and 1976 for his 1973, 1974 and 1975 vintages of ‘Dry Red Claret’. He renamed the wine Wolf Blass Black Label and used the Jimmy as its launching pad. He even proclaimed the triple victory on the neck label of his sparkling wine at the time.

Increasingly since then, to win the trophy is to harvest a windfall. For the hype surrounding each year’s winner virtually guarantees the wine’s commercial success.

While no amount of hosing down seems to quell trade or public clamouring for the winner, the fact is that for most of the trophy’s history, the winning wine has not been the finished product.

This has been the source of sustained and intense criticism, principally from those concerned with the integrity of show results. Awarding medals and trophies to unfinished wine simply magnifies the chance of fraud.

Even the most meticulously honest winery blending a “representative” show sample across a range of barrels can’t say with certainty that what the judges tasted and what goes into bottle are the same wine.

While recent changes made by the show organisers and the Watson family, deserve praise, the reform must go all the way and close the trophy judging to unfinished wine.

We can sympathise with the Watson family’s emotional connection to the raw young reds Jimmy loved to bottle. But the interests of wine drinkers and the integrity of the show system must ultimately rise above those sentiments.

Copyright © Chris Shanahan 2009