Wine review — Capital Wines, Z4 & Ten Minutes by Tractor

Capital Wines Canberra District The Backbencher Merlot 2006 $25, The Frontbencher Shiraz 2007 $25, Kyeema Vineyard Reserve Shiraz 2007 $52
This is an incredibly high quality trio from Capital Wines, formed last year by the Mooney and McEwin families to market Canberra wines made by Andrew McEwin and sourced principally from his Kyeema Vineyard, Murrumbateman. In style ‘Backbencher’ merlot sits somewhere between shiraz and cabernet, with a sweet perfume, delicious mid-palate fruit (a bit like shiraz) and fine but slightly austere tannins (a bit like cabernet) – lovely drop. ‘Frontbencher’ shiraz is all perfume and sweet fruit. It’s fine-boned, soft, delicious and approachable now but could cellar for a few years. The Reserve wine, a selection of the best barrels, has similar fruit flavour to the ‘Frontbencher’ but it’s tightly wrapped in tannins and needs a few years in bottle. It has great potential.

Z4 Zoe Canberra District Riesling 2008 $13.95
This appealing silver medallist from the regional wine show was produced for Bill and Maria Mason, owners of Canberra-based wine wholesaler, Z4.  Bill writes that ‘The wines produced in the Z4 range recognise the Christian names of each of the four family members of the next generation’. We’ve not met Zoe, but her mum and dad can be pretty happy with the zesty riesling named after her. It’s a good example of the regional style, with attractive, drink-now, lime-like varietal flavour. Great value.

Ten Minutes by Tractor Mornington Peninsula
X Pinot Noir 2007 $23, 10X Pinot Noir 2007 $36, Reserve Pinot Noir 2006 $60, McCutcheon Vineyard Pinot Noir 2006 $70

Ten Minutes by Tractor, one of Mornington’s leading chardonnay and pinot noir producers, offers a range of small-production, estate based wines as well the slightly cheaper ‘X’, sourced from a leased neighbouring vineyard. The wines give a spectrum of pinot aromas and flavours from the simpler, fragrant (but still proper pinot) style of ‘X’ through to the more robust and savoury McCutcheon Vineyard wine. You can buy any of these wines with confidence. See www.tenminutesbytractor.com.au for more detail.

Copyright © Chris Shanahan 2009

Pinot noir — small volume, big talk

Pinot noir attracts a lot of talk for a variety that makes up only five per cent of Australia’s annual red grape output. In 2008 it contributed just 47 thousand of the 964 thousand tonnes crushed by our vignerons – a crush dominated by shiraz and cabernet sauvignon at 436 thousand and 254 thousand tonnes respectively.

Pinot’s comparatively small presence in Australia is explained partly by history and largely by climate: historically we grew grapes in warmer areas and came to love the resulting robust reds, led by shiraz. When we sought more elegant red wine styles, including pinot noir, our vignerons had to move to cooler southern or elevated fringes of our warm continent.

Pinot noir, in particular requires a cool to cold climate to deliver the perfume, flavour and supple texture that distinguish it from other varieties. We only have to cross the Tasman to see what a difference a few degrees of latitude makes to its success.

Pinot noir accounts for almost two-thirds of New Zealand’s red wine production, with merlot as its nearest competitor (about one third the volume of pinot) while cabernet and shiraz, restrained largely by climate, are only just on the radar.

In Australia our best pinots tend to come from the southern eastern tip of the mainland at between 37 and 38 degrees south (Macedon, Mornington Peninsula, Geelong,  Bellarine Peninsula, Yarra Valley, Gippsland), occasionally from higher altitude sites further north (for example, the Adelaide Hills) and increasingly from Tasmania, between about 41 and 43 degrees south.

New Zealand’s important pinot plantings start at around 41 degrees south at Martinborough (near Wellington, on the North Island), and continue across the Cook Straight at Marlborough (the country’s biggest grape growing area and biggest pinot noir producer) and to the west of Marlborough at Nelson.
Plantings are expanding, too, further south at Canterbury/Waipara (43 degrees). But perhaps the most significant in quality, if not the biggest in volume, are in the Central Otago district, in the vicinity of Queenstown, at 45 degrees south.

As in Australia, a good deal of New Zealand’s pinot production, particularly in Marlborough, goes to sparkling wine production. But that’s not the pinot that’s grabbing the attention of wine drinkers.

The increasing attention on pinot, from consumers and the industry, builds on the very high quality reds now being delivered by the best Australian and kiwi makers. There’s an inimitable magic in drinking top pinot. But it’s elusive. And though the failures and mediocrities perhaps still outnumber the successes, the odds have increased in favour of the drinker.

Today’s successes build on forty years of pioneering work by small makers. But unlike the case with, say, shiraz or cabernet, where big producers equal boutique makers in quality, top pinot remains largely the domain of the boutiques, both in Australia and New Zealand.

As well, we’re not seeing big volumes of high-quality, low-priced pinot that might bring the variety’s magic to a wider audience. We see the odd, convincingly good pinot at around $20 (for example Curly Flat’s Williams Crossing from Macedon). And Montana – New Zealand’s largest producer, owned by France’s Pernod Ricard – is getting close to the mark with its popular Montana and Stoneleigh Marlborough pinot noirs.

But we’re unlikely ever to see $10 to $15 pinot noir as good as equivalently priced shiraz or cabernet. And that’s because it’s inherently more expensive to make – a function largely of intense viticultural management and lower grape yields.

But increasing numbers of producers are getting their premium pinots right. Here are just a few really top notch styles that I’ve enjoyed in the last few months: Bass Phillip Premium 2004 (Gippsland); various Ten Minutes by Tractor wines priced from $23 to $60, Main Ridge, Stonier’s, Kooyong and Port Phillip Estate (all from Mornington); Curly Flat and Williams Crossing (Macedon); Phi and De Bortoli (Yarra Valley); Felton Road and Carrick (Central Otago, NZ); Ashton Hills (Adelaide Hills); Neudorf (Nelson, NZ) and Ata Rangi (Martinborough, NZ).

All the talk about pinot includes two large-scale events – one in Wellington, New Zealand, this week, the other in Mornington Peninsula in the first week of February. The keynote speaker for each is well-known English commentator, Jancis Robinson. But there’ll be an opportunity to taste top pinot from around the world.

I’ll bring back a shopping list from the Mornington event.

Copyright © Chris Shanahan 2009

Hard times ain’t what they used to be

According to South Australia’s Coopers Brewery, increasing sales of home-brew kits are a litmus of tough economic conditions. But hard times ain’t  what they used to be.

In a press release earlier this month the company said that sales of home brew products began moving up last March ‘when interest rates reached 7.25%’ and have surged again as the volume of bad economic news increased.

As the world’s leading producer of malt extract used by many home brewers, and a manufacturer of home brew kits, Coopers is perhaps better positioned than any brewery to spot the trend.

In earlier recessions people turned to basic home brewing to save money. While saving money remains a motivator, it seems that today’s home brewers demand upmarket international beer styles.

Presumably they enjoyed premium beers during the good times and are determined to keep the habit even if it means brewing it themselves.

Coopers says it currently offers 19 different beer styles for home brewing and plans to increase the range to meet the new demand.

Copyright © Chris Shanahan 2009

Beer review — Rodenbach & Lindemans

Rodenbach 250ml $6
This classic red-brown ale from Flanders combines three parts of young ale with one part ale that’s been oak matured for two years. The result is a surprisingly balanced but earthy, distinctive beer with a pleasantly tart, slightly sour, refreshing and acidic edge. Alcohol content is a modest 5.2% by volume.

Lindemans Cuvée René Geuze Lambic 355ml $9
Belgium’s lambic beers undergo a spontaneous ferment in micro-flora-riddled oak barrels, sometimes with fruit, most famously cherries, added during the ferment. This one, a blend of beers of various ages, was bottled conditioned and contains no fruit. It’s intensely sour and dry. But that’s the style – one to love or hate. This is to beer what sherry is to table wine.

Copyright © Chris Shanahan 2009

Beer writer Willy Simpson turns to brewing, mead making

Willie Simpson, beer columnist for our sister publication, The Sydney Morning Herald, and author of The Beer Bible, recently opened a brewery and meadery in Tasmania.

A few months before the opening I’d come across a gum-booted Willie lending a hand – and perhaps getting a few pointers from brewer Richard Watkins – in the cellar at Canberra’s Wig & Pen Pub Brewery.
At the time Willie said that he and his partner Catherine Stark intended to grow their own hops for their beer and to use local honey for their cider.

The dream crystallised with the opening of Seven Sheds Brewery, Meadery and Hop Garden in May 2008. It’s located at 22 Crockers Street, Railton, Tasmania, not far off the Bass Highway connecting Devonport to Launceston. You can get a birds-eye view using www.maps.google.com

If you’re heading that way it’s a short drive south of Devonport and could be a good starting point in discovering Tassie drinks and food. You can taste Willie and Catherine’s cider and mead at the cellar door and enjoy a tour of the cellars – and perhaps a look at the hops garden in season.
See www.sevensheds.com for more information.

Copyright © Chris Shanahan 2009

Beer review — Timothy Taylor & Petrus

Timothy Taylor Landlord Strong Pale Ale 500ml $7.90
It’s not particularly pale – mid-amber’s more like it. Nor is it strong at a modest 4.1 per cent alcohol. But it’s beautifully fresh and wonderfully, lingeringly bitter – although not in the harsh, resiny way seen in some heavily hopped brews. Indeed the hops aroma and flavour work well with the underlying maltiness.

Petrus Oud Bruin 330ml $5.10
Oud Bruin (literally ‘old brown’) is a distinctive, dark, sour beer from Flemish Belgium. The Petrus version of the style is aged in oak barrels for 20 months, allowing plenty of time for a microbial tag team to produce those distinguishing sour notes. And that’s what it is  — dark, tart, sour and idiosyncratic.

Copyright © Chris Shanahan 2009

Wine review — Zonte’s Footstep

Zonte’s Footstep Langhorne Creek Verdelho 2007, Pinot Grigio 2007 and Viognier 2007 $15–$18
A group of old schoolmates established a 210-hectare vineyard at Langhorne Creek in the late nineties and launched the Zonte’s Footstep brand about seven years later. The group sells a good deal of the grapes but winemaker Ben Riggs selects parcels for the Zonte wines. The verdelho’s my pick of the whites as it’s clean, fresh and bone dry. It’s lighter than chardonnay, heavier than riesling and not as in-your-face as sauvignon blanc. The pinot grigio is more powerful and savoury and beginning to fatten up with age – so drink up. And the viognier shows fresh, distinctive apricot-like varietal flavour

Zonte’s Footstep Langhorne Creek Dry Rosé 2007 and Cabernet Malbec 2006 $15–$18
If we’re going to drink rosé it should, at least, be dry and made from purpose-grown grapes – as Zonte’s is. In this version, Ben Riggs used cabernet and petit verdot in a blend that delivers rich fruit flavour with a pleasant dry, savoury edge. It’s pleasant as rosés go, but overshadowed by the cabernet malbec blend – a solid, deeply-coloured red combining two varieties that seem to do particularly well in Langhorne Creek. The region’s cabernet tends to have clear varietal flavour with an atypically fleshy mid palate. This seems to work well with the deeply coloured, opulent malbec – and a truly dry, tannic finish mark it as a real red.

Zonte’s Footstep Langhorne Creek Shiraz Viognier 2007 and Sangiovese Barbera 2007 $15–$18
What a big, soft, juicy, beautiful mouthful of fruit the shiraz viognier blend offers. It’s an enjoyable, drink-now expression of a combination that all too often doesn’t work, as even a few drops too much of the white viognier can spoil the blend. Even though it’s fleshy and soft, there’s plenty of tannin there to give grip and finish. Sangiovese and barbera are indigenous Italian varieties, the former tending to be light coloured (partly because it tends to overcrop) and tannic and the latter purple-hued and acidic. It’s no doubt taken a bit of work in the vineyard to achieve the colour and flavour depth of this blend. It’s very fruity, fresh and bright with a structure of fine tannin and brisk acidity.

Copyright © Chris Shanahan 2009

Will Foster’s support revolutionary new seal for Penfolds Grange?

If winemaker Peter Gago’s vision is realised, future vintages of Penfolds Grange will be sealed with a unique glass-to-glass closure, developed in-house and now being trialled on the 2006 vintage. Adoption of the closure could create for Foster’s new chief executive, Ian Johnstone, an opportunity to shake the wine world with a powerful assertion of Aussie wine quality. Penfolds, the greatest blue chip of Foster’s wine brands, could rightly claim to have closed the final link in the quality-control chain. The long-term benefit for Grange, indeed for Penfolds reds in general, would be huge.

But despite the successful trial, adoption of the closure is not a fait accompli. Given the harsh economic environment, and with Foster’s reviewing its poorly-performing international wine business, the glass-seal project could easily be swept aside. But it would be short sighted to do so.

Grange is our greatest international wine icon. It’s been around since 1951 and, like the great wines of France, its custodians must view its future in centuries, not in the fleeting blip of even the nastiest recession.

What makes these wines hold their allure across the centuries? In a nutshell it’s the perception – by thousands of people over great spans of time – of unique style and superior quality sustained. This judgment is expressed in the premium that people are prepared to pay. Indeed this was the basis of Bordeaux’s classification of its great wines in 1855.

Peter Gago’s glass-seal project recognises that in this elite world, where a bottle might cost hundreds or even thousands of dollars, quality control isn’t limited to grape growing, winemaking, maturation and bottling – especially when there’s an assumption of longevity, where individual vintages may be enjoyed for many decades, sometimes a century or more. For wines of this calibre the winemaker must do everything possible to deliver every bottle in pristine condition.

And, so, we arrive at the pointy end of the Grange bottle and what to put in it – or over it. At present you’ll find an A-grade cork, says Gago, ‘but we are perpetually unimpressed by it’, largely because of cork taint – a musty taste caused by cork-borne trichcloroanisole (TCA). If there’s TCA in a cork, it’ll taint the wine immediately and forever. There’s no going back. And in the case of Grange, that could be goodbye $500.

Why not screw cap? Two thirds of Aussie wines now have one, Penfolds offers all of its wines, except Grange, under screw cap and it’s now known that cap-sealed whites and reds mature normally.

But Peter Gago says that while we know for sure that there are no problems with white wine stored under screw cap for forty years, we don’t have certainty beyond a decade or two for reds. He says that white and red wine chemistry is different and we simply don’t understand enough about how red might react in the very long term with the wads that form the seal inside screw caps.

He believes it’s an important area for the Australian Wine Research Institute to investigate. But meanwhile, given Grange’s multi-decade cellaring capacity, he initiated the glass-to-glass concept, reported here in May 2007.

Subsequently, Peter’s team developed two prototypes – a spring loaded device and a ‘pseudo screw cap’ – in time to test on the 2006 vintage. He says that they’re now ready to take it to the next level. But that requires money, and that’s very tight in the current environment.

Nevertheless it presents a golden opportunity for Foster’s to take a global lead – and seize a competitive advantage. And if they don’t, such a good idea’s sure to attract support from a savvy entrepreneur or, at worst, from a competitor ready to embrace the new technology.

Copyright © Chris Shanahan 2009

Byron Bay’s Stone & Wood beer released

If you’re headed up the NSW north coast this summer, keep an eye out for the new Stone  & Wood Draught Ale in pubs around Byron Bay. This is the first batch of beer from the new brewery set up in Byron by industry veterans Brad Rogers, Ross Jurisich and Jamie Cook.

I’ve not tried the beer, but given Brand Rogers’ distinguished brewing background, it’s likely to be outstanding. Brad’s been in the game a long time, most recently at the Foster’s owned Matilda Bay.
Brad headed the brewing team. And as well as overseeing production of larger-scale products like Redback, he developed numerous, brilliant, small-production specialties – such as Alpha Pale Ale and Naked Ale (for Chloe’s bar at Young & Jackson’s hotel, Melbourne) at the company’s microbrewery in Dandenong.

Because they’re distributing only locally, the Stone  & Wood Ale goes straight from vat to keg without filtration or pasteurisation. And that means drinkers can experience the full, ultra-fresh flavour that only brewers usually experience – assuming fast stock turnover.

Wood & Stone Draught Ale is currently available at The Rails and Great Northern Hotels, Byron Bay, Bangalow Hotel and the Pacific Hotel, Yamba.

Copyright © Chris Shanahan 2009

Beer review — Courage & Hook Norton

Courage Directors Amber Ale 500ml $7.10
This is a mild, dark-amber coloured ale built on a rich caramel-like malt aroma and flavour. It’s generous and soft on the palate with subtle hops providing a spicy and mildly bitter counterfoil to the maltiness. It’s an appealing cool-weather drink and best served cool rather than cold.

Hook Norton Brewery Old Hooky Ale 500ml $8.00
Old Hooky presents layers of aroma and flavour. It’s fruity, malty, hoppy, bittersweet, brisk and delicious. It’s built on malted barley, but it also contains wheat – presumably source of the pleasant tartness that adds life to the generous malt flavour. This is distinctive ale with lingering, refreshing bitterness.

Copyright © Chris Shanahan 2009